The Very Best of Pop Music 1989–90

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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▼ CD 1
#TitoloArtistaValutazioneDurata
1I Don’t Want a Lover
registrazione di:
I Don’t Want a Lover
paroliere e compositore:
Johnny McElhone e Sharleen Spiteri
editore:
BMG 10 Music Ltd.
Texas4:07
2I’ve Been Thinking About You
registrazione di:
I’ve Been Thinking About You
autore:
Jimmy Chambers, George Chandler (UK vocalist, member of The Olympic Runners & Londonbeat), Jimmy Helms (soul singer) e William Henshall (Londonbeat)
Londonbeat3:34
3Saviour’s Day
registrazione di:
Saviour’s Day
paroliere e compositore:
Chris Eaton
editore:
SGO Music Publishing Ltd.
Cliff Richard4:52
4Hold On
produttore:
Glen Ballard
produttore esecutivo:
Charles Koppelman (American businessman and musician)
voce:
Chynna Phillips, Carnie Wilson e Wendy Wilson
diritti fonografici (℗) detenuti da:
SBK Records (nel 1990)
registrazione di:
Hold On
autore:
Glen Ballard, Chynna Phillips e Carnie Wilson
editore:
Get Out Songs, Smooshie Music, Aerostation Corporation (nel 1990), EMI Blackwood Music Inc. (nel 1990), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (nel 1990, nel 2003), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (nel 1990, nel 2003), Wilphill Music (nel 1990) e Universal Music Corp. (USA, affiliated with ASCAP) (nel 2003)
Wilson Phillips33:38
5Love Is Gonna Call
Sanne Salomonsen4:27
6She Drives Me Crazy
tecnico:
David Z. (producer/engineer David Rivkin)
co-produttore:
Fine Young Cannibals e David Z. (producer/engineer David Rivkin)
basso, drum machine e tastiera :
David Steele (UK musician, member of The Beat and Fine Young Cannibals)
drum machine, chitarra e tamburello :
Andy Cox (of The Beat)
voce:
Roland Gift
diritti fonografici (℗) detenuti da:
London Music Stream Ltd. (reissues, 2017–present; a.k.a. London Records or Recordings) (nel 1988) e London Records Ltd. (not release label) (nel 1989)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 77)
registrazione di:
She Drives Me Crazy (Fine Young Cannibals song)
autore:
Roland Gift e David Steele (UK musician, member of The Beat and Fine Young Cannibals)
editore:
Virgin Music (Publishers) Ltd.
Fine Young Cannibals43:33
7Too Much
registrazione di:
Too Much
paroliere e compositore:
Luke Goss, Matt Goss e Nicky Graham
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Maximum Music Limited
Bros3:36
8The Power
produttore:
Snap! (dance group; tracks: “The Power” & “Rhythm Is a Dancer”)
campionamenti:
Love 's Gonna Get You di Jocelyn Brown (voce principale) e Pumper Piper Beats di Frankie Bones (US house/techno DJ) & Lenny Dee (US techno/hardtechno/hardcore producer & DJ) (batteria)
registrazione di:
The Power
autore:
Benito Benites, Antoinette Colandero e John Garrett III
editore:
Hanseatic Musikverlag GmbH (1964-2001), House of Fun Music, Inc. e Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
Snap!3.25:42
9Eternal Flame
tecnico di registrazione:
John Beverly Jones
tecnico aggiunto:
Ken Felton
produttore:
Davitt Sigerson
tecnico di missaggio:
Frank Filipetti
basso elettrico [bass] :
Michael Steele (American bassist, guitarist, songwriter, and singer)
batteria :
Debbi Peterson (drummer for The Bangles)
chitarra [lead guitar] :
Vicki Peterson
chitarra [rhythm guitar] :
Susanna Hoffs
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (nel 1988) e Sony BMG Music Entertainment Inc. (nel 1988)
mixata presso:
Studio 55 in Los Angeles, California, Stati Uniti
video musicali:
Eternal Flame di Bangles
registrazione di:
Eternal Flame
autore:
Susanna Hoffs, Tom Kelly (songwriter) e Billy Steinberg
editore:
Bangophile Music, Billy Steinberg Music, Denise Barry Music, EMI Songs, Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. e Sony/ATV Tunes LLC (ASCAP)
sub-editore:
EMI Songs Ltd., Shinko Music Entertainment Co., Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing Ltd., Universal Music Publishing Group Japan (UNIVERSAL MUSIC PUBLISHING LLC, work publisher – do NOT use as a release label) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Bangles3.753:55
10Road to Hell 1
registrazione di:
The Road to Hell, Part 1
paroliere e compositore:
Chris Rea
parte di:
The Road to Hell
Chris Rea4:21
11Leave a Light On
registrazione di:
Leave a Light On
autore:
Rick Nowels e Ellen Shipley
