Cannonball and Eight Giants

~ Release by Cannonball Adderley (see all versions of this release, 1 available)

Tracklist

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▼ 12" Vinyl 1
#TitleRatingLength
A1A Little Taste
producer:
Orrin Keepnews
alto saxophone:
Julian “Cannonball” Adderley (on 1958-07-01)
double bass:
Sam Jones (US jazz bassist) (on 1958-07-01)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-07-01)
piano:
Bill Evans (pianist) (on 1958-07-01)
trumpet:
Blue Mitchell (American trumpet player) (on 1958-07-01)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973) and Fantasy, Inc. (not for release label use!) (in 1989)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-07-01)
recording of:
A Little Taste (on 1958-07-01)
composer:
Julian “Cannonball” Adderley
4:34
A2Straight Life
producer:
Orrin Keepnews
alto saxophone:
Julian “Cannonball” Adderley (on 1958-07-01)
double bass:
Sam Jones (US jazz bassist) (on 1958-07-01)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-07-01)
piano:
Bill Evans (pianist) (on 1958-07-01)
trumpet:
Blue Mitchell (American trumpet player) (on 1958-07-01)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Fantasy, Inc. (not for release label use!) (in 1989), HHO Licensing (in 2005, in 2008) and Xelon Productions (in 2010)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-07-01)
recording of:
Straight Life (on 1958-07-01)
composer:
Art Pepper
5:30
A3Minority (take 2)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-07-01)
double bass:
Sam Jones (US jazz bassist) (on 1958-07-01)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-07-01)
piano:
Bill Evans (pianist) (on 1958-07-01)
trumpet:
Blue Mitchell (American trumpet player) (on 1958-07-01)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Fantasy, Inc. (not for release label use!) (in 1989), HHO Licensing (in 2005) and Xelon Productions (in 2010)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-07-01)
recording of:
Minority (on 1958-07-01)
composer:
Gigi Gryce
publisher:
Jacogg Publications and Twenty-Eighth Street Music
7:24
A4Minority (take 3)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-07-01)
double bass:
Sam Jones (US jazz bassist) (on 1958-07-01)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-07-01)
piano:
Bill Evans (pianist) (on 1958-07-01)
trumpet:
Blue Mitchell (American trumpet player) (on 1958-07-01)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973) and Fantasy, Inc. (not for release label use!) (in 1989)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-07-01)
recording of:
Minority (on 1958-07-01)
composer:
Gigi Gryce
publisher:
Jacogg Publications and Twenty-Eighth Street Music
7:05
B1Nardis
alto saxophone:
Julian “Cannonball” Adderley (on 1958-07-01)
double bass:
Sam Jones (US jazz bassist) (on 1958-07-01)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-07-01)
piano:
Bill Evans (pianist) (on 1958-07-01)
trumpet:
Blue Mitchell (American trumpet player) (on 1958-07-01)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-07-01)
recording of:
Nardis (on 1958-07-01)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music, Jazz Horn Music Corporation, Musical Frontiers and Sony/ATV Music Publishing (UK) Ltd.
5:30
B2Blue Funk
producer:
Orrin Keepnews
alto saxophone:
Julian “Cannonball” Adderley (on 1958-07-01)
double bass:
Sam Jones (US jazz bassist) (on 1958-07-01)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-07-01)
piano:
Bill Evans (pianist) (on 1958-07-01)
trumpet:
Blue Mitchell (American trumpet player) (on 1958-07-01)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973) and Fantasy, Inc. (not for release label use!) (in 1989)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-07-01)
recording of:
Blue Funk (on 1958-07-01)
composer:
Sam Jones (US jazz bassist)
5:30
B3People Will Say We’re in Love
producer:
Orrin Keepnews
alto saxophone:
Julian “Cannonball” Adderley (on 1958-07-01)
double bass:
Sam Jones (US jazz bassist) (on 1958-07-01)
drums (drum set):
Philly Joe Jones (US jazz drummer) (on 1958-07-01)
piano:
Bill Evans (pianist) (on 1958-07-01)
trumpet:
Blue Mitchell (American trumpet player) (on 1958-07-01)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973) and Fantasy, Inc. (not for release label use!) (in 1989)
recorded at:
Reeves Sound Studios in New York, New York, United States (on 1958-07-01)
instrumental recording of:
People Will Say We’re in Love (on 1958-07-01)
orchestrator:
Robert Russell Bennett
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company and Williamson Music, Inc.
part of:
Oklahoma! (Rodgers & Hammerstein musical)
9:38
▼ 12" Vinyl 2
#TitleRatingLength
C1Blues Oriental
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013) and Kendal (in 2014)
recording of:
Blues Oriental (on 1958-10-28)
composer:
Milt Jackson
4:55
C2A Few Words…
recorded in:
New York, New York, United States (on 1958-10-28)
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973) and Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013)
0:47
C3Things Are Getting Better
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2012, in 2013) and Kendal (in 2014)
recording of:
Things Are Getting Better (on 1958-10-28)
writer:
Dory Langdon and Julian Adderley
7:09
C4Serves Me Right
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973) and Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013)
recording of:
Serves Me Right
composer:
Buddy Johnson
4:44
C5Groovin’ High
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2009, in 2013) and Kendal (in 2014)
recording of:
Groovin’ High (on 1958-10-28)
composer:
Dizzy Gillespie, Frank Paparelli and Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
5:17
D1The Sidewalks of New York
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973) and Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013)
instrumental recording of:
The Sidewalks of New York (on 1958-10-28)
lyricist:
James W. Blake
composer:
Charles B. Lawlor
6:56
D2Sounds for Sid
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013) and Kendal (in 2014)
recording of:
Sounds for Sid (on 1958-10-28)
composer:
Julian Adderley
6:24
D3Just One of Those Things
recorded in:
New York, New York, United States (on 1958-10-28)
engineer:
Jack Higgins (recording engineer)
producer:
Orrin Keepnews
alto saxophone:
Cannonball Adderley (on 1958-10-28)
double bass:
Percy Heath (on 1958-10-28)
drums (drum set):
Art Blakey (on 1958-10-28)
piano:
Wynton Kelly (on 1958-10-28)
vibraphone:
Milt Jackson (on 1958-10-28)
phonographic copyright (℗) by:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013) and Kendal (in 2014)
instrumental recording of:
Just One of Those Things (on 1958-10-28)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
6:44

Credits

Release

distributed by:Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead)
Discogs:https://www.discogs.com/release/1751526 [info]