| vocals |
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| 1977-06 | La fanciulla del West: Atto I. “Hello, Nick!” (Harry, Joe, Bello, Minatori) | baritone vocals [Sonora] | Chorus of the Royal Opera House, Covent Garden, Paul Crook, John Dobson, Francis Egerton, Malcolm King, Robin Leggate, Tom McDonnell, Sherrill Milnes, Jonathan Summers, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 3:46 |
| 1977-06 | La fanciulla del West: Atto I. “Jim, perché piangi?” (Trin, Harry, Joe, Sonora, Bello, Happy, Minatori) | baritone vocals [Sonora] | Chorus of the Royal Opera House, Covent Garden, Paul Crook, John Dobson, William Elvin, Malcolm King, Robin Leggate, Robert Lloyd, Tom McDonnell, Sherrill Milnes, Jonathan Summers, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 2:42 |
| 1977-06 | La fanciulla del West: Atto I. “Mistress Rance, fra poco” (Rance) | baritone vocals [Sonora] | Sherrill Milnes, Jonathan Summers, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 1:02 |
| 1977-06 | La fanciulla del West: Atto II. “Hello!… Chiamano” (Nick, Johnson) | baritone vocals [Sonora] | Plácido Domingo, Francis Egerton, Robert Lloyd, Sherrill Milnes, Carol Neblett, Jonathan Summers, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 4:32 |
| 1977-06 | La fanciulla del West: Atto III. “Basta! quando per voi” (Minnie) | baritone vocals [Sonora] | Carol Neblett, Jonathan Summers, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 2:39 |
| 1977-06 | La fanciulla del West: Atto III. “E anche tu lo vorrai, Joe” (Minnie) | baritone vocals [Sonora] | Chorus of the Royal Opera House, Covent Garden, Carol Neblett, Jonathan Summers, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 3:32 |
| 1977-06 | La fanciulla del West: Atto III. “Le tue parole sono di Dio” (Sonora) | baritone vocals [Sonora] | Chorus of the Royal Opera House, Covent Garden, Plácido Domingo, Carol Neblett, Jonathan Summers, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 2:23 |
| 1977-06 | La fanciulla del West: Atto III. “Risparmiate lo scherno” (Johnson) | baritone vocals [Sonora] | Chorus of the Royal Opera House, Covent Garden, Plácido Domingo, Sherrill Milnes, Jonathan Summers, Orchestra of the Royal Opera House, Covent Garden, Zubin Mehta | 2:18 |
| 1977 | La battaglia di Legnano: Atto I. Egli vive!: "A frenarti, o cor..." (Lida, Imelda, Marcovaldo, ancelle) | baritone vocals [Marcovaldo] | Ann Murray, ORF-Chor, Katia Ricciarelli, Jonathan Summers, Radio‐Symphonieorchester Wien, Lamberto Gardelli | 3:19 |
| 1977 | La battaglia di Legnano: Atto I. Egli vive!: "Sposa" (Rolando, Lida, Arrigo, Marcovaldo, Araldo) | baritone vocals [Marcovaldo] | Mieczyslaw Antoniak, José Carreras, Matteo Manuguerra, ORF-Chor, Katia Ricciarelli, Jonathan Summers, Radio‐Symphonieorchester Wien, Lamberto Gardelli | 1:29 |
| 1977 | La battaglia di Legnano: Atto III. L'infamia: "Regna la notte ancor" (Arrigo, Lida, Rolando) | baritone vocals [Marcovaldo] | Matteo Manuguerra, ORF-Chor, Jonathan Summers, Radio‐Symphonieorchester Wien, Lamberto Gardelli | 6:55 |
| 1977 | La battaglia di Legnano: Atto III. L'infamia: "Rolando? M'ascolta" (Marcovaldo, Rolando) | baritone vocals [Marcovaldo] | Matteo Manuguerra, ORF-Chor, Jonathan Summers, Radio‐Symphonieorchester Wien, Lamberto Gardelli | 2:47 |
| 1978-02-26 – 1978-06-05 | Madama Butterfly: Atto II, scena 1. “C’è. Entrate” | baritone vocals [Yamadori] | Florindo Andreolli, Gillian Knight, Renata Scotto, Jonathan Summers, Ingvar Wixell, Philharmonia Orchestra, Lorin Maazel | 3:43 |
| 1978-02-26 – 1978-06-05 | Madama Butterfly: Atto II, scena 1. “Si sa che aprir la porta” | baritone vocals [Yamadori] | Florindo Andreolli, Renata Scotto, Jonathan Summers, Ingvar Wixell, Philharmonia Orchestra, Lorin Maazel | 1:03 |
| 1978-02-26 – 1978-06-05 | Madama Butterfly: Atto II, scena 1. “Udiste?” | baritone vocals [Yamadori] | Florindo Andreolli, Renata Scotto, Jonathan Summers, Ingvar Wixell, Philharmonia Orchestra, Lorin Maazel | 2:18 |
