Rhythm & Black (2CD)

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Annotazione

1 CD also exist with CAT #: COL 468076 2
https://musicbrainz.org/release/8dae01cd-f5d2-4acb-b6e1-766541d4c365

Annotazione modificata l'ultima volta il 2017-09-23 07:58 UTC.

Elenco tracce

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▼ CD 1
#TitoloArtistaValutazioneDurata
1I Wish You Were Here Tonight
Ray Charles3:10
2(Sittin' on) The Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: File NO Releases), Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music (publisher as Warner/Chappell Music), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Otis Redding4.52:42
3I Say a Little Prayer
tecnico di registrazione:
Tom Dowd
produttore:
Jerry Wexler
basso :
Jerry Jemmott (il 1968-04-17)
batteria :
Roger Hawkins (il 1968-04-17)
chitarra :
Tommy Cogbill (il 1968-04-17)
pianoforte e voce principale:
Aretha Franklin (il 1968-04-17)
voce di accompagnamento:
The Sweet Inspirations (il 1968-04-17)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1968-04-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 117)
registrazione cover di:
I Say a Little Prayer (il 1968-04-17)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) e Windswept Pacific Music Ltd.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.353:33
4Me and Mrs. Jones
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
voce:
Billy Paul (American soul singer)
esecutore:
MFSB (nel 1972)
arrangiatore archi e arrangiatore ottoni [horns] :
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (Sony Music Entertainment, Inc., NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1972) e Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1972)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
Me and Mrs. Jones (nel 1972)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Billy Paul4.54:49
5Lean on Me
produttore:
Benorce Blackmon (guitarist, producer, writer), Melvin Dunlap, James Gadson (American drummer), Ray Jackson (trombonist, pianist and arranger) e Bill Withers
basso elettrico :
Melvin Dunlap
batteria e percussione :
James Gadson (American drummer)
chitarra elettrica :
Benorce Blackmon (guitarist, producer, writer)
piano elettrico Wurlitzer :
Ray Jackson (trombonist, pianist and arranger)
pianoforte e voce principale:
Bill Withers
arrangiatore archi :
Ray Jackson (trombonist, pianist and arranger)
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1972)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 205) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 236)
registrazione di:
Lean on Me (nel 1972)
paroliere e compositore:
Bill Withers
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited, EMI Music Publishing Ltd. (PRS‐affiliated), Interior Music Corp., Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bill Withers4.34:19
6Tell It Like It Is
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 381)
registrazione di:
Tell It Like It Is
autore:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) e Lee Diamond
editore:
Conrad Music (publisher; do NOT use as release label) e Olrap Publishing Co., Inc.
Aaron Neville3:06
7Theme From Shaft
edit di:
Theme From Shaft di Isaac Hayes
registrazione di:
Theme From Shaft (Shaft, 1971)
paroliere e compositore:
Isaac Hayes
editore:
Irving Music, Inc.
parte di:
The 44th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 44)
parte di:
Shaft (1971 film soundtrack)
Isaac Hayes4.53:18
8Lady Marmalade
produttore:
Allen R. Toussaint
arrangiatore:
Allen R. Toussaint
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (nel 1974) e Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1974)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 411) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 479)
registrazione cover di:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?) (nel 1974)
autore:
Bob Crewe e Kenny Nolan
editore:
Ardmore and Beechwood Ltd., EMI (EMI Records, EMI Records, since 1972), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation e TannyBoy Music
Patti LaBelle3.33:59
9What a Diff’rence a Day Makes
tecnico:
Rudy van Gelder (il 1975-04-24)
produttore:
Creed Taylor
voce:
Esther Phillips (Little Esther) (il 1975-04-24)
registrazione cover di:
What a Diff’rence a Day Made (il 1975-04-24)
paroliere:
Stanley Adams (US lyricist & songwriter)
compositore:
María Grever
editore:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC e Zomba Golden Sands Enterprises, Inc.
si basa su:
Cuando vuelva a tu lado
Esther Phillips4:31
10Love Train
