Classic Rock: 1967

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▼ Vinile 12" (30 cm) 1
#TitoloArtistaValutazioneDurata
A1Somebody to Love
tecnico di registrazione:
David Hassinger (il 1966-11-03)
produttore:
Rick Jarrard (dal 1966-10-31 al 1966-11-22)
basso :
Jack Casady (dal 1966-10-31 al 1966-11-22)
batteria :
Spencer Dryden (dal 1966-10-31 al 1966-11-22)
chitarra [lead guitar] :
Jorma Kaukonen (American blues, folk, and rock guitarist) (dal 1966-10-31 al 1966-11-22)
chitarra [rhythm guitar] :
Paul Kantner (dal 1966-10-31 al 1966-11-22)
voce:
Marty Balin (dal 1966-10-31 al 1966-11-22) e Paul Kantner (dal 1966-10-31 al 1966-11-22)
voce principale:
Grace Slick (dal 1966-10-31 al 1966-11-22)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1967) e RCA (RCA Records: simple ‘RCA’ or ‘RCA’ with lightning bolt in circle) (nel 1967)
registrata presso:
RCA Victor’s Music Center of the World in Hollywood, Los Angeles, California, Stati Uniti (dal 1966-10-31 al 1966-11-22)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 274)
registrazione di:
Somebody to Love (Jefferson Airplane song) (dal 1966-10-31 al 1966-11-22)
paroliere e compositore:
Darby Slick
editore:
Copperpenny Music, Irving Music (BMI), Irving Music, Inc., Rondor Music, Universal Music Publishing, Synch Division e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Jefferson Airplane4.63:02
A2The Letter
produttore:
Dan Penn
diritti fonografici (℗) detenuti da:
Arista Records (not an imprint, use “Arista” for release labels) (nel 1967), Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1967) e Atoll Music (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 357) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 364)
registrazione di:
The Letter (nel 1967)
paroliere e compositore:
Wayne Carson Thompson
editore:
Bike Music, Budde Songs Inc., Chelsea Music Publishing, EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), Lovolar Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e Warner Chappell Music (publisher as Warner/Chappell Music)
The Box Tops4.31:56
A3Happy Together
esecutore:
The Turtles (late 60s US rock band)
diritti fonografici (℗) detenuti da:
White Whale (late 60s/early 70s California) (nel 1967)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 257)
registrazione di:
Happy Together (nel 1967)
autore:
Garry Bonner e Alan Gordon (American songwriter who co-wrote The Turtles' hit "Happy Together")
editore:
Alley Music Corp., The Hudson Bay Music Co. (publisher) e Trio Music Co., Inc.
parte di:
Freaky Friday (2003)
The Turtles4.552:57
A4Dedicated to the One I Love
produttore:
Lou Adler
diritti fonografici (℗) detenuti da:
Dunhill Records Inc. (nel 1967)
è stato produttore per:
Dunhill Records USA
registrazione di:
Dedicated to the One I Love
autore:
Ralph Bass e Lowman Pauling
editore:
Carlin Music Corporation, Trousdale Music Pub., Inc., Universal Duchess Music Corp., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
registrazione cover di:
Dedicated to the One I Love
autore:
Ralph Bass e Lowman Pauling
editore:
Carlin Music Corporation, Trousdale Music Pub., Inc., Universal Duchess Music Corp., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Mamas & the Papas4.23:03
A5Love Is Here and Now You’re Gone
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
registrazione di:
Love Is Here and Now You’re Gone
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
The Supremes2:51
B6Groovin’
produttore:
The Rascals (US soul & rock group, formerly known as The Young Rascals)
voce di accompagnamento:
David Brigati
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Groovin’
autore:
Eddie Brigati e Felix Cavaliere (American singer, songwriter, record producer, and musician)
editore:
Slacsar
The Young Rascals2:33
B7(Your Love Keeps Lifting Me) Higher and Higher
produttore:
Carl Davis (record producer)
basso :
James Jamerson (il 1967-07-06)
batteria :
Richard "Pistol" Allen (il 1967-07-06)
chitarra :
Robert White (US funk/soul guitarist) (il 1967-07-06)
tastiera :
Johnny Griffith (il 1967-07-06)
voce principale:
Jackie Wilson (soul singer) (il 1967-07-06)
esecutore:
Jackie Wilson (soul singer)
