The Best of Santana

~ Release by Santana (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleRatingLength
1Smooth
assistant recording engineer:
Steve Fontano
recording engineer and mixer:
David Thoener
programming and editor:
Mark Dobson (engineer)
mastering:
Stephen Marcussen (mastering engineer)
producer:
Matt Serletic
assistant mixer:
Andy Haller
bass guitar:
Benny Rietveld (bass guitar player)
congas:
Raul Rekow
drums (drum set):
Rodney Holmes
guitar:
Carlos Santana
keyboard:
Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
percussion:
Karl Perazzo
trombone:
Jeff Cressman and Jose Abel Figueroa
trumpet:
Julius Meléndez and Bill Ortiz
guest lead vocals and lead vocals:
Rob Thomas (Matchbox Twenty)
performer:
Rob Thomas (Matchbox Twenty)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1999) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (from 2005 to present)
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States
mixed at:
The Record Plant (Sausalito, 1972-1981) in Sausalito, California, United States
part of:
My VH1 Music Awards – Your Song Kicked Ass but Was Played Too Damn Much (number: 2000) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 206)
recording of:
Smooth
lyricist:
Rob Thomas (Matchbox Twenty)
composer:
Itaal Shur and Rob Thomas (Matchbox Twenty)
publisher:
Bidnis, Inc., EMI April Music Inc., EMI Blackwood Music Inc., Itaal Shur Music and U Rule Music
3.15:00
2Maria Maria
assistant engineer:
Chuck Bailey (engineer) and Jason Gorucott
engineer:
Steve Fontano, Andy Grassi and Chris Theis
producer:
Jerry Duplessis and Wyclef Jean (Haitian rapper, musician and actor)
assistant mixer:
Michael McCoy
mixer:
Andy Grassi
cello:
Joseph Hébert
electric guitar [guitar] and additional vocals:
Carlos Santana
percussion:
Carol Steele
viola:
David Balakrishnan and Danny Seidenberg
violin:
Jeremy Cohen (violinist)
lead vocals:
The Product G&B
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 1999)
mixed at:
The Hit Factory in Manhattan, New York, New York, United States
engineered at:
Fantasy Studios (Berkeley) in Berkeley, California, United States and The Hit Factory in Manhattan, New York, New York, United States
recording of:
Maria Maria
writer:
Jerry Duplessis, Wyclef Jean (Haitian rapper, musician and actor), David McRae, Marvin Moore-Hough, Karl Perazzo, Raul Rekow and Carlos Santana
publisher:
EMI Blackwood Music Inc., Ghetto and Blues, Hempstead Live, Huss‐Zwingli Publishing Inc., Sony/ATV Tunes LLC (ASCAP), Stellabella Music, Te Bass Music, Inc., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and 日音 Synch事業部 (NICHION, INC. Synch Division)
3.954:25
3She’s Not There
recording engineer:
Tom Vicari (on 1977-08-05)
producer:
Tom Coster and Carlos Santana
mixer:
Chris Minto (engineer) and Tom Vicari
bass guitar:
David Margen (on 1977-08-05)
drums (drum set):
Graham Lear (on 1977-08-05)
guitar:
Carlos Santana (on 1977-08-05)
keyboard:
Tom Coster (on 1977-08-05)
percussion:
Pete Escovedo (on 1977-08-05) and Raul Rekow (on 1977-08-05)
vocals:
Greg Walker (ex-member of Santana) (on 1977-08-05)
strings arranger:
Tom Coster
phonographic copyright (℗) by:
Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 1977) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1977)
recorded at:
CBS Studios (San Francisco) in San Francisco, California, United States (on 1977-08-05)
mixed at:
The Automatt in San Francisco, California, United States
cover recording of:
She’s Not There (on 1977-08-05)
lyricist and composer:
Rod Argent
publisher:
Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Songs USA and Parker Music
sub-publisher:
Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
34:11
4Black Magic Woman / Gypsy Queen
recorded in:
San Francisco, California, United States (in 1970-06)
engineer:
David Brown (US producer, engineer - Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Fred Catero and Santana (US Latin, blues, & rock band)
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (from 1970-06-04 until 1970-06-05)
congas:
José “Chepito” Áreas (in 1970-06) and Michael Carabello (in 1970-06)
congas and percussion:
Michael Carabello (from 1970-06-04 until 1970-06-05)
congas, percussion and timbales and timbales:
José “Chepito” Áreas (from 1970-06-04 until 1970-06-05)
drums (drum set):
Michael Shrieve (from 1970-06-04 until 1970-06-05)
guitar:
Carlos Santana (from 1970-06-04 until 1970-06-05)
keyboard and lead vocals:
Gregg Rolie (from 1970-06-04 until 1970-06-05)
percussion:
Rico Reyes (from 1970-06-04 until 1970-06-05)
tabla:
Steven Saphore (from 1970-06-04 until 1970-06-05)
background vocals:
Rico Reyes (from 1970-06-04 until 1970-06-05) and Carlos Santana (from 1970-06-04 until 1970-06-05)
vocals:
Gregg Rolie (in 1970-06)
arranger:
Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1970)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (from 1970-06-04 until 1970-06-05)
cover recording of:
Black Magic Woman
lyricist and composer:
Peter Green (former member of Fleetwood Mac)
publisher:
Bourne Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), King Music Publ. Co. Ltd. and Murbo Music Publishers, Inc.
