| Adieu m'amour | Studio der frühen Musik | | | 6:05 | instrument |
| Ai, Santa María, CSM 79 | Scandicus | | | 2:38 | instrument |
| Blozen wir den anger ligen sahen | Studio der frühen Musik, Thomas Binkley | | | 4:17 | instrument |
| Bon jour, bon moys, bo'e sepmayne | Studio der frühen Musik | | | 3:07 | instrument |
| Ce jour de l'an | Studio der frühen Musik | | | 1:45 | instrument |
| Ce moys de may | Studio der frühen Musik | | | 2:23 | instrument |
| Christe, redemptor omnium | Studio der frühen Musik | | | 4:28 | instrument |
| Craindre vous vueil | Studio der frühen Musik | | | 4:39 | instrument |
| Dized’, ai trobadores, CSM 260 | Scandicus | | | 2:45 | instrument |
| Ecco La Primavera | Misericordia | | | 2:54 | instrument |
| Efforcier m'estuet ma voiz | The Harp Consort, Andrew Lawrence‐King | | | 1:49 | instrument |
| En mai au douz tens nouvel | Ensemble für frühe Musik Augsburg | | | 3:07 | instrument |
| Flúga | SKÁLD | | | 2:32 | instrument (as “bow citole”) |
| Helas mon dueil, a ce cop sui Ie mort | Studio der frühen Musik | | | 3:04 | instrument |
| Hui matin a l'ajournee | The Harp Consort, Andrew Lawrence‐King | | | 8:19 | instrument |
| Ich lobe ein wip (instrumental) | The Newberry Consort, Mary Springfels, David Douglass, Kevin Mason | | | 3:32 | instrument |
| J'atendray tant | Studio der frühen Musik | | | 1:52 | instrument |
| Ja pour yver | The Harp Consort, Andrew Lawrence‐King | | | 13:29 | instrument |
| Ki Eshmerá Shabat - Canción de Shabat de Abraham Ibn Ezra (1089-1167) | Eduardo Paniagua | | | 3:54 | instrument (as “citolón”) |
| La quinte estampie real | Jean-Lou Descamps | | | 1:45 | instrument |
| Magnanimae gentis | Studio der frühen Musik | | | 4:06 | instrument |
| Mirandas parit haec urbs florentina puellas | Studio der frühen Musik | | | 3:41 | instrument |
| Non pod' ome pela Virgen (C. 127) | The Renaissance Players | | | 7:14 | instrument |
| O gemma, lux et speculum | Studio der frühen Musik | | | 3:16 | instrument |
| Ó Valhalla | SKÁLD | | | 3:35 | instrument (as “bow citole”) |
| Ódinn | SKÁLD | | | 3:08 | instrument (as “bow citole”) |
| Owê dirre nôt | The Newberry Consort, Mary Springfels, David Douglass, Kevin Mason, Drew Minter | | | 4:00 | instrument |
| Peregrinacio | La Reverdie | | | 2:22 | instrument |
| Pour l'amour de ma doulce amye | Studio der frühen Musik | | | 3:42 | instrument |
| Quel fronte, signorille in paradiso | Studio der frühen Musik | | | 2:49 | instrument |
| Santa María, caled’, ai Sennor, CSM 279 | Scandicus | | | 4:21 | instrument |
| Se la face ay pale | Studio der frühen Musik | | | 3:26 | instrument |
| Sic an, guldîn huon ! | The Newberry Consort, Mary Springfels, David Douglass, Kevin Mason, Drew Minter | | | 6:13 | instrument |
| Vergene belle | Studio der frühen Musik | | | 3:51 | instrument |
| Vida y peregrinación - Phelipe - Teobaldo I | Eduardo Paniagua | | | 1:33 | instrument |
| Virelai: Douce dame jolie | Early Music Consort of London, David Munrow | | | 2:10 | instrument |
| Virelai: Se je souspir | Early Music Consort of London, David Munrow | | | 2:12 | instrument |
| Ya viene el cativo - Canción sefardí del Mediterraneo oriental | Eduardo Paniagua | | | 4:46 | instrument (as “citolón”) |
| Yggdrasill | SKÁLD | | | 3:34 | instrument (as “bow citole”) |