Small Change (Newly Remastered with Waits/Brennan)

~ Release by Tom Waits (see all versions of this release, 12 available)

Tracklist

CD 1
#TitleRatingLength
1Tom Traubert's Blues (Four Sheets to the Wind in Copenhagen)
engineer:
Dayton “Bones” Howe
producer:
Bones Howe
cello:
Jesse Ehrlich (from 1976-07-15 until 1976-07-29), Edgar Lustgarten (from 1976-07-15 until 1976-07-29), Kathleen Lustgarten (from 1976-07-15 until 1976-07-29) and Ray Kelley (from 1976-07-15 until 1976-07-29)
double bass [bass]:
Jim Hughart (from 1976-07-15 until 1976-07-29)
drums (drum set):
Shelly Manne (US jazz drummer) (from 1976-07-15 until 1976-07-29)
viola:
Samuel Boghossian (from 1976-07-15 until 1976-07-29), Allan Harshman (violist) (from 1976-07-15 until 1976-07-29) and David Schwartz (violist) (from 1976-07-15 until 1976-07-29)
violin:
Murray Adler (from 1976-07-15 until 1976-07-29), Israel Baker (violinist) (from 1976-07-15 until 1976-07-29), Harry Bluestone (from 1976-07-15 until 1976-07-29), Nathan Kaproff (from 1976-07-15 until 1976-07-29), George Kast (from 1976-07-15 until 1976-07-29), Marvin Limonick (from 1976-07-15 until 1976-07-29), Alfred Lustgarten (from 1976-07-15 until 1976-07-29), Nathan Ross (from 1976-07-15 until 1976-07-29) and Sheldon Sanov (violinist) (from 1976-07-15 until 1976-07-29)
vocals:
Tom Waits (from 1976-07-15 until 1976-07-29)
conductor:
Jerry Yester (from 1976-07-15 until 1976-07-29)
strings arranger:
Jerry Yester
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (from 1976-07-15 until 1976-07-29)
recording of:
Tom Traubert’s Blues (Four Sheets to the Wind in Copenhagen) (from 1976-07-15 until 1976-07-29)
lyricist and composer:
Tom Waits
publisher:
Fifth Floor Music, Inc.
is based on:
Waltzing Matilda
36:39
2Step Right Up
engineer:
Dayton “Bones” Howe
producer:
Bones Howe
double bass [bass]:
Jim Hughart (from 1976-07-15 until 1976-07-29)
drums (drum set):
Shelly Manne (US jazz drummer) (from 1976-07-15 until 1976-07-29)
vocals:
Tom Waits (from 1976-07-15 until 1976-07-29)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (from 1976-07-15 until 1976-07-29)
recording of:
Step Right Up (from 1976-07-15 until 1976-07-29)
lyricist and composer:
Tom Waits
publisher:
Fifth Floor Music, Inc.
25:43
3Jitterbug Boy (Sharing a Curbstone with Chuck E. Weiss, Robert Marchese, Paul Body and the Mug and Artie)
engineer:
Dayton “Bones” Howe
producer:
Bones Howe
double bass [bass]:
Jim Hughart (from 1976-07-15 until 1976-07-29)
drums (drum set):
Shelly Manne (US jazz drummer) (from 1976-07-15 until 1976-07-29)
vocals:
Tom Waits (from 1976-07-15 until 1976-07-29)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (from 1976-07-15 until 1976-07-29)
recording of:
Jitterbug Boy (Sharing a Curbstone With Chuck E. Weiss, Robert Marchese, Paul Body and the Mug and Artie) (from 1976-07-15 until 1976-07-29)
lyricist and composer:
Tom Waits
publisher:
Fifth Floor Music, Inc.
23:44
4I Wish I Was in New Orleans (In the Ninth Ward)
engineer:
Dayton “Bones” Howe
producer:
Bones Howe
cello:
Jesse Ehrlich (from 1976-07-15 until 1976-07-29), Edgar Lustgarten (from 1976-07-15 until 1976-07-29), Kathleen Lustgarten (from 1976-07-15 until 1976-07-29) and Ray Kelley (from 1976-07-15 until 1976-07-29)
double bass [bass]:
Jim Hughart (from 1976-07-15 until 1976-07-29)
drums (drum set):
Shelly Manne (US jazz drummer) (from 1976-07-15 until 1976-07-29)
viola:
Samuel Boghossian (from 1976-07-15 until 1976-07-29), Allan Harshman (violist) (from 1976-07-15 until 1976-07-29) and David Schwartz (violist) (from 1976-07-15 until 1976-07-29)
violin:
Murray Adler (from 1976-07-15 until 1976-07-29), Israel Baker (violinist) (from 1976-07-15 until 1976-07-29), Harry Bluestone (from 1976-07-15 until 1976-07-29), Nathan Kaproff (from 1976-07-15 until 1976-07-29), George Kast (from 1976-07-15 until 1976-07-29), Marvin Limonick (from 1976-07-15 until 1976-07-29), Alfred Lustgarten (from 1976-07-15 until 1976-07-29), Nathan Ross (from 1976-07-15 until 1976-07-29) and Sheldon Sanov (violinist) (from 1976-07-15 until 1976-07-29)
vocals:
Tom Waits (from 1976-07-15 until 1976-07-29)
conductor:
Jerry Yester (from 1976-07-15 until 1976-07-29)
strings arranger:
Jerry Yester
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (from 1976-07-15 until 1976-07-29)
recording of:
I Wish I Was in New Orleans (in the Ninth Ward) (from 1976-07-15 until 1976-07-29)
lyricist and composer:
Tom Waits
publisher:
