Music to Watch Girls By

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 6 disponibili)

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▼ CD 1
#TitoloArtistaValutazioneDurata
1Music to Watch Girls By
produttore:
Nick de Caro
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1967)
registrazione cover di:
Music to Watch Girls By (il 1967-02-21)
autore:
Sid Ramin e Tony Velona
editore:
Sidray Enterprises Ltd. e Sony Music Publishing (worldwide except Japan, ended 1995)
Andy Williams4.52:36
2Up, Up & Away
tecnico:
“Bones” Howe
produttore:
Johnny Rivers e Marc Gordon (soul songwriter, producer, and manager)
basso :
Joe Osborne (American bass guitar player, session musician and songwriter)
batteria :
Hal Blaine (U.S. Studio drummer and percussionist)
direttore d'orchestra:
Jim Webb (US songwriter, composer, producer, pianist & singer)
arrangiatore archi e arrangiatore ottoni [horns] :
Marty Paich
arrangiatore:
Jim Webb (US songwriter, composer, producer, pianist & singer)
registrata presso:
Sound Recorders, Hollywood (founded by Armin Steiner, 1965-1971) in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Up, Up and Away
paroliere e compositore:
Jim Webb (US songwriter, composer, producer, pianist & singer)
editore:
Johnny Rivers Music
The 5th Dimension2.52:41
3The Good Life
pianoforte :
John Bunch (jazz pianist) e Ralph Sharon
voce:
Tony Bennett (US jazz/standards vocalist)
registrazione cover di:
The Good Life
paroliere:
Jack Reardon
compositore:
Sacha Distel (nel 1962)
editore:
Intersong USA, Inc. (publisher) e Prosadis
versione di:
Marina
Tony Bennett42:17
4Spanish Eyes
produttore:
Tom Morgan (producer)
direttore d'orchestra:
Peter de Angelis
arrangiatore:
Peter de Angelis
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1965)
registrazione cover di:
Spanish Eyes (Moon Over Naples) (nel 1965)
paroliere:
Charles Singleton (composer/lyricist) e Eddie Snyder
compositore:
Bert Kaempfert (German orchestra leader, producer and songwriter)
editore:
Carlin Music Corporation, Columbia Music (Publisher. Do not use as a release label.) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
versione di:
Moon Over Naples
Al Martino2.52:48
5Theme From 'A Summer Place'
esecutore:
Percy Faith & His Orchestra
registrazione di:
Theme from “A Summer Place” (original instrumental version)
compositore:
Max Steiner (nel 1959)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America
registrazione cover di:
Theme from “A Summer Place” (original instrumental version)
compositore:
Max Steiner (nel 1959)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America
Percy Faith3.652:25
6On the Street Where You Live
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1956)
registrazione cover di:
On the Street Where You Live (My Fair Lady)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe
editore:
Chappell & Co Ltd., Chappell Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
My Fair Lady (full musical)
Vic Damone42:45
7Beyond the Sea (La Mer)
produttore:
Ahmet Ertegun (US American Songwriter, producer), Nesuhi Ertegun e Jerry Wexler
voce:
Bobby Darin (il 1958-08-24)
direttore d'orchestra:
Richard Wess (il 1958-08-24)
arrangiatore:
Richard Wess
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 397)
registrazione cover di:
Beyond the Sea (il 1958-08-24)
paroliere:
Jack Lawrence (US songwriter)
compositore:
Charles Trenet
editore:
Bro ’n Sis Music, Éditions Raoul Breton, Music 1 Ltd., Range Road Music Inc., Warner/Chappell Music International, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
versione tradotta di:
La Mer
Bobby Darin52:55
8A Certain Smile
produttore:
Al Ham e Mitch Miller
diritti fonografici (℗) detenuti da:
Jon Mat Records, Inc. (nel 1958)
registrazione cover di:
A Certain Smile
paroliere:
Paul Francis Webster
compositore:
Sammy Fain
editore:
EMI United Partnership Ltd.
parte di:
The 31st Academy Award for Best Original Song (numero: 2)
Johnny Mathis32:49
9Joanna
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1968)
registrazione di:
Joanna
autore:
Tony Hatch e Jackie Trent (English singer‐songwriter and actress)
editore:
ATV Music Ltd.
Scott Walker33:52
10Wishin’ & Hopin’
produttore:
John Franz
diritti fonografici (℗) detenuti da:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) (nel 1964)
registrazione di:
Wishin’ and Hopin’
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Casa David Music, New Hidden Valley Music Co. e Warner/Chappell (Warner/Chappell Music, Inc.)
