Original Hits From the Movies

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

| |
CD 1
Nr.TitelKünstlerBewertungLänge
1Greased Lightnin'
Produzent(in):
Louis St. Louis (American songwriter, music arranger and singer)
Mix:
David J. Holman
Saxophon:
Ray Pizzi
Sologesang:
John Travolta (American actor and singer)
zusätzlich vocals:
Jeff Conaway (actor)
Horn arranger und Saiteninstrumente arranger:
Michael Melvoin
arranger:
John Farrar, Michael Gibson (trombone) und Louis St. Louis (American songwriter, music arranger and singer)
phonographisches Urheberrecht (℗) von:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (vom 1978 bis heute) und RSO Records (US company that owned the RSO label, not the label itself.) (in 1978)
recording of:
Greased Lightnin’ (Grease, 1971 musical)
Verfasser(in):
Warren Casey und Jim Jacobs
publisher:
Edwin H. Morris & Company (a division of MPL Communications Inc.) (vom 1978 bis heute)
Teil von:
Grease (1971 musical)
John Travolta4.653:16
2La Bamba
recording engineer:
Larry Levine und Stan Ross (recording engineer, mixer & producer)
Produzent(in):
Bob Keane
phonographisches Urheberrecht (℗) von:
Del-Fi Records Inc. (in 1958)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 142) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 346)
recording of:
La bamba (additional lyrics by Ritchie Valens) (am 1958-11-17)
sonstige Unterstützung:
Ritchie Valens (Aufgabe: adapted by)
zusätzlicher Texter:
Ritchie Valens
Verfasser(in):
[traditional] (special purpose artist)
publisher:
Carlin Music Corporation und EMI Longitude Music
Version von:
La bamba
Ritchie Valens4.652:04
3Town Without PityGene Pitney2:54
4Will You Love Me Tomorrow
kettle drum:
Carole King (in 1960)
Klavier:
Paul Griffin (American pianist, session musician) (in 1960)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (in 1960)
Sologesang:
Shirley Owens (in 1960)
vocals:
Doris Coley (in 1960), Addie Harris (in 1960) und Beverly Lee (singer for The Shirelles) (in 1960)
phonographisches Urheberrecht (℗) von:
HHO Licensing Ltd.
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1960 (Nummer: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 33), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 125) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 151)
recording of:
Will You Love Me Tomorrow (Carole King song) (in 1960)
Texter:
Gerry Goffin
Komponist(in):
Carole King
publisher:
Lushmole Music, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
The Shirelles3.82:43
5Venus
vocals:
Frankie Avalon (American actor, singer)
conductor und chorus master:
Peter de Angelis
phonographisches Urheberrecht (℗) von:
Chancellor Records Inc. (in 1959)
recording of:
Venus
Texter und Komponist(in):
Ed Marshall
publisher:
EMI April Music Inc., Kirshner Songs, Inc., Larsdale, Rambed und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Frankie Avalon4.52:23
6Lollipop
Produzent(in):
Archie Bleyer
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1958)
cover recording of:
Lollipop
Verfasser(in):
Julius Dixson und Beverly Ross
publisher:
Anglo-Pic Music Co. Ltd. und Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
The Chordettes42:10
7Great Balls of Fire
recording of:
Great Balls of Fire
Verfasser(in):
Otis Blackwell (American pianist, singer and songwriter) und Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
publisher:
Carlin Music Corporation und Hill & Range Songs, Inc. (publisher)
Jerry Lee Lewis41:52
8Misty Blue
Produzent(in):
Tommy Couch (US producer, songwriter, engineer & studio owner), Wolf Stephenson und James Cary Stroud
cover recording of:
Misty Blue
Texter und Komponist(in):
Bob Montgomery
publisher:
Reservoir One America und Talmont Music (publisher) (vom 1966 bis heute)
Dorothy Moore43:36
9Tell It Like It Is
Produzent(in):
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) und Alvin “Red” Tyler (American jazz saxophonist)
aufgenommen bei:
Jazz City Studios in New Orleans, Louisiana, Vereinigte Staaten (in 1966)
recording of:
Tell It Like It Is (in 1966)
Verfasser(in):
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) und Lee Diamond
publisher:
Conrad Music (publisher; do NOT use as release label) und Olrap Publishing Co., Inc.
