| # | Title | Artist | Rating | Length |
|---|
| 1 | Flat Beat | Mr. Oizo | 3.2 | 5:25 |
| 2 | Feel So Perfect | Cape feat. Michelle Leonard | | 3:16 |
| 3 | Atomic- engineer:
- Peter Coleman and David Tickle
- producer:
- Mike Chapman
- bass guitar:
- Nigel Harrison (from 1979-05 until 1979-06)
- drums (drum set):
- Clem Burke (from 1979-05 until 1979-06)
- guitar:
- Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
- keyboard:
- Jimmy Destri (from 1979-05 until 1979-06)
- background vocals:
- Ellie Greenwich (from 1979-05 until 1979-06)
- lead vocals:
- Deborah Harry (from 1979-05 until 1979-06)
- phonographic copyright (℗) by:
- Chrysalis Records , Chrysalis Records Ltd. (in 1979), Chrysalis Records, Inc. (in 1979, in 2001), Capitol Records (in 2001) and Capitol Records, Inc. (in 2001)
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios in Hell's Kitchen, New York, New York, United States (from 1979-05 until 1979-06)
- mixed at:
- MCA Whitney Recording Studios in Glendale, California, United States
- recording of:
- Atomic (from 1979-05 until 1979-06)
- writer:
- Jimmy Destri and Deborah Harry
- publisher:
- Chrysalis Music (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. , Chrysalis Records Ltd. , EMI Music Publishing Ltd. and Rare Blue Music Inc
| Blondie | 3.7 | 4:40 |
| 4 | Come to Sin | Bananafishbones | | 3:25 |
| 5 | Respect- recording engineer:
- Tom Dowd
- producer:
- Jerry Wexler
- baritone saxophone:
- Willie Bridges (on 1967-02-14)
- bass guitar:
- Tommy Cogbill (on 1967-02-14)
- cornet:
- Melvin Lastie (on 1967-02-14)
- drums (drum set):
- Roger Hawkins (on 1967-02-14)
- guitar:
- Jimmy Johnson (on 1967-02-14)
- organ:
- Spooner Oldham (on 1967-02-14)
- piano:
- Aretha Franklin (on 1967-02-14)
- tenor saxophone:
- Charles Chalmers (on 1967-02-14) and King Curtis (on 1967-02-14)
- background vocals:
- Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
- vocals:
- Aretha Franklin (on 1967-02-14)
- conductor:
- Tom Dowd (on 1967-02-14)
- arranger:
- Tom Dowd and Arif Mardin
- phonographic copyright (℗) by:
- Atlantic Recording Corporation (in 1967) and WEA International Inc. (in 1967)
- recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone: 500 Greatest Songs of All Time (number: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (number: 21), New York Post: 100 Greatest Covers (2007) (number: 52) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- cover recording of:
- Respect (on 1967-02-14)
- lyricist and composer:
- Otis Redding
- publisher:
- Cotillion Music Inc. , East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd. and Warner/Chappell North America
| Aretha Franklin | 3.9 | 2:28 |
| 6 | Mmm Mmm Mmm Mmm | Crash Test Dummies | 3.5 | 3:47 |
| 7 | Chanel | Blunck & Will | | 4:15 |
| 8 | La mer | Charles Trenet | | 3:25 |
| 9 | Mas Que Nada | Echobeatz | | 4:17 |
| 10 | Just Walking in the Rain | Johnnie Ray | 4 | 2:39 |
| 11 | That's the Way (I Like It) | KC and the Sunshine Band | 4.4 | 3:04 |
| 12 | Moviestar '98 | Walk of Fame | | 3:50 |
| 13 | Be-Bop-A-Lula | Gene Vincent | 4.35 | 2:36 |
| 14 | I Can Help | Billy Swan | 4 | 4:00 |
| 15 | Danca a Bossa | K & K feat. Jota | | 3:18 |
| 16 | Snow on the Sahara | Anggun | | 4:16 |
| 17 | Adiemus | Adiemus | | 3:40 |
| 18 | Tear Drop | Massive Attack | 4.15 | 5:29 |
| 19 | Woman | Neneh Cherry | | 4:30 |
| 20 | Breathe | Midge Ure | | 4:06 |
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