Us and Them: Symphonic Pink Floyd

~ Release by London Philharmonic Orchestra (see all versions of this release, 4 available)

Annotation

Matrix: 446 623-2 01 >
Inner matrix: MADE IN GERMANY BY PMDC A
Mastering SID: IFPI L003
Mould SID: IFPI 01D3
DiscID: Wcz.ym0PpG9HHNVEdwLYoo5M2Ro-

The A in the inner matrix is opposite to the MADE IN GERMANY text

Annotation last modified on 2022-08-16 20:38 UTC.

Tracklist

▼ CD 1
#TitleRatingLength
1Time
programming:
Garry Hughes, Johan (Musician) and Paul Taylor (production music composer)
assistant engineer:
Rupert Coulson (sound engineer)
engineer:
Nigel Walton
audio engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer:
Youth (producer/bassist Martin Glover)
mixer:
Hugo Nicolson
orchestra:
London Philharmonic Orchestra (LPO) (in 1995)
conductor:
Peter Scholes (NZ composer & conductor) (in 1995)
arranger:
Jaz Coleman
phonographic copyright (℗) by:
Point Music (mostly classical & film scores) (in 1995)
additionally recorded at and additionally mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
edited at:
Big Life Studios, Chop ’em Out in London (Greater London), England, United Kingdom and Hook End Manor (Sarm Hook End) in Checkendon, Oxfordshire, England, United Kingdom
instrumental cover recording of:
Time (in 1995)
lyricist:
Roger Waters
composer:
David Gilmour (Pink Floyd), Nick Mason (of Pink Floyd), Roger Waters and Richard Wright (Pink Floyd keyboardist)
publisher:
Artemis Muziekuitgeverij B V, KPM (music publisher), Roger Waters Music Overseas Ltd., TRO-Hampshire House Publishing Corp., Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019/05/16) and Hampshire House Publishing Corp. (in 1973)
8:13
2Brain Damage
programming:
Garry Hughes, Johan (Musician) and Paul Taylor (production music composer)
assistant engineer:
Rupert Coulson (sound engineer)
engineer:
Nigel Walton
audio engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer:
Youth (producer/bassist Martin Glover)
mixer:
Hugo Nicolson
orchestra:
London Philharmonic Orchestra (LPO) (in 1995)
conductor:
Peter Scholes (NZ composer & conductor) (in 1995)
arranger:
Jaz Coleman
phonographic copyright (℗) by:
Point Music (mostly classical & film scores) (in 1995)
additionally recorded at and additionally mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
edited at:
Big Life Studios, Chop ’em Out in London (Greater London), England, United Kingdom and Hook End Manor (Sarm Hook End) in Checkendon, Oxfordshire, England, United Kingdom
instrumental cover recording of:
Brain Damage (in 1995)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, KPM (music publisher), Roger Waters Music Overseas Ltd., TRO-Hampshire House Publishing Corp., Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019/05/16), World Copyrights Ltd. and Hampshire House Publishing Corp. (in 1973)
25:14
3Another Brick in the Wall, Part II
programming:
Garry Hughes, Johan (Musician) and Paul Taylor (production music composer)
assistant engineer:
Rupert Coulson (sound engineer)
engineer:
Nigel Walton
audio engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer:
Youth (producer/bassist Martin Glover)
mixer:
Hugo Nicolson
orchestra:
London Philharmonic Orchestra (LPO) (in 1995)
conductor:
Peter Scholes (NZ composer & conductor) (in 1995)
arranger:
Jaz Coleman
phonographic copyright (℗) by:
Point Music (mostly classical & film scores) (in 1995)
additionally recorded at and additionally mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
edited at:
Big Life Studios, Chop ’em Out in London (Greater London), England, United Kingdom and Hook End Manor (Sarm Hook End) in Checkendon, Oxfordshire, England, United Kingdom
instrumental cover recording of:
Another Brick in the Wall, Part 2 (in 1995)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, Chappell Music Ltd., Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd (Artemis BV), Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label), Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019/05/16) and Pink Floyd Music Publishers Inc. (in 1979)
part of:
Another Brick in the Wall
28:28
4Comfortably Numb
programming:
Garry Hughes, Johan (Musician) and Paul Taylor (production music composer)
assistant engineer:
Rupert Coulson (sound engineer)
engineer:
Nigel Walton
audio engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer:
Youth (producer/bassist Martin Glover)
mixer:
Hugo Nicolson
additional acoustic guitar:
Gilbert Biberian
orchestra:
London Philharmonic Orchestra (LPO) (in 1995)
conductor:
Peter Scholes (NZ composer & conductor) (in 1995)
arranger:
Jaz Coleman
phonographic copyright (℗) by:
Point Music (mostly classical & film scores) (in 1995)
additionally recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (acoustic guitar) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
additionally mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
edited at:
