Magic Soul 2

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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CD 1
#TitoloArtistaValutazioneDurata
1I Got a Woman
registrata a:
Atlanta, Georgia, Stati Uniti (il 1954-11-18)
produttore:
Ahmet Ertegun (US American Songwriter, producer) e Jerry Wexler
basso :
Jimmy Bell (jazz bassist) (il 1954-11-18)
batteria :
Glenn Brooks (il 1954-11-18)
chitarra :
Wesley Jackson (US R&B guitarist) (il 1954-11-18)
pianoforte :
Ray Charles (soul musician, singer and songwriter) (il 1954-11-18)
sassofono baritono :
David “Fathead” Newman (American jazz saxophonist) (il 1954-11-18)
sassofono tenore solista :
Donald Wilkerson (US jazz/R&B saxophonist) (il 1954-11-18)
tromba :
Joe Bridgewater (il 1954-11-18) e Charles "Clanky" Whitley (il 1954-11-18)
voce:
Ray Charles (soul musician, singer and songwriter) (il 1954-11-18)
arrangiatore:
Ray Charles (soul musician, singer and songwriter)
registrazione di:
I Got a Woman (il 1954-11-18)
autore:
Ray Charles (soul musician, singer and songwriter) e Renald Richard
editore:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label) e Warner/Chappell (Warner/Chappell Music, Inc.)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ray Charles2:54
2You’ve Really Got a Hold on Me
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1962 (numero: 10) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
You’ve Really Got a Hold on Me
paroliere e compositore:
Smokey Robinson (nel 1962-10)
editore:
Dominion Music, Jobete Music (UK), Jobete Music Co., Inc., United Partnership Ltd., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Miracles Featuring Smokey Robinson4.53:00
3(Love Is Like a) Heat Wave
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (Universal Music Group, Inc., operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1963)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 154) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 257)
registrazione di:
(Love Is Like a) Heat Wave
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Songs Musikverlag GmbH, Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd, Stone Agate Music e Stone Agate Music Division
Martha and the Vandellas42:48
4How Sweet It Is (to Be Loved by You)
produttore:
Lamont Dozier, Berry Gordy, Brian Holland (Motown producer & songwriter) e William Stevenson (Motown songwriter)
registrazione di:
How Sweet It Is (to Be Loved by You) (il 1964-07-10)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Music Publishing Ltd. (PRS‐affiliated), Stone Agate Music, Stone Agate Music Division e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye52:59
5Under the Boardwalk
registrazione di:
Under the Boardwalk
autore:
Arthur Resnick (songwriter, producer) e Kenny Young
editore:
Alley Music Corp., Intersong (publisher), TM Music Ltd. e Trio Music Company
The Drifters2:45
6Everybody Needs Somebody to Love
Solomon Burke2:46
7I Can’t Help Myself
Four Tops2:46
8Shotgun
Jr. Walker & the All Stars3:00
9You Keep Me Hangin’ On
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
registrazione di:
You Keep Me Hangin’ On
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Stone Agate Music Division e Jobete Music Co., Inc. (nel 1986)
sub-editore:
EMI Music Publishing Japan C.F. division (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
The Supremes2:41
10Try a Little Tenderness
registrazione cover di:
Try a Little Tenderness
paroliere:
James Campbell (British songwriter and music publisher) e Reginald Connelly
compositore:
Harry M. Woods (American 1920/30s songwriter)
editore:
BMG Recordi ex Recordi G.&C., EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. e Campbell Connelly & Co. Ltd. (il 1932-11-04)
Otis Redding3:47
11Land of 1000 Dances
produttore:
Jerry Wexler
batteria :
Roger Hawkins (dal 1966-05-08 al 1966-05-11)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (dal 1966-05-08 al 1966-05-11) e Chips Moman (dal 1966-05-08 al 1966-05-11)
chitarra basso [bass] :
Tommy Cogbill (dal 1966-05-08 al 1966-05-11)
pianoforte :
Spooner Oldham (dal 1966-05-08 al 1966-05-11)
sassofono baritono :
Floyd Newman (dal 1966-05-08 al 1966-05-11)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (dal 1966-05-08 al 1966-05-11) e Andrew Love (dal 1966-05-08 al 1966-05-11)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1966-05-08 al 1966-05-11)
voce:
Wilson Pickett (dal 1966-05-08 al 1966-05-11)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
registrata presso:
Fame Studios in Muscle Shoals, Alabama, Stati Uniti (dal 1966-05-08 al 1966-05-11)
registrazione cover di:
Land of 1000 Dances (dal 1966-05-08 al 1966-05-11)
