| ¿Por qué lloras blanca niña? | Rolf Lislevand, Concerto Stella Matutina | | | 7:08 | instrument |
| “Chiave, chiave”, toccata instrumental, CM 131 | Josep Borràs, Jean-Pierre Canihac, Richard Cheetham, Xavier Díaz-Latorre, Pedro Estevan, Daniel Lassalle | | | 1:29 | instrument |
| “Collinetto”, ballo, CM 22 | Josep Borràs, Jean-Pierre Canihac, Sergi Casademunt, Richard Cheetham, Lorenz Duftschmid, Xavier Díaz-Latorre, Pedro Estevan, Daniel Lassalle, Rolf Lislevand, Jordi Savall, Sophie Watillon | | | 2:58 | instrument |
| “Correno multi cani”, strambotto-caccia, CM 140 | Daniele Carnovich, Lambert Climent, Francesc Garrigosa, Carlos Mena, Josep Borràs, Jean-Pierre Canihac, Sergi Casademunt, Richard Cheetham, Lorenz Duftschmid, Xavier Díaz-Latorre, Pedro Estevan, Daniel Lassalle, Jordi Savall, Sophie Watillon | | | 2:35 | instrument |
| “Dindirindin”, canzon alla villota, CM 127 | Daniele Carnovich, Lambert Climent, Montserrat Figueras, Francesc Garrigosa, Carlos Mena, Josep Borràs, Eunice Brandão, Jean-Pierre Canihac, Sergi Casademunt, Béatrice Delpierre, Lorenz Duftschmid, Xavier Díaz-Latorre, Pedro Estevan, Daniel Lassalle, Rolf Lislevand, Jordi Savall | | | 2:05 | instrument |
| “La fille guillemin”, ballo, CM 6 | Josep Borràs, Jean-Pierre Canihac, Sergi Casademunt, Béatrice Delpierre, Xavier Díaz-Latorre, Pedro Estevan, Daniel Lassalle, Jordi Savall, Sophie Watillon | | | 2:04 | instrument |
| “La Spagna”, basse dance | Michael Behringer, Josep Borràs, Jean-Pierre Canihac, Béatrice Delpierre, Pedro Estevan, Daniel Lassalle | | | 1:44 | instrument |
| “O tempo bono”, strambotto, CM 132 | Daniele Carnovich, Lambert Climent, Francesc Garrigosa, Carlos Mena, Josep Borràs, Jean-Pierre Canihac, Sergi Casademunt, Richard Cheetham, Lorenz Duftschmid, Xavier Díaz-Latorre, Pedro Estevan, Daniel Lassalle, Rolf Lislevand, Jordi Savall, Sophie Watillon | | | 4:30 | instrument |
| “Viva viva Rey Ferrando”, canción, CM 111 | Daniele Carnovich, Lambert Climent, Francesc Garrigosa, Carlos Mena, Josep Borràs, Eunice Brandão, Jean-Pierre Canihac, Sergi Casademunt, Richard Cheetham, Lorenz Duftschmid, Xavier Díaz-Latorre, Pedro Estevan, Daniel Lassalle, Rolf Lislevand, Jordi Savall | | | 3:36 | instrument |
| “Zappay”, strambotto instrumental, CM 20 | Josep Borràs, Jean-Pierre Canihac, Béatrice Delpierre, Pedro Estevan, Daniel Lassalle, Jordi Savall | | | 0:56 | instrument |
| A l'eure | Wim Becu, Harry Ries, Doron David Sherwin, Charles Toet | | | 1:36 | instrument (as “alto sackbutt”), instrument (as “tenor sackbutt”), instrument (as “bass sackbutt”) |
| A sombra de mis cabellos | Hespèrion XX | | | 1:02 | instrument |
| A Spectacular Procession | Jocelyn Pook | | | 1:09 | instrument |
| Adieu mes amours | Piffaro, The Renaissance Band | | | 1:26 | instrument (as “tenor sackbut”) |
| Adieu, Adieu | Clemencic Consort, René Clemencic | | | 5:33 | instrument |
| Albrecht mirs schwer | Ludwig Senfl | | | 2:43 | instrument (as “2 sackbuts”) |
| Alla battaglia | Wim Becu, Willem Bremer, Norbert Kunst, Bart Quartier, Charles Toet | | | 4:50 | instrument (as “tenor sackbutt”), instrument (as “bass sackbutt”) |
| Allegez moy | Job Boswinkel, Jan Caals, Jan van Elsacker, Guillemette Laurens, Lieven Termont, Erik Van Nevel, Wim Becu, Norbert Kunst, René van Laken, Philippe Malfeyt, Harry Ries, Doron David Sherwin, Charles Toet | | | 3:52 | instrument (as “tenor sackbutt”), instrument (as “bass sackbutt”), instrument (as “alto sackbutt”) |
