20th Century Hits for a New Millennium: 40 Hits of 1980–1984

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

At least 2 versions of this product exist
EAN 0793515528229
EAN 0724348528223

Label: Millennium Hits - Catalog #: 85282

Kind of doubtful, all the rest of the series is Disky.

Label: Millennium Hits - Catalog #: 85282

Anmerkung zuletzt geändert am 2014-03-27 01:31 UTC.

Titelliste

▼ CD 1
Nr.TitelKünstlerBewertungLänge
1Kids in America
recording engineer:
Jeo (von 1980 bis 1981)
Programmierung:
Jörn‐Uwe Fahrenkrog‐Petersen (von 1980 bis 1981) und Derek von Krogh (von 1980 bis 1981)
Techniker(in):
Steve Stewart (engineer, guitarist of The Enid)
Produzent(in):
Jörn‐Uwe Fahrenkrog‐Petersen und Ricky Wilde
Bassgitarre:
Martin Russell (recording engineer, producer, composer & musician) (von 1980 bis 1981) und Derek von Krogh (von 1980 bis 1981)
Gitarre:
Thomas Hahn (von 1980 bis 1981), Charlotte Hatherley (von 1980 bis 1981), Francis Lickerish (von 1980 bis 1981), Steve Stewart (engineer, guitarist of The Enid) (von 1980 bis 1981), James Stevenson (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (von 1980 bis 1981), Robert John Godfrey (member of The Enid) (von 1980 bis 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (von 1980 bis 1981), Derek von Krogh (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Schlagzeug:
Bernhard Hahn (von 1980 bis 1981), Chris North (UK drummer of The Enid) (von 1980 bis 1981) und Tobias Wörner (von 1980 bis 1981)
zusätzlich Keyboard:
Nick Priessnitz (von 1980 bis 1981)
Hintergrundgesang:
D. Janz (von 1980 bis 1981), M. Janz (von 1980 bis 1981), N. Janz (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Sologesang:
Charlotte Hatherley (von 1980 bis 1981) und Kim Wilde (von 1980 bis 1981)
vocals:
Kim Wilde (von 1980 bis 1981)
phonographisches Urheberrecht (℗) von:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) und EMI Records Limited (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2006)
aufgenommen bei:
Amira Studio (von 1980 bis 1981), RAK Studios in London (Greater London), England, Vereinigtes Königreich (von 1980 bis 1981), Soundmastaz Studios (von 1980 bis 1981), Studio 77 in Stuttgart, Baden-Württemberg, Deutschland (von 1980 bis 1981) und The Lodge Recording Studio in Northampton, Northamptonshire, England, Vereinigtes Königreich (von 1980 bis 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen, Deutschland, RAK Studios in London (Greater London), England, Vereinigtes Königreich und Studio 77 in Stuttgart, Baden-Württemberg, Deutschland
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 55)
recording of:
Kids in America (von 1980 bis 1981)
Verfasser(in):
Marty Wilde und Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!) und Finchley Music Corp.
Kim Wilde4.43:29
2Feels Like I’m in Love
recording of:
Feels Like I’m in Love
Texter und Komponist(in):
Ray Dorset
publisher:
Red Bus Music (International) Ltd. (publisher) und Satellite Music Ltd.
Kelly Marie4:04
3Stars on 45 (medley)
recording of:
Stars on 45 (the song itself)
Verfasser(in):
Martin Duiser und Jaap Eggermont
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Medley von:
Video Killed the Radio Star
Medley von:
Funkytown
recording of:
Stars on 45 (Beatles Medley 7″ Mix)
Verfasser(in):
Jeff Barry, Martin Duiser, Jaap Eggermont, Andy Kim (pop singer & songwriter), Robbie van Leeuwen, John Lennon (The Beatles) und Paul McCartney (The Beatles)
Medley von:
You’re Going to Lose That Girl
Medley von:
Do You Want to Know a Secret
Medley von:
Stars on 45 (the song itself)
Medley von:
I Should Have Known Better
Medley von:
I’ll Be Back
Medley von:
No Reply
Medley von:
We Can Work It Out
Medley von:
Drive My Car
Medley von:
Sugar, Sugar
Medley von:
Nowhere Man
Medley von:
Venus (Shocking Blue (I’m Your Venus))
Stars on 4544:48
4More Than I Can Say
Produzent(in):
Alan Tarney
phonographisches Urheberrecht (℗) von:
Rhino Entertainment Company (not for release label use!) (in 1980), Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1980) und Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