tecnico di registrazione:
Joe Tarsia (engineer)
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
Love Train (nel 1972)
paroliere e compositore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Mijac Music e Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
The O’Jays4.153:01
11TSOP (The Sound of Philadelphia)
registrazione di:
TSOP (The Sound of Philadelphia)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Mighty Three Music, Sony/ATV Songs LLC e Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
MFSB3:31
12Shout
registrazione di:
Shout
autore:
O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs) e Rudolph Isley
editore:
Campbell Connelly, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Longitude Music Co., Nightlight Music (US work publisher, affiliated with BMI), Nightlight Music Pty Ltd. e Windswept Pacific Music Ltd.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Trammps3:28
13How 'bout Us
produttore:
Leo Graham (producer / composer / lyricist)
sassofono contralto solista :
Ken Soderbloom
arrangiatore:
James Mack (Composer, arranger, conductor)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1988)
edit di:
How ’Bout Us di Champaign
registrazione cover di:
How ’bout Us
paroliere e compositore:
Dana Walden
editore:
April Music, Irving Music (BMI) e Irving Music, Inc.
sub-editore:
Rondor Music (London) Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Champaign33:22
14Kiss and Say Goodbye
strumenti:
MFSB
voce di accompagnamento:
Carla Benson, Evette Benton, Barbara Ingram e The Manhattans (New Jersey vocal group, notable for "Kiss and Say Goodbye")
voce parlata [spoken voice on 2nd lead]:
Winfred Lovett (Lovett Winfred Lorenzo)
voce principale [singing voice on 1st lead]:
Gerald Alston
registrazione di:
Kiss and Say Goodbye
paroliere e compositore:
Winfred Lovett (Lovett Winfred Lorenzo)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. e EMI Songs Ltd.
The Manhattans3.54:29
15The Son of Hickory Holler's Tramp
tecnico:
Peter Romano
produttore:
Jerry Fuller
strumenti:
Jerry Fuller
direttore d'orchestra:
H.B. Barnum
arrangiatore:
H.B. Barnum
registrazione cover di:
The Son of Hickory Holler’s Tramp
paroliere e compositore:
Dallas Frazier (American songwriter and musician)
O.C. Smith23:48
16If You Don't Know Me by Now
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
voce di accompagnamento:
The Blue Notes (Harold Melvin’s group, 1954–mid‐1960s)
voce principale:
Harold Melvin
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972) e Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1972, nel 1991)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
If You Don’t Know Me by Now (nel 1972)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Harold Melvin & The Blue Notes4.153:25
17When Will I See You Again
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
voce:
Sheila Ferguson, Valerie Holiday e Fayette Pinkney
esecutore:
MFSB (nel 1973)
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1973), Sony Music Entertainment (Sony Music Entertainment, Inc., NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1973) e Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (nel 1974)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1973)
registrazione di:
When Will I See You Again (nel 1973)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gamble Huff Music Ltd., Mighty Three Music, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label) e Warner/Chappell (Warner/Chappell Music, Inc.)
The Three Degrees43:01
18Ain’t No Sunshine
tecnico di registrazione:
Bill Halverson (nel 1971) e Bill Lazarus (nel 1971)
produttore:
Booker T. Jones
tecnico di missaggio:
John Golden (mastering engineer)
basso elettrico :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (nel 1971)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (nel 1971)
chitarra acustica :
Stephen Stills (nel 1971)
voce principale:
Bill Withers (nel 1971)
arrangiatore archi :
Booker T. Jones
diritti fonografici (℗) detenuti da:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1972)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 280) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 309)
registrazione di:
Ain’t No Sunshine (nel 1971)
paroliere e compositore:
Bill Withers
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e EMI Songs Ltd.
Bill Withers4.52:05
19Don’t Leave Me This Way
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
arrangiatore:
Norman Harris (American Philly Soul guitarist, producer, and songwriter)
registrazione di:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
