The Best of Jerry Lee Lewis

~ Veröffentlichung von Jerry Lee Lewis (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

▼ CD 1
Nr.TitelBewertungLänge
1Great Balls of Fire
recording of:
Great Balls of Fire
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
Carlin Music Corporation und Hill & Range Songs, Inc. (publisher)
1:51
2Jambalaya
cover recording of:
Jambalaya (On the Bayou)
Texter und Komponist(in):
Hank Williams (country music legend)
publisher:
Acuff-Rose Music Limited (UK), Acuff-Rose-Opryland Music Limited (UK), Fred Rose Music, Inc., Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) und Acuff-Rose Publications, Inc. (BMI) (am 1952-07-28)
1:59
3Release Me
Produzent(in):
Jack Clement, Bill Justis und Sam Phillips (founder of Sun Records)
Gitarre:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1959-03)
Klavier:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (in 1959-03)
Schlagzeug:
Jimmy Van Eaton (in 1959-03)
vocals:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (in 1959-03)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1974)
cover recording of:
Release Me (in 1959-03)
Verfasser(in):
Eddie Miller (US country music songwriter), Dub Williams (pseudonym used by James Pebworth) und Robert Yount (songwriter)
zusätzliche(r) Verfasser(in):
W.S. Stevenson
publisher:
Acuff-Rose Music Limited (UK), Four Star Sales, Roschelle Publishing und Sony/ATV Music Publishing Ltd.
2:09
4What'd I Say
cover recording of:
What’d I Say
Texter und Komponist(in):
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. und Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
2:26
5It'll Be Me
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Gitarre:
Roland Janes (in 1957-02)
Klavier:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (in 1957-02)
Schlagzeug:
Jimmy Van Eaton (in 1957-02)
vocals:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (in 1957-02)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1958)
recording of:
It’ll Be Me (in 1957-02)
Texter, Verfasser(in) und Komponist(in):
Jack Clement
publisher:
Bob Webster Music und Universal Music Publishing Ltd. (Universal Music Publishing Limited, UK subsidiary of Universal Music Publishing Group)
2:14
6Good Rockin' Tonight
cover recording of:
Good Rockin’ Tonight
Texter und Komponist(in):
Roy Brown (blues musician) (in 1947-07)
publisher:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. und Wixen Music UK Ltd.
2:43
7Be Bop-A-Lula
Produzent(in):
Scotty Moore (American guitarist and recording engineer) und Sam Phillips (founder of Sun Records)
Bassgitarre:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (am 1962-06-14)
Gitarre:
Roland Janes (am 1962-06-14) und Scotty Moore (American guitarist and recording engineer) (am 1962-06-14)
Klavier:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (am 1962-06-14)
Orgel:
Shirley Sisk (am 1962-06-14)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (am 1962-06-14)
vocals:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (am 1962-06-14)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1971)
Remix von:
Be‐Bop‐A‐Lula (stereo) von Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”)
cover recording of:
Be‐Bop‐A‐Lula (am 1962-06-14)
Verfasser(in):
Bill “Tex” Davis und Gene Vincent
2:26
8Good Golly Miss Molly
Produzent(in):
Billy Sherrill (US songwriter/producer/arranger)
Bassgitarre:
Floyd Chance (am 1962-09-11)
Gitarre:
Fred Carter (am 1962-09-11) und Kelton 'Kelso' Herston (am 1962-09-11)
Klavier:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (am 1962-09-11)
Schlagzeug:
Buddy Harman (am 1962-09-11)
Chorgesang und Hintergrundgesang:
Helen Chance (am 1962-09-11), Neal Matthews (am 1962-09-11), Gordon Stoker (US pianist, tenor vocalist and music publisher) (am 1962-09-11), Ray Walker (US bass singer, Jordanaires member) (am 1962-09-11) und Marijohn Wilkin (am 1962-09-11)
vocals:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (am 1962-09-11)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1962)
Remix von:
Good Golly Miss Molly (master stereo) von Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”)
cover recording of:
Good Golly Miss Molly (am 1962-09-11)
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Cedos Music, Jondora Music, PeerMusic AB, Prestige Music ltd. und Robin Hood Music Co.
2:19
9Invitation to Your Party
recording of:
Invitation to Your Party
Texter und Komponist(in):
Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
1:56
10Lewis Boogie
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1957-06)
Gitarre:
Roland Janes (in 1957-06)
Klavier:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (in 1957-06)
Schlagzeug:
Jimmy Van Eaton (in 1957-06)
vocals:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (in 1957-06)
phonographisches Urheberrecht (℗) von:
Sun Record Company (vom 1958 bis heute, in 1958)
recording of:
Lewis Boogie (in 1957-06)
Texter und Komponist(in):
