The Australian Jazz Quintet +1 (limited edition, remastered, mono)

~ Release by The Australian Jazz Quintet With Osie Johnson (see all versions of this release, 2 available)

Annotation

Recorded March, 1957 in New York City.
Comes with Obi and Japanese liner notes

Track 7: Erroneously credited to 'Regent', which was a part of the publishing company name of the song ([l=Regent Music]).

Rights Society: JASRAC
Price Code: ¥952+Tax

Annotation last modified on 2024-01-20 23:45 UTC.

Tracklist

CD 1
#TitleRatingLength
1Part I: Medium
recorded in:
New York, New York, United States (in 1957-03)
bass:
Jack Lander (in 1957-03)
drums (drum set):
Osie Johnson (in 1957-03)
piano:
Bryce Rohde (in 1957-03)
vibraphone:
Jack Brokensha (in 1957-03)
wind instruments [tenor sax, bassoon]:
Erroll Buddle (in 1957-03)
woodwind [alto sax, flute]:
Dick Healey (in 1957-03)
recording of:
Part I: Medium
writer:
Bill Holman
7:32
2Part II: Slow
recorded in:
New York, New York, United States (in 1957-03)
bass:
Jack Lander (in 1957-03)
drums (drum set):
Osie Johnson (in 1957-03)
piano:
Bryce Rohde (in 1957-03)
vibraphone:
Jack Brokensha (in 1957-03)
wind instruments [tenor sax, bassoon]:
Erroll Buddle (in 1957-03)
woodwind [alto sax, flute]:
Dick Healey (in 1957-03)
recording of:
Part II: Slow
writer:
Bill Holman
7:15
3Part III: Medium
recorded in:
New York, New York, United States (in 1957-03)
bass:
Jack Lander (in 1957-03)
drums (drum set):
Osie Johnson (in 1957-03)
piano:
Bryce Rohde (in 1957-03)
vibraphone:
Jack Brokensha (in 1957-03)
wind instruments [tenor sax, bassoon]:
Erroll Buddle (in 1957-03)
woodwind [alto sax, flute]:
Dick Healey (in 1957-03)
recording of:
Part III: Medium
writer:
Bill Holman
7:15
4Cubano Chant
recorded in:
New York, New York, United States (in 1957-03)
bass:
Jack Lander (in 1957-03)
drums (drum set):
Osie Johnson (in 1957-03)
piano:
Bryce Rohde (in 1957-03)
vibraphone:
Jack Brokensha (in 1957-03)
wind instruments [tenor sax, bassoon]:
Erroll Buddle (in 1957-03)
woodwind [alto sax, flute]:
Dick Healey (in 1957-03)
recording of:
Cubano Chant
composer:
Ray Bryant (US jazz pianist, composer, and arranger)
4:40
5In a Sentimental Mood
recorded in:
New York, New York, United States (in 1957-03)
bass:
Jack Lander (in 1957-03)
drums (drum set):
Osie Johnson (in 1957-03)
piano:
Bryce Rohde (in 1957-03)
vibraphone:
Jack Brokensha (in 1957-03)
wind instruments [tenor sax, bassoon]:
Erroll Buddle (in 1957-03)
woodwind [alto sax, flute]:
Dick Healey (in 1957-03)
recording of:
In a Sentimental Mood
lyricist:
Manny Kurtz and Irving Mills
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1935)
publisher:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music and Sony/ATV Harmony
3:51
6Star Eyes
recorded in:
New York, New York, United States (in 1957-03)
bass:
Jack Lander (in 1957-03)
drums (drum set):
Osie Johnson (in 1957-03)
piano:
Bryce Rohde (in 1957-03)
vibraphone:
Jack Brokensha (in 1957-03)
wind instruments [tenor sax, bassoon]:
Erroll Buddle (in 1957-03)
woodwind [alto sax, flute]:
Dick Healey (in 1957-03)
recording of:
Star Eyes
composer:
Gene de Paul and Don Raye
publisher:
EMI Feist Catalog Inc. and Red Cape Songs
3:41
7I'll Be Around
recorded in:
New York, New York, United States (in 1957-03)
bass:
Jack Lander (in 1957-03)
drums (drum set):
Osie Johnson (in 1957-03)
piano:
Bryce Rohde (in 1957-03)
vibraphone:
Jack Brokensha (in 1957-03)
wind instruments [tenor sax, bassoon]:
Erroll Buddle (in 1957-03)
woodwind [alto sax, flute]:
Dick Healey (in 1957-03)
recording of:
I’ll Be Around
lyricist and composer:
Alec Wilder
publisher:
Ludlow Music, Inc., Primary Wave 3 Songs (BMI) and TRO-Ludlow Music, Inc.
3:39
8You'd Be So Nice to Come Home To
recorded in:
New York, New York, United States (in 1957-03)
bass:
Jack Lander (in 1957-03)
drums (drum set):
Osie Johnson (in 1957-03)
piano:
Bryce Rohde (in 1957-03)
vibraphone:
Jack Brokensha (in 1957-03)
wind instruments [tenor sax, bassoon]:
Erroll Buddle (in 1957-03)
woodwind [alto sax, flute]:
Dick Healey (in 1957-03)
recording of:
You’d Be So Nice to Come Home To
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
3:58

Credits

Release

liner notes:原田和典 (music critic)
alto saxophone and flute:Dick Healey (Richard James Healey; American jazz saxophonist, flutist, clarinetist, bassist and composer)
bassoon and tenor saxophone:Erroll Buddle
manufactured by and distributed by:ULTRA‐VYBE, INC. (Japanese record company)
part of:Bethlehem Album Collection 1000 (Catalog reissue of Bethlehem, a prestigious NY jazz label that has been popular in Japan for a long time) (number: 144) (order: 3)
Discogs:https://www.discogs.com/release/11455131 [info]