Harold Melvin & The Blue Notes3.56:04
▼ CD 2
#TitoloArtistaValutazioneDurata
1Can You Feel It
tecnico:
Tom Perry (engineer)
produttore:
The Jacksons (formerly “The Jackson 5”)
produttore associato:
Greg Phillinganes
batteria :
Ollie E. Brown (US drummer, session musician & record producer)
chitarra :
Tito Jackson e David Williams (session guitarist and songwriter)
chitarra basso :
Nathan Watts
tastiera :
Ronnie Foster, Greg Phillinganes e Bill Wolfer
vibrafono :
Gary Coleman (US percussionist)
cori:
Lita Aubrey, Paulette Brown, Brigette Bush, Soloman Daniels, Rock Deadrick, Carolyn Dennis (American singer), Venetta Fields, Roy Galloway (soul singer), Gerry Garrett, Rhonda Gentry, Jim Gilstrap, Gerry Gruberth, Bunny Hull, Roger Kenerly II, Josie James, Roger Kenerly-Saint, Yolanda Kenerly, Lewis Price, Bob Mack, Arnold McCuller, Paulette McWilliams, Lisa Roberts, Phyllis St. James, Brian Stilwell, Audra Tillman, Carmen Twillie, Ronald Vann, Peter Wade (vocalist) e Gregory Wright
voce principale:
Michael Jackson (“King of Pop”) e Randy Jackson (brother of Michael and Janet)
maestro del coro:
Stephanie Spruill (American soul/disco singer, songwriter, and percussionist)
arrangiatore archi :
Tom Tom 84
arrangiatore:
Jackie Jackson (member of the Jackson 5) e Michael Jackson (“King of Pop”)
diritti fonografici (℗) detenuti da:
CBS Inc. (US broadcasting company; file no releases here!) (nel 1980)
registrata presso:
Hollywood Sound Studios in Los Angeles, California, Stati Uniti (dal 1980-01 al 1980-07) e Sound City Studios in Van Nuys, California, Stati Uniti (dal 1980-01 al 1980-07)
registrazione di:
Can You Feel It
autore:
Jackie Jackson (member of the Jackson 5) e Michael Jackson (“King of Pop”)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chappell Music (publisher as Warner/Chappell Music) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Jackson 546:01
2Fantasy
tecnico:
George Massenburg
produttore:
Maurice White (Earth, Wind & Fire)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977) e Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1977)
campionamenti da:
All 'n All di Earth, Wind & Fire (nel 1977)
registrazione di:
Fantasy (nel 1977-08)
autore:
Eduardo Del Barrio, Maurice White (Earth, Wind & Fire) e Verdine White
editore:
Criga Music, EMI Songs Australia Pty. Ltd. e Saggifire Music
Earth, Wind & Fire3.854:40
3Never Too Much
tecnico di registrazione e tecnico di missaggio:
Michael H. Brauer (engineer)
assistente tecnico:
Lincoln Clapp (engineer), Gregg Mann (engineer), Andy Hoffman (engineer), Nicky Kalliongos (engineer) e Don Wershba (engineer)
tecnico:
Carl Beatty (engineer)
produttore:
Luther Vandross
produttore esecutivo:
Larkin Arnold
archi e corno [horns] :
Paul Riser
basso :
Marcus Miller (jazz musician)
batteria :
Buddy Williams (drummer)
chitarra :
Georg Wadenius
congas :
Bashiri Johnson
percussione :
Crusher Bennett
tastiera [keyboards] :
Nat Adderley, Jr.
voce di accompagnamento [female backup vocals]:
Tawatha Agee, Brenda White, Michelle Cobbs, Cissy Houston, Yvonne Lewis e Sybil Thomas
voce di accompagnamento [male backup vocals] e voce principale:
Luther Vandross
arrangiatore:
Nat Adderley, Jr. e Paul Riser
arrangiatore voci:
Luther Vandross
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1981), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1981), Sony Music Entertainment (Sony Music Entertainment, Inc., NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1981) e Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1981)
registrata presso:
Mediasound Studios in New York, New York, Stati Uniti
video musicali:
Never Too Much di Luther Vandross
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 466) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 468)
registrazione di:
Never Too Much
paroliere e compositore:
Luther Vandross
editore:
April Music Ltd., Barry Platnick, CBS Songs Ltd., EMI April Music Inc., EMI Songs Ltd., MCA Music Ltd., SBK Songs (publisher), SBK Songs Ltd. e Uncle Ronnie’s Music Company Inc.
Luther Vandross4.153:47
4Sexual Healing
produttore:
Marvin Gaye
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (nel 1982) e Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1982)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 198) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 231)
registrazione di:
Sexual Healing
autore:
Odell Brown, Marvin Gaye e David Ritz (American author)
editore:
EMI Songs Ltd. e April Music Inc. (nel 1982)
Marvin Gaye3.754:10
5Smooth Operator
produttore:
Robin Millar