| 1978 | Un ballo in maschera: Atto I. Scena " Su, fatemi largo" | baritone vocals [Silvano] | José Carreras, Chorus of the Royal Opera House, Covent Garden, Patricia Payne, Jonathan Summers, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | 3:02 |
| 1979-03-02 – 1979-03-04 | Carmina Burana: I. Primo vere: Omnia Sol temperat | baritone vocals | Jonathan Summers, Philharmonia Orchestra, Riccardo Muti | 2:12 |
| 1979-03-02 – 1979-03-04 | Carmina Burana: II. In Taberna: Ego sum abbas | baritone vocals | Philharmonia Chorus, Jonathan Summers, Philharmonia Orchestra, Riccardo Muti | 1:28 |
| 1979-03-02 – 1979-03-04 | Carmina Burana: II. In Taberna: Estuans interius | baritone vocals | Jonathan Summers, Philharmonia Orchestra, Riccardo Muti | 2:12 |
| 1979-03-02 – 1979-03-04 | Carmina Burana: III. Cour d'amours: Circa mea pectora | baritone vocals | Philharmonia Chorus, Jonathan Summers, Philharmonia Orchestra, Riccardo Muti | 1:58 |
| 1979-03-02 – 1979-03-04 | Carmina Burana: III. Cour d'amours: Dies, nox et omnia | baritone vocals | Jonathan Summers, Philharmonia Orchestra, Riccardo Muti | 2:25 |
| 1979-03-02 – 1979-03-04 | Carmina Burana: III. Cour d'amours: Tempus est iocundum | baritone vocals | Arleen Augér, Philharmonia Chorus, Southend Boys’ Choir, Jonathan Summers, Philharmonia Orchestra, Riccardo Muti | 2:10 |
| 1979-03-30 | Carmina Burana: I. Primo vere: Omnia Sol temperat | baritone vocals | Jonathan Summers, Philharmonia Orchestra, Riccardo Muti | 2:12 |
| 1979-03-30 | Carmina Burana: II. In Taberna: Ego sum abbas | baritone vocals | Philharmonia Chorus, Jonathan Summers, Philharmonia Orchestra, Riccardo Muti | 1:28 |
| 1979-03-30 | Carmina Burana: II. In Taberna: Estuans interius | baritone vocals | Jonathan Summers, Philharmonia Orchestra, Riccardo Muti | 2:12 |
| 1979-03-30 | Carmina Burana: III. Cour d'amours: Circa mea pectora | baritone vocals | Philharmonia Chorus, Jonathan Summers, Philharmonia Orchestra, Riccardo Muti | 1:58 |
| 1979-03-30 | Carmina Burana: III. Cour d'amours: Dies, nox et omnia | baritone vocals | Jonathan Summers, Philharmonia Orchestra, Riccardo Muti | 2:25 |
| 1979-03-30 | Carmina Burana: III. Cour d'amours: Tempus est iocundum | baritone vocals | Arleen Augér, Philharmonia Chorus, Southend Boys’ Choir, Jonathan Summers, Philharmonia Orchestra, Riccardo Muti | 2:10 |
| 1979-11 | La traviata: Atto I. “Che è ciò?” (Coro, Violetta, Alfredo) | baritone vocals [Barone Douphol] | Della Jones, Marjon Lambriks, Matteo Manuguerra, Alexander Oliver, Luciano Pavarotti, Jonathan Summers, Joan Sutherland, Giorgio Tadeo, John Tomlinson, National Philharmonic Orchestra, Richard Bonynge | 2:10 |
| 1979-11 | La traviata: Atto I. “Dell'invito trascorsa” (Coro, Violetta, Alfredo) | baritone vocals [Barone Douphol] | Terry Edwards, Della Jones, London Opera Chorus, Alexander Oliver, Luciano Pavarotti, Jonathan Summers, Joan Sutherland, John Tomlinson, National Philharmonic Orchestra, Richard Bonynge | 4:39 |
| 1979-11 | La traviata: Atto II, Scena II. “Alfredo! Voi!” – “Or tutti a me” – “Ogni suo aver” (Tutti, Alfredo, Violetta) | baritone vocals [Barone Douphol] | Della Jones, Marjon Lambriks, Matteo Manuguerra, Alexander Oliver, Luciano Pavarotti, Jonathan Summers, Joan Sutherland, Giorgio Tadeo, John Tomlinson, David Wilson‐Johnson, National Philharmonic Orchestra, Richard Bonynge | 8:50 |
| 1979-11 | La traviata: Atto II, Scena II. “Di sprezzo degno” (Germont, Alfredo, Violetta, tutti) | baritone vocals [Barone Douphol] | Della Jones, Matteo Manuguerra, Alexander Oliver, Luciano Pavarotti, Jonathan Summers, Joan Sutherland, Giorgio Tadeo, John Tomlinson, National Philharmonic Orchestra, Richard Bonynge | 6:28 |
| 1989-03-19 – 1989-03-21 | A Sea Symphony (Symphony no. 1): I. A Song for All Seas, All Ships (Moderato maestoso): A pennant universal (baritone, soprano & chorus) | baritone vocals | London Philharmonic Orchestra, Bernard Haitink | 4:08 |
