| holds phonographic copyright (℗) for |
|---|
| 1965 – | Variaciones Goldberg: Variatio 7, a 1 ovvero 2 Clav. Al tempo di Giga | | | Gustav Leonhardt | 1:05 |
| 1966 | Der Tag des Gerichts TWV6, 8 : Contemplation 4 "Das Lamm, das erwürget ist" | TELDEC Classics, a Warner Music UK Division | | Jürgen Jürgens, Cora Canne-Meijer, Max van Egmond, Kurt Equiluz, Gertraud Landwehr-Herrmann, Monteverdi‐Chor Hamburg | 1:41 |
| 1966 | Der Tag des Gerichts TWV6, 8 : Contemplation 4 "Die Rechte des Herrn ist erhöhet!" | TELDEC Classics, a Warner Music UK Division | | Jürgen Jürgens, Cora Canne-Meijer, Max van Egmond, Kurt Equiluz, Gertraud Landwehr-Herrmann, Monteverdi‐Chor Hamburg | 1:51 |
| 1966 | Der Tag des Gerichts TWV6, 8 : Contemplation 4 "Ein ew'ger Palm umschlingt mein Haar" | TELDEC Classics, a Warner Music UK Division | | Jürgen Jürgens, Cora Canne-Meijer, Max van Egmond, Kurt Equiluz, Gertraud Landwehr-Herrmann, Monteverdi‐Chor Hamburg | 3:22 |
| 1966 | Der Tag des Gerichts TWV6, 8 : Contemplation 4 "Es ist geschehen! Die Tugend ist gerächt!" | TELDEC Classics, a Warner Music UK Division | | Jürgen Jürgens, Cora Canne-Meijer, Max van Egmond, Kurt Equiluz, Gertraud Landwehr-Herrmann, Monteverdi‐Chor Hamburg | 0:47 |
| 1966 | Der Tag des Gerichts TWV6, 8 : Contemplation 4 "Heil! Wenn um des Erwürgten willen" | TELDEC Classics, a Warner Music UK Division | | Jürgen Jürgens, Cora Canne-Meijer, Max van Egmond, Kurt Equiluz, Gertraud Landwehr-Herrmann, Monteverdi‐Chor Hamburg | 3:28 |
| 1966 | Der Tag des Gerichts TWV6, 8 : Contemplation 4 "Heilig ist unser Gott" | TELDEC Classics, a Warner Music UK Division | | Jürgen Jürgens, Cora Canne-Meijer, Max van Egmond, Kurt Equiluz, Gertraud Landwehr-Herrmann, Monteverdi‐Chor Hamburg | 0:24 |
| 1966 | Der Tag des Gerichts TWV6, 8 : Contemplation 4 "Ich bin erwacht nach Gottes Bilde" | TELDEC Classics, a Warner Music UK Division | | Jürgen Jürgens, Cora Canne-Meijer, Max van Egmond, Kurt Equiluz, Gertraud Landwehr-Herrmann, Monteverdi‐Chor Hamburg | 2:39 |
| 1966 | Der Tag des Gerichts TWV6, 8 : Contemplation 4 "Lobt ihn, ihr Seraphinen-Chöre!" | TELDEC Classics, a Warner Music UK Division | | Jürgen Jürgens, Cora Canne-Meijer, Max van Egmond, Kurt Equiluz, Gertraud Landwehr-Herrmann, Monteverdi‐Chor Hamburg | 2:24 |
| 1966 | Der Tag des Gerichts TWV6, 8 : Contemplation 4 "Nun ist das Heil und die Kraft" | TELDEC Classics, a Warner Music UK Division | | Jürgen Jürgens, Gertraud Landwehr-Herrmann, Cora Canne-Meijer, Max van Egmond, Kurt Equiluz, Monteverdi‐Chor Hamburg | 1:05 |
| 1966 | Der Tag des Gerichts TWV6, 8 : Contemplation 4 "Schallt, ihr hohen Jubellieder!" | TELDEC Classics, a Warner Music UK Division | | Jürgen Jürgens, Cora Canne-Meijer, Max van Egmond, Kurt Equiluz, Gertraud Landwehr-Herrmann, Monteverdi‐Chor Hamburg | 2:47 |
| 1966 | Der Tag des Gerichts, TWV 6:8: 1. Betrachtung. Arie "Des Sturmes Donnerstimmen schallen" (Alto) | TELDEC Classics, a Warner Music UK Division | | Monteverdi‐Chor Hamburg, Concentus Musicus Wien, Nikolaus Harnoncourt | 6:34 |
| 1966 | Der Tag des Gerichts, TWV 6:8: 1. Betrachtung. Arie "Fürchtet nur, fürchtet des Donnerers Schelten" (Bass) | TELDEC Classics, a Warner Music UK Division | | Monteverdi‐Chor Hamburg, Concentus Musicus Wien, Nikolaus Harnoncourt | 7:49 |
| 1966 | Der Tag des Gerichts, TWV 6:8: 1. Betrachtung. Arie "Jetzt weiß ich's überkluge Köpfe" (Tenor) | TELDEC Classics, a Warner Music UK Division | | Monteverdi‐Chor Hamburg, Concentus Musicus Wien, Nikolaus Harnoncourt | 4:48 |
| 1966 | Der Tag des Gerichts, TWV 6:8: 1. Betrachtung. Chor "Dann jauchzet der Gerechten Stimme" (Chorus) | TELDEC Classics, a Warner Music UK Division | | Monteverdi‐Chor Hamburg, Concentus Musicus Wien, Nikolaus Harnoncourt | 2:33 |
