Weihnachts-Oratorium, BWV 248

~ Release by Johann Sebastian Bach; Akademie für Alte Musik Berlin, René Jacobs (see all versions of this release, 4 available)

Tracklist

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1Weihnachts-Oratorium, BWV 248: Part 1. No. 1. Chor. Jauchzet, frohlocket, auf, preiset die Tage
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:31
2Weihnachts-Oratorium, BWV 248: Part 1. No. 2. Rezitativ. Es begab sich aber zu der Zeit
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista) (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:19
3Weihnachts-Oratorium, BWV 248: Part 1. No. 3. Rezitativ. Nun wird mein liebster Bräutigam
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
alto vocals:
Andreas Scholl (countertenor)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) „Nun wird mein liebster Bräutigam“ (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:58
4Weihnachts-Oratorium, BWV 248: Part 1. No. 4. Arie. Bereite dich, Zion, mit zärtlichen Trieben
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
alto vocals:
Andreas Scholl (countertenor)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:48
5Weihnachts-Oratorium, BWV 248: Part 1. No. 5. Choral. Wie soll ich dich empfangen
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Wie soll ich dich empfangen
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:41
6Weihnachts-Oratorium, BWV 248: Part 1. No. 6. Rezitativ. Und sie gebar ihren ersten Sohn
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo „Und sie gebar ihren ersten Sohn“ (Evangelista) (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:25
7Weihnachts-Oratorium, BWV 248: Part 1. No. 7. Choral. Er ist auf Erden kommen arm / Rezitativ. Wer will die Liebe recht erhöhn
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
bass vocals:
Klaus Häger (Bariton)
choir vocals:
RIAS Kammerchor (German chamber choir)
soprano vocals:
Dorothea Röschmann (soprano)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“ (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:19
8Weihnachts-Oratorium, BWV 248: Part 1. No. 8. Arie. Großer Herr und starker König
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
bass vocals:
Klaus Häger (Bariton)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:51
9Weihnachts-Oratorium, BWV 248: Part 1. No. 9. Choral. Ach mein herzliebes Jesulein
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-25)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:33
10Weihnachts-Oratorium, BWV 248: Part 2. No. 10. Sinfonia
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:48
11Weihnachts-Oratorium, BWV 248: Part 2. No. 11. Rezitativ. Und es waren Hirten in derselben Gegend
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista) (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:39
12Weihnachts-Oratorium, BWV 248: Part 2. No. 12. Choral. Brich an, o schönes Morgenlicht
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 80)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:30
13Weihnachts-Oratorium, BWV 248: Part 2. No. 13. Rezitativ. Und der Engel sprach zu ihnen / Fürchtet euch nicht
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus) (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:42
14Weihnachts-Oratorium, BWV 248: Part 2. No. 14. Rezitativ. Was Gott dem Abraham verheißen
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
bass vocals:
Klaus Häger (Bariton)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:38
15Weihnachts-Oratorium, BWV 248: Part 2. No. 15. Arie. Frohe Hirten, eilt, ach eilet
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:24
16Weihnachts-Oratorium, BWV 248: Part 2. No. 16. Rezitativ. Und das habt zum Zeichen
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista) (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:20
17Weihnachts-Oratorium, BWV 248: Part 2. No. 17. Choral. Schaut hin, dort liegt in finstern Stoll
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 323)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:55
18Weihnachts-Oratorium, BWV 248: Part 2. No. 18. Rezitativ. So geht denn hin, ihr Hirten, geht
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
bass vocals:
Klaus Häger (Bariton)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:51
19Weihnachts-Oratorium, BWV 248: Part 2. No. 19. Arie. Schlafe, mein Liebster, genieße der Ruh
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
alto vocals:
Andreas Scholl (countertenor)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach10:14
20Weihnachts-Oratorium, BWV 248: Part 2. No. 20. Rezitativ. Und alsobald war da bei dem Engel
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo „Und alsobald war da bei dem Engel“ (Evangelista) (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:14
21Weihnachts-Oratorium, BWV 248: Part 2. No. 21. Chor. Ehre sei Gott in der Höhe
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“ (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:19
22Weihnachts-Oratorium, BWV 248: Part 2. No. 22. Rezitativ. So recht, ihr Engel, jauchzet und singet
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
bass vocals:
Klaus Häger (Bariton)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“ (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:24
23Weihnachts-Oratorium, BWV 248: Part 2. No. 23. Choral. Wir singen dir in deinem Heer
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“ (in 1997-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:04
24Weihnachts-Oratorium, BWV 248: Part 3. No. 24. Chor. Herrscher des Himmels, erhöre das Lallen
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:46
25Weihnachts-Oratorium, BWV 248: Part 3. No. 25. Rezitativ. Und da die Engel von ihnen gen Himmel fuhren
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXV. Recitativo „Und da die Engel“ (Evangelista) (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:09
26Weihnachts-Oratorium, BWV 248: Part 3. No. 26. Chor. Lasset uns nun gehen gen Bethlehem
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVI. Coro „Lasset uns nun gehen“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:40
27Weihnachts-Oratorium, BWV 248: Part 3. No. 27. Rezitativ. Er hat sein volk getröst
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
bass vocals:
Klaus Häger (Bariton)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Recitativo (Basso) „Er hat sein Volk getröst“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:36
28Weihnachts-Oratorium, BWV 248: Part 3. No. 28. Choral. Dies hat er alles uns getan
