Bach: The Ultimate Collection

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

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▼ CD 1
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1Brandenburg Concerto No. 3 in G major, BWV 1048: I. Allegro
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Karl Münchinger (German conductor)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I.
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
6:54
2Brandenburg Concerto No. 3 in G major, BWV 1048: II. Adagio. Allegro
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Karl Münchinger (German conductor)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: II. Adagio (original 1-measure, ~15s Bach part)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
3:38
3Itailian Concerto for Keyboard in F major: I. Allegro
piano:
Arturo Benedetti Michelangeli (pianist) (on 1943-01-22)
recording of:
Italienisches Konzert F-Dur, BWV 971: I. [Allegro] (on 1943-01-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
3:43
4Itailian Concerto for Keyboard in F major: II. Andante
piano:
Arturo Benedetti Michelangeli (pianist) (on 1943-01-22)
recording of:
Italienisches Konzert F-Dur, BWV 971: II. Andante (on 1943-01-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
4:38
5Itailian Concerto for Keyboard in F major: III. Presto
piano:
Arturo Benedetti Michelangeli (pianist) (on 1943-01-22)
recording of:
Italienisches Konzert F-Dur, BWV 971: III. Presto (on 1943-01-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
recording of:
Italienisches Konzert F-Dur, BWV 971: I. [Allegro]
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
3:28
6Suite for Orchestra No. 3 in D major: I. Overture
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: I. Ouverture
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral suite no. 3 in D major, BWV 1068)
9:15
7Suite for Orchestra No. 3 in D major: II. Air
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral suite no. 3 in D major, BWV 1068)
6:05
8Suite for Orchestra No. 3 in D major: III. Gavotte 1 & 2
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: III. Gavotte I & II
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral suite no. 3 in D major, BWV 1068)
3:32
9Suite for Orchestra No. 3 in D major: IV. Bourree
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: IV. Bourrée
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral suite no. 3 in D major, BWV 1068)
1:21
10Suite for Orchestra No. 3 in D major: V. Gigue
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Otto Klemperer (German-born conductor and composer)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: V. Gigue
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral suite no. 3 in D major, BWV 1068)
2:50
11Brandenburg Concerto No. 2 in F major, BWV 1047: I. Allegro moderato
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Karl Münchinger (German conductor)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I.
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
5:31
12Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Karl Münchinger (German conductor)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: II. Andante (Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
4:04
13Brandenburg Concerto No. 2 in F major, BWV 1047: III. Allegro assai
flute:
Aurèle Nicolet (flutist)
oboe:
Helmut Winschermann (oboist/conductor)
trumpet:
Bernard Gabel (Trumpet player)
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Karl Münchinger (German conductor)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
3:00
14Partita No. 2 for solo violin in D minor: I. Chaconne
violin:
Jascha Heifetz (violinist)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: V. Chaconne
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1717 until 1723)
part of:
Violin Partita no. 2 in D minor, BWV 1004
13:09
▼ CD 2
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1Jesu Joy of Man's Desiring, Cantata No. 140
orchestra:
London Symphony Orchestra
conductor:
Adrian Leaper (conductor)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
3:26
2Cello Suite No. 3 in C major, BWV 1009: Bourrées I & II
cello:
Pau Casals (cellist, aka Pablo Casals)
recording of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: V. Bourrée I & II
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009 (Cello Suite No. 3 in C major, BWV 1009)
3:28
3Sheep May Safely Graze, Cantata No. 208
orchestra:
Royal Philharmonic Orchestra
conductor:
Frank Shipway (British conductor)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. “Schafe können sicher weiden” (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
4:29
4Christmas Oratorio: Pastoral Sinfonie
orchestra:
Zagrebački solisti (Zagreb Soloists)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
7:15
5Sleepers Awake, Cantata No. 140
orchestra:
Royal Philharmonic Orchestra
conductor:
Frank Shipway (British conductor)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral “Zion hört die Wächter singen” (catch-all for arrangements)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral (Tenor) “Zion hört die Wächter singen”
5:29
6Mass in B minor (excerpts): I. Qui Sedes
contralto vocals:
Kathleen Ferrier (contralto) (in 1952)
