The Silver Collection

~ Release by Astrud Gilberto (see all versions of this release, 1 available)

Annotation

Made in France by PMDC (on disc). Printed in West Germany (on cover).

Annotation last modified on 2015-03-20 08:21 UTC.

Tracklist

▼ CD 1
#TitleRatingLength
1Once I Loved
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone and flute:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
guitar:
Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (from 1965-01-27 until 1965-01-28)
conductor:
Marty Paich (from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1965-01-27 until 1965-01-28)
cover recording of:
Once I Loved (from 1965-01-27 until 1965-01-28)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Ray Gilbert
publisher:
Corcovado Music Corp. and Ipanema Music Corp.
translated version of:
O amor em paz
2:16
2Agua de beber
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone and flute:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
guitar:
Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (from 1965-01-27 until 1965-01-28) and Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
conductor:
Marty Paich (from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1965-01-27 until 1965-01-28)
recording of:
Água de beber (Portuguese original) (from 1965-01-27 until 1965-01-28)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
2:20
3Meditation
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone and flute:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
guitar:
Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (from 1965-01-27 until 1965-01-28)
conductor:
Marty Paich (from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1965-01-27 until 1965-01-28)
cover recording of:
Meditation (from 1965-01-27 until 1965-01-28)
lyricist:
Newton Mendonça
composer:
Antônio Carlos Jobim
additional translator:
Eddy Marnay
translator:
Norman Gimbel
publisher:
Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), New Thunder Music Co., Songs of Universal, Inc. (BMI) and 大洋音楽 (Taiyō Music)
translated version of:
Meditação
2:43
4And Roses and Roses
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone and flute:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
guitar:
Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (from 1965-01-27 until 1965-01-28)
conductor:
Marty Paich (from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1965-01-27 until 1965-01-28)
cover recording of:
And Roses and Roses (from 1965-01-27 until 1965-01-28)
writer:
Dorival Caymmi (the father) and Ray Gilbert
2:37
5O morro (nao tem vez)
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone and flute:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
guitar:
Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (from 1965-01-27 until 1965-01-28)
conductor:
Marty Paich (from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1965-01-27 until 1965-01-28)
cover recording of:
O morro não tem vez (Favela) (from 1965-01-27 until 1965-01-28)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
publisher:
Leeds Music
2:59
6How Insensitive
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
double bass [bass]:
Joe Mondragon (in 1965-01)
flute:
Bud Shank (in 1965-01, from 1965-01-27 until 1965-01-28)
guitar:
Antonio Carlos Jobim (in 1965-01), João Donato (in 1965-01) and Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (in 1965-01, from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (in 1965-01, from 1965-01-27 until 1965-01-28)
conductor:
Marty Paich (in 1965-01, from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (in 1965-01, from 1965-01-27 until 1965-01-28)
cover recording of:
How Insensitive (from 1965-01-27 until 1965-01-28)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
translator:
Norman Gimbel
publisher:
Duchess Music Corporation (BMI-affiliated) and Songs of Universal, Inc. (BMI)
translated version of:
Insensatez
recording of:
Insensatez
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Antônio Carlos Jobim
2:50
7Dindi
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone and flute:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
guitar:
Antônio Carlos Jobim (in 1965-01, from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (in 1965-01, from 1965-01-27 until 1965-01-28) and Antônio Carlos Jobim (in 1965-01)
orchestra:
Marty Paich Orchestra (in 1965-01)
conductor:
Marty Paich (from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1965-01-27 until 1965-01-28)
cover recording of:
Dindi (from 1965-01-27 until 1965-01-28)
lyricist:
Aloysio de Oliveira
composer:
Antônio Carlos Jobim
2:45
8Photograph
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone and flute:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
guitar:
Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (from 1965-01-27 until 1965-01-28)
conductor:
Marty Paich (from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1965-01-27 until 1965-01-28)
recording of:
Photograph (in 1965-01)
lyricist:
Ray Gilbert
composer:
Antônio Carlos Jobim
2:12
9Dreamer
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone and flute:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
guitar:
Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (from 1965-01-27 until 1965-01-28)
conductor:
Marty Paich (from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1965-01-27 until 1965-01-28)
