By Request… The Best of John Williams and the Boston Pops

~ Pubblicazione di John Williams and the Boston Pops (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

Annotazione

Copyright: © 1987 Universal International Music B.V.
℗ 1987 Universal International Music B.V.

Tracks 1, 8, 11, 12 and 14 newly recorded for this compilation.

Annotazione modificata l'ultima volta il 2025-02-03 12:38 UTC.

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1Olympic Fanfare and Theme
tecnico di registrazione:
Erdo Groot (sound engineer for recordings of classical music)
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1987-05)
direttore d'orchestra:
John Williams (American score composer) (nel 1987-05)
tecnico di bilanciamento:
Onno Scholtze (sound engineer)
diritti fonografici (℗) detenuti da:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1987-05)
registrazione di:
Olympic Fanfare and Theme (1984 version) (nel 1987-05)
compositore:
John Williams (American score composer)
parte di:
Official Songs of the Olympic Games (numero: 1984)
John Williams4:28
2The Cowboys: Overture
produttore:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (nel 1981-06)
direttore d'orchestra:
John Williams (American score composer) (nel 1981-06)
diritti fonografici (℗) detenuti da:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (nel 1982)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1981-06)
registrazione di:
The Cowboys (nel 1981-06)
compositore:
John Williams (American score composer)
registrazione di:
The Cowboys Overture (The Cowboys)
compositore:
John Williams (American score composer)
John Williams8:59
3Close Encounters of the Third Kind: Suite
produttore:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (nel 1980-06)
direttore d'orchestra:
John Williams (American score composer) (nel 1980-06)
diritti fonografici (℗) detenuti da:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (nel 1980)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1980-06)
registrazione di:
Close Encounters of the Third Kind: Suite (nel 1980-06)
compositore:
John Williams (American score composer)
editore:
EMI Music Publishing (do not use as a release label!)
John Williams10:11
4March: Midway
tecnico:
Stanley Goodall (engineer), Jack Law (engineer) e Michael Mailes (engineer)
produttore:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (nel 1980-06)
direttore d'orchestra:
John Williams (American score composer) (nel 1980-06)
diritti fonografici (℗) detenuti da:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (nel 1980)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1980-06)
registrazione di:
Midway March (nel 1980-06)
compositore:
John Williams (American score composer) (nel 1976)
parte di:
Midway (1976 film score)
John Williams4:15
5E.T.: Flying Theme
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1982)
direttore d'orchestra:
John Williams (American score composer) (nel 1982)
diritti fonografici (℗) detenuti da:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (nel 1982) e Universal International Music B.V. (company, do not use as label) (nel 1982)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1982)
registrazione di:
E.T. The Extra-Terrestrial: Flying (concert arrangement) (nel 1982)
compositore:
John Williams (American score composer) (nel 1982)
parte di:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
registrazione di:
E.T.: Main Theme
compositore:
John Williams (American score composer) (nel 1982)
parte di:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
John Williams3:49
6Return of the Jedi: Luke & Leia Theme
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1983-06)
direttore d'orchestra:
John Williams (American score composer) (nel 1983-06)
diritti fonografici (℗) detenuti da:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1983-06)
registrazione di:
Luke and Leia (Star Wars, Episode VI: Return of the Jedi) (nel 1983-06)
compositore:
John Williams (American score composer)
editore:
Fox Fanfare Music Inc.
parte di:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
John Williams4:30
7Superman: March
produttore:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (nel 1980-06)
direttore d'orchestra:
John Williams (American score composer) (nel 1980-06)
diritti fonografici (℗) detenuti da:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (nel 1980)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1980-06)
registrazione di:
Main Theme (Superman: The Movie) (nel 1980-06)
compositore:
John Williams (American score composer)
parte di:
Superman: The Movie (1978 film soundtrack)
John Williams4:29
8Liberty Fanfare
tecnico di registrazione:
Erdo Groot (sound engineer for recordings of classical music)
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1987-05)
direttore d'orchestra:
John Williams (American score composer) (nel 1987-05)
tecnico di bilanciamento:
Onno Scholtze (sound engineer)
diritti fonografici (℗) detenuti da:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1987-05)
registrazione di:
Liberty Fanfare (nel 1987-05)
compositore:
John Williams (American score composer) (nel 1986)
eseguita per la prima volta presso:
[concert] (1986-06-04)
è stata commissionata da:
Statute of Liberty – Ellis Island Foundation
