The Power of Love: 1977–1981

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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CD 1
#TitoloArtistaValutazioneDurata
1Don’t Stop
assistente tecnico:
Chris Morris (LA engineer & producer (late ’70s))
tecnico:
Ken Caillat e Richard Dashut
produttore:
Ken Caillat, Richard Dashut e Fleetwood Mac
produttore aggiunto:
Ken Caillat e Richard Dashut
batteria e percussione :
Mick Fleetwood
chitarra :
Lindsey Buckingham
chitarra basso :
John McVie
tastiera e sintetizzatore :
Christine McVie
voce:
Lindsey Buckingham, Christine McVie e Stevie Nicks
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1977) e Warner Bros. (holding: File NO Releases) (nel 2004)
mixata presso:
Producer’s Workshop in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Don’t Stop
paroliere e compositore:
Christine McVie
editore:
BMG Music, BMG Music Publishing Ltd., Fleetwood Mac Music (publisher) e Gentoo Music, Inc. (nel 1977)
Fleetwood Mac4.23:15
2Is She Really Going Out With Him?
registrazione di:
Is She Really Going Out With Him?
paroliere e compositore:
Joe Jackson (English musician)
editore:
Kobalt Music (publisher) e Pokazuka Limited
Joe Jackson3:37
3I Want You to Want Me
tecnico:
Antonio Reale
produttore:
Tom Werman
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977), Sony Music Entertainment (Sony Music Entertainment, Inc., NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1977) e Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1977)
registrata presso:
Kendun Recorders in Burbank, California, Stati Uniti (nel 1977)
mixata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti (nel 1977)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 266)
registrazione di:
I Want You to Want Me (nel 1977)
paroliere e compositore:
Rick Nielsen
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Gil Music Corporation, Adult Music (nel 1977) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (nel 1977)
parte di:
10 Things I Hate About You
Cheap Trick4.153:09
4More Than a Lover
produttore:
David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) e Steve Wolfe (producer, songwriter and guitar player)
arrangiatore:
David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) e Steve Wolfe (producer, songwriter and guitar player)
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead)
registrazione di:
More Than a Lover
autore:
Ronnie Scott (a British pop music promoter, group manager and songwriter) e Steve Wolfe (producer, songwriter and guitar player)
Bonnie Tyler44:12
5Crying
registrazione cover di:
Crying
paroliere:
Joe Melson (nel 1961) e Roy Orbison (nel 1961)
compositore:
Joe Melson e Roy Orbison
editore:
Acuff Rose Music, Inc. (not for publishing), Barbara Orbison Music Company, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Orbi-Lee Music, R-Key Darkus Music, Rondor Music, Universal/MCA Music Publishing Pty Ltd e Acuff-Rose Publications, Inc. (BMI) (il 1961-08-16)
parte di:
50/50
Don McLean53:43
6You’ve Lost That Lovin’ Feeling
registrazione cover di:
You’ve Lost That Lovin’ Feelin’
autore:
Barry Mann, Phil Spector e Cynthia Weil
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Columbia Music (Publisher. Do not use as a release label.), EMI Music Publishing (do not use as a release label!), Mother Bertha Music Inc., Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-editore:
EMI Music Publishing Germany (GmbH & Co. KG), Screen Gems-Columbia Music Ltd., Screen Gems–EMI Music Ltd., 日本アブコ音楽出版 (ABKCO Japan Publishing), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Hall & Oates54:10
7Lost in Love
tecnico e tecnico di missaggio:
William Wittman
produttore:
Rick Chertoff, Charles Fisher (Australian producer) e Robie Porter
batteria :
Ralph Cooper (drummer)
chitarra [lead guitar] :
David Moyse
chitarra [rhythm guitar] :
Graham Russell (Air Supply)
chitarra basso :
Criston Barker
tastiera :
Frank Esler‐Smith e Sam McNally
voce:
Graham Russell (Air Supply)
voce di accompagnamento:
Criston Barker e David Moyse
voce principale:
Russell Hitchcock
arrangiatore:
Air Supply e Robie Porter
orchestratore:
Frank Esler‐Smith e Robie Porter
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1980) e Wizard Records Pty. Ltd. (holding company - file no releases here!) (nel 1980)
registrata presso:
Trafalgar Studios in Annandale, Sydney, New South Wales, Australia
mixata presso:
Soundmixers in Midtown Manhattan, New York, New York, Stati Uniti
parte di:
The Downloader’s Music Source Book (numero: 295)
registrazione di:
Lost in Love
paroliere e compositore:
Graham Russell (Air Supply)
editore:
Nottsongs, Universal Music Careers e Warner/Chappell Music Ltd. (1996–2019)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply53:53
8Ride Like the WindChristopher Cross44:24
9What Can I Say
tecnico:
Tom Perry (engineer)
produttore:
Joe Wissert
batteria :
Jeff Porcaro (nel 1975-09)
chitarra :
Louie Shelton (nel 1975-09) e Fred Tackett (nel 1975-09)
chitarra basso :
David Hungate (nel 1975-09)
corno :
Vincent DeRosa (nel 1975-09)
ottoni :
Dick Hyde (nel 1975-09)
percussione :
Joe Porcaro (nel 1975-09)
sassofono tenore solista :
Plas Johnson (nel 1975-09)
strumenti a fiato :
Jim Horn (saxophonist, hornist, flutist and oboist) (nel 1975-09), Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (nel 1975-09) e Bud Shank (nel 1975-09)
tastiera :
David Paich (nel 1975-09)
tromba :
Chuck Findley (trumpet, trombone, horn player) (nel 1975-09) e Paul Hubinon (nel 1975-09)
voce di accompagnamento:
Jim Gilstrap (nel 1975-09), Augie Johnson (nel 1975-09), Marty McCall (CCM singer/songwriter/worship leader) (nel 1975-09) e Carolyn Willis (nel 1975-09)
voce principale:
Boz Scaggs (nel 1975-09)
direttore d'orchestra:
Sid Sharp (nel 1975-09)
arrangiatore:
David Paich
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Columbia Records (EMI-owned 1931-1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1976) e Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (nel 1976)
registrazione di:
What Can I Say (nel 1975-09)
autore:
David Paich e Boz Scaggs
editore:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Universal Music Publishers MGB Australia Pty Ltd e Boz Scaggs Music (publisher) (nel 1976)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Boz Scaggs43:02
10Babooshka
assistente tecnico:
John Barratt (British audio engineer) (dal 1979-09 al 1980-05)
tecnico:
Jon Kelly (engineer at Air London Studios) (dal 1979-09 al 1980-05)
produttore:
Kate Bush e Jon Kelly (engineer at Air London Studios)
balalaika :
Paddy Bush (dal 1979-09 al 1980-05)
basso elettrico :
John Giblin (dal 1979-09 al 1980-05)
batteria :
Stuart Elliott (session drummer, member of Cockney Rebel) (dal 1979-09 al 1980-05)
chitarra elettrica :
Brian Bath (dal 1979-09 al 1980-05) e Alan Murphy (UK session guitarist) (dal 1979-09 al 1980-05)
piano Rhodes [Fender Rhodes] :
Max Middleton (dal 1979-09 al 1980-05)
sintetizzatore analogico [CS 80] e voce principale:
Kate Bush (dal 1979-09 al 1980-05)
voce di accompagnamento:
Paddy Bush (dal 1979-09 al 1980-05) e Gary Hurst (dal 1979-09 al 1980-05)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (nel 1980), Novercia Ltd. (nel 1980) e EMI America Records, Inc. (holding - file NO releases here!) (nel 1982)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1979-09 al 1980-05) e Abbey Road Studios: Studio 2 in St John's Wood, Westminster, London (Greater London), England, Regno Unito (dal 1979-09 al 1980-05)
registrazione di:
Babooshka (dal 1979-09 al 1980-05)
paroliere e compositore:
Kate Bush
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e Kate Bush Music Ltd.
Kate Bush3.553:30
11Under Your Thumb
registrazione di:
Under Your Thumb
autore:
Lol Creme e Kevin Godley
Godley & Creme4:44
12Right Down the Line
Gerry Rafferty4:00
13Sister Golden Hair
assistente tecnico:
Tom Anderson (engineer)
tecnico:
Geoff Emerick (British recording engineer)
produttore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
altri strumenti :
America (US folk/soft rock band)
batteria e percussione :
Willie Leacox
chitarra basso :
David Dickey (U.S. drummer and bassist)
voce:
America (US folk/soft rock band)
arrangiatore:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1975), Warner Music H.K. Ltd. (nel 1997) e Rhino Entertainment Company (not for release label use!) (nel 2011)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 12) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 264)
registrazione di:
Sister Golden Hair
paroliere e compositore:
Gerald Beckley
America4.13:22
14Shadow Dancing
produttore:
Albhy Galuten, Barry Gibb e Karl Richardson
diritti fonografici (℗) detenuti da:
Peta Gibb (nel 1978)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (nel 1978)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 55)
registrazione di:
Shadow Dancing
autore:
Andy Gibb, Barry Gibb, Maurice Gibb e Robin Gibb
editore:
Andy Gibb Music, Crompton Songs, Gibb Brothers Music, Hugh and Barbara Gibb Music, Joy USA Music Company, Stigwood Music, Inc. e Unichappell Music, Inc.