cover recording of:
Gypsy Queen
composer:
Gábor Szabó (in 1966)
publisher:
Gabor & Cardigan Music, PAB Music Corp. and Wixen Music Publishing, Inc.
4.155:21
5Oye como va
engineer:
David Brown (US producer, engineer - Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Fred Catero and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-08)
congas and percussion:
Michael Carabello (on 1970-07-08)
congas, percussion and timbales:
José “Chepito” Áreas (on 1970-07-08)
drums (drum set):
Michael Shrieve (on 1970-07-08)
guitar:
Carlos Santana (on 1970-07-08)
keyboard and lead vocals:
Gregg Rolie (on 1970-07-08)
percussion:
Rico Reyes (on 1970-07-08)
tabla:
Steven Saphore (on 1970-07-08)
background vocals:
Rico Reyes (on 1970-07-08) and Carlos Santana (on 1970-07-08)
arranger:
Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1970)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1970-07-08)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 479)
cover recording of:
Oye como va (on 1970-07-08)
lyricist and composer:
Tito Puente
publisher:
EMI Full Keel Music, Full Keel Music, Planetary Music Publ. Corp., Sony/ATV Music Publishing LLC (1995–2020) and Windswept Pacific Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
is based on:
Chanchullo
is based on:
Te enseñaré
44:19
6Se a cabo
engineer:
David Brown (US producer, engineer - Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-12)
congas and percussion:
Michael Carabello (on 1970-07-12)
congas, percussion and timbales:
José “Chepito” Áreas (on 1970-07-12)
drums (drum set):
Michael Shrieve (on 1970-07-12)
guitar:
Carlos Santana (on 1970-07-12)
keyboard and lead vocals:
Gregg Rolie (on 1970-07-12)
percussion:
Rico Reyes (on 1970-07-12)
tabla:
Steven Saphore (on 1970-07-12)
background vocals:
Rico Reyes (on 1970-07-12) and Carlos Santana (on 1970-07-12)
arranger:
José “Chepito” Áreas
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1970)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1970-07-12)
recording of:
Se a cabo (on 1970-07-12)
lyricist and composer:
José “Chepito” Áreas
publisher:
Careers–BMG Music Publishing, Inc. and Petra Music
4.52:51
7Jingo
engineer:
Bob Breault and Eric Prestidge
producer:
Brent Dangerfield and Carlos Santana
remixer:
Jim Gaines (in 1988-01)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1969)
recorded at:
Pacific Recording Studio in San Mateo, California, United States (in 1969)
remixed at:
The Plant Studios (1981-2008) in Sausalito, California, United States (in 1988-01)
cover recording of:
Jin‐go‐lo‐ba (Drums of Passion) (Jingo) (in 1969)
lyricist and composer:
Babatunde Olatunji
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Blackwood Music Inc. and EMI Songs Ltd.
4.54:16
8Evil Ways
engineer:
Bob Breault and Eric Prestidge
producer:
Brent Dangerfield and Santana (US Latin, blues, & rock band)
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1969-05-12)
congas and percussion:
Michael Carabello (on 1969-05-12)
congas, percussion and timbales:
José “Chepito” Áreas (on 1969-05-12)
drums (drum set):
Michael Shrieve (on 1969-05-12)
guitar:
Carlos Santana (on 1969-05-12)
organ and piano:
Gregg Rolie (on 1969-05-12)
vocals:
Gregg Rolie (on 1969-05-12) and Carlos Santana (on 1969-05-12)
arranger:
Alberto Gianquinto
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1969), Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 1969) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1969)
recorded at:
Pacific Recording Studio in San Mateo, California, United States (on 1969-05-12)
mixed at:
Pacific Recording Studio in San Mateo, California, United States
part of:
Billboard Year‐End Hot 100 Singles (1970) (number: 69)
cover recording of:
Evil Ways (on 1969-05-12)
lyricist and composer:
Clarence “Sonny” Henry (US jazz guitarist aka Sonny Henry)
publisher:
EMI United Partnership Ltd., Gibson Music, Richcar Music, Sah Music and Universal–Songs of PolyGram International, Inc.