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”)
publisher:
Knox Music, Inc.
2:00
11Hello Josephine
Remix von:
Hello Josephine (My Girl Josephine) (master stereo) von Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”)
Bearbeitung von:
Hello Josephine (slate & master) von Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”)
cover recording of:
My Girl Josephine
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
publisher:
EMI United Partnership Ltd.
1:43
12Big Blon' Baby
Produzent(in):
Jack Clement, Bill Justis und Sam Phillips (founder of Sun Records)
Bassgitarre:
Billy Lee Riley (von 1958-12 bis 1959-01)
Gitarre:
Roland Janes (von 1958-12 bis 1959-01)
Klavier:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (von 1958-12 bis 1959-01)
Schlagzeug:
Jimmy Van Eaton (von 1958-12 bis 1959-01)
vocals:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (von 1958-12 bis 1959-01)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1959)
recording of:
Big Blon’ Baby (von 1958-12 bis 1959-01)
Verfasser(in):
Kenny Jacobson und Rhoda Roberts
publisher:
Alamo Music, Inc.
1:42
13Whole Lotta Shakin' Goin' On
cover recording of:
Whole Lotta Shakin’ Goin’ On
Verfasser(in):
Roy Hall (US rockabilly pianist & songwriter) und Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) und Whole Lotta Shakin' Music
2:54
14Sweet Little Sixteen
cover recording of:
Sweet Little Sixteen
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Fermata do Brasil, Isalee Music Publishing Co. (Publisher. Chuck Berry's music publishing company.), Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
2:56
15I'll Make It All Up to You
cover recording of:
I’ll Make It All Up to You
Texter und Komponist(in):
Charlie Rich (US country singer)
publisher:
Hi Lo Music
3:06
16Put Me Down
cover recording of:
Put Me Down
Texter und Komponist(in):
Roland Janes
2:10
17Matchbox
cover recording of:
Matchbox
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music)
publisher:
Aberbach (London) (Publisher), Carl Perkins Music Inc., Carlin Music Corp., Knox Music, Inc., MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Unichappell Music und Wren Music Co.
Version von:
Match Box Blues
1:42
18Drinkin' Wine Spo-Dee-O-Dee
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Gitarre:
Roland Janes (am 1957-02-05)
Klavier:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (am 1957-02-05)
Schlagzeug:
Jimmy Van Eaton (am 1957-02-05)
vocals:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (am 1957-02-05)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1971)
cover recording of:
Drinkin’ Wine, Spo‐Dee‐O‐Dee (am 1957-02-05)
Verfasser(in):
Stick McGhee und J. Mayo ‘Ink’ Williams
2:33
19Crazy Arms
cover recording of:
Crazy Arms
Verfasser(in):
Ralph Mooney (in 1954) und Chuck Seals (in 1954)
publisher:
Champion Music Corp., Leeds Music, Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Sony/ATV Tree Publishing (in 1956) und MCA Music Svenska AB (in 1978)
2:44
20High School Confidential
recording of:
High School Confidential
Verfasser(in):
Ron Hargrave (von 1958-01 bis 1958-01-28) und Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (von 1958-01 bis 1958-01-28)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher), Penron Music und Penron Music Publishing
2:29
21One Minute Past Eternity
cover recording of:
One Minute Past Eternity
Verfasser(in):
Stan Kesler (US session musician, composer and producer) und Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
2:03
22Frankie & Johnny
Produzent(in):
Jack Clement, Bill Justis und Sam Phillips (founder of Sun Records)
Bassgitarre:
Billy Lee Riley (von 1958-12 bis 1959-01)
Gitarre:
Roland Janes (von 1958-12 bis 1959-01)
Klavier:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (von 1958-12 bis 1959-01)
Schlagzeug:
Jimmy Van Eaton (von 1958-12 bis 1959-01)
vocals:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (von 1958-12 bis 1959-01)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1961)
recording of:
Frankie and Johnny (Jerry Lee Lewis version) (von 1958-12 bis 1959-01)
Verfasser(in):
[traditional] (special purpose artist)
arranger:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”)
Arrangement von:
Frankie and Johnny (traditional song, version of "Frankie and Albert")
2:33
23Breathless
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (am 1958-01-21)
Gitarre:
Roland Janes (am 1958-01-21) und Billy Lee Riley (am 1958-01-21)
Klavier:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (am 1958-01-21)
Schlagzeug:
Jimmy Van Eaton (am 1958-01-21)
vocals:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (am 1958-01-21)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1958)
recording of:
Breathless (am 1958-01-21)
Texter und Komponist(in):
Otis Blackwell (American pianist, singer and songwriter)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher), Home Folks Music (USA) Inc. und Obie Music Inc.
42:42
24Ubangi Stomp