| 1966 | Der Tag des Gerichts, TWV 6:8: 1. Betrachtung. Chor "Der Herr kommt mit vieltausend Heiligen" (Chorus) | TELDEC Classics, a Warner Music UK Division | | Monteverdi‐Chor Hamburg, Concentus Musicus Wien, Nikolaus Harnoncourt | 1:34 |
| 1966 | Der Tag des Gerichts, TWV 6:8: 1. Betrachtung. Einleitung | TELDEC Classics, a Warner Music UK Division | | Monteverdi‐Chor Hamburg, Concentus Musicus Wien, Nikolaus Harnoncourt | 3:55 |
| 1966 | Der Tag des Gerichts, TWV 6:8: 1. Betrachtung. Rezitativ "Ganz recht, das Endliche vergeht" (Soprano) | TELDEC Classics, a Warner Music UK Division | | Monteverdi‐Chor Hamburg, Concentus Musicus Wien, Nikolaus Harnoncourt | 1:29 |
| 1966 | Der Tag des Gerichts, TWV 6:8: 1. Betrachtung. Rezitativ "Genug der Schande bloßgestellt" (Alto) | TELDEC Classics, a Warner Music UK Division | | Monteverdi‐Chor Hamburg, Concentus Musicus Wien, Nikolaus Harnoncourt | 1:08 |
| 1966 | Der Tag des Gerichts, TWV 6:8: 1. Betrachtung. Rezitativ "Ruft immerhin, des Pöbels Wut zu zähmen" (Bass) | TELDEC Classics, a Warner Music UK Division | | Monteverdi‐Chor Hamburg, Concentus Musicus Wien, Nikolaus Harnoncourt | 0:51 |
| 1966 | Der Tag des Gerichts, TWV 6:8: 1. Betrachtung. Rezitativ "Wer ist, der kühn sein Joch zerreißt?" (Bass, Soprano, Tenor) | TELDEC Classics, a Warner Music UK Division | | Monteverdi‐Chor Hamburg, Concentus Musicus Wien, Nikolaus Harnoncourt | 1:43 |
| 1966 | Der Tag des Gerichts, TWV 6:8: 2. Betrachtung. Accompognato Rezitativ "Das sind sie, der Verwüstung Zeichen!" (Bass) | TELDEC Classics, a Warner Music UK Division | | Monteverdi‐Chor Hamburg, Concentus Musicus Wien, Nikolaus Harnoncourt | 2:31 |
| 1966 | Der Tag des Gerichts, TWV 6:8: 2. Betrachtung. Arie "Da kreuzen verzehrende Blitze" (Bass) | TELDEC Classics, a Warner Music UK Division | | Monteverdi‐Chor Hamburg, Concentus Musicus Wien, Nikolaus Harnoncourt | 4:45 |
| 1966 | Der Tag des Gerichts, TWV 6:8: 2. Betrachtung. Arioso "Ich aber schwinge mich empor" (Boy-Soprano) | TELDEC Classics, a Warner Music UK Division | | Monteverdi‐Chor Hamburg, Concentus Musicus Wien, Nikolaus Harnoncourt | 2:06 |
| 1966 | Der Tag des Gerichts, TWV 6:8: 2. Betrachtung. Chor "Es rauscht" (Chorus) | TELDEC Classics, a Warner Music UK Division | | Monteverdi‐Chor Hamburg, Concentus Musicus Wien, Nikolaus Harnoncourt | 5:16 |
| 1966 | Der Tag des Gerichts, TWV 6:8: 2. Betrachtung. Rezitativ "Gewaltig Element!" (Tenor) | TELDEC Classics, a Warner Music UK Division | | Monteverdi‐Chor Hamburg, Concentus Musicus Wien, Nikolaus Harnoncourt | 1:01 |
| 1966 | Der Tag des Gerichts, TWV 6:8: 3. Betrachtung. Accompognato Rezitativ "Ich sehe, Gott, den Engel deiner Rache!" (Alto) | TELDEC Classics, a Warner Music UK Division | | Monteverdi‐Chor Hamburg, Concentus Musicus Wien, Nikolaus Harnoncourt | 1:46 |
| 1966 | Der Tag des Gerichts, TWV 6:8: 3. Betrachtung. Arie "Hinweg von meinem Angesichte!" (Bass) | TELDEC Classics, a Warner Music UK Division | | Monteverdi‐Chor Hamburg, Concentus Musicus Wien, Nikolaus Harnoncourt | 2:44 |
| 1966 | Der Tag des Gerichts, TWV 6:8: 3. Betrachtung. Arie "Seid mir gesegnet, ihr Gerechten" (Bass) | TELDEC Classics, a Warner Music UK Division | | Monteverdi‐Chor Hamburg, Concentus Musicus Wien, Nikolaus Harnoncourt | 2:31 |
| 1966 | Der Tag des Gerichts, TWV 6:8: 3. Betrachtung. Arioso "So spricht der Herr, der mich gesandt" (Tenor) | TELDEC Classics, a Warner Music UK Division | | Monteverdi‐Chor Hamburg, Concentus Musicus Wien, Nikolaus Harnoncourt | 1:42 |
| 1966 | Der Tag des Gerichts, TWV 6:8: 3. Betrachtung. Chor "Ach Hilfe! Weh uns! Hilfe! Rat!" (Chorus) | TELDEC Classics, a Warner Music UK Division | | Monteverdi‐Chor Hamburg, Concentus Musicus Wien, Nikolaus Harnoncourt | 1:36 |