4.23:57
9Samba pa ti
engineer:
David Brown (US producer, engineer - Record Plant Studios, Wally Heider Studios) and John Fiore (engineer)
producer:
Fred Catero, Bob Irwin, Santana (US Latin, blues, & rock band) and Carlos Santana
bass guitar:
David Brown (US bassist for Santana/Allman Brothers/31st of February) (on 1970-07-19)
congas and percussion:
Michael Carabello (on 1970-07-19)
congas, percussion and timbales:
José “Chepito” Áreas (on 1970-07-19)
drums (drum set):
Michael Shrieve (on 1970-07-19)
guitar:
Carlos Santana (on 1970-07-19)
keyboard:
Gregg Rolie (on 1970-07-19)
percussion:
Rico Reyes (on 1970-07-19)
tabla:
Steven Saphore (on 1970-07-19)
arranger:
Gregg Rolie and Carlos Santana
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1970), Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 1970) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1970)
recorded at:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, United States (on 1970-07-19)
recording of:
Samba pa ti (on 1970-07-19)
composer:
Carlos Santana
publisher:
BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc., Carlin Music Corporation, Petra Music, Universal Music (plain logo: “Universal Music”) and Universal Music Careers
44:45
10Flor D’Luna
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1977)
cover recording of:
Flor d’Luna (Moonflower)
lyricist and composer:
Tom Coster
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Light Music (US publishing label) and Rondor Music (London) Ltd.
34:49
11Everything’s Coming Our Way
recording engineer:
Mike Larner (on 1971-06-17)
engineer:
Glen Kolotkin
producer:
Santana (US Latin, blues, & rock band) and Carlos Santana
percussion [percussion assistance]:
Coke Escovedo (on 1971-06-17)
background vocals:
Coke Escovedo (on 1971-06-17) and Linda Tillery (AKA Sweet Linda Divine) (on 1971-06-17)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1971)
recorded at:
Columbia Studios in San Francisco, California, United States (on 1971-06-17)
recording of:
Everything's Coming Our Way (on 1971-06-17)
lyricist and composer:
Carlos Santana
publisher:
Petra Music
4.53:18
12Well All Right
assistant engineer:
Gary Boatner (Engineer)
producer:
Dennis Lambert and Brian Potter (US songwriter & producer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1978)
recorded at:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, United States (from 1978-07 until 1978-08)
cover recording of:
Well… All Right (from 1978-07 until 1978-08)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Music Publishing Inc.
34:12
13Hold On
assistant engineer:
Maureen Droney
co-engineer:
Will Herold
engineer and mixer:
Jim Gaines
producer:
John Ryan (producer a/k/a “The Chicago Kid”)
assistant mixer:
Ben King (engineer)
bass guitar:
David Margen
bongos:
Armando Peraza
congas:
Armando Peraza and Raul Rekow
drums (drum set):
Graham Lear
guitar:
Devadip Carlos Santana
guitar [rhythm guitar] and lead vocals:
Alexander J. Ligertwood
keyboard:
Richard Baker (US keyboardist for Santana)
timbales:
Orestes Vilató
background vocals:
Devadip Carlos Santana, Armando Peraza, Raul Rekow and Orestes Vilató
arranger:
John Ryan (producer a/k/a “The Chicago Kid”) and Santana Band (US Latin, blues, & rock band)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) and Columbia Records (EMI-owned 1931-1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1982)
produced for:
Chicago Kid Productions
recorded at and mixed at:
The Automatt in San Francisco, California, United States
cover recording of:
Hold On
lyricist and composer:
Ian Thomas (Canadian singer/songwriter)
publisher:
Chelsea Music Publishing Co., Ltd., Ole Mark-Cain Music Publ., Over the Rainbow Music Co. and フジパシフィックミュージック (Fujipacific Music, Inc.)
44:24
14Winning
assistant engineer and assistant mixer:
Chris Minto (engineer)
engineer, producer and mixer:
Keith Olsen (US producer and engineer)
associate producer:
Devadip Carlos Santana
bass guitar:
David Margen (in 1980)
bongos:
Armando Peraza (in 1980)
congas:
Raul Rekow (in 1980)
drums (drum set):
Graham Lear (in 1980)
electric guitar [lead guitar]:
Devadip Carlos Santana (in 1980)
keyboard:
Alan Pasqua (in 1980)
percussion:
Devadip Carlos Santana (in 1980), Armando Peraza (in 1980), Raul Rekow (in 1980) and Orestes Vilató (in 1980)
synthesizer:
Richard Baker (US keyboardist for Santana) (in 1980)
timbales:
Orestes Vilató (in 1980)
background vocals:
Alexander J. Ligertwood (in 1980), Devadip Carlos Santana (in 1980), Alan Pasqua (in 1980), Raul Rekow (in 1980) and Orestes Vilató (in 1980)
lead vocals:
Alexander J. Ligertwood (in 1980)
arranger:
Santana (US Latin, blues, & rock band)
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1981), Columbia Records (EMI-owned 1931-1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1981)
recorded at:
The Automatt in San Francisco, California, United States (in 1980)
mixed at:
Sound City Studios in Van Nuys, California, United States
recording of:
Winning (in 1980)
lyricist and composer:
Russ Ballard
publisher:
Complete Music Ltd., Island Music Ltd., Russell Ballard Ltd and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
cover recording of:
Winning
lyricist and composer:
Russ Ballard
publisher:
Complete Music Ltd., Island Music Ltd., Russell Ballard Ltd and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
3:29
15Let the Children Play
recording of:
Let the Children Play
writer:
Leon Patillo and Carlos Santana
publisher:
Light Music (US publishing label) and Rondor Music (London) Ltd.