Andy Gibb4.654:35
15Rock ’n’ Roll Dreams Come Through
registrazione di:
Rock and Roll Dreams Come Through
paroliere e compositore:
Jim Steinman
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (, dal 1993 al ????), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) e Lost Boys Music (BMI affiliated) (dal 1993 a oggi)
Jim Steinman5:28
CD 2
#TitoloArtistaValutazioneDurata
1Call Me
tecnico:
Harold Faltermeyer
produttore:
Giorgio Moroder
batteria [drums] :
Clem Burke (nel 1980-01)
chitarra :
Frank Infante (nel 1980-01) e Chris Stein (nel 1980-01)
chitarra basso [bass] :
Nigel Harrison (nel 1980-01)
pianoforte elettrico :
Jimmy Destri (nel 1980-01)
sintetizzatore aggiunto:
Giorgio Moroder (nel 1980-01)
voce principale:
Debbie Harry (nel 1980-01)
diritti fonografici (℗) detenuti da:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (nel 1980, nel 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1980), Chrysalis Records, Inc. (not for release label use!) (nel 1980, nel 2002), Capitol Records (imprint of Capitol Records, Inc.) (nel 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1998) e Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 2002)
registrata presso:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, Stati Uniti (nel 1979) e The Power Station (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, Stati Uniti (nel 1980-01)
mixata presso:
Allen Zentz Mastering in San Clemente, California, Stati Uniti
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 64), VH1: 100 Greatest Songs of the 80's (compiled in 2006) (numero: 78) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 157)
registrazione di:
Call Me (nel 1980-01)
paroliere:
Deborah Harry
compositore:
Giorgio Moroder
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher (affiliated with PRS)), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody e Sony/ATV Music Publishing Australia Pty Ltd.
sub-editore:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Blondie4.23:29
2Looking for Clues
registrazione di:
Looking for Clues
paroliere e compositore:
Robert Palmer (English singer‐songwriter)
editore:
Bungalow Music
Robert Palmer4:20
3Well All Right
assistente tecnico:
Gary Boatner (Engineer)
produttore:
Dennis Lambert e Brian Potter (US songwriter & producer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1978)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1978-07 al 1978-08)
registrazione cover di:
Well… All Right (dal 1978-07 al 1978-08)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) e MPL Music Publishing Inc.
Santana34:13
4I Can’t Wait
registrazione di:
I Can't Wait
autore:
Stevie Nicks, Rick Nowels e Eric Pressly (Bassist, producer and songwriter)
editore:
Future Furniture Music e Welsh Witch Music (BMI affiliated)
Stevie Nicks4:24
5Maybe
Thom Pace2:34
6Shine a Little Love
registrazione di:
Shine a Little Love
paroliere e compositore:
Jeff Lynne
editore:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., Polygon Publishing Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
Electric Light Orchestra34:40
7Mirrors
registrazione dal vivo di:
Mirrors
paroliere e compositore:
Sally Oldfield
editore:
Betterbron Music Ltd. (publisher) (nel 1978)
Sally Oldfield3:25
8Thank You for Being a Friend
registrazione di:
Thank You for Being a Friend
paroliere e compositore:
Andrew Gold
editore:
Luckyu Music
Andrew Gold4:01
9Lay Back in the Arms of Someone
produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
diritti fonografici (℗) detenuti da:
Chinnichap Records Ltd. (nel 1977)
registrata presso:
Whitney Recording Studios in Glendale, California, Stati Uniti (dal 1977-03 al 1977-04)
registrazione di:
Lay Back in the Arms of Someone
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Musik-Edition Discoton
Smokie14:05
10Devoted to You
basso :
Will Lee (US jazz/rock bassist)
batteria :
Steve Gadd (drummer)
chitarra acustica :
James Taylor (singer-songwriter and guitarist)
chitarra elettrica :
Hugh McCracken
pianoforte elettrico :
Richard Tee
voce:
Carly Simon
esecutore:
James Taylor (singer-songwriter and guitarist)
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1978)
registrazione cover di:
Devoted to You
paroliere e compositore:
Boudleaux Bryant
editore:
Acuff-Rose (BMI)
Carly Simon2:32
11Took the Last Train
batteria :
Mike Botts
chitarra :
Dean Parks (American session guitarist)
chitarra basso :
David Gates (singer/songwriter, lead singer of Bread)
moog e pianoforte :
Larry Knechtel
sassofono contralto :
Jim Horn (saxophonist, hornist, flutist and oboist)
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint "Elektra" instead) (nel 1978)
registrazione di:
Took the Last Train
autore:
David Gates (singer/songwriter, lead singer of Bread)
compositore:
David Gates (singer/songwriter, lead singer of Bread) e Larry Knechtel
David Gates4:31
12Feels So Right
registrazione di:
Feels So Right
paroliere e compositore:
Randy Owen
Alabama3:34
13So Into You
diritti fonografici (℗) detenuti da:
Polydor Inc. (nel 1976)
registrazione di:
So in to You
autore:
Buddy Buie, Dean Daughtry e Robert Nix
editore:
Low-Sal, Inc.
Atlanta Rhythm Section53:15
14Carry on Wayward Son
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1976)
registrazione di:
Carry On Wayward Son
paroliere e compositore:
Kerry Livgren
editore:
Kirshner CBS Music Publishing, Don Kirshner Music Inc. (dal 1976 a oggi) e EMI Blackwood Music Inc. (dal 1976 a oggi)
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Kansas43:29
15Escape (The Pina Colada Song)
diritti fonografici (℗) detenuti da:
MCA Records (1967–2003; name as in imprint during 1972–1990) (nel 1979) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1979)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 89)
registrazione di:
Escape (The Piña Colada Song)
paroliere e compositore:
Rupert Holmes
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), The Holmes Line of Music, Inc., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Rupert Holmes23:53

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parte di:The Power of Love (Time-Life Music) (numero: 18) (ordine: 18)