Cold Feet

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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▶ CD 1
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#TitoloArtistaValutazioneDurata
1Cold Feet Theme
registrazione di:
Cold Feet (theme)
compositore:
Mark Russell (UK television theme composer)
editore:
Granada Music
Mark Russell1:33
2Right Here Right Now
diritti fonografici (℗) detenuti da:
Skint Records (nel 1998)
campionamenti:
Ashes the Rain and I di James Gang (US rock group) e Ashes, the Rain and I di James Gang (US rock group)
registrazione di:
Right Here, Right Now
compositore:
Fatboy Slim, Dale Peters e Joe Walsh (Eagles/James Gang)
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Ltd., Pamco Music, Polygram Music e PolyGram Music Publishing Ltd.
Fatboy Slim3.55:54
3Windowlicker
produttore:
Richard D. James (British electronic musician)
diritti fonografici (℗) detenuti da:
Warp Records Limited (nel 1999)
video musicali:
Windowlicker (music video, directors cut) di Aphex Twin
registrazione di:
Windowlicker
compositore:
Richard D. James (British electronic musician)
editore:
Chrysalis Music (music publisher, ASCAP-affiliated) e Chrysalis Music Ltd. (music publisher (affiliated with PRS))
Aphex Twin4.556:04
4Ready to Go
diritti fonografici (℗) detenuti da:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (nel 1996) e BMG UK & Ireland (nel 1996)
registrazione di:
Ready to Go
autore:
Tim Dorney, Johnny Male, Saffron (singer of Republica) e Andy Todd (UK electronic producer/keyboardist, member of Republica)
editore:
BMG Music Publishing Ltd., Momentum Music (publisher), Momentum Music Ltd., Notting Hill Music (UK) Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Republica44:08
5Only Love Can Break Your Heart
tecnico:
Ian Catt
produttore:
Saint Etienne
basso ospite :
Harvey Williams
voce:
Moira Lambert
arrangiatore:
Bob Stanley (Saint Etienne member) e Pete Wiggs
diritti fonografici (℗) detenuti da:
Creation Records Ltd. (nel 1990) e Heavenly Recordings (nel 1990)
parte di:
New York Post: 100 Greatest Covers (2007) (numero: 35)
registrazione cover di:
Only Love Can Break Your Heart
paroliere e compositore:
Neil Young (Canadian singer, songwriter & musician)
editore:
Broken Arrow Music, Broken Arrow Music Pub, Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell Music, Inc.
Saint Etienne54:29
6Missing (Todd Terry club mix)
produttore:
John Coxon e Everything but the Girl
produttore aggiunto:
Todd Terry (US house DJ, producer and remixer)
editor:
Ben Watt
voce:
Tracey Thorn (of Everything but the Girl) e Ben Watt
remixer:
Todd Terry (US house DJ, producer and remixer)
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) (nel 1994, nel 1995)
edit di:
Missing (Todd Terry club mix) di Everything but the Girl
registrazione di:
Missing
paroliere:
Tracey Thorn (of Everything but the Girl)
compositore:
Tracey Thorn (of Everything but the Girl) e Ben Watt
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Sony Music Publishing (worldwide except Japan, ended 1995)
Everything but the Girl3.653:54
7Never Can Say Goodbye
produttore:
Stephen Hague
produttore aggiunto e tecnico di missaggio aggiunto:
Shep Pettibone
diritti fonografici (℗) detenuti da:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (nel 1987) e London Records Ltd. (not release label) (nel 1987)
registrazione cover di:
Never Can Say Goodbye
paroliere e compositore:
Clifton Davis (musical theatre actor, singer and songwriter)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Jobete Music Co., Inc. e Portable Music Co., Inc.