2:40
16Say It Again
recording of:
Say It Again
writer:
Val Garay, Steve Goldstein and Anthony La Peau
publisher:
Black Mountain Road Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:21
17The Game of Love
miscellaneous support:
Robert Cappadona (task: project coordinator for Alex Ander & Rick Nowels) and Kirstin Johnson (task: project coordinator for Alex Ander & Rick Nowels)
drum machine programming:
Wayne Rodrigues
additional engineer:
Ben Conrad, Scott Holderby, Kieron Menzies and Alan Veucasovic
engineer:
Greg Collins (engineer), Jim Gaines, Chris Garcia (recording engineer, bass player), Michael Rosen (US metal producer/engineer) and Randy Wine
producer:
Alex Ander and Rick Nowels
mixer:
Manny Marroquin
editor:
Tone (engineer, real name Josh Weaver)
acoustic guitar and keyboard [keyboards]:
Rick Nowels
additional electric guitar:
Rusty Anderson
additional percussion:
Luis Conte (percussionist)
bass guitar [bass]:
Benny Rietveld (bass guitar player)
congas:
Raul Rekow
drums (drum set):
Brian Collier
electric guitar [electric lead guitar]:
Carlos Santana
organ and piano:
Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
percussion:
Karl Perazzo
trombone:
Jeff Cressman and Marty Wehner (trombonist)
trumpet:
Julius Meléndez and Bill Ortiz
additional vocals:
Tony Lindsay and Andy Vargas
background vocals:
Michelle Branch, Siedah Garrett, Niki Harris (US singer and dancer) and Rick Nowels
background vocals [backing vocals]:
Michelle Branch, Siedah Garrett, Niki Haris (US singer and dancer) and Rick Nowels
lead vocals:
Michelle Branch
horn arranger:
Jeff Cressman, Bill Ortiz and Carlos Santana
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 2002) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2002)
mixed at:
Larrabee Sound North in North Hollywood, Los Angeles, California, United States
engineered at:
Fantasy Studios (Berkeley) in Berkeley, California, United States and The Big Space in Santa Monica, California, United States
music videos:
The Game of Love (music video) by Santana (US Latin, blues, & rock band) featuring Michelle Branch
recording of:
The Game of Love
writer:
Alex Ander and Rick Nowels
publisher:
EMI–April Music, Inc., Future Furniture Music, Keepin’ It Real, How ’Bout You? and Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
4.154:16
18Feels Like Fire
recording engineer:
Phill Brown (UK engineer) (lead vocals)
assistant engineer:
Ben Conrad
engineer:
David Frazer (engineer), Jim Gaines and Grippa
producer:
Dido Armstrong (English singer‐songwriter) and Rollo Armstrong (Rollo Armstrong of Faithless)
mixer:
Ash Howes (British mixer, writer and musician)
editor:
Christopher Forrest and Justin Lieberman
acoustic guitar:
Martin McCory
additional electric guitar:
Dave Randall (UK guitarist, member of Slovo)
electric guitar [electric lead guitar]:
Carlos Santana
keyboard [keyboards]:
Mark Bates (member of the band Dusted), Sister Bliss and Chester Thompson (US keyboardist Chester D. Thompson for Santana & Tower of Power)
percussion:
Jody Linscott
background vocals:
Ola Taylor and Pauline Taylor
lead vocals:
Dido (English singer‐songwriter)
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 2002) and Arista Records, LLC (holding company - file NO releases here!) (in 2002)
mixed at:
Metropolis (London) in London (Greater London), England, United Kingdom
engineered at:
Fantasy Studios (Berkeley) in Berkeley, California, United States and Metropolis (London) in London (Greater London), England, United Kingdom
recording of:
Feels Like Fire
writer:
Dido Armstrong (English singer‐songwriter), Pnut and Rollo Armstrong
publisher:
BMG Music Publishing Ltd., BMG Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Chapell Music Ltd (1996–2019) and WB Music Corp. (1929–2019)
2.54:39