Dusty Springfield4.52:56
11Wichita Lineman
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1968) e Capitol Records Nashville (nel 2016)
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 12), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 192) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 206)
registrazione di:
Wichita Lineman (nel 1968)
paroliere:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
compositore:
Jimmy Webb (US songwriter, composer, producer, pianist & singer) (nel 1968)
Glen Campbell3.63:06
12Moon River
voce:
Danny Williams
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (nel 1961)
registrazione cover di:
Moon River
paroliere:
Johnny Mercer
compositore:
Henry Mancini (US composer, conductor & arranger)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1961) e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1989)
sub-editore:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
parte di:
The 34th Academy Award for Best Original Song (numero: 1), Grammy Award: Song of the Year nominees (numero: 1962 winner) e Academy Award for Best Original Song (numero: 34)
Danny Williams3.52:38
13The Girl with the Sun in Her Hair
produttore:
John Barry (English score composer)
direttore d'orchestra e esecutore:
John Barry (English score composer)
arrangiatore:
John Barry (English score composer)
registrazione strumentale di:
The Girl With the Sun in Her Hair
paroliere:
Don Black (English lyricist)
compositore:
John Barry (English score composer)
editore:
Chappell/Morris Ltd.
John Barry32:56
14Magic Moments
voce:
Perry Como (US pop singer & TV personality, 1912–2001) (nel 1957) e The Ray Charles Singers (nel 1957)
orchestra:
Mitchell Ayres and His Orchestra
esecutore:
Perry Como (US pop singer & TV personality, 1912–2001) e Mitchell Ayres and His Orchestra (nel 1957)
arrangiatore:
Joe Reisman
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1958)
registrazione di:
Magic Moments
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
BMG Music Publishing Ltd. e MCA Music Ltd.
Perry Como3.752:42
15Fly Me to the Moon
tecnico:
David Hassinger
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
voce:
Julie London
direttore d'orchestra:
Ernie Freeman
arrangiatore:
Ernie Freeman
diritti fonografici (℗) detenuti da:
Liberty (a division of UMG Recordings, Inc.) (nel 1964)
registrazione cover di:
Fly Me to the Moon
paroliere e compositore:
Bart Howard (nel 1954)
eseguita per la prima volta da:
Kaye Ballard (nel 1954)
editore:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC e TRO Essex Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Julie London42:35
16Perhaps, Perhaps, Perhaps
registrazione di:
Perhaps, Perhaps, Perhaps
paroliere:
Joe Davis (US lyricist, producer, publisher & promoter)
compositore:
Osvaldo Farrés
editore:
Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
versione tradotta di:
Quizás, quizás, quizás
Doris Day2:35
17Almost Like Being in Love
registrazione di:
Almost Like Being in Love (from “Brigadoon”)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe
editore:
EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), EMI U Catalog Inc. (publisher; do NOT use as release label), EMI United Partnership Ltd., Sam Fox Publishing Co. (London) Ltd., Sam Fox Publishing Company (publisher; do NOT use as release label), WC Music Corp., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
parte di:
Brigadoon (complete musical)
Vic Damone2:50
18Don’t Sleep in the Subway
registrazione di:
Don’t Sleep in the Subway
paroliere:
Jackie Trent (English singer‐songwriter and actress)
compositore:
Tony Hatch
editore:
ATV Music, Duchess Music Corporation (BMI-affiliated) e Welbeck Music Ltd.
Petula Clark2:56
▼ CD 2
#TitoloArtistaValutazioneDurata
1That’s Amore
produttore:
Lee Gillette
voce:
Dean Martin (American singer/actor) (il 1953-08-13)
orchestra:
Dick Stabile and His Orchestra (il 1953-08-13)
direttore d'orchestra:
Dick Stabile (il 1953-08-13)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1953)
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1953-08-13)
registrazione di:
That’s Amore (il 1953-08-13)
paroliere:
Jack Brooks (English–American lyricist)
compositore:
Harry Warren (US composer and lyricist)
editore:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) e Universal Songs (publisher)
sub-editore:
BMG Ariola Belgium (do not use this as an imprint!) e BMG Unisongs Music Publishers BV
parte di:
The 26th Academy Award for Best Original Song (numero: 2)
parte di:
The Real Book (compilation of jazz standards, Volume I)
Dean Martin4.353:07
2Downtown
voce:
Petula Clark (English singer & actor) (nel 1964)
arrangiatore:
Tony Hatch
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1964)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 227)
registrazione di:
Downtown (nel 1964)
paroliere e compositore:
Tony Hatch
editore:
ATV Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Welbeck Music Ltd.