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral „Dies hat er alles uns getan“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 110)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:56
29Weihnachts-Oratorium, BWV 248: Part 3. No. 29. Duett. Herr, dein Mitleid, dein Erbarmen
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
bass vocals:
Klaus Häger (Bariton)
choir vocals:
RIAS Kammerchor (German chamber choir)
soprano vocals:
Dorothea Röschmann (soprano)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:04
30Weihnachts-Oratorium, BWV 248: Part 3. No. 30. Rezitativ. Und sie kamen eilend und fanden beide
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXX. Recitativo „Und sie kamen eilend“ (Evangelista) (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:24
31Weihnachts-Oratorium, BWV 248: Part 3. No. 31. Arie. Schließe, mein Herze, dies selige Wunder
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
alto vocals:
Andreas Scholl (countertenor)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) „Schließe, mein Herze“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:54
32Weihnachts-Oratorium, BWV 248: Part 3. No. 32. Rezitativ. Ja, ja, mein Herz soll es bewahren
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
alto vocals:
Andreas Scholl (countertenor)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) „Ja, ja, mein Herz soll es bewahren“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:24
33Weihnachts-Oratorium, BWV 248: Part 3. No. 33. Choral. Ich will dich mit Fleiß bewahren
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIII. Choral „Ich will dich mit Fleiß bewahren“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 335)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:10
▼ CD 2
#TitleArtistRatingLength
1Weihnachts-Oratorium, BWV 248: Part 3. No. 34. Rezitativ. Und die Hirten kehrten wieder um
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXIV. Recitativo „Und die Hirten kehrten wieder um“ (Evangelista) (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:25
2Weihnachts-Oratorium, BWV 248: Part 3. No. 35. Choral. Seid froh
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral "Seid froh dieweil" (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 381)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:02
3Weihnachts-Oratorium, BWV 248: Part 3. No. 35. Chor (Da capo No. 24). Herrscher des Himmels, erhöre das Lallen
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil III, XXIV (da capo). Coro da capo „Herrscher des Himmels, erhöre das Lallen“ (in 1997-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:56
4Weihnachts-Oratorium, BWV 248: Part 4. No. 36. Chor. Fallt mit Danken, fallt mit Loben
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVI. Coro „Fallt mit Danken, fallt mit Loben“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:01
5Weihnachts-Oratorium, BWV 248: Part 4. No. 37. Rezitativ. Und da acht Tage um waren
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVII. Recitativo „Und da acht Tage um waren“ (Evangelista) (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:28
6Weihnachts-Oratorium, BWV 248: Part 4. No. 38. Rezitativ. Immanuel, o süßes Wort! / Choral. Jesu, du mein liebstes Leben
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
bass vocals:
Klaus Häger (Bariton)
choir vocals:
RIAS Kammerchor (German chamber choir)
soprano vocals:
Dorothea Röschmann (soprano)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale (Soprano) „Immanuel, o süßes Wort“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:34
7Weihnachts-Oratorium, BWV 248: Part 4. No. 39. Arie. Flößt, mein Heiland, flößt dein Namen
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
soprano vocals:
Dorothea Röschmann (soprano)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:34
8Weihnachts-Oratorium, BWV 248: Part 4. No. 40. Rezitativ. Wohlan, dein Name soll allein / Choral. Jesu, meine Freud und Wonne
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
bass vocals:
Klaus Häger (Bariton)
choir vocals:
RIAS Kammerchor (German chamber choir)
soprano vocals:
Dorothea Röschmann (soprano)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) „Wohlan, dein Name soll allein“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:44
9Weihnachts-Oratorium, BWV 248: Part 4. No. 41. Arie. Ich will nur dir zu Ehren leben
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) „Ich will nur dir zu Ehren leben“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:28
10Weihnachts-Oratorium, BWV 248: Part 4. No. 42. Choral. Jesus richte mein Beginnen
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral „Jesus richte mein Beginnen“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach2:45
11Weihnachts-Oratorium, BWV 248: Part 5. No. 43. Chor. Ehre sei dir, Gott, gesungen
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach6:03
12Weihnachts-Oratorium, BWV 248: Part 5. No. 44. Rezitativ. Da Jesus geboren war zu Bethlehem
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo „Da Jesus geboren war zu Bethlehem“ (Evangelista) (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:22
13Weihnachts-Oratorium, BWV 248: Part 5. No. 45. Chor. Wo ist der neugeborne König der Juden? / Rezitativ. Sucht ihn in meiner Brust
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
alto vocals:
Andreas Scholl (countertenor)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro e Recitativo (Alto) „Wo ist der neugeborne König“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:41
14Weihnachts-Oratorium, BWV 248: Part 5. No. 46. Choral. Dein Glanz all Finsternis verzerht
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral „Dein Glanz all Finsternis verzehrt“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Georg Weissel (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 214)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:05
15Weihnachts-Oratorium, BWV 248: Part 5. No. 47. Arie. Erleucht auch meine finstre Sinnen
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
bass vocals:
Klaus Häger (Bariton)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:29
16Weihnachts-Oratorium, BWV 248: Part 5. No. 48. Rezitativ: Da das der Konig Herodes hörte
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo „Da das der König Herodes hörte“ (Evangelista) (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:09
17Weihnachts-Oratorium, BWV 248: Part 5. No. 49. Rezitativ. Warum wollt ihr erschrecken?
