Annotation

Only one of the 24 is here, but this data seemed worth preserving ...

Detalle de los 24 CD de música

1

Compositor: Festival Clásico: Edvard Grieg - Bedrich Smetana - Robert Schumann - Georg Friedrich Haendel - Wolfgang Amadeus Mozart - Ludwing Van Beethoven - Johann Sebastián Bach - Frederic Chopin - Claude Debussy - Antonio Vivaldi - Franz Liszt - Tommaso Albinoni

Tema: Canción de Solveig - El Moldava - Música para los Reales Fuegos Artificiales - Andante Concierto para Piano Nº 21 - Para Elisa - Aria Suite para Orquesta Nº 3 - Nocturno op. 9/2 - Romanza para violín op 50 -El Mar - La Primavera de Las Cuatro Estaciones - La Mañana Peer Gynt Suite Nº 1 op. 46 - Pequeña Música Nocturna - Sueño de Amor - Adagio - Barcarole de los Cuentos de Hoffman - Música Acuática

Orquesta: Orquesta Filarmónica Eslovaca - London Symphony Orchestra - Opereta de Cámara Eslovaca - Mozart Festival Orchestra - Royal Philharmonic Orchestra - Philharmonia Slavonica - Orquesta Sinfónica de la ORF - Baroque Festival Orchestra - London Festival Orchestra - Camarata Académica - Stuttgarter Studioorchestra - Slowakische Staatsphilharmonie

Director: Libor Pesek - Alfred Scholz - Oliver Dohnanyi - Alberto Lizzio - Frank Shipway - Francesco Macci - Milán Horvar - Sven Bengtson - Louis Ablazzo - Oliver Dohnanyi

2

Compositor: Georges Bizet

Tema: La Arlesiana Suites Nº 1 y 2 - Sinfonía Nº 1

Orquesta: London Festival Orchestra

Director: Alfred Scholz

3

Compositor: Piotr I. Chaikovski

Tema: Cascanueces - El Lago de los Cisnes

Orquesta: London Festival Orchestra

Director: Alberto Lizzio

4

Compositor: Piotr I. Chaikovski

Tema: Sinfonía Nº 6 Patética - Romeo y Julieta, Fantasía y Obertura

Orquesta: Orquesta Sinfónica de la Radio de Ljubljana - New Philharmonic Orchestra

Director: Marko Munih - Lawrence Siegel

5

Compositor: Piotr I. Chaikovski

Tema: Concierto para violín y orquesta en Re mayor op. 35 - Serenata para orquesta de arco Do mayor op. 48

Orquesta: Orquesta Filarmónica de Bamberg - Orquesta Pro Arte de Múnich

Director: Werner Radtke - Kurt Redel

6

Compositor: Gioacchino Rossini

Tema: Oberturas celebres

Orquesta: London Festival Orchestra

Director: Alfred Scholz

7

Compositor: Richard Wagner

Tema: Oberturas de: El Holandés errante - Parsifal - Fausto - Rienzi - Lohengrin

Orquesta: Orquesta Filarmónica de Alemania

Director: Wilhem Hertz

8

Compositor: Gustav Mahler

Tema: Sinfonía Nº 1 Titán

Orquesta: Orquesta Sinfónica de la Radio de Ljubljana

Director: Antón Nanut

9

Compositor: Giuseppe Verdi

Tema: La fuerza del destino - Aida Actos 1,2,3 y 4

Orquesta: Orquesta y Coro del Teatro Della Scala

Director: Tullip Serafín

10

Compositor: Nicolai Rimsky-Korsakov

Tema: Scherezade Suite Sinfónica op. 35

Orquesta: Orquesta Sinfónica de la Radio de Ljubljana

Director: Antón Nanut

11

Compositor: Wolfgang Amadeus Mozart - Gioacchino Rossini - Jacques Offenbach - Richard Wagner - Carl María Von Weber

Tema: El rapto del serrallo - Cosi fan tutte - El barbero de Sevilla - Orfeo en los infiernos - Rienzi - Euriante - El cazador furtivo

