Matthäus-Passion, BWV 244: Teil II: Des Morgens aber hielten alle Hohenpriester

~ Recording by Ernst Haefliger, Münchener Bach‐Chor, Karl Richter

Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Official
2.20Matthäus-Passion, BWV 244: Teil II: Des Morgens aber hielten alle Hohenpriester1:12Johann Sebastian BachJ.S. Bach: Matthäus-PassionJohann Sebastian Bach; Irmgard Seefried, Hertha Töpper, Ernst Haefliger, Kieth Engen, Dietrich Fischer‐Dieskau, Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl RichterAlbum
  • JP1991-12-01
Polydor (Japanese domestic artists only, prior to 2023)POCA-2006
2.20Matthäus-Passion, BWV 244: Teil II: Des Morgens aber hielten alle Hohenpriester1:12Johann Sebastian BachMatthäus-Passion, BWV 244Johann Sebastian Bach; Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl RichterAlbum
  • DE1994-02-01
Archiv Produktion439 338-2
2.20St. Matthew Passion BWV 244 (Part Two): Interrogation By Caiaphas And Pilate: 49. Recitative (Evangelist, Judas): Des Morgens Aber Hielten Alle Hohepriester (Chorus I/II)1:12Johann Sebastian BachSacred MasterpiecesJohann Sebastian Bach;Karl RichterAlbum + Compilation
  • -2000
Archiv Produktion463 701-2
2.20Matthäus-Passion, BWV 244: Teil II: Des Morgens aber hielten alle Hohenpriester1:12Johann Sebastian BachMatthäus-PassionJohann Sebastian Bach; Irmgard Seefried, Hertha Töpper, Ernst Haefliger, Kieth Engen, Dietrich Fischer‐Dieskau, Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl RichterAlbum
  • DE2001-01-02
Archiv Produktion463 635-2
10.20St Matthew Passion, BWV 244: Part II - 49. Evangelist, Judas: Des Morgens aber hielten alle Hohepriester1:12Johann Sebastian BachArchiv Produktion 1947-2013Various ArtistsAlbum + Compilation
  • XW2013-04-22
Archiv Produktion479 1045
2.20Matthäus-Passion, BWV 244: Teil II. "Des Morgens aber hielten alle Hohepriester"1:12Johann Sebastian BachSacred WorksJohann Sebastian Bach, Münchener Bach‐Orchester, Karl RichterAlbum + Compilation
  • XW2017-11-17
Deutsche Grammophon479 7788
101.20St. Matthew Passion, BWV 244: Part II. Judas in the Temple: 41a. Recitative: "Des Morgens aber hielten alle Hohepriester" / 41b. Chorus: "Was gehet uns das an?"1:12Johann Sebastian BachBach 333 - J.S. Bach The New Complete EditionJohann Sebastian BachAlbum + Compilation
  • XW2018-10-26
Decca Classics (“DECCA” in white uppercase on a blue-over-red rectangular block; until 1999, for use outside of North America only), Deutsche Grammophon4798000
98.49Matthäus-Passion, BWV 244: Part II. 49. Recitative: “Des Morgens aber hielten alle Hohenpriester” (Evangelist, Judas) / Chorus: “Was gehet uns das an?”1:12Johann Sebastian BachComplete Recordings on Archiv Produktion and Deutsche GrammophonKarl RichterOther + Compilation
  • XW2020-11-06
Deutsche Grammophon4839068
6.20Matthäus-Passion, BWV 244: Part II. 49. Recitative: “Des Morgens aber hielten alle Hohenpriester” (Evangelist, Judas) / Chorus: “Was gehet uns das an?”1:12Johann Sebastian BachComplete Recordings on Archiv Produktion and Deutsche GrammophonKarl RichterOther + Compilation
  • XW2020-11-06
Deutsche Grammophon4839068
2.20St. Matthew Passion BWV 244 (Part Two): Interrogation By Caiaphas And Pilate: 49. Recitative (Evangelist, Judas): Des Morgens Aber Hielten Alle Hohepriester (Chorus I/II)1:12Johann Sebastian BachBach, J.S.: Sacred MasterpiecesJohann Sebastian Bach & Karl RichterAlbum + Compilation
Archiv Produktion
2.20Matthäus-Passion, BWV 244: Rezitativ: Des Morgens aber hielten alle Hohenpriester1:12Johann Sebastian BachMatthäuspassion, BWV 244Johann Sebastian Bach; Ernst Haefliger, Kieth Engen, Irmgard Seefried, Antonia Fahberg, Hertha Töpper, Dietrich Fischer‐Dieskau, Max Proebstl, Karl RichterAlbum
Membran8515032742
Pseudo-Release
26.20St. Matthew Passion, BWV 244: Part II. Judas in the Temple: 41a. Recitative: "Des Morgens aber hielten alle Hohepriester" / 41b. Chorus: "Was gehet uns das an?"1:12Johann Sebastian BachBach 333: Sacred & secular vocal (second half)Johann Sebastian BachAlbum + Compilation