| Allein Gott in der Höh’ sei ehr, after BWV 715a | His Majestys Sagbutts and Cornetts | | | 2:10 | instrument |
| Amoreux Suy | Clemencic Consort, René Clemencic | | | 3:51 | instrument |
| Amour partes | Piffaro, The Renaissance Band | | | 2:19 | instrument (as “tenor sackbut”) |
| Aria di Passacaglia | Rolf Lislevand, Concerto Stella Matutina | | | 7:02 | instrument |
| Armes, Amours | Syntagma Musicum, Kees Otten | | | 6:34 | instrument |
| Aus tiefer Not schrei ich zu dir (cerse 5), after BWV 38/6 | His Majestys Consort of Voices, His Majestys Sagbutts and Cornetts | | | 1:05 | instrument |
| Aus tiefer Not schrei ich zu dir, after BWV 686 | His Majestys Sagbutts and Cornetts | | | 3:56 | instrument |
| Ave color vini clari | Hespèrion XX | | | 1:45 | instrument |
| Ave virgo | Voces Suaves, Francesco Saverio Pedrini, Concerto Scirocco, Giulia Genini | | | 2:48 | instrument (as “bass sackbut”), instrument (as “tenor sackbut”) |
| Ave Virgo | Syntagma Musicum, Kees Otten | | | 4:01 | instrument |
| Bassa y Alta Danza "Mappamundi" | B. Delpierre, D. Lassalle, S. Légée, P. Estevan | | | 2:30 | instrument |
| Basse Dance "Content desir" | Scottish Early Music Consort | | | 1:18 | instrument |
| Basse danse: Mappa mundi | Hespèrion XX | | | 2:26 | instrument |
| Batalla de Morales | Lorenzo Alpert, Sergi Casademunt, Bruce Dickey, Pedro Estevan, Roberto Gini, Paolo Grazzi, José Miguel Moreno, Paolo Pandolfo, Jordi Savall, Charles Toet, Hespèrion XXI | | | 5:26 | instrument |
| Batalla de octavo tono | Jusepe Ximénez | | | 4:31 | instrument |
| Batalla imperial | Alfredo Bernardini, Josep Borràs, Eunice Brandão, Jean-Pierre Canihac, Sergi Casademunt, Michèle Claude, Lorenz Duftschmid, Pedro Estevan, Daniel Lassalle, Andrew Lawrence‐King, Jordi Savall, Sophie Watillon, Hespèrion XXI | | | 5:20 | instrument |
| Beata mater | Syntagma Musicum, Kees Otten | | | 2:33 | instrument |
| Beatus vir a tre | Accademia d’Arcadia, UtFaSol Ensemble, Alessandra Rossi Lürig | | | 7:44 | instrument |
| Biauté | Hughes de Courson | | | 3:27 | instrument |
| Bien veignes vous | Syntagma Musicum, Kees Otten | | | 1:19 | instrument |
| Bon jour, bon mois | Syntagma Musicum, Kees Otten | | | 1:59 | instrument |
| Bonté biauté | Syntagma Musicum, Kees Otten | | | 1:55 | instrument |
| Bransle de chevaux (arr. Piffaro) | Piffaro, The Renaissance Band | | | 2:30 | instrument (as “tenor sackbut”) |
| Browning à 5 "The leaves be green" | Wim Becu, Psallentes, Oltremontano | | | 4:54 | instrument |
| Buelbe tus claros ojos (villancico) | Josep Borràs, Jean-Pierre Canihac, Richard Cheetham, Béatrice Delpierre, Pedro Estevan, Daniel Lassalle, Jordi Savall, Hespèrion XXI | | | 1:56 | instrument |
| C'bien raison | Syntagma Musicum, Kees Otten | | | 5:03 | instrument |
| C'est Assez | Clemencic Consort, René Clemencic | | | 2:01 | instrument |
| Canciones de clarines: I. Entrada de clarines | [anonymous] | | | 0:57 | instrument |
| Canciones de clarines: II. Canción de clarin | [anonymous] | | | 1:05 | instrument |
| Canciones de clarines: III. Otra canción, con eco | [anonymous] | | | 1:28 | instrument |
| Canciones de clarines: IV. Canción de clarin, muy aprisa el compás, respondiendo el eco | [anonymous] | | | 1:26 | instrument |
| Canzna La Marina | Suzanne Deserres, Natalie Michaud, Geneviève Soly, Alain Trudel | | | ?:?? | instrument |
| Canzon decima | Concerto Scirocco, Giulia Genini | | | 3:41 | instrument |
| Canzon decima nona | Concerto Scirocco, Giulia Genini | | | 3:55 | instrument |