| 1966 | Der Tag des Gerichts, TWV 6:8: 3. Betrachtung. Choral "Du, Ehren König, Jesu Christ" (Chorus) | TELDEC Classics, a Warner Music UK Division | | Monteverdi‐Chor Hamburg, Concentus Musicus Wien, Nikolaus Harnoncourt | 1:22 |
| 1966 | Der Tag des Gerichts, TWV 6:8: 3. Betrachtung. Rezitativ "Da sitzet Er - o wie nenn' ich ihn?" (Tenor) | TELDEC Classics, a Warner Music UK Division | | Monteverdi‐Chor Hamburg, Concentus Musicus Wien, Nikolaus Harnoncourt | 1:06 |
| 1966 | Der Tag des Gerichts, TWV 6:8: 3. Betrachtung. Rezitativ "Nun dränget sich der Kreis der ganzen Erde" (Alto) | TELDEC Classics, a Warner Music UK Division | | Monteverdi‐Chor Hamburg, Concentus Musicus Wien, Nikolaus Harnoncourt | 1:34 |
| 1966 | Der Tag des Gerichts, TWV 6:8: 3. Betrachtung. Rezitativ "Wir flehn umsonst. - Der Tod entweicht!" (Tenor) | TELDEC Classics, a Warner Music UK Division | | Monteverdi‐Chor Hamburg, Concentus Musicus Wien, Nikolaus Harnoncourt | 0:30 |
| 1975 | Concierto para piano núm. 23 en la mayor K488: II. Adagio | | | Karl Engel, Mozarteum Orchester Salzburg, Leopold Hager | 6:52 |
| 1975 | Pimpinone or The Unequal Marriage, TWV 21:15, Intermezzo I: Chi mi vuol, son cameriera | TELDEC Classics, a Warner Music UK Division (in 1992) recorded at: | | Siegmund Nimsgern, Uta Spreckelsen, Herbert Tachezi, Ensemble Florilegium Musicum, Hans Ludwig Hirsch | 4:13 |
| 1975 | Pimpinone or The Unequal Marriage, TWV 21:15, Intermezzo I: Doch was kann dieses wohl für Lust erwecken? | TELDEC Classics, a Warner Music UK Division (in 1992) recorded at: | | Siegmund Nimsgern, Uta Spreckelsen, Herbert Tachezi, Ensemble Florilegium Musicum, Hans Ludwig Hirsch | 2:05 |
| 1975 | Pimpinone or The Unequal Marriage, TWV 21:15, Intermezzo I: Ella mi viol confondere | TELDEC Classics, a Warner Music UK Division (in 1992) recorded at: | | Siegmund Nimsgern, Uta Spreckelsen, Herbert Tachezi, Ensemble Florilegium Musicum, Hans Ludwig Hirsch | 3:40 |
| 1975 | Pimpinone or The Unequal Marriage, TWV 21:15, Intermezzo I: Höflich singen | TELDEC Classics, a Warner Music UK Division (in 1992) recorded at: | | Siegmund Nimsgern, Uta Spreckelsen, Herbert Tachezi, Ensemble Florilegium Musicum, Hans Ludwig Hirsch | 4:31 |
| 1975 | Pimpinone or The Unequal Marriage, TWV 21:15, Intermezzo I: Ich suche zwar ein Glück | TELDEC Classics, a Warner Music UK Division (in 1992) recorded at: | | Siegmund Nimsgern, Uta Spreckelsen, Herbert Tachezi, Ensemble Florilegium Musicum, Hans Ludwig Hirsch | 1:45 |
| 1975 | Pimpinone or The Unequal Marriage, TWV 21:15, Intermezzo I: Nell petto il cor mi giubila | TELDEC Classics, a Warner Music UK Division (in 1992) recorded at: | | Siegmund Nimsgern, Uta Spreckelsen, Herbert Tachezi, Ensemble Florilegium Musicum, Hans Ludwig Hirsch | 4:30 |
| 1975 | Pimpinone or The Unequal Marriage, TWV 21:15, Intermezzo I: Was aber denkt ihr nun zu thun | TELDEC Classics, a Warner Music UK Division (in 1992) recorded at: | | Siegmund Nimsgern, Uta Spreckelsen, Herbert Tachezi, Ensemble Florilegium Musicum, Hans Ludwig Hirsch | 1:23 |
| 1975 | Pimpinone or The Unequal Marriage, TWV 21:15, Intermezzo II: Er schweige nur | TELDEC Classics, a Warner Music UK Division (in 1992) recorded at: | | Siegmund Nimsgern, Uta Spreckelsen, Herbert Tachezi, Ensemble Florilegium Musicum, Hans Ludwig Hirsch | 1:25 |
| 1975 | Pimpinone or The Unequal Marriage, TWV 21:15, Intermezzo II: Guarda un poco | TELDEC Classics, a Warner Music UK Division (in 1992) recorded at: | | Siegmund Nimsgern, Uta Spreckelsen, Herbert Tachezi, Ensemble Florilegium Musicum, Hans Ludwig Hirsch | 3:47 |