The Communards3.54:50
8The Power of Love
produttore:
Trevor Horn
produttore aggiunto:
Stephen Lipson
batteria :
Peter Gill (UK drummer for Frankie Goes to Hollywood)
chitarra :
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
chitarra basso :
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
percussione ospite :
Luis Jardim
tastiera ospite :
Andrew Richards (Strawbs keyboard player/record producer) e Anne Dudley (English score composer)
voce principale:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) e Paul Rutherford (member of Frankie Goes to Hollywood)
direttore d'orchestra:
Stuart Bruce
arrangiatore archi e arrangiatore aggiunto:
Anne Dudley (English score composer)
diritti fonografici (℗) detenuti da:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (nel 1984)
registrazione di:
The Power of Love
autore:
Peter Gill (UK drummer for Frankie Goes to Hollywood), Holly Johnson, Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter) e Mark O’Toole (former bassist of Frankie Goes to Hollywood)
editore:
Perfect Songs Ltd. (UK publisher, affiliated with PRS) e Rubet Music Publishing, Inc.
Frankie Goes to Hollywood45:29
9Do You Really Want to Hurt Me
assistente tecnico:
Gordon Milne (engineer)
tecnico e produttore:
Steve Levine (producer)
tecnico di missaggio:
Steve Levine (producer) e Jon Moss
batteria e vibrafono :
Jon Moss
chitarra , pianoforte elettrico e sintetizzatore :
Roy Hay (Member of Culture Club and composer for film and television)
chitarra basso :
Mikey Craig (Culture Club bassist)
synclavier :
Keith Miller (Synthesiser Pioneer)
voce aggiuntiva:
Helen Terry (UK singer)
voce principale:
Boy George
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1982)
registrata presso:
Red Bus Studios in London (Greater London), England, Regno Unito (nel 1982)
video musicali:
Do You Really Want to Hurt Me di Culture Club (English pop group)
parte di:
VH1: 100 Greatest Songs of the 80's (compiled in 2006) (numero: 58)
registrazione di:
Do You Really Want to Hurt Me
autore:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) e Jon Moss
editore:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L e Virgin Music (Publishers) Ltd.
Culture Club3.954:22
10Love Plus One
produttore:
Bob Sargeant
diritti fonografici (℗) detenuti da:
BMG Eurodisc Ltd. (nel 1982)
parte di:
VH1's 100 Greatest One-Hit Wonders of the '80s (numero: 90)
registrazione di:
Love Plus One
paroliere e compositore:
Nick Heyward
editore:
Bryan Morrison Music Ltd.
Haircut One Hundred43:37
11Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1's 100 Greatest One-Hit Wonders of the '80s (numero: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80's (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.92:35
12True
produttore:
Steve Jolley, Spandau Ballet e Tony Swain (songwriter, producer)
esecutore:
Spandau Ballet
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1983)
video musicali:
True di Spandau Ballet
registrazione di:
True
paroliere e compositore:
Gary Kemp
editore:
Reformation Publishing Co. Ltd. e Reformation Publishing Inc.
Spandau Ballet3.655:31
13Magic Moments
voce:
Perry Como (US pop singer & TV personality, 1912–2001) (nel 1957) e The Ray Charles Singers (nel 1957)
orchestra:
Mitchell Ayres and His Orchestra
esecutore:
Perry Como (US pop singer & TV personality, 1912–2001) e Mitchell Ayres and His Orchestra (nel 1957)
arrangiatore:
Joe Reisman
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1958)
registrazione di:
Magic Moments
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
BMG Music Publishing Ltd. e MCA Music Ltd.