editore:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishing Australia P/L, Future Furniture Music (nel 1989), Shipwreck Music (publisher) (nel 1989) e Virgin Songs Inc. (nel 1989)
Belinda Carlisle4:02
12Baby I Love Your Way
registrazione cover di:
Baby, I Love Your Way
paroliere e compositore:
Peter Frampton
editore:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
Will to Power4:05
13I Still Haven’t Found What I’m Looking For
tecnico di missaggio:
Manasseh (UK dub/reggae producer Nick Raphael) e Mr. Scruff (English DJ Andrew Carthy)
registrazione cover di:
I Still Haven’t Found What I’m Looking For
paroliere:
Bono (singer of U2)
compositore:
Bono (singer of U2), Adam Clayton, Larry Mullen, Jr. e The Edge (U2 guitarist David Evans)
editore:
Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc., Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group), Universal Music Publishing International B.V. (Global Licensing & Royalty Review division, Universal Music Publishing Group) e Blue Mountain Music Ltd. (nel 1987)
versione di:
Desert of Our Love
The Chimes5:30
14Hangin’ Tough
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1988)
registrazione di:
Hangin’ Tough
paroliere e compositore:
Maurice Starr
New Kids on the Block4:18
15U Can’t Touch This
co-produttore:
James Earley e Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer)
produttore:
MC Hammer
tecnico di missaggio:
James Earley, Felton Pilot (American singer, songwriter, multi-instrumentalist and record producer) e MC Hammer
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1990)
campionamenti:
Super Freak di Rick James (US vocalist, multi‐instrumentalist, composer & producer)
registrazione di:
U Can’t Touch This
autore:
Rick James (US vocalist, multi‐instrumentalist, composer & producer), Alonzo Miller (Singer-songwriter, producer) e Stanley Kirk Burrell
editore:
EMI Music Publishing (do not use as a release label!), EMI Songs e Mushroom Music (Mushroom label's publishing company)
si basa su:
Super Freak
MC Hammer4.24:14
16Ride on Time
registrazione di:
Ride on Time
autore:
Daniele Davoli, Dan Hartman, Mirko Limoni e Valerio Semplici (Black Box)
editore:
Lombardoni Edizioni Musicali
cita i testi di:
Love Sensation
Black Box4:31
17Room in Your Heart
produttore:
Living in a Box e Chris Porter (engineer and producer)
tecnico di missaggio:
Chris Porter (engineer and producer)
registrazione di:
Room in Your Heart
autore:
Richard Darbyshire, Albert Hammond e Marcus Vere
editore:
Chappell Music Ltd., Empire Music Ltd. e Windswept Pacific Music Ltd.
Living in a Box24:28
▼ CD 2
#TitoloArtistaValutazioneDurata
1Suicide Blonde
programmazione:
Jon e Kirk
assistente tecnico:
Brendan Morley e Andy Strange
tecnico:
David Nicholas (Australian recording engineer and producer)
produttore:
Chris Thomas (UK record producer / remixer)
editor:
Tim Young (mastering engineer)
basso e basso elettrico [bass] :
Garry Gary Beers
batteria [drums] :
Jon Farris
batteria e tastiera [keyboards] :
Jon Farriss
chitarra e chitarra elettrica [guitar] :
Andrew Farriss, Tim Farriss e Kirk Pengilly
sassofono e voce di accompagnamento [vocals]:
Kirk Pengilly
tastiera [keyboards] :
Andrew Farriss e Jon Farris
voce:
Michael Hutchence e Kirk Pengilly
voce principale [vocals]:
Michael Hutchence
diritti fonografici (℗) detenuti da:
INXS (nel 1990)
diritti fonografici (℗) detenuti da:
INXS (label and copyrights holder for INXS) (nel 1990)
registrata presso:
Rhinoceros Studio 2 in Sydney, New South Wales, Australia e Rhinoceros Studio 2 in Sydney, New South Wales, Australia
mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Suicide Blonde
paroliere:
Michael Hutchence
compositore:
Andrew Farriss
editore:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) e Tol Muziek (nel 1990)
INXS4.13:51
2Dub Be Good to Me
produttore:
Norman Cook
voce:
Lindy Layton
registrazione di:
Dub Be Good to Me
compositore:
Norman Cook, James Harris III (James Harris of Jam & Lewis) e Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
versione di:
Just Be Good to Me
Beats International2.754:00
3I Drove All Night
voce principale:
Cyndi Lauper
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1989)
registrazione di:
I Drove All Night
autore:
Tom Kelly (songwriter) e Billy Steinberg
editore:
Sony/ATV Music Publishing Ltd. e Warner Chappell Music Ltd.