cover recording of:
More Than I Can Say (in 1980)
Verfasser(in):
Jerry Allison und Sonny Curtis
publisher:
Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
Leo Sayer33:43
5Call Me
Techniker(in):
Harold Faltermeyer
Produzent(in):
Giorgio Moroder
Bassgitarre [bass]:
Nigel Harrison (in 1980-01)
Gitarre:
Frank Infante (in 1980-01) und Chris Stein (in 1980-01)
Hybrid-Piano:
Jimmy Destri (in 1980-01)
Schlagzeug [drums]:
Clem Burke (in 1980-01)
zusätzlich Synthesizer:
Giorgio Moroder (in 1980-01)
Sologesang:
Debbie Harry (in 1980-01)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980, in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2002)
aufgenommen bei:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1979) und The Power Station (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980-01)
mixed at:
Allen Zentz Mastering in San Clemente, California (Kalifornien), Vereinigte Staaten
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 64), VH1: 100 Greatest Songs of the 80's (compiled in 2006) (Nummer: 78) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 157)
recording of:
Call Me (in 1980-01)
Texter:
Deborah Harry
Komponist(in):
Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher (affiliated with PRS)), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody und Sony/ATV Music Publishing Australia Pty Ltd.
sub-publisher:
Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
Blondie4.23:28
6Funkin’ for Jamaica
recording of:
Funkin’ for Jamaica (N.Y.)
Texter:
Toni Smith
Komponist(in):
Tom Browne (US jazz trumpeter)
publisher:
Roaring Fork Music, Sony/ATV Melody, Thomas Browne Publishing, Inc. und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Tom Browne4:43
7Morning Train (Nine to Five)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1980)
recording of:
9 to 5
Texter und Komponist(in):
Florrie Palmer
publisher:
Chappell Music (UK), Pendulum Music (publisher) und Warner/Chappell Music Ltd. (1996–2019)
Sheena Easton4.353:22
8It’s My Party
Techniker(in):
Nick Bradford
Produzent(in):
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
elektronische Instrumente [claptrap], elektronisches Schlagzeug / E-Drums [SDS V], Keyboard [keyboards] und Vocoder:
Dave Stewart (Canterbury keyboardist, not the Eurythmics’ Dave Stewart)
Hintergrundgesang:
Amanda Parsons
Sologesang:
Barbara Gaskin
aufgenommen bei und mixed at:
Matrix Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1981-06 bis 1981-07)
cover recording of:
It’s My Party
Verfasser(in):
John Gluck, Jr., Wally Gold, Seymour Gottlieb und Herb Weiner
publisher:
A. Schroeder Music Ltd. und Chappell & Co., Inc. (USA)
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Stewart & Barbara Gaskin33:49
9A Walk in the Park
recording of:
A Walk in the Park
Texter und Komponist(in):
Nicholas Charles Bailey
Nick Straker Band4:09
10Pretend
phonographisches Urheberrecht (℗) von:
Stiff Records Ltd. (in 1981)
recording of:
Pretend
Texter:
Lew Douglas, Frank Lavere und Cliff Parman
Komponist(in):
Dan Belloc, Lew Douglas, Frank Lavere und Cliff Parman
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Alvin Stardust2:42
11No Doubt About It
recording of:
No Doubt About It
Verfasser(in):
Mike Burns (songwriter Michael Gerard Burns), Steve Glen und David Most
publisher:
EMI Music Publishing (PRS‐affiliated)
Hot Chocolate3.54:29
12All Out of Love
recording of:
All Out of Love (in 1980)
Verfasser(in):
Clive Davis (record producer, A&R executive and music industry chief executive) und Graham Russell (Air Supply)
publisher:
Arista Music, Inc., BMG Music Publishing Ltd., BRM Publishing, Careers–BMG Music Publishing, Inc., DJDMP, Inc., Nottsongs, Riva Music Ltd., Universal Music Careers und Warner/Chappell Music Ltd. (1996–2019)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply3:54
13Everybody’s Gotta Learn Sometime
recording of:
Everybody’s Got to Learn Sometime
Texter und Komponist(in):
James Warren (English singer and guitarist)
publisher:
Warner Chappell Music Ltd. (1996–2019), Heath Music Ltd. (publisher) (in 1980) und Warner Bros. Ltd. (publisher) (in 1980)