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (von 1958-02 bis 1958-03)
Gitarre:
Roland Janes (von 1958-02 bis 1958-03)
Klavier:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (von 1958-02 bis 1958-03)
Schlagzeug:
Jimmy Van Eaton (von 1958-02 bis 1958-03)
vocals:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (von 1958-02 bis 1958-03)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1958)
cover recording of:
Ubangi Stomp (von 1958-02 bis 1958-03)
Texter und Komponist(in):
Charles Underwood
publisher:
Artemis Muziekuitgeverij B V, Jason Clement Music, Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Hi Lo Music (vom 1956 bis heute)
1:47
25Night Train to Memphis
Produzent(in):
Ernie Barton
Bassgitarre:
Leo Lodner (von 1959-06-25 bis 1959-06-26)
Gitarre:
Roland Janes (von 1959-06-25 bis 1959-06-26) und Billy Lee Riley (von 1959-06-25 bis 1959-06-26)
Klavier:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (von 1959-06-25 bis 1959-06-26)
Schlagzeug:
Russell Smith (US 1950s drummer) (von 1959-06-25 bis 1959-06-26)
vocals:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (von 1959-06-25 bis 1959-06-26)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1970)
cover recording of:
Night Train to Memphis (von 1959-06-25 bis 1959-06-26)
Verfasser(in):
Owen Bradley, Marvin Hughes und Beasley Smith
publisher:
Peer International Corporation (BMI)
2:09
26Whole Lot of Twistin'
recording of:
Whole Lotta Shakin’ Goin’ On
Verfasser(in):
Roy Hall (US rockabilly pianist & songwriter) und Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) und Whole Lotta Shakin' Music
3:19
27Break Up
Produzent(in):
Bill Justis
Bassgitarre:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (von 1958-07-11 bis 1958-07-19)
Gitarre:
Roland Janes (von 1958-07-11 bis 1958-07-19)
Klavier:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (von 1958-07-11 bis 1958-07-19)
Schlagzeug:
Jimmy Van Eaton (von 1958-07-11 bis 1958-07-19)
vocals:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (von 1958-07-11 bis 1958-07-19)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1958)
recording of:
Break Up (von 1958-07-11 bis 1958-07-19)
Texter und Komponist(in):
Charlie Rich (US country singer)
2:38
28Johnny B. Goode
cover recording of:
Johnny B. Goode
Texter und Komponist(in):
Chuck Berry (in 1955)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und ロックンロール ミュージック (Rock ’n’ Roll Music)
Teil von:
Back to the Future: the Musical
2:42
29Save the Last Dance for Me
Bassgitarre:
Bob Moore (U.S. bassist and bandleader) (am 1961-06-12)
Gitarre:
Kelton 'Kelso' Herston (am 1961-06-12) und Wayne Moss (am 1961-06-12)
Klavier:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (am 1961-06-12)
Orgel:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1961-06-12)
Schlagzeug:
Buddy Harman (am 1961-06-12)
Chorgesang und Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
vocals:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (am 1961-06-12)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1961)
Remix von:
Save the Last Dance for Me (stereo) von Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”)
cover recording of:
Save the Last Dance for Me (am 1961-06-12)
Verfasser(in):
Doc Pomus und Mort Shuman (US singer, pianist & songwriter)
publisher:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., Trio Music Co., Inc., Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (in 1974) und Trio Music (publisher) (in 1974)
1:51
30Pumpin' Piano Rock
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
J.W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (am 1957-05-30)
Gitarre:
Roland Janes (am 1957-05-30)
Klavier:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (am 1957-05-30)
Schlagzeug:
Russell Smith (US 1950s drummer) (am 1957-05-30)
vocals:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (am 1957-05-30)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1974)
recording of:
Pumpin' Piano Rock (am 1957-05-30)
Texter und Komponist(in):
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”)
2:04
31You Win Again
phonographisches Urheberrecht (℗) von:
Charly Records (vom 2008 bis heute)
cover recording of:
You Win Again
Texter und Komponist(in):
Hank Williams (country music legend)
publisher:
Acuff-Rose Music Limited (UK) und Acuff-Rose Publications, Inc. (BMI) (am 1952-09-03)
recording of:
You Win Again
Texter und Komponist(in):
Hank Williams (country music legend)
publisher:
Acuff-Rose Music Limited (UK) und Acuff-Rose Publications, Inc. (BMI) (am 1952-09-03)
2:56
32When the Saints Go Marching In
recording of:
When the Saints Go Marching In
Texter und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 13983)
Version von:
When the Saints Go Marching In
2:10

Nennungen

Veröffentlichungsgruppe

enthalten in:Rock 'n' Roll "White": Jerry Lee Lewis, Gene Vincent, Buddy Holly von Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) / Gene Vincent / Buddy Holly (1950s rock & roll singer‐songwriter)