Rock for Tradies

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Cat #: CDRTV0122 - Label: RAJON

Cat #: CDRTV0122 - Label: RAJON

Annotation last modified on 2006-12-21 08:02 UTC.

Tracklist

CD 1
CD 2
#TitleArtistRatingLength
1Bad to the Bone
engineer:
Paul Mufson and John Nagy
assistant producer:
Ken Irwin and John Nagy
producer:
Terry Manning (US recording engineer) and The Delaware Destroyers (George Thorogood & the Destroyers)
mixer:
Ken Irwin, Paul Mufson, John Nagy, George Thorogood and Terry Manning (US recording engineer) (in 1992)
bass:
Bill Blough (from 1981 until 1982)
drums (drum set):
Jeff Simon (from 1981 until 1982)
guitar and lead vocals:
George Thorogood (from 1981 until 1982)
keyboard:
Ian Stewart (piano/keyboard, Rolling Stones member) (from 1981 until 1982)
piano:
Ian Stewart (piano/keyboard, Rolling Stones member)
saxophone:
Hank Carter (Hank "Hurricane" Carter) (from 1981 until 1982)
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
recorded at:
Dimension Sound in Jamaica Plain, Boston, Massachusetts, United States (from 1981 until 1982)
mixed at:
The Mixing Lab in Newton, Massachusetts, United States
recording of:
Bad to the Bone (from 1981 until 1982)
lyricist and composer:
George Thorogood
publisher:
Del Sound Music
George Thorogood & the Destroyers4.554:49
2I Don’t Like Mondays
producer:
Phil Wainman
strings arranger:
Fiachra Trench
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1979)
music videos:
I Don’t Like Mondays by The Boomtown Rats
part of:
VH1's 100 Greatest One-Hit Wonders of the '80s (number: 66)
recording of:
I Don’t Like Mondays
lyricist and composer:
Johnnie Fingers and Bob Geldof
publisher:
Campbell Connelly, Mushroom Music Pty. Ltd. and Zomba Enterprises, Inc.
The Boomtown Rats44:18
3Working Class Man
recording of:
Working Class Man
lyricist and composer:
Jonathan Cain
publisher:
Chappell & Co., Inc. (USA), Frisco Kid Music (publisher) and Warner Chappell Music (publisher as Warner/Chappell Music)
Jimmy Barnes3:47
4Things Don’t Seem
engineer:
Dave Marett (engineer)
producer:
Peter Dawkins
acoustic guitar, electric guitar and slide guitar:
Simon Binks (from 1981-03 until 1981-04)
bass:
Paul Williams (bassist in 'Australian Crawl') (from 1981-03 until 1981-04)
drums (drum set) and percussion:
Bill McDonough (from 1981-03 until 1981-04)
guitar:
Guy McDonough (from 1981-03 until 1981-04) and Brad Robinson (from 1981-03 until 1981-04)
piano and lead vocals:
James Reyne (from 1981-03 until 1981-04)
phonographic copyright (℗) by:
EMI Music Australia Pty. Limited (not for release label use!) (in 1981, in 1998) and Universal Music Australia Pty Ltd. (not for release label use! formerly Polygram Pty Ltd. until 1999-03-22) (in 1981)
recorded at and mixed at:
Studios 301 (301 Castlereagh Street, Sydney, AU; fka EMI Studios 301; read annotations before use) in New South Wales, Australia (from 1981-03 until 1981-04)
recording of:
Things Don't Seem (from 1981-03 until 1981-04)
composer:
Sean Higgins and Guy McDonough
publisher:
Warner/Chappell Pty. Ltd.
Australian Crawl3:58
5Bat Out of Hell
recording of:
Bat out of Hell
lyricist and composer:
Jim Steinman
publisher:
BMG AM Pty Limited, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), J. Albert & Son Pty. Ltd., Neverland Music and Peg Music Co.
Meat Loaf4:53
6Road to Nowhere
recording engineer and mixer:
Eric “E.T.” Thorngren
assistant engineer:
Melanie West (engineer) (task: second engineer)
producer:
Talking Heads
bass synthesizer [synth bass]:
Tina Weymouth
drums (drum set):
Chris Frantz
guest accordion:
Jimmy MacDonell
guest saxophone:
Lenny Pickett (saxophone)
guest washboard:
Andrew Cader
guitar:
David Byrne (Talking Heads)
guitar and keyboard:
Jerry Harrison (Talking Heads)
background vocals:
Jerry Harrison (Talking Heads) and Tina Weymouth
guest background vocals:
Ellen Bernfeld, Erin Dickens, Diva Gray, Gordon Grody, Lani Groves and Kurt Yahijian
vocals:
David Byrne (Talking Heads)
arranger:
Byrne (Talking Heads), Frantz, Harrison (Talking Heads) and Weymouth
phonographic copyright (℗) by:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1985) and Sire Records Company (not for release label use!) (in 1985)
recorded at and mixed at:
Sigma Sound (New York) in New York, New York, United States
recording of:
Road to Nowhere
lyricist and composer:
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co. (publisher), Index Music, Inc. and Warner Bros. Music Corp.
Talking Heads4.24:21
7Working for the Weekend
recording of:
Working for the Weekend
writer:
Paul Dean (Canadian guitarist), Matt Frenette and Mike Reno
Loverboy3:41
8Who Can It Be Now?
additional engineer:
Paul Ray (70s/80s US engineer)
engineer:
Jim Barbour and Peter McIan
producer:
Peter McIan
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) and Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 1996)
recorded at:
Richmond Recorders in Melbourne, Victoria, Australia
recording of:
Who Can It Be Now?
lyricist and composer:
Colin Hay
publisher:
EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher) and EMI Songs Australia Pty. Ltd.
Men at Work4.553:22
9No Lies
phonographic copyright (℗) by:
Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1987)