Big Life Studios, Chop ’em Out in London (Greater London), England, United Kingdom and Hook End Manor (Sarm Hook End) in Checkendon, Oxfordshire, England, United Kingdom
instrumental cover recording of:
Comfortably Numb (in 1995)
lyricist:
Roger Waters
composer:
David Gilmour (Pink Floyd) and Roger Waters
publisher:
Artemis Muziekuitgeverij B V, Pink Floyd Music Publishers, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd (Artemis BV), Roger Waters Music Overseas Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label), Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019/05/16) and Pink Floyd Music Publishers Inc. (in 1979)
revision of:
The Doctor (Comfortably Numb)
5:27
5Breathe
programming:
Garry Hughes, Johan (Musician) and Paul Taylor (production music composer)
assistant engineer:
Rupert Coulson (sound engineer)
engineer:
Nigel Walton
audio engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer:
Youth (producer/bassist Martin Glover)
mixer:
Hugo Nicolson
additional pedal steel guitar:
BJ Cole
orchestra:
London Philharmonic Orchestra (LPO) (in 1995)
conductor:
Peter Scholes (NZ composer & conductor) (in 1995)
arranger:
Jaz Coleman
phonographic copyright (℗) by:
Point Music (mostly classical & film scores) (in 1995)
additionally recorded at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (pedal steel guitar) and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
additionally mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
edited at:
Big Life Studios, Chop ’em Out in London (Greater London), England, United Kingdom and Hook End Manor (Sarm Hook End) in Checkendon, Oxfordshire, England, United Kingdom
instrumental cover recording of:
Breathe (Pink Floyd song) (in 1995)
lyricist:
Roger Waters
composer:
David Gilmour (Pink Floyd) and Richard Wright (Pink Floyd keyboardist)
publisher:
Artemis Muziekuitgeverij B V, KPM (music publisher), Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., TRO-Hampshire House Publishing Corp., Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019/05/16), World Copyrights Ltd. and Hampshire House Publishing Corp. (in 1973)
4:04
6Money
programming:
Garry Hughes, Johan (Musician) and Paul Taylor (production music composer)
assistant engineer:
Rupert Coulson (sound engineer)
engineer:
Nigel Walton
audio engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer:
Youth (producer/bassist Martin Glover)
mixer:
Hugo Nicolson
orchestra:
London Philharmonic Orchestra (LPO) (in 1995)
conductor:
Peter Scholes (NZ composer & conductor) (in 1995)
arranger:
Jaz Coleman
phonographic copyright (℗) by:
Point Music (mostly classical & film scores) (in 1995)
additionally recorded at and additionally mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
edited at:
Big Life Studios, Chop ’em Out in London (Greater London), England, United Kingdom and Hook End Manor (Sarm Hook End) in Checkendon, Oxfordshire, England, United Kingdom
instrumental cover recording of:
Money (in 1995)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, Chappell Music Ltd., KPM (music publisher), Pathe‐Marconi (not for release label use! consider “Pathé” instead), Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., TRO-Hampshire House Publishing Corp., Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019/05/16) and Hampshire House Publishing Corp. (in 1973)
6:46
7The Great Gig in the Sky
programming:
Garry Hughes, Johan (Musician) and Paul Taylor (production music composer)
assistant engineer:
Rupert Coulson (sound engineer)
engineer:
Nigel Walton
audio engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer:
Youth (producer/bassist Martin Glover)
mixer:
Hugo Nicolson
orchestra:
London Philharmonic Orchestra (LPO) (in 1995)
conductor:
Peter Scholes (NZ composer & conductor) (in 1995)
arranger:
Jaz Coleman
phonographic copyright (℗) by:
Point Music (mostly classical & film scores) (in 1995)
additionally recorded at and additionally mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
edited at:
Big Life Studios, Chop ’em Out in London (Greater London), England, United Kingdom and Hook End Manor (Sarm Hook End) in Checkendon, Oxfordshire, England, United Kingdom
instrumental cover recording of:
The Great Gig in the Sky (in 1995)
composer:
Clare Torry and Richard Wright (Pink Floyd keyboardist)
publisher:
KPM (music publisher), Pink Floyd Music Publishers Ltd., TRO-Hampshire House Publishing Corp., World Copyrights Ltd. and Hampshire House Publishing Corp. (in 1973)
version of:
The Mortality Sequence
5:11
8Nobody Home
programming:
Garry Hughes, Johan (Musician) and Paul Taylor (production music composer)
assistant engineer:
Rupert Coulson (sound engineer)
engineer:
Richard Lowe (UK producer/engineer) and Nigel Walton
audio engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer:
Youth (producer/bassist Martin Glover)
mixer:
Hugo Nicolson
additional piano:
Stephen Small (Musician)
additional violin:
Aboud Abdel Al