orchestra:
London Philharmonic Orchestra (LPO) (in 1952)
conductor:
Sir Adrian Boult (conductor) (in 1952)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1960)
recording of:
h-Moll-Messe, BWV 232: I. Missa: X. Qui sedes ad dextram Patris (Mass in B minor, BWV 232: IIg. Gloria: Aria "Qui sedes ad dextram Patris") (in 1952)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:45
7Mass in B minor (excerpts): II. Agnus Dei
contralto vocals:
Kathleen Ferrier (contralto)
orchestra:
London Philharmonic Orchestra (LPO)
conductor:
Sir Adrian Boult (conductor)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei")
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:42
8Concerto for 2 violins in D minor: I. Largo ma non tanto, 2nd Movement
violin:
Alexander Schneider (violinist and conductor) and Isaac Stern (violinist)
orchestra:
Prades Festival Orchester
conductor:
Pau Casals (cellist, aka Pablo Casals)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: II. Largo ma non tanto
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
8:07
9St John Passion (excerpt): I. All is fulfilled
viola da gamba:
Ambrose Gauntlett (in 1952)
contralto vocals:
Kathleen Ferrier (contralto) (in 1952)
orchestra:
London Philharmonic Orchestra (LPO) (in 1952)
conductor:
Sir Adrian Boult (conductor) (in 1952)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1960)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!" (English translation "All is fulfilled") (in 1952)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Johannes-Passion, BWV 245: Teil II. No. 30 Aria (Alt) "Es ist vollbracht!"
part of:
Johannes-Passion, BWV 245 (English translation)
5:21
10Three Pieces for Lute: I. Allemande
lute:
Andrés Segovia (guitarist)
2:22
11Three Pieces for Lute: II. Sarabande
lute:
Andrés Segovia (guitarist)
3:58
12Three Pieces for Lute: III. Gigue
lute:
Andrés Segovia (guitarist)
2:46
13Partita No. 3 in E major (excerpts): I. Prelude
violin:
Yehudi Menuhin (violinist)
recording of:
Violin Partita no. 3 in E major, BWV 1006: I. Preludio
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita no. 3 in E major, BWV 1006
3:52
14Partita No. 3 in E major (excerpts): III. Gavotte en Rondeau
violin:
Yehudi Menuhin (violinist)
recording of:
Violin Partita no. 3 in E major, BWV 1006: III. Gavotte en rondeau
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita no. 3 in E major, BWV 1006
3:03
15Partita No. 3 in E major (excerpts): V. Bourrèe
violin:
Yehudi Menuhin (violinist)
recording of:
Violin Partita no. 3 in E major, BWV 1006: VI. Bourrée
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita no. 3 in E major, BWV 1006
1:38
16Partita No. 3 in E major (excerpts): VI. Gigue
violin:
Yehudi Menuhin (violinist)
recording of:
Violin Partita no. 3 in E major, BWV 1006: VII. Gigue
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita no. 3 in E major, BWV 1006
2:01
17Oboe Concerto in D minor: I. Andante, 2nd movement
oboe:
Burkhard Glaetzner (oboist)
orchestra:
Neues Bachisches Collegium Musicum (New Bach Collegium Musicum)
conductor:
Max Pommer (conductor)
recording of:
Concerto for Oboe, Strings and Basso Continuo in D minor, BWV 1059R: II. Adagio
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for Oboe, Strings and Basso Continuo in D minor, BWV 1059R
23:06
18Suite for Orchestra No. 2 in B minor: I. Polonaise and Double
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Karl Münchinger (German conductor)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: V. Polonaise & Double
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral suite no. 2 in B minor, BWV 1067)
3:39
19Suite for Orchestra No. 2 in B minor: II. Menuet
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Karl Münchinger (German conductor)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VI. Menuet
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral suite no. 2 in B minor, BWV 1067)
1:23
20Suite for Orchestra No. 2 in B minor: III. Badinerie
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Karl Münchinger (German conductor)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral suite no. 2 in B minor, BWV 1067: VII. Badinerie)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral suite no. 2 in B minor, BWV 1067)
1:28
▼ CD 3
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1Praise to God in all lands Cantata Nr. 51: Praise to God in all lands
recorded in:
München (Munich), Bayern (Bavaria), Germany
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Eugen Jochum (conductor)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": I. Aria "Jauchzet Gott in allen Landen" (in 1951)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
4:10
2Praise to God in all lands Cantata Nr. 51: Alleluja
recorded in:
München (Munich), Bayern (Bavaria), Germany
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Eugen Jochum (conductor)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": V. "Alleluja" (in 1951)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
6:03
3Brandenburg Concerto No. 6 in B-flat major, BWV 1051: I. Allegro
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Karl Münchinger (German conductor)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: I.
