The Rock 'n' Roll Era: Rock 'n' Roll Legends

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Johnny B. Goode
produttore:
Leonard & Phil Chess (Legendary US production duo)
batteria :
Jasper Thomas (il 1958-01-06)
chitarra e voce principale:
Chuck Berry (il 1958-01-06)
contrabbasso :
Willie Dixon (il 1958-01-06)
pianoforte :
Johnnie Johnson (il 1958-01-06)
registrata presso:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Stati Uniti (il 1958-01-06)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 1), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 33) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 53)
registrazione di:
Johnny B. Goode (il 1958-01-06)
paroliere e compositore:
Chuck Berry (nel 1955)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e ロックンロール ミュージック (Rock ’n’ Roll Music)
parte di:
Back to the Future: the Musical
Chuck Berry4.252:43
2What'd I Say
registrazione di:
What’d I Say
paroliere e compositore:
Ray Charles (soul musician, singer and songwriter)
editore:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. e Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
Ray Charles3:14
3Wake Up Little Susie
registrazione di:
Wake Up Little Susie
autore:
Boudleaux Bryant e Felice Bryant
editore:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label) e Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers2:06
4Ain't That a Shame
diritti fonografici (℗) detenuti da:
F. D. & Hunter (publisher) (nel 1955)
registrazione di:
Ain’t That a Shame (il 1955-03-15)
autore:
Antoine Domino (Fats Domino) e Dave Bartholomew
editore:
Commodore Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Unart Catalog Inc., F. Day & Hunter Ltd., Travis Music, Inc., Unart Music Corp. (nel 1955, nel 1983) e United Artists Music Ltd. (dal 1977 a oggi)
Fats Domino4.52:30
5Tears on My Pillow
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 30) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 478)
registrazione di:
Tears on My Pillow
paroliere:
Al Lewis (Tin Pan Alley era lyricist)
compositore:
Sylvester Bradford
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (dal 1989 a oggi)
Little Anthony & the Imperials2.52:21
6Peggy Sue
produttore:
Norman Petty
basso :
Joe B. Mauldin (il 1957-07-01)
batteria :
Jerry Allison (il 1957-07-01)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01) e Niki Sullivan (il 1957-07-01)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-07-01)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 194) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 370)
registrazione di:
Peggy Sue (dal 1957-06-29 al 1957-07-01)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (UK) Limited, Southern Music (publisher) e Wren Music Co.
Buddy Holly4.52:33
7Get a Job
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 36)
registrazione di:
Get a Job (nel 1957-10)
autore:
Earl T. Beal, Raymond W. Edwards (member of 1950s doowop group the Silhouettes), Richard A. Lewis (member of 1950s doowop group the Silhouettes) e William F. Horton (US R&B/northern soul)
editore:
EMI Longitude Music, Jamie Music Publishing Co., Ken Williams Music, Dandelion Music Co. (nel 1957) e Wildcat Music (US publisher) (nel 1957)
The Silhouettes4.52:48
8Walk Don't Run
registrazione cover di:
Walk, Don’t Run
compositore:
Johnny Smith (jazz guitarist)
editore:
Forshay Music, Inc., On Board Music (publisher), Peer Music (“Peermusic—the global independent”) e Windswept Pacific Music Ltd.
The Ventures2:09
9Peppermint Twist
registrazione di:
Peppermint Twist
autore:
Joey Dee e Henry Glover
editore:
FROST Music Corp
Joey Dee & the Starliters2:04
10There Goes My Baby
produttore:
Leiber and Stoller (songwriting team)
chitarra :
Reggie Kimber (il 1959-03-06)
voce di baritono:
Dock Green (il 1959-03-06)
voce di basso:
Elsbeary Hobbs (il 1959-03-06)
voce di tenore:
Charlie Thomas (The Drifters) (il 1959-03-06)
voce principale:
Ben E. King (il 1959-03-06)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1959-03-06)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
registrata presso:
Coastal Recording in New York, New York, Stati Uniti (il 1959-03-06)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 2) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 193)
registrazione di:
There Goes My Baby (il 1959-03-06)
autore:
Ben E. King, Jerry Leiber, Lover Patterson, Mike Stoller e George Treadwell
editore:
Jerome Leiber Music, Purple Starfish Music, Sherman Jot Enterprises Inc. e Sony/ATV Songs LLC
The Drifters4.52:15
11Rockin' Robin
diritti fonografici (℗) detenuti da:
Class (1950s-1960s US) (nel 1958)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 29)
registrazione di:
Rockin’ Robin
paroliere e compositore:
Jimmie Thomas
editore:
Recordo Music Pub.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
registrazione cover di:
Rockin’ Robin
paroliere e compositore:
Jimmie Thomas
editore:
Recordo Music Pub.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Bobby Day3.152:38
12Do You Wanna Dance
registrata a:
Stati Uniti
produttore:
Morty Palitz
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 39)
registrazione di:
Do You Want to Dance
paroliere e compositore:
Bobby Freeman
editore:
Bobby Freeman Music, Clockus Music Co., Clockus Music, Inc., Robert Mellin Music Publishing Corp., Sherwin Music (publisher), ミュージカル・ライツ・東京 (Musical Lights Tokyo), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
registrazione di:
Do You Want to Dance?
compositore:
Jerry Cohen, Gene McFadden e John Whitehead