| 1975 | Pimpinone or The Unequal Marriage, TWV 21:15, Intermezzo II: Io non sono una di quelle | TELDEC Classics, a Warner Music UK Division (in 1992) recorded at: | | Siegmund Nimsgern, Uta Spreckelsen, Herbert Tachezi, Ensemble Florilegium Musicum, Hans Ludwig Hirsch | 6:13 |
| 1975 | Pimpinone or The Unequal Marriage, TWV 21:15, Intermezzo II: Nei brevi momenti | TELDEC Classics, a Warner Music UK Division (in 1992) recorded at: | | Siegmund Nimsgern, Uta Spreckelsen, Herbert Tachezi, Ensemble Florilegium Musicum, Hans Ludwig Hirsch | 1:47 |
| 1975 | Pimpinone or The Unequal Marriage, TWV 21:15, Intermezzo II: Schweig! Du hast ja alles recht gemacht | TELDEC Classics, a Warner Music UK Division (in 1992) recorded at: | | Siegmund Nimsgern, Uta Spreckelsen, Herbert Tachezi, Ensemble Florilegium Musicum, Hans Ludwig Hirsch | 1:35 |
| 1975 | Pimpinone or The Unequal Marriage, TWV 21:15, Intermezzo II: So geht es gut | TELDEC Classics, a Warner Music UK Division (in 1992) recorded at: | | Siegmund Nimsgern, Uta Spreckelsen, Herbert Tachezi, Ensemble Florilegium Musicum, Hans Ludwig Hirsch | 1:26 |
| 1975 | Pimpinone or The Unequal Marriage, TWV 21:15, Intermezzo II: Stendi, stendi! Uh! ch'allegrezza! | TELDEC Classics, a Warner Music UK Division (in 1992) recorded at: | | Siegmund Nimsgern, Uta Spreckelsen, Herbert Tachezi, Ensemble Florilegium Musicum, Hans Ludwig Hirsch | 5:42 |
| 1975 | Pimpinone or The Unequal Marriage, TWV 21:15, Intermezzo II: Vespetta, willst Du von mir gehen? | TELDEC Classics, a Warner Music UK Division (in 1992) recorded at: | | Siegmund Nimsgern, Uta Spreckelsen, Herbert Tachezi, Ensemble Florilegium Musicum, Hans Ludwig Hirsch | 0:29 |
| 1975 | Pimpinone or The Unequal Marriage, TWV 21:15, Intermezzo III: Du eigwnsinn'ger Esel | TELDEC Classics, a Warner Music UK Division (in 1992) recorded at: | | Siegmund Nimsgern, Uta Spreckelsen, Herbert Tachezi, Ensemble Florilegium Musicum, Hans Ludwig Hirsch | 1:00 |
| 1975 | Pimpinone or The Unequal Marriage, TWV 21:15, Intermezzo III: Für dieses Mal | TELDEC Classics, a Warner Music UK Division (in 1992) recorded at: | | Siegmund Nimsgern, Uta Spreckelsen, Herbert Tachezi, Ensemble Florilegium Musicum, Hans Ludwig Hirsch | 1:31 |
| 1975 | Pimpinone or The Unequal Marriage, TWV 21:15, Intermezzo III: Ich will dahin, wo es mir beliebet, gehen | TELDEC Classics, a Warner Music UK Division (in 1992) recorded at: | | Siegmund Nimsgern, Uta Spreckelsen, Herbert Tachezi, Ensemble Florilegium Musicum, Hans Ludwig Hirsch | 1:42 |
| 1975 | Pimpinone or The Unequal Marriage, TWV 21:15, Intermezzo III: Schweig hinkünftig, albrer Tropf | TELDEC Classics, a Warner Music UK Division (in 1992) recorded at: | | Siegmund Nimsgern, Uta Spreckelsen, Herbert Tachezi, Ensemble Florilegium Musicum, Hans Ludwig Hirsch | 6:52 |
| 1975 | Pimpinone or The Unequal Marriage, TWV 21:15, Intermezzo III: So quel che si dice | TELDEC Classics, a Warner Music UK Division (in 1992) recorded at: | | Siegmund Nimsgern, Uta Spreckelsen, Herbert Tachezi, Ensemble Florilegium Musicum, Hans Ludwig Hirsch | 4:10 |
| 1975 | Pimpinone or The Unequal Marriage, TWV 21:15, Intermezzo III: Voglio far come fan l'altre | TELDEC Classics, a Warner Music UK Division (in 1992) recorded at: | | Siegmund Nimsgern, Uta Spreckelsen, Herbert Tachezi, Ensemble Florilegium Musicum, Hans Ludwig Hirsch | 5:59 |
| 1975 | Pimpinone or The Unequal Marriage, TWV 21:15, Intermezzo III: Wie aber, wenn ich's auch so machen wolte? | TELDEC Classics, a Warner Music UK Division (in 1992) recorded at: | | Siegmund Nimsgern, Uta Spreckelsen, Herbert Tachezi, Ensemble Florilegium Musicum, Hans Ludwig Hirsch | 0:45 |