arrangiatore:
Sonny Sanders
diritti fonografici (℗) detenuti da:
Brunswick Recording Corporation (nel 1967)
registrata presso:
Columbia Recording Studios (Chicago) in Chicago, Illinois, Stati Uniti (il 1967-07-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 246) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 301)
registrazione di:
(Your Love Keeps Lifting Me) Higher and Higher (il 1967-07-06)
autore:
Gary Jackson, Raynard Miner e Carl Smith (US country music singer)
editore:
Chevis Publishing Corp., EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Mijac Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
Jackie Wilson4.82:59
B8I Think We’re Alone Now
registrazione di:
I Think We’re Alone Now
paroliere e compositore:
Ritchie Cordell
editore:
EMI Longitude Music
Tommy James & the Shondells52:09
B9I Second That Emotion
chitarra :
Marvin Tarplin (il 1967-09-21)
strumenti:
The Funk Brothers (il 1967-09-21)
voce di accompagnamento:
Warren “Pete” Moore (il 1967-09-21), Claudette Robinson (il 1967-09-21), Bobby Rogers (il 1967-09-21) e Ronald White (soul singer, founding member of The Miracles) (il 1967-09-21)
voce principale:
Smokey Robinson (il 1967-09-21)
registrata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (il 1967-09-21)
registrazione di:
I Second That Emotion (il 1967-09-21)
autore:
Al Cleveland (songwriter 1930-1996) e Smokey Robinson
editore:
Jobete Music, Jobete Music Co., Inc., Jobete Music Ltd e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Smokey Robinson & The Miracles42:48
B10San Francisco (Be Sure to Wear Flowers in Your Hair)
produttore:
Lou Adler e John Phillips (The Mamas & The Papas)
voce:
Scott McKenzie (nel 1967-05)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1967) e Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1967)
registrazione di:
San Francisco (Be Sure to Wear Flowers in Your Hair) (nel 1967-05)
editore:
John Phillips (The Mamas & The Papas)
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Honest John Music, MCA Music Ltd., Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US) e Wingate Music Corp.
Scott McKenzie3.753:01
B11A Whiter Shade of Pale
produttore:
Denny Cordell
batteria ospite :
Bill Eyden
chitarra :
Ray Royer
chitarra basso :
David Knights
organo Hammond :
Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
voce:
Gary Brooker
diritti fonografici (℗) detenuti da:
Onward Music Ltd. (nel 1967)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 57) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 271)
registrazione di:
A Whiter Shade of Pale
paroliere:
Keith Reid
compositore:
Gary Brooker e Matthew Fisher (UK organist for Procol Harum/Prairie Madness, engineer)
editore:
Belsize Music Ltd., Essex Music International Ltd., Onward Music Ltd., The Richmond Organization Éditions Essex (TRO) e Westminster Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
si basa su:
Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia
si basa su:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Air on the G string)
versione tradotta di:
青い影
Procol Harum4.14:03
▼ Vinile 12" (30 cm) 2
#TitoloArtistaValutazioneDurata
C1Respect
tecnico di registrazione:
Tom Dowd
produttore:
Jerry Wexler
batteria :
Roger Hawkins (il 1967-02-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-02-14)
chitarra basso :
Tommy Cogbill (il 1967-02-14)
cornetta :
Melvin Lastie (il 1967-02-14)
organo :
Spooner Oldham (il 1967-02-14)
pianoforte :
Aretha Franklin (il 1967-02-14)
sassofono baritono :
Willie Bridges (il 1967-02-14)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-02-14) e King Curtis (saxophonist) (il 1967-02-14)
voce:
Aretha Franklin (il 1967-02-14)
voce di accompagnamento:
Carolyn Franklin (il 1967-02-14) e Erma Franklin (il 1967-02-14)
direttore d'orchestra:
Tom Dowd (il 1967-02-14)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 21), New York Post: 100 Greatest Covers (2007) (numero: 52) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione cover di:
Respect (il 1967-02-14)
paroliere e compositore:
Otis Redding
editore:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd. e Warner/Chappell North America