John Williams4:19
9Raiders of the Lost Ark: March
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1982)
direttore d'orchestra:
John Williams (American score composer) (nel 1982)
diritti fonografici (℗) detenuti da:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (nel 1982) e Universal International Music B.V. (company, do not use as label) (nel 1982)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1982)
registrazione di:
The Raiders March (Raiders of the Lost Ark) (nel 1982)
compositore:
John Williams (American score composer)
editore:
BMG Music
parte di:
Indiana Jones and the Kingdom of the Crystal Skull
John Williams5:33
10The Empire Strikes Back: Yoda's Theme
produttore:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (nel 1980-06)
direttore d'orchestra:
John Williams (American score composer) (nel 1980-06)
diritti fonografici (℗) detenuti da:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (nel 1980)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1980-06)
registrazione di:
Yoda's Theme (Star Wars, Episode V: The Empire Strikes Back) (nel 1980-06)
orchestratore:
Herbert Winfield Spencer (composer and orchestrator)
compositore:
John Williams (American score composer)
parte di:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams3:24
111941: March
tecnico di registrazione:
Erdo Groot (sound engineer for recordings of classical music)
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1987-05)
direttore d'orchestra:
John Williams (American score composer) (nel 1987-05)
tecnico di bilanciamento:
Onno Scholtze (sound engineer)
diritti fonografici (℗) detenuti da:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1987-05)
registrazione di:
The March (1941) (nel 1987-05)
compositore:
John Williams (American score composer)
parte di:
1941
John Williams4:30
12Jaws: Theme
tecnico di registrazione:
Erdo Groot (sound engineer for recordings of classical music)
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1987-05)
direttore d'orchestra:
John Williams (American score composer) (nel 1987-05)
tecnico di bilanciamento:
Onno Scholtze (sound engineer)
diritti fonografici (℗) detenuti da:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1987-05)
registrazione di:
Main Theme (Jaws) (nel 1987-05)
compositore:
John Williams (American score composer)
parte di:
Jaws (1975 film score)
John Williams2:57
13The Empire Strikes Back: The Imperial March
produttore:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (nel 1980-06)
direttore d'orchestra:
John Williams (American score composer) (nel 1980-06)
diritti fonografici (℗) detenuti da:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (nel 1980)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1980-06)
registrazione di:
The Imperial March (Star Wars, Episode V: The Empire Strikes Back, Darth Vader’s Theme) (nel 1980-06)
orchestratore:
Herbert Winfield Spencer (composer and orchestrator)
compositore:
John Williams (American score composer)
editore:
Fox Fanfare Music Inc.
parte di:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
John Williams3:10
14Mission Theme: Theme From N.B.C. News
tecnico di registrazione:
Erdo Groot (sound engineer for recordings of classical music)
produttore:
John McClure (recording engineer and record producer)
orchestra:
Boston Pops Orchestra (nel 1987-05)
direttore d'orchestra:
John Williams (American score composer) (nel 1987-05)
tecnico di bilanciamento:
Onno Scholtze (sound engineer)
diritti fonografici (℗) detenuti da:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1987-05)
registrazione di:
The Mission (NBC News theme) (nel 1987-05)
compositore:
John Williams (American score composer)
John Williams3:29
15Star Wars: Main Title
produttore:
George Korngold (producer)
orchestra:
Boston Pops Orchestra (nel 1980-06)
direttore d'orchestra:
John Williams (American score composer) (nel 1980-06)
diritti fonografici (℗) detenuti da:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (nel 1980)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (nel 1980-06)
registrazione di:
Main Title (Star Wars) (nel 1980-06)
compositore:
John Williams (American score composer) (conclusa)
editore:
Bantha Music, Fox Fanfare Music Inc., Utapau Music e Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
parte di:
Star Wars Holiday Special (television soundtrack)
parte di:
Star Wars, Episode I: The Phantom Menace (film soundtrack)
parte di:
Star Wars, Episode II: Attack of the Clones (2002 film score)
parte di:
Star Wars, Episode III: Revenge of the Sith (film soundtrack)
parte di:
Star Wars, Episode IV: A New Hope (film soundtrack)
parte di:
Star Wars, Episode IX: The Rise of Skywalker (2019 film score)
parte di:
Star Wars, Episode V: The Empire Strikes Back (film soundtrack)
parte di:
Star Wars, Episode VI: Return of the Jedi (film soundtrack)
parte di:
Star Wars, Episode VII: The Force Awakens (2015 film score)
parte di:
Star Wars, Episode VIII: The Last Jedi (2017 film score)
parte di:
Star Wars: Shadows of the Empire
John Williams5:36

Accreditamenti

Gruppo di pubblicazioni

compresa in:Complete Philips Recordings di John Williams (American score composer)
parte di:Boston Pops conducted by John Williams compilations (ordine: 2)
Boston Pops conducted by John Williams (ordine: 18)