Gefangenenchor (Full titles (De/En))

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

▼ CD 1
#	Title	Artist	Rating	Length
1	Nabucco: Va, pensiero (Gefangenenchor · Chorus of the Hebrew Slaves) choir vocals: Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) orchestra: Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) conductor: Carlo Franci (Conductor, composer) recording of: Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) composer: Giuseppe Verdi (Italian opera composer) (in 1841) librettist: Temistocle Solera part of: Nabucco: Parte III. La profezia	Giuseppe Verdi		5:01
2	Otello: Fuoco di gioia (Feuerchor · Fire chorus) choir vocals: Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) orchestra: Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) conductor: Carlo Franci (Conductor, composer) recording of: Otello: Atto I, scena 1. Coro “Fuoco di gioia …” (Ciprioti) composer: Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01) librettist: Arrigo Boito (librettist, composer) part of: Otello: Atto I	Giuseppe Verdi		2:44
3	Madame Butterfly: Summ‐Chor · Humming chorus choir vocals: Coro dell’Accademia di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) orchestra: Orchestra dell’Accademia di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) conductor: Tullio Serafin (conductor) phonographic copyright (℗) by: The Decca Record Company Limited (for copyrights use only!) (in 1958) recording of: Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) composer: Giacomo Puccini (Italian composer) librettist: Giuseppe Giacosa and Luigi Illica part of: Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)	Giacomo Puccini		3:22
4	Fidelio: O welche Lust (Gefangenenchor · Prisoners’ chorus) choir vocals: Chor der Wiener Staatsoper (Wiener Staatsoper Choir) orchestra: Wiener Philharmoniker (Vienna Philharmonic) conductor: Lorin Maazel (conductor) recording of: Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus „O welche Lust, in freier Luft“ (Chor, 1st Prisoner, 2nd Prisoner) composer: Ludwig van Beethoven (German composer) (in 1805, in 1814) additional librettist: Georg Friedrich Treitschke librettist: Jean-Nicolas Bouilly translator: Joseph Sonnleithner part of: Fidelio, op. 72: Akt I	Ludwig van Beethoven		7:04
5	Die Zauberflöte: O Isis und Osiris (Arie und Chor der Priester · Aria and chorus of the priests) bass vocals [Sarastro]: Kurt Böhme (operatic bass) choir vocals: Chor der Wiener Staatsoper (Wiener Staatsoper Choir) orchestra: Wiener Philharmoniker (Vienna Philharmonic) conductor: Karl Böhm (Austrian conductor) recording of: Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) librettist: Emanuel Schikaneder part of: Die Zauberflöte, K. 620: Akt II recording of: Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) composer: Wolfgang Amadeus Mozart (classical composer) (in 1791) librettist: Emanuel Schikaneder part of: Die Zauberflöte, K. 620: Akt II	Wolfgang Amadeus Mozart		7:11
6	Eugen Onegin: Walzer‐Szene aus dem 2. Akt · Waltz from act 2 baritone vocals [Onegin]: Dushan Popovich (baritone) choir vocals: Chor der Nationaloper Belgrad (Choir of the Belgrad National Opera) tenor vocals [Lensky]: Drago Startz (tenor) conductor: Oskar Danon (conductor) recording of: Евгений Онегин, op. 24: Действие II, картина 1, no. 13. Вальс с сценой и хором "Вот так сюрприз" (Waltz with Scene and Chorus "Vot tak syurpriz") composer: Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) part of: Евгений Онегин, op. 24: Действие второе (Eugene Onegin, op. 24: Act II)	Peter Tchaikovsky		8:08
7	Norma: Squilla il bronzo del Dio!…Guerra, guerra! bass vocals [Oroveso]: Samuel Ramey (bass-baritone) choir vocals: Chorus of the Welsh National Opera soprano vocals [Norma]: Joan Sutherland (soprano) orchestra: Orchestra of the Welsh National Opera conductor: Richard Bonynge (conductor and pianist) recording of: Norma: Atto II, scena 3. “Guerra! Guerra!” (Coro, Oroveso, Norma) composer: Vincenzo Bellini (Sicilian opera composer) (until 1831) librettist: Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831) part of: Norma: Atto II recording of: Norma: Atto II, scena 3. Scena “Squilla il bronzo del Dio!” (Coro, Oroveso, Norma) composer: Vincenzo Bellini (Sicilian opera composer) (until 1831) librettist: Felice Romani (Librettiste, écrivain, poète, traducteur) (until 1831) part of: Norma: Atto II	Vincenzo Bellini		4:21
8	Cavalleria rusticana: Beato voi…Regina coeli (Osterchor · Easter chorus) choir vocals: Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) orchestra: Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) conductor: Tullio Serafin (conductor) recording of: Cavalleria rusticana: “Beato voi, compar Alfio” (Lucia, Alfio) composer: Pietro Mascagni (composer & conductor) part of: Cavalleria rusticana recording of: Cavalleria rusticana: “Regina coeli laetare” (Coro) (Easter Hymn, Easter Hymn) composer: Pietro Mascagni (composer & conductor) librettist: Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.) part of: Cavalleria rusticana	Pietro Mascagni		7:52
9	Attila: Urli, rapine (Vorspiel und Eingangschor · Prelude and opening chorus) choir vocals: Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) orchestra: Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) conductor: Carlo Franci (Conductor, composer) recording of: Attila: N°1 Preludio composer: Giuseppe Verdi (Italian opera composer) librettist: Francesco Maria Piave and Temistocle Solera part of: Attila recording of: Attila: Prologo. N°2 Introduzione "Urli, rapine” (Unni, Eruli, Ostrogoti) composer: Giuseppe Verdi (Italian opera composer) librettist: Francesco Maria Piave and Temistocle Solera part of: Attila: Prologo	Giuseppe Verdi		4:42
10	Boris Godunow: Krönungs‐Szene · Coronation scene bass vocals [Boris]: Joseph Rouleau (operatic bass) choir vocals: Chorus of the Royal Opera House, Covent Garden tenor vocals [Shuisky]: John Lanigan (tenor) orchestra: Orchestra of the Royal Opera House, Covent Garden conductor: Edward Downes (conductor) partial recording of: Борис Годунов (Boris Godunov, Boris Godunov, 1872 version) composer and librettist: Модест Петрович Мусоргский (Modest Mussorgsky, composer)	Modest Mussorgsky		9:47
11	Die Meistersinger von Nürnberg: St. Krispin, lobet ihn! Aufzug der Zünfte / Tanz der Lehrbuben, Einzug der Meistersinger und „Wach auf“‐Chor choir vocals: Chor der Wiener Staatsoper (Wiener Staatsoper Choir) orchestra: Wiener Philharmoniker (Vienna Philharmonic) conductor: Sir Georg Solti (conductor) recording of: Die Meistersinger von Nürnberg, WWV 96: Akt III, Scene V. "Sankt Krispin, lobet ihn!" composer: Richard Wagner (composer) (from 1863 until 1867) librettist: Richard Wagner (composer) (in 1862) part of: Die Meistersinger von Nürnberg, WWV 96: Akt III	Richard Wagner		14:01

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transliterated/translated track listing of:	Gefangenenchor