| 1975 | Pimpinone or The Unequal Marriage, TWV 21:15, Intermezzo III: Wilde Hummel! böser Engel! | TELDEC Classics, a Warner Music UK Division (in 1992) recorded at: | | Siegmund Nimsgern, Uta Spreckelsen, Herbert Tachezi, Ensemble Florilegium Musicum, Hans Ludwig Hirsch | 3:51 |
| 1975 | String Quartet no. 9 in G minor, D 173: I. Allegro con brio | | | Alban Berg Quartet | 6:11 |
| 1975 | String Quartet no. 9 in G minor, D 173: II. Andantino | | | Alban Berg Quartet | 5:59 |
| 1975 | String Quartet no. 9 in G minor, D 173: III. Menuetto: Allegro vivace | | | Alban Berg Quartet | 3:24 |
| 1975 | String Quartet no. 9 in G minor, D 173: IV. Allegro | | | Alban Berg Quartet | 5:35 |
| 1975 | String Quartet no. 13 in A minor, D 804, op 29: I. Allegro ma non troppo | | | Alban Berg Quartet | 8:59 |
| 1975 | String Quartet no. 13 in A minor, D 804, op 29: II. Andante | | | Alban Berg Quartet | 7:06 |
| 1975 | String Quartet no. 13 in A minor, D 804, op 29: III. Menuetto: Allegretto | | | Alban Berg Quartet | 7:31 |
| 1975 | String Quartet no. 13 in A minor, D 804, op 29: IV. Allegro moderato | | | Alban Berg Quartet | 7:27 |
| 1976 | 6 Easy Variations for Piano in G major on an Original Theme, WoO 77 | | | Rudolf Buchbinder | 7:11 |
| 1976 | 6 Variations for Piano in D major on an Original Theme, Op. 76 | | | Rudolf Buchbinder | 5:55 |
| 1976 | 6 Variations for Piano on a Swiss Song in F major, WoO 64 | | | Rudolf Buchbinder | 3:04 |
| 1976 | 7 Variations for Piano in F major on the Quartet "Kind, willst du ruhig schlafen?" from Peter Winter's opera "Das unterbrochene Opferfest", WoO 75 | | | Rudolf Buchbinder | 11:11 |
| 1976 | 8 Variations for Piano in C major on the Romance "Une fièvre brulante" from Grétry's opera "Richard Cœur de Lion", WoO 72 | | | Rudolf Buchbinder | 6:20 |
| 1976 | 8 Variations for Piano in F major on the Trio "Tändeln und Scherzen" from Franz X. Süssmayr's opera "Soliman II", WoO 76 | | | Rudolf Buchbinder | 8:19 |
| 1976 | 9 Variations for Piano in A major on the Aria "Quant'è più bello" from Giovanni Paisello's opera "La molinara", WoO 69 | | | Rudolf Buchbinder | 5:27 |
| 1976 | 10 Variations for Piano in B-flat major on the Duet "La stessa, la stessissima" from Antonio Salieri's opera "Falstaff", WoO 73 | | | Rudolf Buchbinder | 11:22 |
| 1976 | 13 Variations for Piano in A major on the Arietta "Es war einmal ein alter Mann" from Dittersdorf's Singspiel "Das rote Käppchen", WoO 66 | | | Rudolf Buchbinder | 12:52 |
| 1976 | 24 Variations for Piano on Vincenzo Righini's Arietta "Venni amore" in D major, WoO 65 | | | Rudolf Buchbinder | 22:19 |
| 1976 | Acht Variationen über das Lied, "Ich hab' ein kleines Hüttchen nur: Thema - Variationen I-VIII | | | Rudolf Buchbinder | 6:36 |
| 1976 | Air autrichien for [Flute or Violin] and Piano, Op. 105 No. 3 in C major "A Schüsserl und a Reindl": Tema. Andantino - Var. I-IV - Var. V. Adagio sostenuto, ma non troppo - Var. VI. Andante con moto | | | Rudolf Buchbinder, Wolfgang Schulz | 6:04 |
| 1976 | Air écossais for [Flute or Violin] and Piano, Op. 105 No. 1 in G major "The Cottage Maid": Tema. Andantino quasi allegretto - Var. I-II - Var. III. Allegro - Tempo I | | | Rudolf Buchbinder, Wolfgang Schulz | 2:28 |
| 1976 | Air écossais for [Flute or Violin] and Piano, Op. 105 No. 2 in C minor "Von edlem Geschlecht war Shinkin": Tema. Allegretto scherzoso - Var. I-II - Var. III. Allegretto - Allegro | | | Rudolf Buchbinder, Wolfgang Schulz | 2:38 |
| 1976 | Air écossais for [Flute or Violin] and Piano, Op. 105 No. 4 in E-flat major "The Last Rose of Summer": Tema. Andante espressivo assai - Var. I-III | | | Rudolf Buchbinder, Wolfgang Schulz | 3:32 |
| 1976 | Air écossais for [Flute or Violin] and Piano, Op. 105 No. 5 in E-flat major "Chiling O'Guiry": Tema. Allegretto spiritoso - Var. I-II - Var. III. Allegro assai | | | Rudolf Buchbinder, Wolfgang Schulz | 2:10 |