Aaron Neville4.52:40
10Unchained Melody
cover recording of:
Unchained Melody
publisher:
Hy Zaret
Texter:
Hy Zaret
Komponist(in):
Alex North (US composer)
publisher:
Frank Music Corp. (beendet), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing und Unchained Melody Publishing, LLC
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
Teil von:
The 28th Academy Award for Best Original Song (Nummer: 2)
Leo Sayer4:30
11Silver Lady
phonographisches Urheberrecht (℗) von:
David Soul (in 1977)
recording of:
Silver Lady (in 1977)
Verfasser(in):
Tony Macaulay und Geoff Stephens
publisher:
Macaulay Music Ltd., Polygram International Music Publishing Ltd. und PolyGram Music Publishing
David Soul53:43
12Raindrops Keep Falling on My Head
vocals:
B.J. Thomas
conductor:
Burt Bacharach
phonographisches Urheberrecht (℗) von:
Scepter (a/k/a Scepter Records) (in 1970)
Teil von:
Billboard Year‐End Hot 100 Singles (1970) (Nummer: 4) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 345)
recording of:
Raindrops Keep Fallin’ on My Head
Texter:
Hal David
Komponist(in):
Burt Bacharach
publisher:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use!), Casa David, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), New Hidden Valley Music Co., PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), WB Music Corp. (1929–2019), フジパシフィックミュージック (Fujipacific Music, Inc.) und フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
Teil von:
The 42nd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 42)
B.J. Thomas43:02
13Joy
Apollo 1002:42
14Move Closer
Produzent(in):
Yves Dessca und Pascal Rivaton
phonographisches Urheberrecht (℗) von:
OVC Ltd. und Capricorn (imprint used by Carrère after 1989) (in 1985)
recording of:
Move Closer
Texter und Komponist(in):
Phyllis Nelson (American singer)
publisher:
IQ Music Ltd.
Phyllis Nelson34:11
15The Stripper
recording of:
The Stripper
Komponist(in):
David Rose (songwriter, pianist and orchestra leader)
publisher:
Bregman, Vocco & Conn Ltd. und David Rose Publishing Co.
David Rose & His Orchestra2:01
CD 2
Nr.TitelKünstlerBewertungLänge
1Hooked on a Feeling
phonographisches Urheberrecht (℗) von:
Scepter (a/k/a Scepter Records) (in 1968)
recording of:
Hooked on a Feeling
Texter und Komponist(in):
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
B.J. Thomas52:47
2Donna
recording engineer:
Larry Levine und Stan Ross (recording engineer, mixer & producer)
Produzent(in):
Bob Keane
phonographisches Urheberrecht (℗) von:
Del-Fi Records Inc. (in 1958)
recording of:
Donna
Texter und Komponist(in):
Ritchie Valens
publisher:
Carlin Music Corporation
Ritchie Valens4.82:23
3Sandy
Produzent(in):
John Farrar
Mix:
David J. Holman
arranger:
John Farrar, Michael Gibson (trombone) und Louis St. Louis (American songwriter, music arranger and singer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1978), Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1978) und RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
recording of:
Sandy (Grease, 1978 film)
Texter:
Scott Simon
Komponist(in):
Louis St. Louis (American songwriter, music arranger and singer)
publisher:
Ensign Music Corp. (in 1978) und Unichappell Music (in 1978)
Teil von:
Grease (1978 film)
John Travolta3.752:34
4Let's Dance
Chris Montez2:28
5Iko Iko
Techniker(in) und Produzent(in):
Brian Tench
alto saxophone:
Miranda Joyce
Bassgitarre:
Lesley Shone
Gitarre:
Sarah‐Jane Owen
Schlagzeug:
Judy Parsons
Sologesang:
Jennie Matthias
phonographisches Urheberrecht (℗) von:
Stiff Records Ltd. (in 1982) und Stiff Records (in 1983)
cover recording of:
Iko Iko
Texter:
James Crawford, Jr. (R&B musician James “Sugar Boy” Crawford, Jr.), Barbara Anne Hawkins, Rosa Lee Hawkins und Joan Marie Johnson (Joan Marie Johnson Faust)
Komponist(in):
James Crawford, Jr. (R&B musician James “Sugar Boy” Crawford, Jr.), Barbara Anne Hawkins und Rosa Lee Hawkins
publisher:
Arc Music Corp. (U.S. rock & blues publisher), EMI Longitude Music Co., IKO Legal Hold, Melder Publishing Co., Songs of Windswept Pacific, Trio Music Company Inc. und フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Revision von:
Jockomo
The Belle Stars33:00
6Soldier Boy
recording of:
Soldier Boy
Verfasser(in):
Luther Dixon, Bob Elgin, Florence Greenberg und Kay Rogers
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Shirelles2:42
7She's a Lady
phonographisches Urheberrecht (℗) von:
Tom Jones Enterprises Ltd. (in 1971)
cover recording of:
She’s a Lady (in 1971)
Texter und Komponist(in):
Paul Anka
publisher:
Chrysalis Music Publishing Australia, Chrysalis Standards Inc. und Spanka Music Corp.