Relationships

recording engineer:Werner Wolf (engineer/producer)
executive producer:Dr. Hans Hickmann
producer:Otto Gerdes (conductor and producer)
Karl-Heinz Schneider (producer)
bassoon:Karl Kolbinger (bassoonist) (from 1958-06 until 1958-08)
cello and viola da gamba:Oswald Uhl (cellist) (from 1958-06 until 1958-08)
double bass:Franz Ortner (double bass player) (from 1958-06 until 1958-08)
oboe, oboe d'amore [oboe d'amore I] and oboe da caccia [oboe da caccia II]:Edgar Shann (oboist) (from 1958-06 until 1958-08)
oboe d'amore [oboe d'amore II] and oboe da caccia [oboe da caccia I]:Kurt Hausmann (oboist) (from 1958-06 until 1958-08)
organ:Hedwig Bilgram (harpsichordist and organist) (from 1958-06 until 1958-08)
Ekkehard Tietze (organist and cantor) (from 1958-06 until 1958-08)
transverse flute:Wolfgang Haag (flautist) (from 1958-06 until 1958-08)
Walther Theurer (from 1958-06 until 1958-08)
violin:Otto Büchner (violinist) (from 1958-06 until 1958-08)
bass vocals [Judas]:Max Proebstl (operatic bass) (from 1958-06 until 1958-08)
choir vocals:Münchener Bach‐Chor (Munich Bach Choir) (from 1958-06 until 1958-08)
tenor vocals [Evangelist]:Ernst Haefliger (tenor) (from 1958-06 until 1958-08)
orchestra:Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1958-06 until 1958-08)
conductor:Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1958-06 until 1958-08)
chorus master:Fritz Rothschuh (chorus master) (from 1958-06 until 1958-08)
recorded at:Herkulessaal (Hercules Hall) in München (Munich), Bayern (Bavaria), Germany (from 1958-06 until 1958-08)
compiled in:Matthäus-Passion, BWV 244: Teil II. Rezitativ - Chor "Des Morgens aber hielten alle Hohepriester" (Evangelist, Judas, Chor) by Münchener Bach‐Orchester (Munich Bach Orchestra), Karl Richter (conductor/ choir master/ organist/ harpsichordist) (order: 1)
recording of:Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) (from 1958-06 until 1958-08)
Matthäus-Passion, BWV 244: Teil II, XLIb. "Was gehet uns das an" (Chori) (from 1958-06 until 1958-08)

Related works

Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas)

composer:Johann Sebastian Bach (German Baroque period composer & musician)
librettist:Picander
later translated versions:St. Matthew Passion, BWV 244: Part II, XLIX. Recit. (Evangelist, Judas, Chorus) "Now When the Morning was Come"
part of:Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II) (order: 1)

Matthäus-Passion, BWV 244: Teil II, XLIb. "Was gehet uns das an" (Chori)

composer:Johann Sebastian Bach (German Baroque period composer & musician)
librettist:Picander
later translated versions:St. Matthew Passion, BWV 244: Part II, XLIX. Recit. (Evangelist, Judas, Chorus) "Now When the Morning was Come"
part of:Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II) (order: 2)