| 1976 | Air écossais for [Flute or Violin] and Piano, Op. 105 No. 6 in D major "Paddy Whack": Tema. Allegretto più tosto vivace - Var. I-IV | | | Rudolf Buchbinder, Wolfgang Schulz | 2:37 |
| 1976 | Fünf Variationen über das englishe Volkslied "Rule Britannia" D-dur, WoO 79: Thema - Variationen I-V | | | Rudolf Buchbinder | 5:27 |
| 1976 | Fünfzehn Variationen mit einer Fuge Es-dur, op. 35: Thema - Variationen I-XV | | | Rudolf Buchbinder | 24:47 |
| 1976 | Neun Variationen über einen Marsch von Ernst Christoph Dressler c-moll, WoO 63: Thema - Variationen I-IX | | | Rudolf Buchbinder | 14:51 |
| 1976 | Sechs Variationen F-dur, op. 34: Thema - Variationen I-VI | | | Rudolf Buchbinder | 15:26 |
| 1976 | Sechs Variationen über das Duet "Nel cor più non mi sento" aus der Oper "La Molinara" von Giovanni Paisiello G-dur, WoO 70: Thema - Variationen I-VI | | | Rudolf Buchbinder | 5:42 |
| 1976 | Sechs Variierte Themen Für Klavier Mit Begleitung einer Flöte | | | Rudolf Buchbinder, Wolfgang Schulz | 19:56 |
| 1976 | Sieben Variationen über das englishe Volkslied "God save the King" C-dur, WoO 78: Thema - Variationen I-VII | | | Rudolf Buchbinder | 8:41 |
| 1976 | Theme & Variations in C Major on a Waltz by Diabelli, Op. 120, 'Diabelli Variations': I Theme - Vivace | | | Rudolf Buchbinder | 0:53 |
| 1976 | Theme & Variations in C Major on a Waltz by Diabelli, Op. 120, 'Diabelli Variations': II Variation 1 - Alla marcia maestoso | | | Rudolf Buchbinder | 1:51 |
| 1976 | Theme & Variations in C Major on a Waltz by Diabelli, Op. 120, 'Diabelli Variations': III Variation 2 - Poco allegro | | | Rudolf Buchbinder | 0:46 |
| 1976 | Theme & Variations in C Major on a Waltz by Diabelli, Op. 120, 'Diabelli Variations': IV Variation 3 - L'istesso tempo | | | Rudolf Buchbinder | 1:39 |
| 1976 | Theme & Variations in C Major on a Waltz by Diabelli, Op. 120, 'Diabelli Variations': IX Variation 8 - Poco vivace | | | Rudolf Buchbinder | 1:23 |
| 1976 | Theme & Variations in C Major on a Waltz by Diabelli, Op. 120, 'Diabelli Variations': V Variation 4 - Un poco piu vivace | | | Rudolf Buchbinder | 1:18 |
| 1976 | Theme & Variations in C Major on a Waltz by Diabelli, Op. 120, 'Diabelli Variations': VI Variation 5 - Allegro vivace | | | Rudolf Buchbinder | 0:52 |
| 1976 | Theme & Variations in C Major on a Waltz by Diabelli, Op. 120, 'Diabelli Variations': VII Variation 6 - Allegro, ma non troppo e serioso | | | Rudolf Buchbinder | 1:49 |
| 1976 | Theme & Variations in C Major on a Waltz by Diabelli, Op. 120, 'Diabelli Variations': VIII Variation 7 - Un poco piu allegro | | | Rudolf Buchbinder | 1:06 |
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| 1990 | Missa Solemnis KV 139 "Waisenhaus". Exsultate, Jubilate | | | Wolfgang Amadeus Mozart; Barbara Bonney, Jadwiga Rappé, Josef Protschka, Håkan Hagegård, Concentus Musicus Wien, Nikolaus Harnoncourt | |
| 1990 | Préludes, op. 28 / Symphonische Etüden | | | Frédéric Chopin, Robert Schumann; Susanne Grützmann | |
| 1990 | Violinkonzert / Akademische Festouvertüre | | | Johannes Brahms; Thomas Zehetmair, Cleveland Orchestra, Christoph von Dohnányi | |
| 1991 | Christmas with Thomas Hampson | | | Thomas Hampson, The Saint Paul Chamber Orchestra, Hugh Wolff | |
| 1991 | Die Zauberflöte: Highlights | | | Mozart; Blochwitz, Bonney, Gruberová, Salminen, Nikolaus Harnoncourt | |
| 1991 | Meeting Venus | | | Kiri Te Kanawa, René Kollo, Håkan Hagegård, Waltraud Meier, Philharmonia Orchestra, Marek Janowski | |
| 1992 | Missa in C, K. 257 "Credo" / Litaniae de Venerabili Altaris Sacramento, K.243 | | | Wolfgang Amadeus Mozart; Angela Maria Blasi, Elisabeth von Magnus, Deon van der Walt, Alastair Miles, Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt | |
| 1992 | Symphonies nos. 12, 19 & 24 | | | Wolfgang Amadeus Mozart; Concentus Musicus Wien, Nikolaus Harnoncourt | |
| 1992 | Symphony no. 8 / The Golden Spinning Wheel | | | Dvořák; Philharmonia Orchestra, Eliahu Inbal | |
| 1993 | Symphonies nos. 25, 26 & 28 | | | Mozart; Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | |
| 1993 | Symphonies nos. 29, 30 & 31 “Paris” | | | Wolfgang Amadeus Mozart; Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | |
| 1993 | Symphonies nos. 32, 33 & 34 | | | Mozart; Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | |
| 1993 | The Early String Quartets | | | Beethoven; Vermeer Quartet | |
| 1993 | The Late String Quartets | | | Beethoven; Vermeer Quartet | |
| 1993 | The Middle String Quartets | | | Beethoven; Vermeer Quartet | |
| 1994 | Famous Serenades | | | Mozart; Nikolaus Harnoncourt, Staatskapelle Dresden, Concentus Musicus Wien, Wiener Mozart-Bläser | |
| 1994 | Idomeneo: Supplement | | | Mozart; Hollweg, Araiza, Schmidt, Yakar, Palmer, Mozart-Orchester Des Opernhauses Zürich, Nikolaus Harnoncourt | |
| 1994 | Missa in C major K. 317 "Coronation" / Vesperae solennes de confessore K. 339 | | | Wolfgang Amadeus Mozart; Rodgers, Von Magnus, Protschka, Polgár, Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt | |
| 1994 – | Lieder: Ave Maria / Die Forelle / Heidenröslein | | | Franz Schubert; Barbara Bonney, Geoffrey Parsons | |
| 1994 – | The Haydn Quartets / Hoffmeister Quartet / The Prussian Quartets | | | Mozart; Das Alban Berg Quartett | |
| 1995 | Cello Submarine | | | The 12 Cellists of the Berliner Philharmonic | |
| 1995 | Italian Recorder Sonatas - Frans Brüggen Edition Vol.2 | | | Frans Brüggen, Anner Bylsma, Gustav Leonhardt | |
| 1995 | Mass in B minor | | | Bach; Harnoncourt, Arnold Schoenberg Chor, Concentus Musicus Wien | |
| 1995 | Messe in H-Moll | | | Bach; Arnold Schoenberg Chor, Concentus Musicus Wien, Harnoncourt | |
| 1995 | Piano Concertos nos. 9 "Jeunehomme" & 17 | | | Mozart; Andreas Staier, Concerto Köln | |
| 1995 | Piano Dreams | | | Various Artists | |
| 1995 | Tristan und Isolde | | | Richard Wagner; Waltraud Meier, Siegfried Jerusalem, Marjana Lipovšek, Falk Struckmann, Matti Salminen, Berliner Philharmoniker, Daniel Barenboim | |
| 1995 – | The Best of Barbara Bonney | | | Barbara Bonney | |
| 1995 – | W. A. Mozart: Horn Concertos / L. Mozart: Trumpet Concerto | | | Wolfgang Amadeus Mozart, Leopold Mozart; Hermann Baumann, Concentus Musicus Wien, Nikolaus Harnoncourt | |
| 1996 | Piano Concertos nos. 1-3 | | | Bartók; András Schiff, Budapest Festival Orchestra, Iván Fischer | |
| 1996 | Sonatas | | | Domenico Scarlatti; Andreas Staier | |
| 1996 | String Quartets nos. 9 & 13 | | | Franz Schubert; Alban Berg Quartett | |
| 1996 | Symphonie Fantastique / La Marseillaise | | | Berlioz; Chicago Symphony Orchestra, Daniel Barenboim | |
| 1996 | Violin Concertos | | | Sibelius, Nielsen; Maxim Vengerov, Chicago Symphony Orchestra, Daniel Barenboim | |
| 1997 | The Complete String Symphonies | | | Mendelssohn; Concerto Köln | |
| 1997 | Winterreise | | | Schubert; Christoph Prégardien, Andreas Staier | |
| 1997 – | Berlioz: Symphonie Fantastique / Mussorgsky: A Night on the Bare Mountain | | | Berlioz, Mussorgsky; Wiener Symphoniker, Georges Prêtre, Cleveland Orchestra, Christoph von Dohnányi | |
| 1998 | 40 Years: Das Alte Werk | | | Various Artists | |
| 1998 | Symphonies nos. 1-4 | | | Clementi; Philharmonia Orchestra, Scimone | |
| 1998 | Symphonies Nos. 7 & 8 / Violin Concerto / Romance | | | Dvořák; Thomas Zehetmair, Philharmonia Orchestra, Eliahu Inbal | |
| 1999 | Theodora | | | Handel; Alexander, Blochwitz, Kowalski, van Nes, Scharinger, Arnold Schoenberg Chor, Concentus Musicus Wien, Harnoncourt | |