Aretha Franklin3.92:28
C2Kind of a Drag
produttore:
Carl Bonafede e Dan Bellock
registrazione di:
Kind of a Drag
autore:
James Holvay
The Buckinghams2:12
C3Good Thing
registrazione di:
Good Thing
autore:
Mark A. Lindsay e Terrance Paul Melcher
Paul Revere and the Raiders3:05
C4I Heard It Through the Grapevine
produttore:
Norman Whitfield
registrata presso:
Motown Studios - Hitsville West in West Hollywood, California, Stati Uniti (il 1967-06-17)
registrazione di:
I Heard It Through the Grapevine (il 1967-06-17)
autore:
Barrett Strong e Norman Whitfield
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music, Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Gladys Knight & the Pips3.352:51
C5Funky Broadway
produttore:
Jerry Wexler
basso elettrico [electric bass] :
Tommy Cogbill (dal 1967-02-01 al 1967-02-04)
batteria :
Roger Hawkins (dal 1967-02-01 al 1967-02-04)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (dal 1967-02-01 al 1967-02-04) e Lincoln "Chips" Moman (dal 1967-02-01 al 1967-02-04)
sassofono baritono :
Floyd Newman (dal 1967-02-01 al 1967-02-04)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1967-02-01 al 1967-02-04) e Jimmy Mitchell (saxophone) (dal 1967-02-01 al 1967-02-04)
tastiera [piano, organ] :
Dewey "Spooner" Oldham (dal 1967-02-01 al 1967-02-04)
tromba :
Gene “Bowlegs” Miller (American trumpeter) (dal 1967-02-01 al 1967-02-04)
voce:
Wilson Pickett (dal 1967-02-01 al 1967-02-04)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (dal 1967-02-01 al 1967-02-04)
registrazione cover di:
Funky Broadway (dal 1967-02-01 al 1967-02-04)
paroliere e compositore:
Arlester “Dyke” Christian
Wilson Pickett22:35
C6Incense and Peppermints
produttore:
Frank Slay
registrazione di:
Incense and Peppermints
autore:
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer) e Tim Gilbert
autore aggiunto:
Ed King (US guitarist, bassist & songwriter) e Mark Weitz
editore:
MCA Music Ltd.
Strawberry Alarm Clock4.52:50
D1Sweet Soul Music
tecnico:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section)
produttore:
Otis Redding
chitarra :
Moses Dillard (il 1967-01-20)
voce:
Arthur Conley (il 1967-01-20)
registrata presso:
FAME Studios in Muscle Shoals, Alabama, Stati Uniti (il 1967-01-20)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 351)
registrazione di:
Sweet Soul Music (il 1967-01-20)
autore:
Arthur Conley, Sam Cooke e Otis Redding
si basa su:
Yeah Man
Arthur Conley42:21
D2I Had Too Much to Dream (Last Night)
produttore:
Dave Hassinger
registrazione di:
I Had Too Much to Dream (Last Night)
autore:
Nancie Mantz e Annette Tucker
The Electric Prunes42:58
D3Little Bit o’ Soul
produttore:
Jerry Kasenetz e Jeff Katz (music producer)
registrazione di:
Little Bit o’ Soul
paroliere e compositore:
Carter-Lewis (British songwriter duo)
autore:
John Carter (songwriter & producer, b. 1942) (nel 1964) e Ken Lewis (manager/songwriter for 60s groups, incl. Flower Pot Men) (nel 1964)
The Music Explosion32:22
D4Bernadette
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
registrazione di:
Bernadette
autore:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Four Tops53:05
D5Daydream Believer
produttore:
Chip Douglas
basso :
Chip Douglas
batteria :
Eddie Hoh
chitarra :
Michael Nesmith
percussione :
William E. Martin
pianoforte :
Peter Tork
tromba :
Pete Candoli, Al Porcino e Manuel Stevens
trombone :
Richard Noel (trombonist)
trombone basso :
Richard Leith (trombonist) e Phil Teele
violino :
Nathan Kaproff, George Kast, Alex Murray (violinist) e Erno Neufeld
voce di accompagnamento:
Micky Dolenz
voce principale:
Davy Jones (The Monkees member)
arrangiatore corno e archi :
Shorty Rogers (trumpet)
video musicali:
Daydream Believer di The Monkees
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 39)
registrazione di:
Daydream Believer (dal 1967-06-14 al 1967-08-09)
paroliere e compositore:
John Stewart (singer-songwriter (Kingston Trio))
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees52:57

Accreditamenti

Gruppo di pubblicazioni

parte di:Classic Rock (Time-Life Music) (numero: 5) (ordine: 5)
Discogs:https://www.discogs.com/master/409842 [info]