Whatever Lola Wants

Name: Whatever Lola Wants
Duration: 3 min 23 s

Appears on releases

#	Title	Length	Track artist	Release title	Release artist	Release group type	Country/Date	Label	Catalog#
Official
1.10	Whatever Lola Wants	3:23	Mel Tormé with the Marty Paich Orchestra	Mel Tormé Swings Shubert Alley	Mel Tormé with the Marty Paich Orchestra	Album	US1960	Verve (jazz label, aka “Verve Records”, use this for release labels)	UMV 2521
1.10	Whatever Lola Wants	3:23	Mel Tormé with the Marty Paich Orchestra	Mel Tormé Swings Shubert Alley	Mel Tormé with the Marty Paich Orchestra	Album	US1984	Verve (jazz label, aka “Verve Records”, use this for release labels)	821 581-2

recorded in:	Los Angeles, California, United States (from 1960-01-21 until 1960-02-11)

engineer:	Val Valentin
producer:	Russell Garcia
baritone saxophone:	Bill Hood (Jazz multi-instrumentalist) (from 1960-01-21 until 1960-02-11)
bass:	Joe Mondragon (from 1960-01-21 until 1960-02-11)
French horn:	Vincent DeRosa (from 1960-01-21 until 1960-02-11)
tenor saxophone:	Bill Perkins (jazz saxophonist) (from 1960-01-21 until 1960-02-11)
trombone:	Frank Rosolino (from 1960-01-21 until 1960-02-11)
trumpet:	Al Porcino (from 1960-01-21 until 1960-02-11) Stu Williamson (from 1960-01-21 until 1960-02-11)
tuba:	Red Callender (from 1960-01-21 until 1960-02-11)
vocals:	Mel Tormé (“The Velvet Fog”) (from 1960-01-21 until 1960-02-11)
arranger:	Marty Paich

recording of:	Whatever Lola Wants (Damn Yankees) (from 1960-01-21 until 1960-02-11: cover)

lyricist and composer:	Richard Adler (musical composer/lyricist) Jerry Ross (musical composer/lyricist)

later parody versions:	Kiss of Myer
later translated versions:	Lo que Lola quiera Tout ce que veut Lola (lyrics by Boris Vian)
part of:	Damn Yankees (1955 musical)
is the basis for:	Det som Karl-Fredrik vill... Was immer Lola will
arrangements:	Whatever Lola Wants (Gotan Project remix)