Cyndi Lauper4.54:11
4Right Here Waiting
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1989)
registrazione di:
Right Here Waiting
paroliere:
Richard Marx
compositore:
Bruce Gaitsch (american guitarist, producer, engineer and arranger) e Richard Marx
editore:
BMG Monarch, Chi‐Boy Music, EMI Music Ltd. e EMI Songs Ltd.
sub-editore:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Richard Marx4:06
5Opposites Attract
produttore:
Oliver Leiber
arrangiatore:
Oliver Leiber
parte di:
The Downloader’s Music Source Book (numero: 87)
registrazione di:
Opposites Attract
paroliere e compositore:
Oliver Leiber
Paula Abdul2.54:20
6Back to Life
produttore e tecnico di missaggio:
Nellee Hooper e Jazzie B
voce:
Caron Wheeler (English singer, songwriter, and record producer)
registrazione di:
Back to Life
autore:
Nellee Hooper, Simon Law (Soul II Soul), Beresford Romeo e Caron Wheeler (English singer, songwriter, and record producer)
Soul II Soul4.53:45
7Lily Was Here
tecnico di registrazione:
Steve McLaughlin (British producer, engineer, musician and film producer)
produttore:
David A. Stewart (UK guitarist/singer for Eurythmics)
tecnico di missaggio:
Gary Bradshaw
chitarra :
David A. Stewart (UK guitarist/singer for Eurythmics)
sassofono ospite :
Candy Dulfer
diritti fonografici (℗) detenuti da:
Eligible Music Ltd. (nel 1989)
registrazione di:
Lily Was Here
compositore:
David A. Stewart (UK guitarist/singer for Eurythmics)
editore:
BMG Music Publishing Ltd. e Eligible Music Ltd.
Dave Stewart & Candy Dulfer3.754:17
8Help
registrazione cover di:
Help!
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
EMI Music Publishing Australia Pty. Limited, Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs ltd, SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) e Unart Music Corp.
Bananarama2:58
9The Anniversary Waltz, Part 1
tecnico:
Tim Summerhayes
produttore:
Pip Williams (producer)
registrata presso:
Bray Film Studios
mixata presso:
A Roof Somewhere In Surrey in Surrey, England, Regno Unito
medley che comprende una registrazione cover di:
Great Balls of Fire
autore:
Otis Blackwell (American pianist, singer and songwriter) e Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
editore:
Carlin Music Corporation e Hill & Range Songs, Inc. (publisher)
medley che comprende una registrazione cover di:
I Hear You Knocking
paroliere e compositore:
Dave Bartholomew e Pearl King
editore:
Commodore Music Corp., EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier e World Music (publisher)
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
medley che comprende una registrazione cover di:
Let’s Dance
paroliere e compositore:
Jim Lee (“Let’s Dance” writer/producer)
editore:
Chappell Morris Ltd., DeVorzon Music, Rondell Music e Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
medley che comprende una registrazione cover di:
Lucille
autore:
Albert Collins (composer of “Lucille” & “Slippin’ and Slidin’”) e Richard Wayne Penniman
editore:
Leeds Music Ltd., MCA Music Inc. (Universal Music Philippines' legal name), MCA Music Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing France, Universal/MCA Music Ltd. (not for release label use!) e Venice Music
medley che comprende una registrazione cover di:
No Particular Place to Go
paroliere e compositore:
Chuck Berry
editore:
Arc Music Corp. (U.S. rock & blues publisher) e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
medley che comprende una registrazione cover di:
Red River Rock
compositore:
Tom King (50s & 60s songwriter), Ira Mack e Fred Mendelsohn
editore:
Burlington Music Co., Ltd. e Mole Hole Music
si basa su:
Red River Valley
registrazione di:
The Anniversary Waltz, Part 1
medley di:
The Wanderer
medley di:
Let’s Dance
medley di:
Red River Rock
medley di:
No Particular Place to Go
medley di:
I Hear You Knocking
medley di:
Lucille
medley di:
Great Balls of Fire
medley che comprende una registrazione cover di:
The Wanderer
paroliere e compositore:
Ernie Maresca
editore:
Mijac Music, Schwartz Music Ltd., Warner Chappell, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America Ltd. e Warner/Chappell North America
Status Quo5:03
10Toy Soldiers
remixer:
Humberto Gatica
video musicali:
Toy Soldiers di Martika (American singer‐songwriter and actress)
parte di:
VH1's 100 Greatest One-Hit Wonders of the '80s (numero: 67)
registrazione di:
Toy Soldiers
autore:
Martika (American singer‐songwriter and actress) e Michael Jay (producer/engineer)
Martika54:47
11Kisses in the Wind
registrazione di:
Kisses on the Wind
autore:
Neneh Cherry e Cameron McVey
Neneh Cherry3:58
12C’Mon and Get My Love
registrazione di:
C’mon and Get My Love
paroliere e compositore:
Danny Poku (British DJ, producer, remixer and A&R)
D Mob feat. Cathy Dennis3:53
13Elephant Stone