Orquesta: London Festival Orchestra - Suddeutsche Philharmonie

Director: Alfred Scholz - Henry Adolph

12

Compositor: Bedrich Smetana - Antonin Dvorak - Adolphe C. Adam - Charles F. Gounod

Tema: El Moldava - Danzas Eslavas - Si Yo Fuera Rey (obertura) - Fausto, Suite de Margarita

Orquesta: London Symphony Orchestra

Director: Alfred Scholz

13

Compositor: Modest Mussorgsky - Boris Godunov

Tema: Una Noche en el Monte Pelado - Cuadros para una exposición - Boris Godunov

Orquesta: Philharmonia Slavonica - New Festival Orchestra - Orquesta Sinfónica de Hamburgo

Director: Alberto Lizzio - Moshe Nussbaum - George Singer

14

Compositor: Antonin Dvorak

Tema: Sinfonía Nº 9 del Nuevo Mundo en mi menor op. 95 - Danza Eslava Nº 1 op. 46

Orquesta: Orquesta Sinfónica de la Radio de Ljubljana - London Festival Orchestra

Director: Antón Nanut - David Blackside

15

Compositor: Camille Saint-Saens

Tema: Sinfonía Nº 3 - El Carnaval de los Animales

Orquesta: Orquesta Sinfónica de Múnich

Director: Alberto Lizzio

16

Compositor: Héctor Berlioz

Tema: Marcha Rakoczy - Sinfónica Fantástica - Sinfonía Nº 15 (Marcha Fúnebre)

Orquesta: Radio Symphony Orchestra - Orquesta Filarmónica del Sur de Alemania - Gran Orquesta Sinfónica de la Ópera de Viena

Director: Antón Nanut - Alberto Lizzio - Ernest Graf

17

Compositor: Maurice Ravel

Tema: Daphnis y Cloe - Le Tombeau de Couperin - Rapsodia Española

Orquesta: Philharmonia Slavonica - London Royal Philharmonia Orchestra

Director: Henry Adolph - Frank Shipway

18

Compositor: Edvard Grieg - Adolphe C. Adam

Tema: Peer Gynt Suite Nº 1 y Nº 2 - Giselle

Orquesta: Philharmonia Slavonica - New Festival Orchestra

Director: Carlo de Pantelli - Moshe Nussbaum

19

Compositor: Isaac Alberniz

Tema: Sevilla - Córdoba - Cádiz - Malagueña - Tango Triana - Granada - Sevilla - Asturias (Leyenda) - Seis Mazurkas de Salón - Amalia - Rapsodia Cubana

Orquesta: Beatriz Klien - Rena Kyriakou,piano - Konrad Ragossnig - Alirio Dìaz,guitarra

Director:

20

Compositor: Claude Debussy

Tema: El Mar - Preludio a la siesta de un fauno - Iberia - El Rincón de los Niños

Orquesta: Philharmonia Slavonica - Orquesta de la Opera de Viena - Orquesta Sinfónica de Viena

Director: Alfred Scholz - Heinz Sadauer - Edouard Van Remoortel - Carlos Pantelli

21

Compositor: Igor Stravinsky

Tema: La Consagración de la Primavera - Petruchka

Orquesta: Philharmonia Slavonica

Director: Hanspeter Gmur

22

Compositor: Johann Sebastián Bach

Tema: Conciertos de Brandeburgo Nº 1, 2 y 4

Orquesta: Conjunto de Cámara de la Philharmonia Slavonia

Director: Karel Brazda

23

Compositor: Johann Sebastián Bach

Tema: Celebres piezas para órgano: Tocata y Fuga en Re menor - Tocata,Adagio y Fuga en Do mayor - Der Tag, der ist so freudenreich - Puer natus in Bethlehem - Jesu meine Freude - Das alte Jahr vergangen ist - Preludio y fuga en La menor - Oh Lamm Gottes, unschuldig - Christ lag in Todesbanden - On Mensch, bewein dein sunde gross - Fantasía y Fuga en Sol menor

Orquesta: Otto Winter,òrgano

Director:

24

Compositor: Gustav Mahler

Tema: Sinfonía Nº 5

Orquesta: Orquesta Sinfónica de la Radio de Ljubljana

Director: Antón Nanut

Annotation last modified on 2014-04-11 01:55 UTC.