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
alto vocals:
Andreas Scholl (countertenor)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIX. Recitativo (Alto) „Warum wollt ihr erschrecken“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:34
18Weihnachts-Oratorium, BWV 248: Part 5. No. 50. Rezitativ. Und ließ versammlen alle Hohenpriester
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo „Und ließ versammeln alle Hohepriester“ (Evangelista) (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:12
19Weihnachts-Oratorium, BWV 248: Part 5. No. 51. Terzett. Ach, wenn wird die Zeit erscheinen?
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
alto vocals:
Andreas Scholl (countertenor)
choir vocals:
RIAS Kammerchor (German chamber choir)
soprano vocals:
Dorothea Röschmann (soprano)
tenor vocals:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:59
20Weihnachts-Oratorium, BWV 248: Part 5. No. 52. Rezitativ. Mein Liebster herrschet schon
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
alto vocals:
Andreas Scholl (countertenor)
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) „Mein Liebster herrschet schon“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:29
21Weihnachts-Oratorium, BWV 248: Part 5. No. 53. Choral. Zwar ist solche Herzensstube
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral „Zwar ist solche Herzensstube“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 114)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:13
22Weihnachts-Oratorium, BWV 248: Part 6. No. 54. Chor. Herr, wen die stolzen Feinde schnauben
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:13
23Weihnachts-Oratorium, BWV 248: Part 6. No. 55. Rezitativ. Da berief Herodes die Weisen heimlich / Rezitativ. Ziehet hin und forsch
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo „Da berief Herodes die Weisen heimlich“ (Evangelista) (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:42
24Weihnachts-Oratorium, BWV 248: Part 6. No. 56. Rezitativ. Du Falscher, suche nur den Herrn zu fällen
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
soprano vocals:
Dorothea Röschmann (soprano)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:50
25Weihnachts-Oratorium, BWV 248: Part 6. No. 57. Arie. Nur ein Wink von seinen Händen
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) „Nur ein Wink von seinen Händen“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:15
26Weihnachts-Oratorium, BWV 248: Part 6. No. 58. Rezitativ. Als sie nun den Konig gehöret hatten
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo „Als sie nun den König gehöret hatten“ (Evangelista) (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:14
27Weihnachts-Oratorium, BWV 248: Part 6. No. 59. Choral. Ich steh an deiner Krippen hier
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 263)
is based on:
Nun freut euch, lieben Christen g’mein (more 'sostenuto' version)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:45
28Weihnachts-Oratorium, BWV 248: Part 6. No. 60. Rezitativ. Und gott befahl ihnen im Traum
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals [Evangelist]:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo „Und Gott befahl ihnen im Traum“ (Evangelista) (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:23
29Weihnachts-Oratorium, BWV 248: Part 6. No. 61. Rezitativ. So geht! Genug, mein Schatz geht nicht von hier
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:54
30Weihnachts-Oratorium, BWV 248: Part 6. No. 62. Arie. Nun mögt ihr stolzen Feinde schrecken
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
tenor vocals:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:17
31Weihnachts-Oratorium, BWV 248: Part 6. No. 63. Rezitativ. Was will der Höllen Schrecken nun
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
alto vocals:
Andreas Scholl (countertenor)
bass vocals:
Klaus Häger (Bariton)
choir vocals:
RIAS Kammerchor (German chamber choir)
soprano vocals:
Dorothea Röschmann (soprano)
tenor vocals:
Werner Güra (German classical tenor)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach0:51
32Weihnachts-Oratorium, BWV 248: Part 6. No. 64. Choral. Nun seid ihr wohl gerochen
engineer:
Michael Glaser (Mastering engineer), Horst Langheinrich and Wolfgang Ragwitz
creative direction:
Eberhard Geiger
choir vocals:
RIAS Kammerchor (German chamber choir)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
conductor:
René Jacobs (conductor)
phonographic copyright (℗) by:
harmonia mundi musique s.a.s. (not for release label use!) (in 2019)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“ (in 1997-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 165)
part of:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:37

Credits