sub-editore:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Petula Clark4.353:06
3Move Over Darling
registrazione di:
Move Over Darling
autore:
Hal Kanner (director), Joe Lubin e Terry Melcher
editore:
Daywin Music Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Doris Day2:36
4Love Letters in the Sand
produttore:
Randy Wood (producer)
basso :
Larry Breen (il 1956-11-24)
batteria :
Dick Shanahan (il 1956-11-24)
chitarra :
Barney Kessel (il 1956-11-24) e Jack Marshall (US jazz guitarist, composer, arranger & record producer) (il 1956-11-24)
clarinetto :
Ryland Weston (il 1956-11-24)
pianoforte :
Milt Rogers (bandleader, arranger and composer) (il 1956-11-24)
sassofono :
Babe Russin (il 1956-11-24) e Justin Gordon (il 1956-11-24)
vibrafono :
Bernie Mattinson (il 1956-11-24)
cori:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1956-11-24)
voce:
Pat Boone (il 1956-11-24)
direttore d'orchestra:
Billy Vaughn (il 1956-11-24)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1956-11-24)
registrazione cover di:
Love Letters in the Sand (il 1956-11-24)
paroliere:
Charles Kenny (songwriter, violinist) e Nick Kenny
compositore:
J. Fred Coots, Charles Kenny (songwriter, violinist) e Nick Kenny
editore:
Bourne (not for release label use, this is a music publisher), Bourne, Inc. e Francis, Day & Hunter Ltd.
Pat Boone2:15
5A Swinging Safari
orchestra:
Bert Kaempfert Orchestra
direttore d'orchestra:
Bert Kaempfert (German orchestra leader, producer and songwriter)
registrazione strumentale di:
A Swingin’ Safari
compositore:
Bert Kaempfert (German orchestra leader, producer and songwriter)
Bert Kaempfert3:07
6Blue Velvet
produttore:
Bob Morgan (American A&R director and producer. Occasionally, bass player.)
registrazione cover di:
Blue Velvet
autore:
Lee Morris (US songwriter) e Bernie Wayne
editore:
Bernie Wayne Music Co., Chappell/Morris Ltd., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby Vinton4.352:50
7It Had to Be You
registrazione di:
It Had to Be You
paroliere:
Gus Kahn (nel 1924)
compositore:
Isham Jones (nel 1924)
editore:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) e Jerome H. Remick & Co. (il 1924-05-09)
Vic Damone23:34
8Mack the Knife
basso :
Arvell Shaw (nel 1955)
batteria :
Barrett Deems (nel 1955)
clarinetto :
Barney Bigard (nel 1955)
pianoforte :
Billy Kyle (nel 1955)
tromba e voce principale:
Louis Armstrong (nel 1955)
trombone :
Trummy Young (nel 1955)
registrazione cover di:
Mack the Knife (1954 Blitzstein translation) (il 1955-09-28)
paroliere:
Bertolt Brecht
compositore:
Kurt Weill (composer)
traduttore:
Marc Blitzstein (nel 1954)
editore:
Universal Edition (publisher; do NOT use as release label)
versione tradotta di:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Louis Armstrong53:23
9Blue Moon
registrazione di:
Blue Moon
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
Mel Tormé3:42
10The Lady Is a Tramp
registrazione di:
The Lady Is a Tramp (from “Babes in Arms”)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Chappell & Co., Inc. (USA) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
Babes in Arms (full musical)
parte di:
Pal Joey
Buddy Greco3:37
11Mambo Italiano
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1954-09-23)
voce:
Rosemary Clooney (il 1954-09-23) e The Mellomen (American singing quartet) (il 1954-09-23)
orchestra:
Buddy Cole and His Orchestra (il 1954-09-23)
direttore d'orchestra:
Paul Weston (il 1954-09-23)
registrazione di:
Mambo Italiano (original english version) (il 1954-09-23)
paroliere e compositore:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl)
Rosemary Clooney4.352:31
12Do You Mind
registrazione di:
Do You Mind
paroliere e compositore:
Lionel Bart
Anthony Newley2:21
13She
registrazione di:
She (Seven Faces of Woman)
paroliere:
Herbert Kretzmer
compositore:
Charles Aznavour
editore:
Essex Music International, Inc. e Standard Music Publishing Ltd.
versione tradotta di:
Tous les visages de l’amour
Peter Skellern3:11
14No One but You
registrazione cover di:
No One but You
paroliere:
Jack Lawrence (US songwriter)
compositore:
Nicholas Brodzsky
editore:
EMI United Partnership Ltd.
Billy Eckstine3:10
15Fools Rush In
registrazione di:
Fools Rush In (Where Angels Fear to Tread)
paroliere:
Johnny Mercer
compositore:
Rube Bloom (American songwriter, pianist and vocalist)
editore:
Bregman, Vocco & Conn, Inc., Commander Publications, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Brook Benton2:29
16Let There Be Love
pianoforte :
George Shearing (British jazz pianist)
voce:
Nat King Cole
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1962)
registrazione cover di:
Let There Be Love (il 1961-12-20)
paroliere:
Ian Grant (lyricist)
compositore:
Lionel Rand
editore:
Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
Nat King Cole2.52:45
17Can’t Take My Eyes Off You
voce:
Andy Williams (US pop/jazz vocalist)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1967)
registrazione cover di:
Can’t Take My Eyes Off You (1967 song)
autore:
Bob Crewe e Bob Gaudio
editore:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. e Seasons Four Music Corp. (nel 1967)
sub-editore:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
Andy Williams43:11

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