Tom Jones42:55
8Breathless
Produzent(in):
Jack Clement und Sam Phillips (founder of Sun Records)
Bassgitarre:
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (am 1958-01-21)
Gitarre:
Roland Janes (am 1958-01-21) und Billy Lee Riley (am 1958-01-21)
Klavier:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (am 1958-01-21)
Schlagzeug:
Jimmy Van Eaton (am 1958-01-21)
vocals:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (am 1958-01-21)
phonographisches Urheberrecht (℗) von:
Sun Record Company (in 1958)
recording of:
Breathless (am 1958-01-21)
Texter und Komponist(in):
Otis Blackwell (American pianist, singer and songwriter)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher), Home Folks Music (USA) Inc. und Obie Music Inc.
Jerry Lee Lewis42:43
9African Breeze
Hugh Masekela5:56
10When the Going Gets ToughBilly Ocean34:09
11I Walk the Line
recorded in:
Memphis, Tennessee, Vereinigte Staaten (am 1956-04-02)
Produzent(in):
Bob Johnston (US record producer and early rockebilly singer) und Sam Phillips (founder of Sun Records)
Akustikgitarre:
Johnny Cash (country music legend) (am 1956-03-30, am 1956-04-02)
E-Gitarre:
Luther Perkins (am 1956-03-30, am 1956-04-02)
Kontrabass:
Marshall Grant (am 1956-03-30, am 1956-04-02)
vocals:
Johnny Cash (country music legend) (am 1956-03-30, am 1956-04-02)
phonographisches Urheberrecht (℗) von:
Sun Entertainment Corporation (company credits only; do not use as release label!) (in 1956) und Sun Record Company (in 1956)
aufgenommen bei:
Sun Studio in Memphis, Tennessee, Vereinigte Staaten (am 1956-03-30)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 30), Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 33) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 76)
recording of:
I Walk the Line (am 1956-03-30)
Texter und Komponist(in):
John R. Cash (country music legend) (in 1956)
publisher:
Aberbach (London) (Publisher), Bug Music, Inc., Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Hill and Range Southwind Mus S A (BMI-affiliated) und House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash)
recording of:
I Walk the Line (am 1956-04-02)
Texter und Komponist(in):
John R. Cash (country music legend) (in 1956)
publisher:
Aberbach (London) (Publisher), Bug Music, Inc., Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Hill and Range Southwind Mus S A (BMI-affiliated) und House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash)
Johnny Cash4.152:45
12Bullwinkle, Part II
instrumental recording of:
Bullwinkle, Part II
Komponist(in):
Ernie Furrow (bis 1964) und Dennis Rose (Dennis Peter Rose, US surf guitarist for The Centurions) (bis 1964)
The Centurions2:20
13When Will I Be Loved
phonographisches Urheberrecht (℗) von:
Cadence (NYC-based label founded by Archie Bleyer) (in 1960)
recording of:
When Will I Be Loved? (am 1960-02-18)
Texter und Komponist(in):
Phil Everly
publisher:
Acuff-Rose (BMI), Everly and Sons Music Publishing (BMI) und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Everly Brothers2:02
14You Make Me Feel Like Dancing
recording engineer:
Bill Schnee
assistierende(r) Techniker(in):
Dana Latham
Produzent(in):
Richard Perry (producer)
Bass:
Chuck Rainey (American bassist)
Clavinet:
John Barns
Gitarre:
Larry Carlton und Ray Parker Jr.
Schlagzeug:
Steve Gadd (drummer)
Hintergrundgesang:
Clydie King, Becky Louis und Sherlie Matthews (US vocalist)
vocals:
Leo Sayer
conductor:
Gene Page
Saiteninstrumente arranger:
Gene Page
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1976)
recording of:
You Make Me Feel Like Dancing
Texter:
Leo Sayer
Komponist(in):
Vini Poncia
publisher:
Braintree Music, Chrysalis Music (music publisher, ASCAP-affiliated), EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Rondor Music und Silverbird Songs Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Leo Sayer53:38
15Jewel of the Nile
Precious Wilson4:19

Nennungen