Fifth Floor Music, Inc.
34:53
5The Piano Has Been Drinking (Not Me) (An Evening with Pete King)
engineer:
Dayton “Bones” Howe
producer:
Bones Howe
double bass [bass]:
Jim Hughart (from 1976-07-15 until 1976-07-29)
drums (drum set):
Shelly Manne (US jazz drummer) (from 1976-07-15 until 1976-07-29)
vocals:
Tom Waits (from 1976-07-15 until 1976-07-29)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (from 1976-07-15 until 1976-07-29)
recording of:
The Piano Has Been Drinking (Not Me) (An Evening With Pete King) (from 1976-07-15 until 1976-07-29)
lyricist and composer:
Tom Waits
publisher:
Fifth Floor Music, Inc.
33:40
6Invitation to the Blues
engineer:
Dayton “Bones” Howe
producer:
Bones Howe
double bass [bass]:
Jim Hughart (from 1976-07-15 until 1976-07-29)
drums (drum set):
Shelly Manne (US jazz drummer) (from 1976-07-15 until 1976-07-29)
vocals:
Tom Waits (from 1976-07-15 until 1976-07-29)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (from 1976-07-15 until 1976-07-29)
recording of:
Invitation to the Blues (Tom Waits song) (from 1976-07-15 until 1976-07-29)
lyricist and composer:
Tom Waits
publisher:
Fifth Floor Music, Inc.
35:25
7Pasties and a G-String (At the Two O'Clock Club)
engineer:
Dayton “Bones” Howe
producer:
Bones Howe
double bass [bass]:
Jim Hughart (from 1976-07-15 until 1976-07-29)
drums (drum set):
Shelly Manne (US jazz drummer) (from 1976-07-15 until 1976-07-29)
vocals:
Tom Waits (from 1976-07-15 until 1976-07-29)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (from 1976-07-15 until 1976-07-29)
recording of:
Pasties and a G-String (from 1976-07-15 until 1976-07-29)
lyricist and composer:
Tom Waits
publisher:
Fifth Floor Music, Inc.
32:32
8Bad Liver and a Broken Heart (In Lowell)
engineer:
Dayton “Bones” Howe
producer:
Bones Howe
double bass [bass]:
Jim Hughart (from 1976-07-15 until 1976-07-29)
drums (drum set):
Shelly Manne (US jazz drummer) (from 1976-07-15 until 1976-07-29)
vocals:
Tom Waits (from 1976-07-15 until 1976-07-29)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (from 1976-07-15 until 1976-07-29)
recording of:
Bad Liver and a Broken Heart (in Lowell) (from 1976-07-15 until 1976-07-29)
lyricist and composer:
Tom Waits
publisher:
Fifth Floor Music, Inc.
34:50
9The One That Got Away
engineer:
Dayton “Bones” Howe
producer:
Bones Howe
double bass [bass]:
Jim Hughart (from 1976-07-15 until 1976-07-29)
drums (drum set):
Shelly Manne (US jazz drummer) (from 1976-07-15 until 1976-07-29)
vocals:
Tom Waits (from 1976-07-15 until 1976-07-29)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (from 1976-07-15 until 1976-07-29)
recording of:
The One That Got Away (from 1976-07-15 until 1976-07-29)
lyricist and composer:
Tom Waits
publisher:
Fifth Floor Music, Inc.
24:08
10Small Change (Got Rained on with His Own .38)
engineer:
Dayton “Bones” Howe
producer:
Bones Howe
double bass [bass]:
Jim Hughart (from 1976-07-15 until 1976-07-29)
drums (drum set):
Shelly Manne (US jazz drummer) (from 1976-07-15 until 1976-07-29)
vocals:
Tom Waits (from 1976-07-15 until 1976-07-29)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (from 1976-07-15 until 1976-07-29)
recording of:
Small Change (from 1976-07-15 until 1976-07-29)
lyricist and composer:
Tom Waits
publisher:
Fifth Floor Music, Inc.
25:07
11I Can't Wait to Get Off Work (and See My Baby on Montgomery Avenue)
engineer:
Dayton “Bones” Howe
producer:
Bones Howe
double bass [bass]:
Jim Hughart (from 1976-07-15 until 1976-07-29)
drums (drum set):
Shelly Manne (US jazz drummer) (from 1976-07-15 until 1976-07-29)
vocals:
Tom Waits (from 1976-07-15 until 1976-07-29)
recorded at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California, United States (from 1976-07-15 until 1976-07-29)
recording of:
I Can’t Wait to Get Off Work (and See My Baby on Montgomery Avenue) (from 1976-07-15 until 1976-07-29)
lyricist and composer:
Tom Waits
publisher:
Fifth Floor Music, Inc.
33:18

Credits

Release

photography:Joel Brodsky
mastering:Pete Lyman
rights society:BIEM (international rights organization representing member societies from 58 countries)
STEMRA (Netherlands rights society for composers and music publishers)
manufactured by and distributed by:Anti‐
mastered at:Infrasonic Mastering in Nashville, Tennessee, United States
Discogs:https://www.discogs.com/release/11753492 [info]
ASIN:FR: B07987TFN8 [info]
other databases:https://rateyourmusic.com/release/album/tom-waits/small-change-19/ [info]