Tracklist

CD 1
#TitleArtistRatingLength
1O quebra-nozes, suite op. 71a: I. Abertura miniatura
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), Leipzig Philharmonic Orchestra (FICTIONAL / used for an Alfred Scholz (style) release - NOT the Philharmonie Leipzig (est. 2000)), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Gerhard Bosse (as used for an Alfred Scholz release - NOT the real artist), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: I. Ouverture miniature. Allegro giusto
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (until 1892)
part of:
The Nutcracker (suite from the ballet), op. 71a
Пётр Ильич Чайковский3:17
2O quebra-nozes, suite op. 71a: II. Marcha
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
recording of:
Щелкунчик, op. 71: Действие I, Картина I, no. 2. Марш (The Nutcracker, op. 71: March, March)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие I (The Nutcracker, op. 71: Act 1, The Nutcracker, op. 71: Act 1)
Пётр Ильич Чайковский2:47
3O quebra-nozes, suite op. 71a: III. A dança da fada do açúcar
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Пётр Ильич Чайковский2:09
4O quebra-nozes, suite op. 71a: IV. Dança russa (Trepak)
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Philharmonia Slavonica (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Tempo di Trepak, molto vivace
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский1:15
5O quebra-nozes, suite op. 71a: V. Dança árabe
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский3:39
6O quebra-nozes, suite op. 71a: VI. Dança chinesa
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Пётр Ильич Чайковский1:25
7O quebra-nozes, suite op. 71a: VII. Dança dos miritones
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Пётр Ильич Чайковский2:40
8O quebra-nozes, suite op. 71a: VII. Valsa das flores
orchestra:
Berlin Festival Orchestra (Alfred Scholtz pseudonym), Hamburger Symphoniker, London Festival Orchestra (Alfred Scholz pseudonym), Symphonic Festival Orchestra (Alfred Scholz pseudonym), The New Philharmonic Orchestra (bogus name used on budget releases, not the London Philharmonic or the New Philharmonia) and Tokyo Festival Orchestra (an Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Pietro di la Corona (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Takao Matsumo (conductor, an Alfred Scholz pseudonym)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
Пётр Ильич Чайковский7:09
9O lago dos cisnes, suite op. 20: I. Claro de lua
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Swan Lake (suite from the ballet), op. 20a: I. Scène
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский3:14
10O lago dos cisnes, suite op. 20: II. Valsa
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Swan Lake (suite from the ballet), op. 20a: II. Valse
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский7:45
11O lago dos cisnes, suite op. 20: III. Dança do cisne
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym), New Philharmonic Orchestra (Alfred Scholz related orchestra used on budget recordings) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Laurence Siegel (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Swan Lake (suite from the ballet), op. 20a: II. Valse
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
recording of:
The Swan Lake (suite from the ballet), op. 20a: III. Danse des cygnes
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский1:39
12O lago dos cisnes, suite op. 20: IV. Pas de deux
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Swan Lake (suite from the ballet), op. 20a: IV. Scène
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский8:01
13O lago dos cisnes, suite op. 20: V. Dança húngara
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Swan Lake (suite from the ballet), op. 20a: V. Czardas: Danse hongroise
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский2:52
14O lago dos cisnes, suite op. 20: VI. Dança espanhola
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Swan Lake (suite from the ballet), op. 20a: VI. Danse espagnole
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский2:25
15O lago dos cisnes, suite op. 20: VII. Dança napolitana
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym) and Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Swan Lake (suite from the ballet), op. 20a: VII. Danse napolitaine
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский2:07
16O lago dos cisnes, suite op. 20: VIII. Mazurca
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), London Festival Orchestra (Alfred Scholz pseudonym) and Symphonic Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Henry Adolph (fictitious conductor, Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym) and Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
The Swan Lake (suite from the ballet), op. 20a: VIII. Mazurka
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Пётр Ильич Чайковский3:47

Credits

Release

part of:Os grandes clássicos (number: 33) (order: 19)