paroliere e compositore:
Chris Kenner
autore aggiunto:
Antoine Domino (Fats Domino)
editore:
Anatole, EMI Longitude Music, J. Albert & Son Pty. Ltd. e Tune-Kel
Wilson Pickett42:27
12Hold On! I’m Coming
registrazione di:
Hold On, I’m Comin’
autore:
Isaac Hayes e David Porter (US soul musician, producer & songwriter)
editore:
Cotillion Music Inc. (BMI), East/Memphis Music, Irving Music, Inc., Pronto Music, Inc. (publisher) e Warner Bros. Music (publisher; do NOT use as release label)
sub-editore:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sam & Dave2:32
13Ain’t Too Proud to Beg
produttore:
Norman Whitfield
strumenti:
The Funk Brothers (dal 1966-01-04 al 1966-01-11)
voce di accompagnamento:
Melvin Franklin (dal 1966-01-04 al 1966-01-11), Eddie Kendricks (dal 1966-01-04 al 1966-01-11), Otis Williams (US baritone singer, member of The Temptations & The Distants) (dal 1966-01-04 al 1966-01-11) e Paul Williams (member of The Temptations) (dal 1966-01-04 al 1966-01-11)
voce principale:
David Ruffin (soul singer, member of The Temptations) (dal 1966-01-04 al 1966-01-11)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1966)
registrata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (dal 1966-01-04 al 1966-01-11)
registrazione di:
Ain’t Too Proud to Beg (dal 1966-01-04 al 1966-01-11)
paroliere:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team) e Norman Whitfield
compositore:
Norman Whitfield
editore:
Jobete Music, Jobete Music (UK) Ltd., Stone Agate Music e Stone Agate Music Division
The Temptations52:33
14You Can’t Hurry Love
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
registrazione di:
You Can’t Hurry Love
paroliere:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
compositore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Jobete (now‐defunct US music publisher, affiliated with BMI), Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), Jobete Music (UK) Ltd. (nel 1965) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Diana Ross & The Supremes2:44
15Respect
tecnico di registrazione:
Tom Dowd
produttore:
Jerry Wexler
batteria :
Roger Hawkins (il 1967-02-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-02-14)
chitarra basso :
Tommy Cogbill (il 1967-02-14)
cornetta :
Melvin Lastie (il 1967-02-14)
organo :
Spooner Oldham (il 1967-02-14)
pianoforte :
Aretha Franklin (il 1967-02-14)
sassofono baritono :
Willie Bridges (il 1967-02-14)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-02-14) e King Curtis (saxophonist) (il 1967-02-14)
voce:
Aretha Franklin (il 1967-02-14)
voce di accompagnamento:
Carolyn Franklin (il 1967-02-14) e Erma Franklin (il 1967-02-14)
direttore d'orchestra:
Tom Dowd (il 1967-02-14)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 21), New York Post: 100 Greatest Covers (2007) (numero: 52) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione cover di:
Respect (il 1967-02-14)
paroliere e compositore:
Otis Redding
editore:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd. e Warner/Chappell North America
Aretha Franklin3.92:25
16I Heard It Through the GrapevineGladys Knight & the Pips3.352:54
17Jimmy Mack
Martha and the Vandellas2:54
18Hip Hug‐Her
registrazione di:
Hip Hug‐Her
autore:
Steve Cropper, Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter), Al Jackson, Jr. (Booker T & The MGs drummer) e Booker T. Jones
editore:
Al Jackson Jr. Music, Cotillion Music Inc. (BMI) e Irving Music, Inc.
Booker T. & the MG’s2:24
19Memphis Soul Stew
registrata a:
Memphis, Tennessee, Stati Uniti (il 1967-07-05)
produttore:
King Curtis (saxophonist)
batteria [drums] :
Gene Chrisman (il 1967-07-05)
chitarra :
R.F. Taylor (guitarist) (il 1967-07-05) e Reggie Young (guitarist and songwriter) (il 1967-07-05)
chitarra basso [bass] :
Tommy Cogbill (il 1967-07-05)
organo :
Bobby Emmons (il 1967-07-05)
pianoforte :
Bobby Wood (American pianist, keyboard player and songwriter) (il 1967-07-05)
sassofono baritono :
Floyd Newman (il 1967-07-05)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-07-05), King Curtis (saxophonist) (il 1967-07-05) e Jimmy Mitchell (saxophone) (il 1967-07-05)
tromba :
Bowlegs Miller (American trumpeter) (il 1967-07-05)
voce:
King Curtis (saxophonist) (il 1967-07-05)
registrazione di:
Memphis Soul Stew (il 1967-07-05)
autore:
Curtis Ousley
editore:
Kilynn Music Publishing, Inc. e Pronto Music (publisher)
King Curtis2:59
20I Got the Feeling
registrazione di:
I Got the Feelin’
paroliere e compositore:
James Brown (The Godfather of Soul)
James Brown2:32
CD 2
#TitoloArtistaValutazioneDurata
1Mr. Pitiful
registrazione di:
Mr. Pitiful
paroliere e compositore:
Steve Cropper e Otis Redding
editore:
Irving Music, Inc.