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
7:42
4Brandenburg Concerto No. 6 in B-flat major, BWV 1051: II. Adagio Ma Non Troppo
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Karl Münchinger (German conductor)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: II. Adagio ma non tanto
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
5:59
5Brandenburg Concerto No. 6 in B-flat major, BWV 1051: III. Allegro
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Karl Münchinger (German conductor)
recording of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: III. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
6:05
6St Mathew Passion (excerpts): My Master and my Lord...Grief for Sin
choir vocals:
The Bach Choir
contralto vocals:
Kathleen Ferrier (contralto)
orchestra:
Jacques Orchestra
conductor:
Reginald Jacques (choral and orchestral conductor)
recording of:
Matthäus-Passion, BWV 244: Teil I, V. Accompagnato-Rezitativ (Alt) "Du lieber Heiland du"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
recording of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
4:52
7St Mathew Passion (excerpts): Ah! Now is my Saviour Gone
choir vocals:
The Bach Choir
contralto vocals:
Kathleen Ferrier (contralto)
orchestra:
Jacques Orchestra
conductor:
Reginald Jacques (choral and orchestral conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
5:17
8St Mathew Passion (excerpts): Have Mercy Lord on Me
choir vocals:
The Bach Choir
contralto vocals:
Kathleen Ferrier (contralto)
orchestra:
Jacques Orchestra
conductor:
Reginald Jacques (choral and orchestral conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott"
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
7:19
9St Mathew Passion (excerpts): O Gracious God...If my Tears be Unavailing
choir vocals:
The Bach Choir
contralto vocals:
Kathleen Ferrier (contralto)
orchestra:
Jacques Orchestra
conductor:
Reginald Jacques (choral and orchestral conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
9:36
10St Mathew Passion (excerpts): Ah Golgotha...See the Saviour's Outstretched Hands
choir vocals:
The Bach Choir
contralto vocals:
Kathleen Ferrier (contralto)
orchestra:
Jacques Orchestra
conductor:
Reginald Jacques (choral and orchestral conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
recording of:
Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
5:48
11Concerto for violin in A minor: I. Allegro
violin:
Isaac Stern (violinist) (on 1956-01-10)
orchestra:
The Philadelphia Orchestra (on 1956-01-10)
conductor:
Eugene Ormandy (conductor) (on 1956-01-10)
recorded at:
Academy of Music in Philadelphia, Pennsylvania, United States (on 1956-01-10)
recording of:
Violin Concerto in A minor, BWV 1041: I. Allegro (on 1956-01-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
4:13
12Concerto for violin in A minor: II. Andante
violin:
Isaac Stern (violinist) (on 1956-01-10)
orchestra:
The Philadelphia Orchestra (on 1956-01-10)
conductor:
Eugene Ormandy (conductor) (on 1956-01-10)
recorded at:
Academy of Music in Philadelphia, Pennsylvania, United States (on 1956-01-10)
recording of:
Violin Concerto in A minor, BWV 1041: II. Andante (on 1956-01-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
6:59
13Concerto for violin in A minor: III. Allegro Assai
violin:
Isaac Stern (violinist) (on 1956-01-10)
orchestra:
The Philadelphia Orchestra (on 1956-01-10)
conductor:
Eugene Ormandy (conductor) (on 1956-01-10)
recorded at:
Academy of Music in Philadelphia, Pennsylvania, United States (on 1956-01-10)
recording of:
Violin Concerto in A minor, BWV 1041: III. Allegro assai (on 1956-01-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Violin Concerto in A minor, BWV 1041
4:02
▼ CD 4
#TitleRatingLength
1Toccata and Fugue in D minor
organ:
Albert Schweitzer
recording of:
Toccata und Fuge d-Moll, BWV 565
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 565)