| Canzon decima ottava | Concerto Scirocco, Giulia Genini | | | 3:15 | instrument |
| Canzon decima quarta | Concerto Scirocco, Giulia Genini | | | 4:04 | instrument |
| Canzon decima quinta | Concerto Scirocco, Giulia Genini | | | 4:15 | instrument |
| Canzon decima settima | Concerto Scirocco, Giulia Genini | | | 4:09 | instrument |
| Canzon decima terza | Concerto Scirocco, Giulia Genini | | | 4:38 | instrument |
| Canzon decimaquarta | Concerto Scirocco, Giulia Genini | | | 3:45 | instrument (as “tenor sackbut”), instrument (as “bass sackbut”) |
| Canzon duodecima | Concerto Scirocco, Giulia Genini | | | 3:02 | instrument |
| Canzon ottava | Concerto Scirocco, Giulia Genini | | | 3:59 | instrument |
| Canzon sesta | Concerto Scirocco, Giulia Genini | | | 2:57 | instrument |
| Canzon settimadecima | Concerto Scirocco, Giulia Genini | | | 2:47 | instrument (as “alto sackbut”), instrument (as “tenor sackbut”) |
| Canzon terza | Concerto Scirocco, Giulia Genini | | | 3:19 | instrument |
| Canzon terza a quattro | Concerto Scirocco, Giulia Genini | | | 1:57 | instrument (as “alto sackbut”), instrument (as “tenor sackbut”) |
| Canzon terza a sei | Concerto Scirocco, Giulia Genini | | | 2:51 | instrument (as “tenor sackbut”) |
| Canzon undecima | Concerto Scirocco, Giulia Genini | | | 4:15 | instrument |
| Canzon XVI | Concerto Scirocco, Giulia Genini | | | 4:06 | instrument |
| Canzona à 6 | Giovanni Battista Buonamente | | | 3:05 | instrument |
| Canzona L'Altera | Suzanne Deserres, Natalie Michaud, Geneviève Soly, Alain Trudel | | | ?:?? | instrument |
| Canzona La Bersalina | Suzanne Deserres, Natalie Michaud, Geneviève Soly, Alain Trudel | | | ?:?? | instrument |
| Canzona La Capriola | Suzanne Deserres, Natalie Michaud, Geneviève Soly, Alain Trudel | | | ?:?? | instrument |
| Canzona La Nicolina | Suzanne Deserres, Natalie Michaud, Geneviève Soly, Alain Trudel | | | ?:?? | instrument |
| Canzona La Superba | Suzanne Deserres, Natalie Michaud, Geneviève Soly, Alain Trudel | | | ?:?? | instrument |
| Canzona super Cantionem Gallicam "Est-ce Mars?" | Samuel Scheidt | | | 5:38 | instrument |
| Canzona V a basso solo detta la Tromboncina | Girolamo Frescobaldi | | | 3:35 | instrument |
| Canzona VI a basso solo detta l'Altiera | Girolamo Frescobaldi | | | 4:38 | instrument |
| Canzona VII a basso solo detta la Superba (o Tuccina) | Girolamo Frescobaldi | | | 3:51 | instrument |
| Canzona VIII a basso solo detta l'Ambitiosa | Girolamo Frescobaldi | | | 4:03 | instrument |
| Capriccio a 4 | Ensemble Sonnerie | | | 3:44 | instrument |
| Carmen a 5 | Convivium Musicum / Ensemble Villanella | | | 1:17 | instrument (as “2 sackbuts”) |
| Chacona: Una sarao de la chacona | Piffaro, The Renaissance Band | | | 1:58 | instrument |
| Chiacona | Tarquinio Merula | | | 2:55 | instrument (as “bass sackbut”) |
| Chiave, chiave (toccata instrumental) | Hespèrion XX | | | 1:29 | instrument |
| Christmas Swing | Django Reinhardt | | | 2:50 | instrument |
| Ciaccona | Rolf Lislevand, Concerto Stella Matutina | | | 6:27 | instrument |
| Collinetto | Hespèrion XX | | | 3:00 | instrument |
| Confitebor | Accademia d’Arcadia, UtFaSol Ensemble, Alessandra Rossi Lürig | | | 5:40 | instrument |
| Confitebor tibi, Domine | Ciara Hendrick, Nicholas Mulroy, Jonathan Sells, George Crawford, Bjarte Eike, Adrian France, William Lyons, Catherine Pierron, Eligio Quinteiro, Lynda Sayce, I Fagiolini | | | 6:18 | instrument (as “bass sackbut”) |