Perry Como3.752:40
14Can't Take My Eyes Off You
voce:
Andy Williams (US pop/jazz vocalist)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1967)
registrazione cover di:
Can’t Take My Eyes Off You (1967 song)
autore:
Bob Crewe e Bob Gaudio
editore:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. e Seasons Four Music Corp. (nel 1967)
sub-editore:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
Andy Williams43:09
15Working in a Coalmine
voce:
Lee Dorsey
registrazione di:
Working in the Coal Mine
paroliere e compositore:
Allen Toussaint
editore:
Marsaint Music Inc. (publishing), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
Lee Dorsey2:44
16Jolene
tecnico:
Tom Pick
produttore:
Bob Ferguson
banjo :
Bobby Thompson (guitar & banjo player) (il 1972-05-03) e Buck Trent (il 1972-05-03)
basso :
Bobby Dyson (il 1972-05-03)
batteria :
Kenny Malone (session drummer/percussion) (il 1972-05-03)
chitarra :
Dolly Parton (il 1972-05-03)
chitarra [rhythm guitar] :
Dave Kirby (US country singer/songwriter) (il 1972-05-03)
chitarra elettrica :
Jimmy Colvard (American session guitarist) (il 1972-05-03)
chitarra steel :
Stu Basore (il 1972-05-03)
pianoforte :
Hargus "Pig" Robbins (il 1972-05-03)
violino folk :
Johnny Gimble (il 1972-05-03) e Mack Magaha (Bluegrass Fiddler) (il 1972-05-03)
voce:
Dolly Parton (il 1972-05-03)
voce di accompagnamento:
Joe Babcock (il 1972-05-03), Dolores Edgin (il 1972-05-03), June Page (il 1972-05-03) e Hurshel Wiginton (il 1972-05-03)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1973) e Sony Music Entertainment (Sony Music Entertainment, Inc., NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1973)
registrata presso:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Stati Uniti (il 1972-05-03)
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 1), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 28), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 63) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 217)
registrazione di:
Jolene (il 1972-05-03)
paroliere e compositore:
Dolly Parton
editore:
Carlin Music Corporation, Neue Welt Musikverlag GmbH (2017 – present), Owepar Publishing Inc. e Velvet Apple Music
Dolly Parton4.252:40
17He'll Have to Go
produttore:
Chet Atkins
voce:
Jim Reeves (US country & pop singer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1959)
registrazione di:
He’ll Have to Go (il 1959-10-15)
autore:
Audrey Allison e Joe Allison
editore:
Campbell Connelly & Co. Ltd. e Central Songs
Jim Reeves4.52:24
18In a Sentimental Mood
diritti fonografici (℗) detenuti da:
WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (nel 1989)
registrazione cover di:
In a Sentimental Mood
paroliere:
Manny Kurtz e Irving Mills
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1935)
editore:
American Academy of Music, Inc., Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), J. R. Lafleur & Son Ltd., Lafleur Music Ltd., Mills Music e Sony/ATV Harmony
Dr. John4:06
19When I Fall in Love
batteria :
Dave Bailey
chitarra :
Mundell Lowe
contrabbasso :
Milt Hinton
pianoforte :
Jimmy Jones (jazz pianist, active years 1936-1975)
sassofono tenore :
Ben Webster
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (nel 1958)
registrazione strumentale cover di:
When I Fall in Love
paroliere:
Edward Heyman
compositore:
Victor Young (American composer, arranger, violinist & conductor)
editore:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ben Webster4:57
20My Funny Valentine
produttore:
Richard Bock (record producer)
batteria :
Bob Neel (il 1954-02-15)
contrabbasso :
Carson Smith (il 1954-02-15)
pianoforte :
Russ Freeman (pianist) (il 1954-02-15)
tromba :
Chet Baker (American jazz trumpeter and vocalist) (il 1954-02-15)
voce:
Chet Baker (American jazz trumpeter and vocalist) (il 1954-02-15)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1954) e Blue Note (nel 1989)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1954-02-15)
registrazione cover di:
My Funny Valentine (from “Babes in Arms”) (il 1954-02-15)
paroliere:
Lorenz Hart (nel 1937)
compositore:
Richard Rodgers (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) e Williamson Music Company
sub-editore:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Babes in Arms (full musical)
parte di:
The Real Book (compilation of jazz standards, Volume I)
parte di:
Waiting to Exhale (1995 film)
Chet Baker2.52:17

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