8:52
2Violin Concerto in E major: I. Allegro
violin:
Szymon Goldberg (violinist and conductor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Walter Süsskind (conductor)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
8:54
3Violin Concerto in E major: II. Adagio
violin:
Szymon Goldberg (violinist and conductor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Walter Süsskind (conductor)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: II. Adagio
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
8:38
4Violin Concerto in E major: III. Allegro Assai
violin:
Szymon Goldberg (violinist and conductor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Walter Süsskind (conductor)
recording of:
Konzert für Violine und Orchester E-Dur, BWV 1042: III. Allegro assai
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Konzert für Violine und Orchester E-Dur, BWV 1042 (Violin Concerto in E major, BWV 1042)
3:02
5Brandenburg Concerto No. 4 in G major, BWV 1049: I. Allegro
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Karl Münchinger (German conductor)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
7:56
6Brandenburg Concerto No. 4 in G major, BWV 1049: II. Andante
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Karl Münchinger (German conductor)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: II. Andante
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
4:14
7Brandenburg Concerto No. 4 in G major, BWV 1049: III. Presto
orchestra:
Stuttgarter Kammerorchester (Stuttgart Chamber Orchestra)
conductor:
Karl Münchinger (German conductor)
recording of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: III. Presto
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
4:38
8Concerto No. 2 for two pianos in C major: I. Allegro
piano:
Artur Schnabel (Austrian classical pianist and teacher) (on 1936-10-28) and Karl Ulrich Schnabel (on 1936-10-28)
orchestra:
London Symphony Orchestra (on 1936-10-28)
conductor:
Sir Adrian Boult (conductor) (on 1936-10-28)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1936-10-28)
recording of:
Concerto in C major for Two Harpsichords, BWV 1061: I. Allegro (on 1936-10-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto in C major for Two Harpsichords, BWV 1061
6:36
9Concerto No. 2 for two pianos in C major: II. Adagio Largo
piano:
Artur Schnabel (Austrian classical pianist and teacher) (on 1936-10-28) and Karl Ulrich Schnabel (on 1936-10-28)
orchestra:
London Symphony Orchestra (on 1936-10-28)
conductor:
Sir Adrian Boult (conductor) (on 1936-10-28)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1936-10-28)
recording of:
Concerto in C major for Two Harpsichords, BWV 1061: II. Adagio (on 1936-10-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto in C major for Two Harpsichords, BWV 1061
7:31
10Concerto No. 2 for two pianos in C major: III. Fugue
piano:
Artur Schnabel (Austrian classical pianist and teacher) (on 1936-10-28) and Karl Ulrich Schnabel (on 1936-10-28)
orchestra:
London Symphony Orchestra (on 1936-10-28)
conductor:
Sir Adrian Boult (conductor) (on 1936-10-28)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1936-10-28)
recording of:
Concerto in C major for Two Harpsichords, BWV 1061: III. Vivace (on 1936-10-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto in C major for Two Harpsichords, BWV 1061
4:59
11Harpsichord Concerto No. 5 in F minor: Largo, 2nd movement
harpsichord:
Christiane Jaccottet (harpsichord)
orchestra:
Camerata Romana (an Alfred Scholz pseudonym)
conductor:
Kurt Redel (German flautist and conductor)
recording of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056: II. Largo
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056
2:56
12Toccata and Fugue in G minor
organ:
Albert Schweitzer
9:33

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ASIN:UK: B000QRI5OA [info]