| Courtly Masquing Ayre no. 16 | Concerto Scirocco, Giulia Genini | | | 2:14 | instrument |
| Courtly Masquing Ayres nos. 20 & 21 | Concerto Scirocco, Giulia Genini | | | 2:37 | instrument |
| Credo | Syntagma Musicum, Kees Otten | | | 4:03 | instrument |
| Cum autem venissem, Himno procesional para 4 voces, CM 120: I. Cum autem venissim ad locum | Daniele Carnovich, Lambert Climent, Francesc Garrigosa, Josep M. Gregori, Jean-Yves Guerry, Carlos Mena, Jordi Ricart, Xavier Sans, Lluís Vilamajó, Alfredo Bernardini, Josep Borràs, Eunice Brandão, Jean-Pierre Canihac, Sergi Casademunt, Lorenz Duftschmid, Pedro Estevan, Daniel Lassalle, Stefan Légée, Guido Morini, Jordi Savall | | | 3:53 | instrument |
| Cum autem venissem, Himno procesional para 4 voces, CM 120: II. O dulsissime filie Sion | Daniele Carnovich, Lambert Climent, Francesc Garrigosa, Josep M. Gregori, Jean-Yves Guerry, Carlos Mena, Jordi Ricart, Xavier Sans, Lluís Vilamajó, Alfredo Bernardini, Josep Borràs, Eunice Brandão, Jean-Pierre Canihac, Sergi Casademunt, Lorenz Duftschmid, Pedro Estevan, Daniel Lassalle, Stefan Légée, Guido Morini, Jordi Savall | | | 1:53 | instrument |
| Cum autem venissem, Himno procesional para 4 voces, CM 120: III. O vos qui transitis per viam | Daniele Carnovich, Lambert Climent, Francesc Garrigosa, Josep M. Gregori, Jean-Yves Guerry, Carlos Mena, Jordi Ricart, Xavier Sans, Lluís Vilamajó, Alfredo Bernardini, Josep Borràs, Eunice Brandão, Jean-Pierre Canihac, Sergi Casademunt, Lorenz Duftschmid, Pedro Estevan, Daniel Lassalle, Stefan Légée, Guido Morini, Jordi Savall | | | 1:56 | instrument |
| Cum autem venissem, Himno procesional para 4 voces, CM 120: IV. O nimis triste spectaculum | Daniele Carnovich, Lambert Climent, Francesc Garrigosa, Josep M. Gregori, Jean-Yves Guerry, Carlos Mena, Jordi Ricart, Xavier Sans, Lluís Vilamajó, Alfredo Bernardini, Josep Borràs, Eunice Brandão, Jean-Pierre Canihac, Sergi Casademunt, Lorenz Duftschmid, Pedro Estevan, Daniel Lassalle, Stefan Légée, Guido Morini, Jordi Savall | | | 4:21 | instrument |
| Cum autem venissem, Himno procesional para 4 voces, CM 120: V. Cum portaretur ad sepulcrum | Daniele Carnovich, Lambert Climent, Francesc Garrigosa, Josep M. Gregori, Jean-Yves Guerry, Carlos Mena, Jordi Ricart, Xavier Sans, Lluís Vilamajó, Alfredo Bernardini, Josep Borràs, Eunice Brandão, Jean-Pierre Canihac, Sergi Casademunt, Lorenz Duftschmid, Pedro Estevan, Daniel Lassalle, Stefan Légée, Guido Morini, Jordi Savall | | | 1:57 | instrument |
| Cum autem venissem, Himno procesional para 4 voces, CM 120: VI. Cum vero venissem ad locum | Daniele Carnovich, Lambert Climent, Francesc Garrigosa, Josep M. Gregori, Jean-Yves Guerry, Carlos Mena, Jordi Ricart, Xavier Sans, Lluís Vilamajó, Alfredo Bernardini, Josep Borràs, Eunice Brandão, Jean-Pierre Canihac, Sergi Casademunt, Lorenz Duftschmid, Pedro Estevan, Daniel Lassalle, Stefan Légée, Guido Morini, Jordi Savall | | | 1:58 | instrument |
| Cum autem venissem, Himno procesional para 4 voces, CM 120: VII. Amen | Daniele Carnovich, Lambert Climent, Francesc Garrigosa, Josep M. Gregori, Jean-Yves Guerry, Carlos Mena, Jordi Ricart, Xavier Sans, Lluís Vilamajó, Alfredo Bernardini, Josep Borràs, Eunice Brandão, Jean-Pierre Canihac, Sergi Casademunt, Lorenz Duftschmid, Pedro Estevan, Daniel Lassalle, Stefan Légée, Guido Morini, Jordi Savall | | | 0:25 | instrument |
| Danza Alta | Jordi Savall, Hespèrion XXI | | | 2:08 | instrument |
| De Plus En Plus | Clemencic Consort, René Clemencic | | | 4:39 | instrument |