| # | Title | Artist | Rating | Length |
|---|
| 1 | Wonderful World | Tony Jackson | | 2:10 |
| 2 | I Heard It Through the Grapevine- producer:
- Norman Whitfield
- drums (drum set):
- Richard "Pistol" Allen (from 1967-02-03 until 1967-04-10) and Uriel Jones (from 1967-02-03 until 1967-04-10)
- instruments:
- The Funk Brothers (from 1967-02-03 until 1967-04-10)
- organ:
- Earl Van Dyke (from 1967-02-03 until 1967-04-10)
- background vocals:
- The Andantes (from 1967-02-03 until 1967-04-10)
- lead vocals:
- Marvin Gaye (from 1967-02-03 until 1967-04-10)
- orchestra:
- Detroit Symphony Orchestra (from 1967-02-03 until 1967-04-10)
- phonographic copyright (℗) by:
- Motown Record Company (in 1968)
- recorded at:
- Hitsville in Detroit, Michigan, United States (from 1967-02-03 until 1967-04-10)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 80), Billboard: Greatest of All Time Hot 100 Songs (number: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 119) and Billboard: The 500 Best Pop Songs (number: 307)
- recording of:
- I Heard It Through the Grapevine (from 1967-02-03 until 1967-04-10)
- writer:
- Barrett Strong and Norman Whitfield
- publisher:
- EMI Music Publishing Ltd. , EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music, Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division and ソニー・ミュージックパブリッシング フジパシフィック事業部
| Marvin Gaye | 4.3 | 3:14 |
| 3 | When a Man Loves a Woman- recorded in:
- Muscle Shoals, Alabama, United States (on 1966-02-17)
- producer:
- Marlin Greene and Quin Ivy
- double bass:
- Albert Lowe Jr. (on 1966-02-17)
- drums (drum set):
- Roger Hawkins (on 1966-02-17)
- farfisa [farfisa organ]:
- Spooner Oldham (on 1966-02-17)
- guitar:
- Marlin Greene (on 1966-02-17)
- vocals:
- Percy Sledge (on 1966-02-17)
- phonographic copyright (℗) by:
- HHO Ltd. , WEA International Inc. (, in 1966) and Atlantic Recording Corporation (in 1966)
- recorded at:
- Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 54) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
- recording of:
- When a Man Loves a Woman (on 1966-02-17)
- writer:
- Calvin Lewis and Andrew Wright
- publisher:
- Mijac Music, Warner Chappell Music , Warner Chappell Music Ltd. , Warner Chappell North America, Warner/Chappell , Pronto Music, Inc. (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (from 1966 to present), Pronto (in 1972) and Quinvy (in 1972)
| Percy Sledge | 4.25 | 2:53 |
| 4 | Stand by Me- recorded in:
- New York, New York, United States (on 1960-10-27)
- producer:
- Leiber and Stoller
- vocals:
- Ben E. King (on 1960-10-27)
- conductor:
- Stan Applebaum (on 1960-10-27)
- arranger:
- Stan Applebaum
- phonographic copyright (℗) by:
- HHO Ltd. and WEA International Inc. (in 1961)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 1), Billboard: The 500 Best Pop Songs (number: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (number: 121) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 131)
- recording of:
- Stand by Me (on 1960-10-27)
- publisher:
- Mike Stoller
- writer:
- Ben E. King, Jerry Leiber and Mike Stoller
- publisher:
- Hornall Brothers Music , Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt GmbH & Co. KG, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music and Unichappell Music
| Ben E. King | 4.65 | 2:57 |
| 5 | C’mon Everybody | Eddie Cochran | 3 | 1:57 |
| 6 | Take Me Home Tonight, Be My Baby- engineer:
- Michael Frondelli, Phil Kaffel and Dave Leonard
- producer:
- Eddie Money and Richie Zito
- mixer:
- Scott Litt , Eddie Money and Richie Zito
- additional guest vocals:
- Ronnie Spector
- lead vocals:
- Eddie Money
- performer:
- Ronnie Spector
- arranger:
- Eddie Money and Richie Zito
- recorded at:
- Fantasy Studios in Berkeley, California, United States (from 1985-11 until 1986-05), Oasis Studios in North Hollywood, Los Angeles, California, United States (from 1985-11 until 1986-05) and R.O. Studios in Concord, California, United States (from 1985-11 until 1986-05)
- medley including a recording of:
- Be My Baby (from 1985-11 until 1986-05)
- writer:
- Jeff Barry, Ellie Greenwich and Phil Spector
- publisher:
- ABKCO Music, Inc. , Carlin Music Corporation, Mother Bertha Music, Inc., Universal–Songs of PolyGram International, Inc. and Trio Music Co., Inc. (in 1963)
- sub-publisher:
- ABKCO Japan Publishing, Shinko Music Entertainment Co., Ltd., Universal Music Publishing Group Japan , Fujipacific Music inc. (until 2014-12-31), EMI Music Publishing Japan C.F. division (until 2021-06-30), Warner Tamerlane Publishing Corp. (in 1963), Fujipacific Music, Inc. (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
- medley including a recording of:
- Take Me Home Tonight (from 1985-11 until 1986-05)
- writer:
- Jeff Barry, Ellie Greenwich and Phil Spector
| Eddie Money & Ronnie Spector | 5 | 3:29 |
| 7 | Mannish Boy | Muddy Waters | | 5:18 |
| 8 | Can’t Get Enough | Bad Company | 3.65 | 4:16 |
| 9 | Ain’t Nobody Home | B.B. King | | 3:32 |
| 10 | The Joker- producer:
- Steve Miller
- acoustic guitar, slide guitar and lead vocals [vocals]:
- Steve Miller
- bass:
- Gerald Johnson
- drums (drum set):
- John King
- phonographic copyright (℗) by:
- Capitol Records (in 1973), Capitol Records, LLC (in 1973) and Capitol Records, Inc. (in 2003)
- recording of:
- The Joker
- writer:
- Eddie Curtis , Ahmet Ertegun and Steve Miller
- publisher:
- Cotillion Music Inc. , Jim Rooster Music, Sailor Music, Unichappell Music, Inc., Universal Music Publishing Pty Ltd. and Warner Chappell Music, Inc.
| Steve Miller Band | 4.4 | 4:22 |
| 11 | Should I Stay or Should I Go | The Clash | 4.55 | 3:06 |
| 12 | 20th Century Boy | T. Rex | 4.8 | 3:39 |
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