Summertime Groove - Hot Sounds For Cool Events

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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▼ CD 1
#TitoloArtistaValutazioneDurata
1Chain Of Fools
registrata a:
New York, New York, Stati Uniti
tecnico di registrazione e tecnico di missaggio:
Tom Dowd
produttore:
Jerry Wexler
batteria :
Roger Hawkins (il 1967-06-23)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-06-23) e Joe South (il 1967-06-23)
chitarra basso :
Tommy Cogbill (il 1967-06-23)
pianoforte :
Aretha Franklin (il 1967-06-23)
pianoforte elettrico :
Spooner Oldham (il 1967-06-23)
cori:
Carolyn Franklin (il 1967-06-23), Erma Franklin (il 1967-06-23), Ellie Greenwich (il 1967-06-23) e The Sweet Inspirations (il 1967-06-23)
voce:
Aretha Franklin (il 1967-06-23)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-06-23)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 249) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 306)
registrazione di:
Chain of Fools (il 1967-06-23)
paroliere e compositore:
Don Covay
editore:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner-Tamerlane Publishing Co. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
Aretha Franklin4.252:48
2Slip Away
registrazione di:
Slip Away
autore:
William Armstrong, Marcus Daniel e Wilbur Terrell
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Clarence Carter2:31
3I Like It Like That
registrazione di:
I Like It Like That, Part 1
paroliere e compositore:
Chris Kenner
Chris Kenner1:58
4Up On The Roof
registrata a:
New York, New York, Stati Uniti (il 1962-06-28)
produttore:
Leiber and Stoller (songwriting team)
batteria [drums] :
Gary Chester (studio drummer and educator) (il 1962-06-28)
chitarra :
Don Arnone (il 1962-06-28), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (il 1962-06-28), Bob Bushnell (il 1962-06-28) e Al Casamenti (il 1962-06-28)
contrabbasso [bass] :
George Duvivier (il 1962-06-28)
percussione :
George Devens (il 1962-06-28) e Bobby Rosengarden (il 1962-06-28)
tastiera :
Ernie Hayes (American pianist, organist and arranger) e Carole King (il 1962-06-28)
tromba :
Jimmy Nottingham (il 1962-06-28) e Jimmy Sedlar (il 1962-06-28)
trombone :
Jimmy Cleveland (US jazz trombonist) (il 1962-06-28) e Frank Saracco (il 1962-06-28)
voce di baritono:
Dock Green (il 1962-06-28)
voce di basso:
Tommy Evans (US r&b bass vocalist for The Drifters) (il 1962-06-28)
voce di tenore:
Charlie Thomas (The Drifters) (il 1962-06-28)
voce principale:
Rudy Lewis (il 1962-06-28)
direttore d'orchestra:
Gary Sherman (mid-20th century composer, arranger & conductor) (il 1962-06-28)
arrangiatore:
Gary Sherman (mid-20th century composer, arranger & conductor) e Bert Keyes (piano, soul/funk producer/writer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1962 (numero: 2), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 113) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 375)
registrazione di:
Up on the Roof (il 1962-06-28)
paroliere:
Gerry Goffin e Carole King
compositore:
Carole King
editore:
Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Drifters52:36
5Just One Look
registrazione di:
Just One Look
autore:
Gregory Carroll e Doris Payne
editore:
Leosong Copyright Service Ltd., T.S. Music Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Doris Troy2:32
6Tell The Truth
Otis Redding3:09
7Down In Mexico
The Coasters3:16
8What'd I Say (Part 1)
produttore:
Ahmet Ertegun (US American Songwriter, producer) e Jerry Wexler
basso :
Edgar Willis (bass) (il 1959-02-18)
batteria :
Milt Turner (il 1959-02-18)
pianoforte elettrico :
Ray Charles (soul musician, singer and songwriter) (il 1959-02-18)
sassofono baritono :
Hank Crawford (il 1959-02-18)
sassofono contralto e sassofono tenore :
David “Fathead” Newman (American jazz saxophonist) (il 1959-02-18)
tromba :
Marcus Belgrave (il 1959-02-18)
voce:
Ray Charles (soul musician, singer and songwriter) (il 1959-02-18)
voce di accompagnamento:
The Raelettes (il 1959-02-18)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1959-02-18)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 1)
registrazione parziale di:
What’d I Say (il 1959-02-18)
paroliere e compositore:
Ray Charles (soul musician, singer and songwriter)
editore:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. e Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
Ray Charles53:11
9Mustang Sally
Wilson Pickett3:07
10Green Onions
registrazione di:
Green Onions
compositore:
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones e Lewie Steinberg
editore:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. e Irving Music (BMI)
Booker T. & the MG’s2:54
11Hold On! I'm Comin'
registrata a:
Memphis, Tennessee, Stati Uniti (il 1966-03-08)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
voce:
Sam & Dave (il 1966-03-08)
registrazione di:
Hold On, I’m Comin’ (il 1966-03-08)
autore:
Isaac Hayes e David Porter (US soul musician, producer & songwriter)
editore:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) e Warner Bros. Music (publisher; do NOT use as release label)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sam & Dave52:38
12Spanish Harlem
registrata a:
New York, New York, Stati Uniti (il 1960-10-27)
produttore:
Leiber and Stoller (songwriting team)
ance :
Romeo Penque (il 1960-10-27)
batteria [drums] :
Gary Chester (studio drummer and educator) (il 1960-10-27)
chitarra :
Al Caiola (il 1960-10-27)
contrabbasso [bass] :
Lloyd Trotman (US jazz bassist) (il 1960-10-27)
percussione :
Phil Kraus (il 1960-10-27)
pianoforte :
Ernie Hayes (American pianist, organist and arranger) (il 1960-10-27)
violoncello :
Charles McCracken (cellist) (il 1960-10-27)
voce:
Ben E. King (il 1960-10-27)
voce di accompagnamento:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1960-10-27)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-10-27)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 350)
registrazione di:
Spanish Harlem (il 1960-10-27)
paroliere:
Jerry Leiber
compositore:
Phil Spector
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. e Unichappell Music
Ben E. King4.42:58
13Mercy Mercy
Don Covay2:24
14Gee Whiz (Look At His Eyes)
registrata a:
Memphis, Tennessee, Stati Uniti (nel 1960)
produttore:
Jim Stewart (US producer, founder for Stax & Volt Records)
voce:
Carla Thomas (nel 1960)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 29)
registrazione di:
Gee Whiz (Look at His Eyes) (nel 1960)
paroliere e compositore:
Carla Thomas
editore:
Irving Music, Inc.
Carla Thomas2:20
15Last Night
registrata a:
Memphis, Tennessee, Stati Uniti (nel 1961-09)
produttore:
Chips Moman e Jim Stewart (US producer, founder for Stax & Volt Records)
basso [electric bass] :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (nel 1961-09)
batteria :
Terry Johnson (drums) (nel 1961-09)
chitarra :
Steve Cropper (nel 1961-09)
organo :
Booker T. Jones (nel 1961-09)
sassofono baritono :
Don Nix (nel 1961-09)
sassofono tenore :
Charles Axton (nel 1961-09)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (nel 1961-09)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 28)
registrazione di:
Last Night (nel 1961-09)
autore:
Charles Axton, Chip Moman, Gilbert Caple, Jerald Smith e Floyd Newman
compositore:
The Mar‐Keys
The Mar‐Keys42:37

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