| 2000 | Armida | TELDEC CLASSICS INTERNATIONAL GMBH | | Haydn; Bartoli, Petibon, Prégardien, Schäfer, Weir, Widmer, Concentus Musicus Wien, Harnoncourt | |
| 2000 | Mass in B minor / Magnificat in D major, BWV 243 | | | Johann Sebastian Bach; Nikolaus Harnoncourt | |
| 2000 | Organ Works, Vol. 12 | | | Bach; Ton Koopman | |
| 2001 | Neujahrskonzert 2001 | TELDEC CLASSICS INTERNATIONAL GMBH | | Wiener Philharmoniker, Nikolaus Harnoncourt | |
| Litaniae Lauretanae K. 195 · Missa Brevis K. 275 · Dixit Et Magnificat K. 193 · Kyrie K. 341 | | | Wolfgang Amadeus Mozart; Bonney, Mei, Von Magnus, Azesberger, Heilmann, Cachemaille, Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt | |
| holds phonographic copyright (℗) for |
|---|
| 1936 – 1941 | Classic Swing: Big Band Classics from the Golden Age | | | Various Artists | |
| 1948 – 1956 | Classic Swing: Big Band Classics from the Golden Age | | | Various Artists | |
| 1974 – | W. A. Mozart: Horn Concertos / L. Mozart: Trumpet Concerto | | | Wolfgang Amadeus Mozart, Leopold Mozart; Hermann Baumann, Concentus Musicus Wien, Nikolaus Harnoncourt | |
| 1975 – 1978 | Berühmte Klavierstücke | | | Frédéric Chopin | |
| 1981 – 1982 | Symphonies nos. 32, 33 & 34 | | | Mozart; Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | |
| 1983 | Cello Submarine | | | The 12 Cellists of the Berliner Philharmonic | |
| 1985 | Symphonies nos. 32, 33 & 34 | | | Mozart; Royal Concertgebouw Orchestra, Nikolaus Harnoncourt | |
| 1986 – | Die Schöpfung | Teldec Classics International GmbH | | Haydn; Edita Gruberová, Josef Protschka, Robert Holl, Arnold Schoenberg Chor, Wiener Symphoniker, Nikolaus Harnoncourt | |
| 1988 | Die Zauberflöte: Highlights | | | Mozart; Blochwitz, Bonney, Gruberová, Salminen, Nikolaus Harnoncourt | |
| 1990 | Missa Solemnis KV 139 "Waisenhaus". Exsultate, Jubilate | | | Wolfgang Amadeus Mozart; Barbara Bonney, Jadwiga Rappé, Josef Protschka, Håkan Hagegård, Concentus Musicus Wien, Nikolaus Harnoncourt | |
| 1991 | Christmas with Thomas Hampson | | | Thomas Hampson, The Saint Paul Chamber Orchestra, Hugh Wolff | |
| 1992 | Missa in C, K. 257 "Credo" / Litaniae de Venerabili Altaris Sacramento, K.243 | | | Wolfgang Amadeus Mozart; Angela Maria Blasi, Elisabeth von Magnus, Deon van der Walt, Alastair Miles, Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt | |
| 1994 | The Complete String Symphonies | | | Mendelssohn; Concerto Köln | |
| 1994 – | Symphonie fantastique / Le carnaval romain / Overture to Béatrice et Bénédict | | | Berlioz; London Philharmonic Orchestra, Zubin Mehta | |
| 1995 | Piano Concertos nos. 9 "Jeunehomme" & 17 | | | Mozart; Andreas Staier, Concerto Köln | |
| 1995 | Piano Dreams | | | Various Artists | |
| 1995 – | Oberturas y preludios | | | Wagner - Barenboim, Chicago Symphony Orchestra | |
| 1996 | The Complete String Symphonies | | | Mendelssohn; Concerto Köln | |
| 1997 | The Complete String Symphonies | | | Mendelssohn; Concerto Köln | |
| 1998 | 40 Years: Das Alte Werk | | | Various Artists | |
| 2000 | Armida | TELDEC CLASSICS INTERNATIONAL GMBH | | Haydn; Bartoli, Petibon, Prégardien, Schäfer, Weir, Widmer, Concentus Musicus Wien, Harnoncourt | |
| 2001 | Neujahrskonzert 2001 | TELDEC CLASSICS INTERNATIONAL GMBH | | Wiener Philharmoniker, Nikolaus Harnoncourt | |
| Brahms Symphonies Nos. 3&4 | | | Johannes Brahms, Nikolaus Harnoncourt & Berliner Philharmoniker | |
| Litaniae Lauretanae K. 195 · Missa Brevis K. 275 · Dixit Et Magnificat K. 193 · Kyrie K. 341 | | | Wolfgang Amadeus Mozart; Bonney, Mei, Von Magnus, Azesberger, Heilmann, Cachemaille, Arnold Schoenberg Chor, Concentus Musicus Wien, Nikolaus Harnoncourt | |