Otis Redding2:36
2Chain of Fools
registrata a:
New York, New York, Stati Uniti
tecnico di registrazione e tecnico di missaggio:
Tom Dowd
produttore:
Jerry Wexler
batteria :
Roger Hawkins (il 1967-06-23)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-06-23) e Joe South (il 1967-06-23)
chitarra basso :
Tommy Cogbill (il 1967-06-23)
pianoforte :
Aretha Franklin (il 1967-06-23)
pianoforte elettrico :
Spooner Oldham (il 1967-06-23)
cori:
Carolyn Franklin (il 1967-06-23), Erma Franklin (il 1967-06-23), Ellie Greenwich (il 1967-06-23) e The Sweet Inspirations (il 1967-06-23)
voce:
Aretha Franklin (il 1967-06-23)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-06-23)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 249) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 306)
registrazione di:
Chain of Fools (il 1967-06-23)
paroliere e compositore:
Don Covay
editore:
14th Hour Music, Fourteenth Hour Music, Inc., Pronto Music (publisher), Springtime Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner-Tamerlane Publishing Co. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
Aretha Franklin4.252:48
3Bernadette
produttore:
Lamont Dozier e Brian Holland (Motown producer & songwriter)
registrazione di:
Bernadette
autore:
Lamont Dozier, Brian Holland (Motown producer & songwriter) e Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
Four Tops53:02
4Lovey Dovey
Otis Redding & Carla Thomas2:32
5The Road of Love
registrazione di:
The Road of Love
autore:
Clarence Carter
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Clarence Carter2:56
6Funky Street
produttore:
Tom Dowd
registrazione di:
Funky Street
autore:
Arthur Conley e Earl Simms
Arthur Conley2:23
7Big Bird
registrazione di:
Big Bird
paroliere e compositore:
Eddie Floyd e Booker T. Jones
Eddie Floyd3:01
8Mini-Skirt Minnie
registrata presso:
FAME Studios in Muscle Shoals, Alabama, Stati Uniti (il 1968-12-03)
registrazione di:
Mini-Skirt Minnie (il 1968-12-03)
autore:
Earl Cage (American songwriter, producer and arranger), Lindell Hill e George Jackson (US soul songwriter/vocalist)
Wilson Pickett3:00
9Memphis Train
Rufus Thomas2:33
10Rainy Night in Georgia
produttore:
Arif Mardin
armonica (a bocca) :
Toots Thielemans (nel 1969)
basso :
Harold Cowart (il 1969-09-11)
batteria :
Ron Ziegler (drummer) (il 1969-09-11)
chitarra :
Cornell Dupree (nel 1969) e Jim O’Rourke (US musician & producer) (il 1969-09-11)
organo :
Billy Carter (organ, jazz) (il 1969-09-11)
pianoforte :
Dave Crawford (US soul songwriter, keyboard player, singer & producer) (il 1969-09-11)
strumenti:
Cold Grits (nel 1969)
voce di accompagnamento:
The Sweet Inspirations (il 1969-09-11)
arrangiatore:
Arif Mardin
registrata presso:
Criteria Studios in Miami, Florida, Stati Uniti (il 1969-09-11)
pubblicazioni successive:
Rainy Night in Georgia di Brook Benton
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 498)
registrazione cover di:
Rainy Night in Georgia (il 1969-09-11)
paroliere e compositore:
Tony Joe White
editore:
Combine Music Corp. e EMI Songs Limited
Brook Benton43:52
11Get Up
basso :
Bootsy Collins (US funk musician & songwriter) (il 1970-04-25)
chitarra :
Catfish Collins (il 1970-04-25)
membranofono :
John Starks (il 1970-04-25)
organo e voce di accompagnamento:
Bobby Byrd (founder of the Famous Flames, James Brown's vocal group) (il 1970-04-25)
pianoforte e voce principale:
James Brown (The Godfather of Soul) (il 1970-04-25)
sassofono tenore :
Robert McCollough (il 1970-04-25)
tromba :
Clayton Gunnells (il 1970-04-25) e Darryl Hassan Jamison (il 1970-04-25)
registrata presso:
Starday Sound Studios in Nashville, Tennessee, Stati Uniti (il 1970-04-25)
registrazione parziale di:
Get Up I Feel Like Being Like a Sex Machine (il 1970-04-25)
autore:
James Brown (The Godfather of Soul), Bobby Byrd (founder of the Famous Flames, James Brown's vocal group) e Ron Lenhoff
editore:
Dynatone Publishing Co. e Intersong Music Ltd.