recorded at:
Rhinoceros Studios in Sydney, New South Wales, Australia (from 1986-08 to present)
recording of:
No Lies
publisher:
Chris Gilbey
writer:
Jon Stevens (Australian/NZ rock singer) and Brent Thomas (New Zealand guitarist and songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Greenstone Music, Warner Chappell Music (publisher as Warner/Chappell Music) and Warner/Chappell Music Australia Pty. Ltd.
Noiseworks43:54
10Pleasure and Pain
producer:
Mike Chapman (Australian producer and songwriter)
phonographic copyright (℗) by:
EMI Records (UK label renamed from Virgin EMI Records in 2020), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1985), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985) and Chrysalis Records, Inc. (not for release label use!) (in 1985)
recording of:
Pleasure and Pain
writer:
Mike Chapman (Australian producer and songwriter) and Holly Knight
publisher:
Hebbes Music Group Pty. Ltd., Warner Chappell and Warner/Chappell Music Ltd. (1996–2019)
Divinyls3.353:50
11The Bottom Line
recording of:
The Bottom Line
writer:
Mick Jones (The Clash/Big Audio Dynamite)
Big Audio Dynamite4:37
12Poison
recording engineer:
Sir Arthur Payson (from 1988 until 1989)
synthesizer programming:
Steve Deutsch
assistant engineer:
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber and Mark Tanzer
producer:
Desmond Child
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
additional keyboard:
Paul Chiten (from 1988 until 1989) and Gregg Mangiafico (from 1988 until 1989)
additional other instruments [special effects]:
Gregg Mangiafico (from 1988 until 1989)
bass guitar:
Hugh McDonald (bassist) (from 1988 until 1989)
drums (drum set):
Bobby Chouinard (from 1988 until 1989)
guitar:
John McCurry (from 1988 until 1989)
keyboard:
Alan St. John (from 1988 until 1989)
background vocals:
Alan St. John (from 1988 until 1989), Michael Anthony (US bassist, formerly of Van Halen) (from 1988 until 1989), Desmond Child (from 1988 until 1989), Diana Grasselli (from 1988 until 1989), Jango (backing vocalist on “Trash” by Alice Cooper) (from 1988 until 1989), Louie Merlino (from 1988 until 1989), Hugh McDonald (bassist) (from 1988 until 1989), Jamie Sever (from 1988 until 1989), Bernie Shanahan (from 1988 until 1989), Stiv Bator (from 1988 until 1989), Tom Teeley (from 1988 until 1989), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (from 1988 until 1989), Myriam Valle (from 1988 until 1989) and Maria Vidal (American singer-songwriter) (from 1988 until 1989)
lead vocals:
Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) (from 1988 until 1989)
phonographic copyright (℗) by:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1989), Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (in 1989), Sony Music Entertainment (Sony Music Entertainment, Inc., NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1989) and Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1989)
recorded at:
Bearsville Studios in Bearsville, New York, United States (from 1988 until 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, United States (from 1988 until 1989), Grog Kill Studio in Woodstock, New York, United States (from 1988 until 1989), Mediasound Studios in New York, New York, United States (from 1988 until 1989), Power Station Studios (Power Station at BerkleeNYC, fka Power Station, Avatar Studios) in Hell's Kitchen, New York, New York, United States (from 1988 until 1989), Right Track Recording in Manhattan, New York, New York, United States (from 1988 until 1989), Sigma Sound Studios (New York) in New York, New York, United States (from 1988 until 1989), The Complex Studios in Los Angeles, California, United States (from 1988 until 1989), The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1988 until 1989) and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States (from 1988 until 1989)
recording of:
Poison (from 1988 until 1989)
writer:
Desmond Child, Alice Cooper (the musician born Vincent Damon Furnier, changed his name legally to Alice Cooper in 1974) and John McCurry
publisher:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited, EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, from 1989 to present), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, from 1989 to ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group (Universal Music Publishing Group Corporation), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label) and Ezra Music Corp. (from 1989 to present)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.454:29
13Once Bitten Twice Shy
Ian Hunter4:43
14I Want You to Want Me
recording of:
I Want You to Want Me
lyricist and composer:
Rick Nielsen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Gil Music Corporation, Adult Music (in 1977) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (in 1977)
part of:
10 Things I Hate About You
Cheap Trick3:39
15Am I Ever Going to See Your Face Again
phonographic copyright (℗) by:
Albert Productions (in 1976)
recording of:
Am I Ever Gonna See Your Face Again?
lyricist and composer:
John Brewster, Rick Brewster and Doc Neeson
publisher:
BMG AM Pty Limited and J. Albert & Son Pty. Ltd.
The Angels3:19