orchestra:
London Philharmonic Orchestra (LPO) (in 1995)
conductor:
Peter Scholes (NZ composer & conductor) (in 1995)
arranger:
Jaz Coleman
phonographic copyright (℗) by:
Point Music (mostly classical & film scores) (in 1995)
additionally recorded at:
Hook End Manor (Sarm Hook End) in Checkendon, Oxfordshire, England, United Kingdom (violin), Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
additionally mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
edited at:
Big Life Studios, Chop ’em Out in London (Greater London), England, United Kingdom and Hook End Manor (Sarm Hook End) in Checkendon, Oxfordshire, England, United Kingdom
instrumental cover recording of:
Nobody Home (in 1995)
lyricist and composer:
Roger Waters
publisher:
Artemis Muziekuitgeverij B V, Pink Floyd Music Publishers, Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label), Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019/05/16) and Pink Floyd Music Publishers Inc. (in 1979)
6:26
9Us and Them
programming:
Garry Hughes, Johan (Musician) and Paul Taylor (production music composer)
assistant engineer:
Rupert Coulson (sound engineer)
engineer:
Nigel Walton
audio engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer:
Youth (producer/bassist Martin Glover)
mixer:
Hugo Nicolson
orchestra:
London Philharmonic Orchestra (LPO) (in 1995)
conductor:
Peter Scholes (NZ composer & conductor) (in 1995)
arranger:
Jaz Coleman
phonographic copyright (℗) by:
Point Music (mostly classical & film scores) (in 1995)
additionally recorded at and additionally mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
edited at:
Big Life Studios, Chop ’em Out in London (Greater London), England, United Kingdom and Hook End Manor (Sarm Hook End) in Checkendon, Oxfordshire, England, United Kingdom
instrumental cover recording of:
Us and Them (in 1995)
lyricist:
Roger Waters
composer:
Roger Waters and Richard Wright (Pink Floyd keyboardist)
publisher:
Artemis Muziekuitgeverij B V, KPM (music publisher), Pink Floyd Music Publishers Ltd., Roger Waters Music Overseas Ltd., TRO-Hampshire House Publishing Corp., Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019/05/16) and Hampshire House Publishing Corp. (in 1973)
is based on:
The Riot Scene
is based on:
The Violent Sequence
11:38
10Time (The Old Tree With Winding Roots Behind the Lake of Dreams mix)
programming:
Garry Hughes, Johan (Musician) and Paul Taylor (production music composer)
assistant engineer:
Rupert Coulson (sound engineer)
engineer:
Nigel Walton
audio engineer:
Chris Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer:
Youth (producer/bassist Martin Glover)
mixer:
Hugo Nicolson
orchestra:
London Philharmonic Orchestra (LPO) (in 1995)
conductor:
Peter Scholes (NZ composer & conductor) (in 1995)
arranger:
Jaz Coleman
phonographic copyright (℗) by:
Point Music (mostly classical & film scores) (in 1995)
additionally recorded at and additionally mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recorded at:
Lyndhurst Hall (main recording hall of AIR Studios) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom
edited at:
Big Life Studios, Chop ’em Out in London (Greater London), England, United Kingdom and Hook End Manor (Sarm Hook End) in Checkendon, Oxfordshire, England, United Kingdom
instrumental cover recording of:
Time (in 1995)
lyricist:
Roger Waters
composer:
David Gilmour (Pink Floyd), Nick Mason (of Pink Floyd), Roger Waters and Richard Wright (Pink Floyd keyboardist)
publisher:
Artemis Muziekuitgeverij B V, KPM (music publisher), Roger Waters Music Overseas Ltd., TRO-Hampshire House Publishing Corp., Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019/05/16) and Hampshire House Publishing Corp. (in 1973)
210:42

Credits

Release

manufactured in:Germany
printed in:Netherlands, Kingdom of the Netherlands
liner notes:Jaz Coleman
Roger Dean (English designer)
graphic design:Roger Dean (English designer)
executive producer:Philip Glass (US composer & pianist)
Rory Johnston (executive producer)
Kurt Munkacsi
Pete Smith (UK producer)
mastering:Brian K Lee (mastering engineer, designer, editor)
artwork:Martyn Dean (task: CD design)
Roger Dean (English designer) (task: cover painting and lettering ©1995)
rights society:BIEM (international rights organization representing member societies from 58 countries)
STEMRA (Netherlands rights society for composers and music publishers)
manufactured by:PMDC (Germany)
PolyGram Classics and Jazz (a division of PolyGram Records, Inc., US)
copyrighted (©) by and phonographic copyright (℗) by:Point Music (mostly classical & film scores) (in 1995)
marketed by:PolyGram Classics and Jazz (a division of PolyGram Records, Inc., US)
mastered at:Gateway Mastering Studios in Portland, Maine, United States
Discogs:https://www.discogs.com/release/6291017 [info]

Release group

Discogs:https://www.discogs.com/master/282698 [info]
Wikidata:Q7901654 [info]