| 1989-03-19 – 1989-03-21 | A Sea Symphony (Symphony no. 1): I. A Song for All Seas, All Ships (Moderato maestoso): Today a rude brief recitative (baritone & chorus) | baritone vocals | London Philharmonic Orchestra, Bernard Haitink | 5:21 |
| 1989-03-19 – 1989-03-21 | A Sea Symphony (Symphony no. 1): II. On the Beach at Night, Alone (Largo sostenuto): A vast similitude interlocks all (baritone & chorus) | baritone vocals | London Philharmonic Orchestra, Bernard Haitink | 8:12 |
| 1989-03-19 – 1989-03-21 | A Sea Symphony (Symphony no. 1): II. On the Beach at Night, Alone (Largo sostenuto): On the beach, at night, alone (baritone & semi-chorus) | baritone vocals | London Philharmonic Orchestra, Bernard Haitink | 3:53 |
| 1989-03-19 – 1989-03-21 | A Sea Symphony (Symphony no. 1): IV. The Explorers (Grave e molto adagio - Andante cono moto): Greater than stars or suns (chorus, soprano & baritone) | baritone vocals | London Philharmonic Orchestra, Bernard Haitink | 1:37 |
| 1989-03-19 – 1989-03-21 | A Sea Symphony (Symphony no. 1): IV. The Explorers (Grave e molto adagio - Andante cono moto): O my brave Soul (soprano, baritone & chorus) | baritone vocals | London Philharmonic Orchestra, Bernard Haitink | 4:05 |
| 1989-03-19 – 1989-03-21 | A Sea Symphony (Symphony no. 1): IV. The Explorers (Grave e molto adagio - Andante cono moto): O thou transcendent (soprano, baritone & chorus) | baritone vocals | London Philharmonic Orchestra, Bernard Haitink | 3:47 |
| 1989-03-19 – 1989-03-21 | A Sea Symphony (Symphony no. 1): IV. The Explorers (Grave e molto adagio - Andante cono moto): O we can wait no longer (baritone & soprano) | baritone vocals | London Philharmonic Orchestra, Bernard Haitink | 5:54 |
| 1989-03-19 – 1989-03-21 | A Sea Symphony (Symphony no. 1): IV. The Explorers (Grave e molto adagio - Andante cono moto): Sail forth (chorus, soprano & baritone) | baritone vocals | London Philharmonic Orchestra, Bernard Haitink | 3:08 |
| 1992-10-26 – 1992-11-06 | Gloriana: Act I - Scene 1: 2. The Tornament | baritone vocals [Charles Blount, Lord Mountjoy] | Christopher Cornall, Philip Langridge, Jonathan Summers, Bryn Terfel, Orchestra of the Welsh National Opera, Charles Mackerras | 4:18 |
| 1992-10-26 – 1992-11-06 | Gloriana: Act I - Scene 1: 3. Recitative & Fight | baritone vocals [Charles Blount, Lord Mountjoy] | Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | 1:25 |
| 1992-10-26 – 1992-11-06 | Gloriana: Act I - Scene 1: 6. The two Lords' Explanation | baritone vocals [Charles Blount, Lord Mountjoy] | Richard van Allan, Josephine Barstow, Chorus of the Welsh National Opera, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | 1:24 |
| 1992-10-26 – 1992-11-06 | Gloriana: Act I - Scene 1: 7. Raleigh's Song | baritone vocals [Charles Blount, Lord Mountjoy] | Richard van Allan, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | 1:43 |
| 1992-10-26 – 1992-11-06 | Gloriana: Act I - Scene 1: 8. Ensemble of Reconciliation | baritone vocals [Charles Blount, Lord Mountjoy] | Richard van Allan, Josephine Barstow, Chorus of the Welsh National Opera, Philip Langridge, Jonathan Summers, Bryn Terfel, Orchestra of the Welsh National Opera, Charles Mackerras | 4:52 |
| 1992-10-26 – 1992-11-06 | Gloriana: Act I - Scene 1: 9. Recitative & Final March | baritone vocals [Charles Blount, Lord Mountjoy] | Richard van Allan, Josephine Barstow, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | 1:29 |
| 1992-10-26 – 1992-11-06 | Gloriana: Act II - Scene 1: 2. The Masque | baritone vocals [Charles Blount, Lord Mountjoy] | Richard van Allan, Josephine Barstow, Chorus of the Welsh National Opera, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | 11:47 |
