Soul Classics

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Elenco tracce

▼ CD 1
#TitoloArtistaValutazioneDurata
1Mustang Sally
registrata a:
Muscle Shoals, Alabama, Stati Uniti (il 1966-10-13)
tecnico:
Tom Dowd e Rick Hall (American producer & FAME studios founder, "Father of Muscle Shoals Music")
produttore:
Rick Hall (American producer & FAME studios founder, "Father of Muscle Shoals Music") e Jerry Wexler
basso elettrico [electric bass] :
Tommy Cogbill (dal 1966-10-13 al 1966-10-14)
batteria :
Roger Hawkins (dal 1966-10-13 al 1966-10-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (dal 1966-10-13 al 1966-10-14)
chitarra [lead guitar] :
Lincoln "Chips" Moman (dal 1966-10-13 al 1966-10-14)
sassofono tenore :
Gilbert Caples (dal 1966-10-13 al 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1966-10-13 al 1966-10-14) e Eddie Logan (dal 1966-10-13 al 1966-10-14)
tastiera [piano, organ] :
Dewey "Spooner" Oldham (dal 1966-10-13 al 1966-10-14)
tromba :
Gene “Bowlegs” Miller (American trumpeter) (dal 1966-10-13 al 1966-10-14)
voce:
Wilson Pickett (dal 1966-10-13 al 1966-10-14)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (dal 1966-10-13 al 1966-10-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 434)
registrazione cover di:
Mustang Sally (dal 1966-10-13 al 1966-10-14)
paroliere e compositore:
Sir Mack Rice
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia Pty. Ltd., Fourteenth Hour Music, Inc., Springtime Music, Inc. e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Wilson Pickett43:09
2Chain of Fools
registrata a:
New York, New York, Stati Uniti
tecnico di registrazione e tecnico di missaggio:
Tom Dowd
produttore:
Jerry Wexler
batteria :
Roger Hawkins (il 1967-06-23)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-06-23) e Joe South (il 1967-06-23)
chitarra basso :
Tommy Cogbill (il 1967-06-23)
pianoforte :
Aretha Franklin (il 1967-06-23)
pianoforte elettrico :
Spooner Oldham (il 1967-06-23)
cori:
Carolyn Franklin (il 1967-06-23), Erma Franklin (il 1967-06-23), Ellie Greenwich (il 1967-06-23) e The Sweet Inspirations (il 1967-06-23)
voce:
Aretha Franklin (il 1967-06-23)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-06-23)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 249) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 306)
registrazione di:
Chain of Fools (il 1967-06-23)
paroliere e compositore:
Don Covay
editore:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner-Tamerlane Publishing Co. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
Aretha Franklin4.252:48
3Hard to Handle
registrazione di:
Hard to Handle
autore:
Allen Jones (producer/songwriter/musician/engineer), Alvertis Isbell e Otis Redding
editore:
Irving Music (BMI), Carlin Music Corporation (nel 1968) e Irving Music, Inc. (nel 1968)
Otis Redding2:20
4Mr. Pitiful
registrazione di:
Mr. Pitiful
paroliere e compositore:
Steve Cropper e Otis Redding
editore:
Irving Music, Inc.
Otis Redding2:43
5I Never Loved a Man (The Way I Love You)
tecnico di registrazione:
Rick Hall (American producer & FAME studios founder, "Father of Muscle Shoals Music")
produttore:
Jerry Wexler
batteria :
Roger Hawkins (il 1967-01-24)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-01-24) e Chips Moman (il 1967-01-24)
chitarra basso :
Tommy Cogbill (il 1967-01-24)
pianoforte :
Aretha Franklin (il 1967-01-24) e Spooner Oldham (il 1967-01-24)
sassofono tenore :
Joe Arnold (il 1967-01-24) e Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-01-24)
tromba :
Ken Laxton (il 1967-01-24)
trombone :
David Hood (il 1967-01-24)
voce:
Aretha Franklin (il 1967-01-24)
direttore d'orchestra:
Tom Dowd (il 1967-01-24)
arrangiatore corno :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrata presso:
Muscle Shoals Sound Studio in Sheffield, Alabama, Stati Uniti (il 1967-01-24)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 186)
registrazione di:
I Never Loved a Man (The Way I Love You) (il 1967-01-24)
paroliere e compositore:
Ronnie Shannon
editore:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music e Pronto Music (publisher)
Aretha Franklin42:45
6In the Midnight Hour
registrata a:
Memphis, Tennessee, Stati Uniti (il 1965-05-12)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records) e Jerry Wexler
basso elettrico [electric bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (il 1965-05-12)
batteria :
Al Jackson (Booker T & The MGs drummer) (il 1965-05-12)
chitarra :
Steve Cropper (il 1965-05-12)
pianoforte :
Joe Hall (Stax studio pianist, 1960s) (il 1965-05-12)
sassofono baritono :
Floyd Newman (il 1965-05-12)
sassofono tenore :
Charles “Packy” Axton (il 1965-05-12) e Andrew Love (il 1965-05-12)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1965-05-12)
voce:
Wilson Pickett (il 1965-05-12)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1965)
registrata presso:
Stax Studios (Recording studio for Stax Records) in Memphis, Tennessee, Stati Uniti (il 1965-05-12)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 134) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 218)
registrazione di:
In the Midnight Hour (il 1965-05-12)
autore:
Steve Cropper e Wilson Pickett
editore:
Carlin Music Corporation, Cotillion Music Inc. (BMI), East Publishing Inc. e Irving Music, Inc.
Wilson Pickett32:35
7Slip Away
tecnico di registrazione e produttore:
Rick Hall (American producer & FAME studios founder, "Father of Muscle Shoals Music")
basso :
David Hood (il 1968-04-08)
batteria :
Roger Hawkins (il 1968-04-08)
chitarra :
Clarence Carter (il 1968-04-08)
organo :
Barry Beckett (il 1968-04-08)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1968-04-08), Andrew Love (il 1968-04-08) e Aaron Varnell (il 1968-04-08)
tromba :
Gene Miller (American trumpeter) (il 1968-04-08) e Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (il 1968-04-08)
voce:
Clarence Carter (il 1968-04-08)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (il 1968-04-08)
registrazione di:
Slip Away (il 1968-04-08)
autore:
William Armstrong, Marcus Daniel e Wilbur Terrell
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Clarence Carter4.52:34
8Please, Please, Please
registrata a:
Cincinnati, Ohio, Stati Uniti (il 1956-02-04)
produttore:
Ralph Bass
basso :
Clarence Mack (US bassist) (il 1956-02-04)
batteria :
Edison Gore (il 1956-02-04)
chitarra :
Nafloyd Scott (il 1956-02-04)
pianoforte :
Lucas "Fats" Gonder (il 1956-02-04)
sassofono tenore :
Ray Felder (il 1956-02-04) e Wilbert Smith (il 1956-02-04)
voce di accompagnamento:
Bobby Byrd (founder of the Famous Flames, James Brown's vocal group) (il 1956-02-04), Nashpendle Knox (il 1956-02-04), Sylvester Keels (member of James Brown & The Famous Flames) (il 1956-02-04) e Johnny Terry (bass vocals, member of James Brown & The Famous Flames) (il 1956-02-04)
voce principale:
James Brown (The Godfather of Soul) (il 1956-02-04)
esecutore:
James Brown & The Famous Flames (il 1956-02-04)
diritti fonografici (℗) detenuti da:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (dal 1956 a oggi)
registrata presso:
King Studios in Cincinnati, Ohio, Stati Uniti (il 1956-02-04)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 142)
registrazione di:
Please, Please, Please (il 1956-02-04)
paroliere e compositore:
James Brown (The Godfather of Soul) e Johnny Terry (bass vocals, member of James Brown & The Famous Flames)
editore:
Intersong Music, Intersong Music Ltd. e Jadar Music Corp.
James Brown2:46
9Do Right Woman, Do Right Man
tecnico di registrazione:
Rick Hall (American producer & FAME studios founder, "Father of Muscle Shoals Music")
produttore:
Jerry Wexler
batteria :
Roger Hawkins (il 1967-01-24)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-01-24)
chitarra basso :
Tommy Cogbill (il 1967-01-24)
organo :
Spooner Oldham (il 1967-01-24)
pianoforte :
Aretha Franklin (dal 1967-01-24 al 1967-01)
voce:
Aretha Franklin (dal 1967-01-24 al 1967-01)
voce di accompagnamento:
Carolyn Franklin (il 1967-01-24), Erma Franklin (il 1967-01-24) e Cissy Houston (il 1967-01-24)
direttore d'orchestra:
Tom Dowd (il 1967-01-24)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (nel 1967-01) e Muscle Shoals Sound Studio in Sheffield, Alabama, Stati Uniti (il 1967-01-24)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 473)
registrazione di:
Do Right Woman, Do Right Man (dal 1967-01-24 al 1967-01)
autore:
Chips Moman e Dan Penn
editore:
Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), TRO Essex Music Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Aretha Franklin53:18
10I've Got Dreams to Remember
registrazione di:
I’ve Got Dreams to Remember
autore:
Otis Redding, Zelma Redding e Joe Rock (US songwriter/band manager)
editore:
GMB Unlimited Publishing (ASCAP) e Irving Music, Inc.
Otis Redding3:15
11The Dark End of the Street
registrazione cover di:
The Dark End of the Street
autore:
Chips Moman e Dan Penn
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Percy Sledge2:48
12Try a Little Tenderness
registrazione cover di:
Try a Little Tenderness
paroliere:
James Campbell (British songwriter and music publisher) e Reginald Connelly
compositore:
Harry M. Woods (American 1920/30s songwriter)
editore:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. e Campbell Connelly & Co. Ltd. (il 1932-11-04)
Otis Redding3:48
13Show Me
registrata a:
Nashville, Tennessee, Stati Uniti (il 1967-02-01)
produttore:
Buddy Killen
batteria [drums] :
Clyde Williams (US drummer) (il 1967-02-01)
chitarra :
Lee Royal Hadley (guitar, Soul) (il 1967-02-01)
sassofono tenore :
Charles Farley (il 1967-02-01)
tromba :
Emile Hall (il 1967-02-01) e Leroy Monroe (il 1967-02-01)
trombone :
Anthony Dorsey (il 1967-02-01) e Sly Sellers (il 1967-02-01)
voce:
Joe Tex (American southern soul musician) (il 1967-02-01)
voce di accompagnamento:
vocal group ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1967-02-01)
parte di:
Cachitos Nochevieja 2022 (numero: 28)
registrazione di:
Show Me (il 1967-02-01)
autore:
Joe Tex (American southern soul musician)
Joe Tex2:57
14Theme From "Shaft"
edit di:
Theme From Shaft di Isaac Hayes
registrazione di:
Theme From Shaft (Shaft, 1971)
paroliere e compositore:
Isaac Hayes
editore:
Irving Music, Inc.
parte di:
The 44th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 44)
parte di:
Shaft (1971 film soundtrack)
Isaac Hayes4.53:17

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