The Korgis4.054:12
14Vienna
Produzent(in):
Conny Plank (German producer and sound engineer) und Ultravox
Bass:
Chris Cross (UK bassist for Ultravox)
Gitarre:
Midge Ure
Keyboard und Geige / Violine:
Billy Currie
Schlagzeug:
Warren Cann
vocals:
Midge Ure
recording of:
Vienna
Verfasser(in):
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie und Midge Ure
publisher:
Hot Food Music Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher) und Sing Sing Songs Ltd.
Ultravox34:39
15Runaway Boys
Produzent(in):
Dave Edmunds
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980) und EMI America Records, Inc. (holding - file NO releases here!) (in 1982)
recording of:
Runaway Boys
Verfasser(in):
Slim Jim Phantom und Brian Setzer
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Stray Cats3.653:02
16Centerfold
Techniker(in):
Dave Thoener
Produzent(in):
Seth Justman
arranger:
Seth Justman
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981) und EMI Catalog (in 2006)
aufgenommen bei:
Long View Farm in North Brookfield, Massachusetts, Vereinigte Staaten
mixed at:
Mix Room, Record Plant (NYC) in New York, New York, Vereinigte Staaten
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 38), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 73) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 314)
recording of:
Centerfold (song by The J. Geils Band)
Texter und Komponist(in):
Seth Justman
publisher:
Center City Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Pal-Park Music, Rondor Music (London) Ltd., Warner Chappell Music Publishing Ltd. (no slash in name; in use since 2019/5/16) und Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band4.13:39
17Senses Working Overtime
assistierende(r) Techniker(in):
Howard Gray (UK producer, engineer, and electronic musician)
Techniker(in):
Hugh Padgham
Produzent(in):
Hugh Padgham und XTC (English rock band)
Akustikgitarre und Hintergrundgesang und Sologesang:
Andy Partridge
Bass, Fretless Bass und Hintergrundgesang:
Colin Moulding
drum machine und Schlagzeug und Schlagzeug:
Terry Chambers
Gitarre:
Dave Gregory (XTC) und Andy Partridge
zwölfsaitige Gitarre und Perkussion:
Dave Gregory (XTC)
vocals:
Colin Moulding und Andy Partridge
aufgenommen bei:
The Manor in Oxfordshire, England, Vereinigtes Königreich
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 35) und Indie 88: Top 500 Indie Rock Songs (Nummer: 339)
recording of:
Senses Working Overtime
Texter und Komponist(in):
Andy Partridge
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
XTC54:49
18Golden Brown
Koproduzent(in):
Steve Churchyard
Produzent(in):
Steve Churchyard und The Stranglers
Mix:
Tony Visconti
Interpret(in):
The Stranglers
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
Verfasser(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. und Plumbshaft-Ltd.
The Stranglers4.43:30
19Bette Davis Eyes
recording engineer und Produzent(in):
Val Garay
E-Gitarre:
Waddy Wachtel
Sologesang:
Kim Carnes (in 1981-01)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1981), EMI America Records, Inc. (holding - file NO releases here!) (in 1981), EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1981) und EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1981)
aufgenommen bei:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1981-01)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 18) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 425)
cover recording of:
Bette Davis Eyes (in 1981-01)
Verfasser(in):
Jackie DeShannon und Donna Weiss
publisher:
Donna Weiss Music Inc., Plain and Simple Music, Warner Brothers Inc., Warner Chappell Music, Inc. und Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:45
20Save Your Love
recording of:
Save Your Love
Verfasser(in):
John Edward (British musician, writer and record producer) und Sue Edward
publisher:
Hollywood Music (song publisher)
Renée and Renato43:09
▶ CD 2

Nennungen

Veröffentlichungsgruppe

Teil von:20th Century Hits for a New Millennium (Nummer: 7) (Reihenfolge: 7)