| 1992-10-26 – 1992-11-06 | Gloriana: Act II - Scene 1: 3. Finale | baritone vocals [Charles Blount, Lord Mountjoy] | John Mark Ainsley, Richard van Allan, Josephine Barstow, Chorus of the Welsh National Opera, Philip Langridge, John Shirley‐Quirk, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | 2:51 |
| 1992-10-26 – 1992-11-06 | Gloriana: Act II - Scene 2: 1. Prelude & Song | baritone vocals [Charles Blount, Lord Mountjoy] | Yvonne Kenny, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | 2:14 |
| 1992-10-26 – 1992-11-06 | Gloriana: Act II - Scene 2: 2. Duet | baritone vocals [Charles Blount, Lord Mountjoy] | Yvonne Kenny, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | 1:25 |
| 1992-10-26 – 1992-11-06 | Gloriana: Act II - Scene 2: 3. Double Duet | baritone vocals [Charles Blount, Lord Mountjoy] | Della Jones, Yvonne Kenny, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | 1:46 |
| 1992-10-26 – 1992-11-06 | Gloriana: Act II - Scene 2: 4. Quartet | baritone vocals [Charles Blount, Lord Mountjoy] | Della Jones, Yvonne Kenny, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | 3:38 |
| 1992-10-26 – 1992-11-06 | Gloriana: Act II - Scene 3: 2. Conversation | baritone vocals [Charles Blount, Lord Mountjoy] | Chorus of the Welsh National Opera, Peter Hoare, Della Jones, Yvonne Kenny, Philip Langridge, Jonathan Summers, Janice Watson, Orchestra of the Welsh National Opera, Charles Mackerras | 1:20 |
| 1992-10-26 – 1992-11-06 | Gloriana: Act II - Scene 3: 10. Quartet | baritone vocals [Charles Blount, Lord Mountjoy] | Peter Hoare, Della Jones, Yvonne Kenny, Philip Langridge, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | 2:50 |
| 1992-10-26 – 1992-11-06 | Gloriana: Act II - Scene 3: 13. Ensemble | baritone vocals [Charles Blount, Lord Mountjoy] | Richard van Allan, Josephine Barstow, Chorus of the Welsh National Opera, Peter Hoare, Della Jones, Yvonne Kenny, Philip Langridge, Alan Opie, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | 3:08 |
| 1992-10-26 – 1992-11-06 | Gloriana: Act III - Scene 3: 4. Trio | baritone vocals [Charles Blount, Lord Mountjoy] | Della Jones, Yvonne Kenny, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | 2:30 |
| 1992-10-26 – 1992-11-06 | Gloriana: Act III - Scene 3: 5. Lady Essex's Pleading | baritone vocals [Charles Blount, Lord Mountjoy] | Josephine Barstow, Della Jones, Jonathan Summers, Orchestra of the Welsh National Opera, Charles Mackerras | 2:35 |
| 1996-12-16 – 1996-12-21 | Peter Grimes: "Peter seems to have disappeared" - "Embroidery in childhood was a luxury of idleness" (Embroidery aria) | baritone vocals | Renée Fleming, Jonathan Summers, London Symphony Orchestra, Sir Georg Solti | 6:02 |
| Peter Grimes, op. 33, Act 3: “Embroidery in childhood” | baritone vocals | Renée Fleming, Jonathan Summers, London Symphony Orchestra, Sir Georg Solti | 5:55 |
| Samson et Dalila, Act I: Maudite à jamais soit la race | baritone vocals [High Priest of Dagon] | José Carreras, Simon Estes, Donald George, Urban Malmber, Jonathan Summers, Robert Swensen, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | 2:32 |
| Samson et Dalila, Act III: Seigneur, inspire-moi, ne mábandonne pas! - Dagon se révèle! | baritone vocals [High Priest of Dagon] | Agnes Baltsa, José Carreras, Donald George, Urban Malmber, Jonathan Summers, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | 3:34 |
| vocals |
|---|
| La Traviata | baritone vocals | Giuseppe Verdi | |
| La traviata: Highlights | baritone vocals | Verdi; Sutherland, Pavarotti, Manuguerra, National Philharmonic Orchestra, Richard Bonynge | |
| The Bohemian Girl | baritone vocals | Balfe; Nova Thomas, Patrick Power, Jonathan Summers, National Symphony Orchestra of Ireland, Richard Bonynge | |
| The Tempest | | Thomas Adès; Simon Keenlyside, Cyndia Sieden, Ian Bostridge, Kate Royal, Toby Spence, Philip Langridge, The Royal Opera Chorus, The Orchestra of the Royal Opera House, Covent Garden | |
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