James Brown42:52
12War
esecutore:
Edwin Starr
registrazione cover di:
War (il 1970-05-15)
autore:
Barrett Strong e Norman Whitfield
editore:
Jobete Music (UK) Ltd. e Jobete Music Co., Inc.
Edwin Starr4.63:27
13Express Yourself
produttore:
Charles Wright
diritti fonografici (℗) detenuti da:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (nel 2022)
parte di:
Billboard Year‐End Hot 100 Singles (1970) (numero: 57)
registrazione di:
Express Yourself
paroliere e compositore:
Charles Wright (nel 1970)
Charles Wright4.53:54
14Theme From Shaft
produttore:
Isaac Hayes
bonghi e congas :
Gary Jones (percussionist)
chitarra :
Charles Pitts e Michael Toles
chitarra basso :
James Alexander (US soul bassist, singer and songwriter)
membranofono e tamburello :
Willie "Too Big" Hall
pianoforte elettrico :
Lester Snell
pianoforte elettrico, organo, pianoforte e vibrafono e voce principale:
Isaac Hayes
diritti fonografici (℗) detenuti da:
Stax Records (not for release) (nel 1971)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 303)
registrazione di:
Theme From Shaft (Shaft, 1971)
paroliere e compositore:
Isaac Hayes
editore:
Irving Music, Inc.
parte di:
The 44th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 44)
parte di:
Shaft (1971 film soundtrack)
Isaac Hayes44:37
15What's Goin' On
registrazione di:
What’s Going On
paroliere e compositore:
Renaldo Benson, Al Cleveland (songwriter 1930-1996) e Marvin Gaye
editore:
EMI Songs Australia, FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music, Sony/ATV Music Publishing Ltd., Stone Agate Music Corp., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Marvin Gaye3:50
16Got to Be There
produttore:
Hal Davis
voce principale:
Michael Jackson (“King of Pop”) (dal 1970-06 al 1970-07)
arrangiatore:
Dave Blumberg
registrazione di:
Got to Be There (dal 1971-06 al 1971-07)
paroliere e compositore:
Elliot Willensky
arrangiatore voci:
Willie Hutch
Michael Jackson33:23
17Mr Big StuffJean Knight2:39
18Superstition
tecnico di registrazione:
Joan DeCola e Austin Godsey
programmazione degli strumenti:
Malcolm Cecil (nel 1972) e Robert Margouleff (nel 1972)
produttore:
Stevie Wonder
produttore associato:
Malcolm Cecil e Robert Margouleff
tecnico di missaggio:
Malcolm Cecil e Robert Margouleff
batteria , clavinet e moog :
Stevie Wonder (nel 1972)
sassofono :
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.) (nel 1972)
tromba :
Steve Madaio (nel 1972)
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti (nel 1972)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 12) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 74)
registrazione di:
Superstition
paroliere e compositore:
Stevie Wonder
editore:
Black Bull Music, 大洋音楽 (Taiyō Music), Jobete Music Co., Inc. (nel 1972) e Stein & Van Stock, Inc. (nel 1972)
Stevie Wonder4.854:28
19Papa Was a Rollin' Stone
produttore:
Norman Whitfield
voce principale:
Dennis Edwards (US soul & R’n’B singer) (nel 1972), Damon Harris (nel 1972) e Richard Street (nel 1972)
direttore d'orchestra:
Paul Riser
arrangiatore:
Paul Riser
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1972) e Motown Record Corporation (company credits only; do NOT use as release label) (nel 1972)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 168) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 333)
registrazione cover di:
Papa Was a Rollin’ Stone (nel 1972)
paroliere e compositore:
Barrett Strong e Norman Whitfield
editore:
Jobete Music, Jobete Music (UK) Ltd., Stone Diamond Music Corporation, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Temptations46:59
20Living for the CityStevie Wonder7:26

Accreditamenti