recording of:
Dreamer
lyricist:
Gene Lees
composer:
Antônio Carlos Jobim
2:04
10So finha de ser com voce
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone and flute:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
guitar:
Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (from 1965-01-27 until 1965-01-28)
conductor:
Marty Paich (from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1965-01-27 until 1965-01-28)
cover recording of:
Só tinha de ser com você (from 1965-01-27 until 1965-01-28)
lyricist:
Aloysio de Oliveira
composer:
Antônio Carlos Jobim
2:22
11All That's Left Is to Say Goodbye
engineer:
David Hassinger
producer:
Creed Taylor
alto saxophone and flute:
Bud Shank (from 1965-01-27 until 1965-01-28)
double bass:
Joe Mondragon (from 1965-01-27 until 1965-01-28)
guitar:
Antônio Carlos Jobim (from 1965-01-27 until 1965-01-28)
piano:
João Donato (from 1965-01-27 until 1965-01-28)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1965-01-27 until 1965-01-28)
trombone:
Milt Bernhart (from 1965-01-27 until 1965-01-28)
trumpet:
Stu Williamson (from 1965-01-27 until 1965-01-28)
vocals:
Astrud Gilberto (from 1965-01-27 until 1965-01-28)
conductor:
Marty Paich (from 1965-01-27 until 1965-01-28)
arranger:
Marty Paich
recorded at:
RCA Studios in Hollywood, Los Angeles, California, United States (from 1965-01-27 until 1965-01-28)
3:14
12The Shadow of Your Smile
recorded in:
Los Angeles, California, United States (on 1965-06-03)
engineer:
Val Valentin
executive producer:
Ken Druker
producer:
Creed Taylor
vocals:
Astrud Gilberto (from 1964-10-21 until 1965-02-04, on 1965-06-03)
conductor:
Don Sebesky (from 1964-10-21 until 1965-02-04, on 1965-06-03)
arranger:
Don Sebesky
cover recording of:
The Shadow of Your Smile (Love Theme from “The Sandpiper”) (from 1964-10-21 until 1965-02-04)
lyricist:
Paul Francis Webster
composer:
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 38th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 38)
recording of:
The Shadow of Your Smile (Love Theme from “The Sandpiper”) (on 1965-06-03)
lyricist:
Paul Francis Webster
composer:
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 38th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 38)
32:33
13Aruanda
2:29
14Manha de Carnaval
recorded in:
Los Angeles, California, United States (on 1965-06-03)
engineer:
Val Valentin
executive producer:
Ken Druker
producer:
Creed Taylor
vocals:
Astrud Gilberto
cover recording of:
Manhã de Carnaval
lyricist:
Antônio Maria
composer:
Luiz Bonfá
2:00
15Fly Me to the Moon
engineer:
Val Valentin
executive producer:
Ken Druker
producer:
Creed Taylor
vocals:
Astrud Gilberto (from 1964-10-21 until 1965-02-04)
conductor:
Claus Ogerman (from 1964-10-21 until 1965-02-04)
arranger:
Claus Ogerman
recorded at:
A&R Recording Studio (original studio, 1958–1967) in New York, New York, United States (on 1964-10-21)
cover recording of:
Fly Me to the Moon (from 1964-10-21 until 1965-02-04)
lyricist and composer:
Bart Howard (in 1954)
premiered by:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC and TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
2:22
16The Gentle Rain
engineer:
Val Valentin
executive producer:
Ken Druker
producer:
Creed Taylor
vocals:
Astrud Gilberto (on 1965-06-03)
conductor:
Don Sebesky (on 1965-06-03)
arranger:
Don Sebesky
recording of:
The Gentle Rain (on 1965-06-03)
lyricist:
Matt Dubey
composer:
Luiz Bonfá
publisher:
EMI Unart Catalog Inc.
2:27
17Non-Stop to Brazil
engineer:
Val Valentin
executive producer:
Ken Druker
producer:
Creed Taylor
vocals:
Astrud Gilberto (from 1964-10-21 until 1965-02-04)
conductor:
Don Sebesky (from 1964-10-21 until 1965-02-04)
arranger:
Don Sebesky
2:29
18O ganso
engineer:
Val Valentin
executive producer:
Ken Druker
producer:
Creed Taylor
vocals:
Astrud Gilberto (from 1964-10-21 until 1965-02-04)
conductor:
João Donato (from 1964-10-21 until 1965-02-04)
arranger:
João Donato
2:11
19Who Can I Turn To? (When Nobody Needs Me)
engineer:
Val Valentin
executive producer:
Ken Druker
producer:
Creed Taylor
vocals:
Astrud Gilberto (from 1964-10-21 until 1965-02-04)
conductor:
Claus Ogerman (from 1964-10-21 until 1965-02-04)
arranger:
Claus Ogerman
2:11
20Day by Day
engineer:
Val Valentin (on 1965-02-04)
executive producer:
Ken Druker
producer:
Creed Taylor
trombone:
Urbie Green (on 1965-02-04)
vocals:
Astrud Gilberto (on 1964-02-04)
conductor:
Claus Ogerman (on 1965-02-04)
arranger:
Claus Ogerman
recording of:
Day by Day (on 1965-02-04)
lyricist:
Sammy Cahn
composer:
Axel Stordahl and Paul Weston
publisher:
Barton Music Corp. and Hanover Music Corp.
2:06
21Tristeza
2:26
22Funny World
2:28
23So Nice (Summer Samba)
recording engineer:
Rudy van Gelder (in 1967)
engineer:
Rudy van Gelder
producer:
Creed Taylor
bass:
Ron Carter (US jazz double-bassist) (in 1967)
percussion:
Dom Um Romão (in 1967)
trombone:
Bob Brookmeyer (in 1967)
trumpet:
Johnny Coles (US jazz trumpeter) (in 1967)
vocals:
Astrud Gilberto (in 1967)
performer:
Walter Wanderley Trio (in 1967)
52:40
24Let Go (Canto de Ossanho)
3:06
25Berimbou
recording of:
Berimbau (Portuguese original)
lyricist:
Vinicius de Moraes (O poetinha)
composer:
Baden Powell
2:23

Credits

Release

part of:Verve Silver Collections (number: 823 451-2) (order: 8)
Discogs:https://www.discogs.com/release/380006 [info]
ASIN:US: B0000046W3 [info]