tecnico:
Paul Schroeder (UK rock/pop producer, engineer & remixer)
produttore:
Peter Hook
tecnico di missaggio:
John Leckie
batteria e voce di accompagnamento:
Reni
chitarra :
John Squire
chitarra basso :
Gary Mounfield
voce:
Ian Brown (UK singer, member of Stone Roses)
registrazione di:
Elephant Stone
paroliere e compositore:
Ian Brown (UK singer, member of Stone Roses) e John Squire
The Stone Roses4.353:04
14Sowing the Seeds of Love
registrazione di:
Sowing the Seeds of Love
autore:
Roland Orzabal (UK musician, songwriter and producer) e Curt Smith
editore:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tears for Fears5:06
15Poison
tecnico di registrazione:
Sir Arthur Payson (dal 1988 al 1989)
programmazione degli strumenti:
Steve Deutsch
assistente tecnico:
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber e Mark Tanzer
produttore:
Desmond Child
tecnico di missaggio:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) e Steve Thompson (producer)
altri strumenti [special effects] aggiunto:
Gregg Mangiafico (dal 1988 al 1989)
batteria :
Bobby Chouinard (dal 1988 al 1989)
chitarra :
John McCurry (dal 1988 al 1989)
chitarra basso :
Hugh McDonald (bassist) (dal 1988 al 1989)
tastiera :
Alan St. John (dal 1988 al 1989)
tastiera aggiunto:
Paul Chiten (dal 1988 al 1989) e Gregg Mangiafico (dal 1988 al 1989)
voce di accompagnamento:
Alan St. John (dal 1988 al 1989), Michael Anthony (US bassist, formerly of Van Halen) (dal 1988 al 1989), Desmond Child (dal 1988 al 1989), Diana Grasselli (dal 1988 al 1989), Jango (backing vocalist on “Trash” by Alice Cooper) (dal 1988 al 1989), Louie Merlino (dal 1988 al 1989), Hugh McDonald (bassist) (dal 1988 al 1989), Jamie Sever (dal 1988 al 1989), Bernie Shanahan (dal 1988 al 1989), Stiv Bator (dal 1988 al 1989), Tom Teeley (dal 1988 al 1989), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (dal 1988 al 1989), Myriam Valle (dal 1988 al 1989) e Maria Vidal (American singer-songwriter) (dal 1988 al 1989)
voce principale:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) (dal 1988 al 1989)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1989), Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (nel 1989), Sony Music Entertainment (Sony Music Entertainment, Inc., NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1989) e Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1989)
registrata presso:
Bearsville Studios in Bearsville, New York, Stati Uniti (dal 1988 al 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, Stati Uniti (dal 1988 al 1989), Grog Kill Studio in Woodstock, New York, Stati Uniti (dal 1988 al 1989), Mediasound Studios in New York, New York, Stati Uniti (dal 1988 al 1989), Power Station Studios (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1988 al 1989), Right Track Recording in Manhattan, New York, New York, Stati Uniti (dal 1988 al 1989), Sigma Sound Studios (New York) in New York, New York, Stati Uniti (dal 1988 al 1989), The Complex Studios in Los Angeles, California, Stati Uniti (dal 1988 al 1989), The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (dal 1988 al 1989) e The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti (dal 1988 al 1989)
registrazione di:
Poison (dal 1988 al 1989)
autore:
Desmond Child, Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) e John McCurry
editore:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited, EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, dal 1989 a oggi), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, dal 1989 al ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group (Universal Music Publishing Group Corporation), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label) e Ezra Music Corp. (dal 1989 a oggi)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.454:29
16Ice Ice Baby
registrazione di:
Ice Ice Baby
paroliere:
Floyd Brown (Floyd Brown), Mario Lavell Johnson (90s US rapper) e Vanilla Ice
compositore:
David Bowie (English singer‐songwriter), Floyd Brown (Floyd Brown), John R. Deacon, Mario Lavell Johnson (90s US rapper), Brian May (Queen guitarist), Freddie Mercury, Roger Taylor (Queen drummer) e Vanilla Ice
editore:
Aftershock Music, EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Fernhill Publishing, Ice Baby Music, Knightlife Productions, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), QPM Music Inc., Queen Music Ltd., Sony/ATV Music Publishing Ltd. e Sony/ATV Songs LLC
si basa su:
Under Pressure
Vanilla Ice5:02
17Girl I’m Gonna Miss You
registrazione di:
Girl I’m Gonna Miss You
autore:
Frank Farian, Dietmar Kawohl e Peter Bishoph
Milli Vanilli5:06

Accreditamenti

Pubblicazione

parte di:The Very Best of Pop Music (ordine: 15)
Discogs:https://www.discogs.com/release/1527107 [info]