chitarra basso :
Paul S. Denman (dal 1983-10 al 1983-11)
chitarra e sassofono :
Stuart Matthewman (dal 1983-10 al 1983-11)
tastiera :
Andrew Hale (keyboardist/composer) (dal 1983-10 al 1983-11)
voce:
Sade Adu (dal 1983-10 al 1983-11)
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1984) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1984)
registrata presso:
Power Plant in London (Greater London), England, Regno Unito (dal 1983-10 al 1983-11)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 78)
registrazione di:
Smooth Operator (dal 1983-10 al 1983-11)
paroliere e compositore:
Sade Adu e Raymond St. John
editore:
Angel Music Ltd., Peermusic (UK) Limited, Peermusic Ltd. (BMI), SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Songs LLC, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Sade4.354:58
6I Still Haven’t Found What I’m Looking For
tecnico di missaggio:
Manasseh (UK dub/reggae producer Nick Raphael) e Mr. Scruff (English DJ Andrew Carthy)
registrazione cover di:
I Still Haven’t Found What I’m Looking For
paroliere:
Bono (singer of U2)
compositore:
Bono (singer of U2), Adam Clayton, Larry Mullen, Jr. e The Edge (U2 guitarist David Evans)
editore:
Mother Music, PolyGram International Music Publishing B.V., Taiyo Music Inc., Universal Music Publishing B.V. (Benelux subsidiary of Universal Music Publishing Group), Universal Music Publishing International B.V. (Global Licensing & Royalty Review division, Universal Music Publishing Group) e Blue Mountain Music Ltd. (nel 1987)
versione di:
Desert of Our Love
The Chimes5:24
7Wishing Well
tecnico di registrazione e tecnico di missaggio:
Phil Legg
produttore:
Terence Trent D’Arby (now known as Sananda Maitreya) e Martyn Ware
basso :
Phil Spalding
batteria :
Preston Heyman
charleston [Wicked Hi-Hat] :
Clive Mngaza
chitarra :
Pete Glenister
sassofono baritono, tastiera e percussione e voce di accompagnamento e voce principale:
Terence Trent D’Arby (now known as Sananda Maitreya)
arrangiatore:
Terence Trent D’Arby (now known as Sananda Maitreya)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1987)
registrazione di:
Wishing Well
paroliere:
Terence Trent D’Arby (now known as Sananda Maitreya)
compositore:
Terence Trent D’Arby (now known as Sananda Maitreya) e Sean Oliver
editore:
Chrysalis Music Ltd. (music publisher (affiliated with PRS)), EMI Virgin Music Ltd. (do not use this as a release label!), Virgin Music Publishers Ltd. e Young Terence Music (Publisher)
Terence Trent D’Arby3.153:33
8Tribute (Right On)
registrazione di:
Tribute (Right On)
autore:
The Pasadenas e Pete Wingfield (keyboardist, singer, producer, songwriter)
editore:
Island Music France S.A.R.L., Major Seven Ltd, SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Music Publishing France, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (nel 1988) e Island Music Ltd. (nel 1988)
The Pasadenas5:13
9Good Lovin’
Regina Belle5:43
10Fake
registrazione di:
Fake
autore:
James Harris III (James Harris of Jam & Lewis) e Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
Alexander O’Neal5:21
11Walking on the Chinese Wall
registrazione di:
Walking on the Chinese Wall
compositore:
Billie Hughes (soft rock/AOR vocalist) e Roxanne Seeman (American songwriter and lyricist)
editore:
Glass Sea Music, Inc. (dal 1984 a oggi) e Noa Noa Music (dal 1984 a oggi)
Philip Bailey4:45
12Shake You Down
produttore:
Gregory Abbott
basso :
T.M. Stevens (US bass player Thomas Michael Stevens)
membranofono :
David Beal
voce di accompagnamento:
Gregory Abbott, Robert Deadmon e Aida Foreman
voce principale:
Gregory Abbott
arrangiatore:
Gregory Abbott
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1986) e Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1986)
parte di:
The Downloader’s Music Source Book (numero: 69)
registrazione di:
Shake You Down
paroliere e compositore:
Gregory Abbott
editore:
EMI Songs Ltd. e Grabbitt Music (publisher)
Gregory Abbott3.654:01
13Caravan of Love
registrazione di:
Caravan of Love
autore:
Ernie Isley, Marvin Isley e Chris Jasper
editore:
April Music Inc. e IJI Publishing
Isley Jasper Isley4:21
14I Need Love
registrazione di:
I Need Love
compositore:
Bobby “Bobcat” Ervin, Steven Ettinger, James Todd Smith, Darryl Pierce e Dwayne Simon
LL Cool J5:25
15No More Tomorrows
Paul Johnson3:50
16Cuddly Toy
registrazione di:
Cuddly Toy
paroliere e compositore:
Andrew Roachford (the man)
Roachford3.753:44

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Gruppo di pubblicazioni

Discogs:https://www.discogs.com/master/1016567 [info]