Bobby Freeman3.52:40
13Blue Moon
produttore:
Danny e Stu (US TV/film composer, conductor & producer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (nel 1961)
registrazione cover di:
Blue Moon
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
The Marcels32:22
14Maybelline
produttore:
Leonard & Phil Chess (Legendary US production duo)
chitarra e voce principale:
Chuck Berry (il 1955-05-21)
contrabbasso :
Willie Dixon (il 1955-05-21)
maracas [possibly] :
Leonard Chess (il 1955-05-21) e Jerome Green (il 1955-05-21)
pianoforte :
Johnnie Johnson (il 1955-05-21)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 2003)
registrata presso:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (il 1955-05-21)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 2), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 18) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 102)
registrazione di:
Maybellene (il 1955-05-21)
paroliere e compositore:
Chuck Berry
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e Salee Music Company
Chuck Berry3.852:23
15Book of Love
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 12) e Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 29)
registrazione di:
Book of Love
autore:
Warren Davis, George Malone e Charles Patrick (lead singer for The Monotones)
editore:
Arc Music Corp. (U.S. rock & blues publisher) e Nom Music, Inc.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Monotones52:23
16Earth Angel
registrazione di:
Earth Angel (Will You Be Mine)
autore:
Jesse Belvin, Gaynel Hodge, Curtis Williams (1950s doo-wop singer, member of The Penguins) e Dootsie Williams
editore:
Dootsie Williams Music (publisher) (nel 1986)
parte di:
Back to the Future: the Musical
The Penguins3:02
17In the Still of the Night
produttore:
Marty Kugell
batteria [drums] :
Bobby Mapp (nel 1956-02)
contrabbasso :
Doug Murray (double bassist) (nel 1956-02)
pianoforte :
Curlee Glover (nel 1956-02)
sassofono solista :
Vinny Mazzetta (nel 1956-02)
voce:
Al Denby (nel 1956-02), Jim Freeman (nel 1956-02), Ed Martin (nel 1956-02), Nat Mosley (nel 1956-02) e Fred Parris (nel 1956-02)
diritti fonografici (℗) detenuti da:
Standard Records (nel 1956)
registrata presso:
Saint Bernadette Catholic School (New Haven) in New Haven, Connecticut, Stati Uniti (nel 1956-02)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 90) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 170)
registrazione di:
In the Still of the Night (Five Satins doo-wop song) (nel 1956)
paroliere e compositore:
Fred Parris
editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e Llee Corp. (LLEE Corporation) (nel 1956)
The Five Satins4.53:04
18Donna
tecnico di registrazione:
Larry Levine e Stan Ross (recording engineer, mixer & producer)
produttore:
Bob Keane
diritti fonografici (℗) detenuti da:
Del-Fi Records Inc. (nel 1958)
registrazione di:
Donna
paroliere e compositore:
Ritchie Valens
editore:
Carlin Music Corporation
Ritchie Valens4.82:34
19Sh-Boom
registrata a:
New York, New York, Stati Uniti (il 1954-03-15)
produttore:
Ahmet Ertegun (US American Songwriter, producer) e Jerry Wexler
sassofono tenore :
Sam Taylor (US jazz/blues saxophonist 1916-1990) (il 1954-03-15)
voce:
The Chords (50s US doo-wop group "Sh-Boom") (il 1954-03-15)
arrangiatore:
Howard Biggs
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 215)
registrazione di:
Sh‐Boom (il 1954-03-15)
autore:
William Edwards (The Chords), Carl Feaster, Claude Feaster, James Keyes e Floyd McRae
eseguita per la prima volta da:
The Chords (50s US doo-wop group "Sh-Boom")
The Chords32:29
20Bo Diddley
batteria :
Frank Kirkland
chitarra :
Bo Diddley (American singer, guitarist, songwriter and music producer)
maracas :
Jerome Green
voce:
Bo Diddley (American singer, guitarist, songwriter and music producer)
registrazione di:
Bo Diddley
paroliere e compositore:
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (fino al 1955-03-02)
editore:
Arc Music Corp. (U.S. rock & blues publisher) e Good Music Ltd.
Bo Diddley4.52:32
21Sixteen Candles
registrazione di:
16 Candles
autore:
Luther Dixon e Allyson R. Khent
editore:
January Music Corp., Little A Music, Mijac Music e Unichappell Music, Inc.
The Crests3.52:54
22Goodnight Sweetheart Goodnight
The Spaniels2:46
23Come Go With Me
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 441)
registrazione di:
Come Go With Me
editore:
Joseph M. Averbach
paroliere e compositore:
C.E. Quick
editore:
Fee Bee Music Company e Gil Music Corporation
The Del‐Vikings4.52:43
24Kansas City
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 5)
registrazione cover di:
Kansas City (aka “K.C. Loving”)
paroliere:
Jerry Leiber (nel 1952)
compositore:
Mike Stoller (nel 1952)
editore:
EMI Music Ltd., Jerry Leiber Music, Mike Stoller Music (ASCAP), Peter Maurice Music Co. Ltd. e Sony/ATV Songs LLC
Wilbert Harrison32:27
25Maybe
The Chantels2:41
26Little Star
The Elegants2:43
27Sea of Love
produttore:
Trevor Jones (South African score composer)
tecnico di missaggio:
John Richards (engineer)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 39)
registrazione di:
Sea of Love
paroliere:
Philip Baptiste (US singer and songwriter, author of "Sea of Love")
compositore:
George Khoury e Philip Baptiste (US singer and songwriter, author of "Sea of Love")
editore:
Fort Knox Music Co e Tek Publishing
Phil Phillips4.52:23

Accreditamenti

Gruppo di pubblicazioni

parte di:The Rock 'n' Roll Era (Time-Life Music) (numero: TL516/38) (ordine: 89)