The Best Easy Album …Ever!

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

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▼ CD 1
#TitoloArtistaValutazioneDurata
1Can’t Take My Eyes Off You
registrazione cover di:
Can’t Take My Eyes Off You (1967 song)
autore:
Bob Crewe e Bob Gaudio
editore:
EMI Longitude Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing (WP) Ltd., Saturday Music, Inc., Windswept Pacific Music Ltd. e Seasons Four Music Corp. (nel 1967)
sub-editore:
EMI Music Publishing France, EMI Music Publishing Ltd. (PRS‐affiliated), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
Andy Williams3:16
2Memories Are Made of This
produttore:
Lee Gillette
voce:
Dean Martin (American singer/actor) (nel 1955)
voce di accompagnamento:
The Easy Riders
orchestra:
Dick Stabile and His Orchestra (nel 1955)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1955)
registrazione cover di:
Memories Are Made of This (nel 1955)
autore:
Richard Dehr (nel 1955), Terry Gilkyson (nel 1955) e Frank Miller (American singer & songwriter) (nel 1955)
Dean Martin52:17
3On the Street Where You Live
registrazione cover di:
On the Street Where You Live (My Fair Lady)
paroliere:
Alan Jay Lerner
compositore:
Frederick Loewe
editore:
Chappell & Co Ltd., Chappell Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
My Fair Lady (full musical)
Nat King Cole3:11
4Beyond the Sea
Bobby Darin2:55
5We Have All the Time in the World
produttore:
John Barry (English score composer) e Phil Ramone
voce principale:
Louis Armstrong
direttore d'orchestra:
John Barry (English score composer)
arrangiatore:
John Barry (English score composer)
diritti fonografici (℗) detenuti da:
Metro Goldwyn Mayer (pre‐MGM/UA Entertainment Co. era, 1924–1981)
registrazione di:
We Have All the Time in the World (from the film "On Her Majesty’s Secret Service")
paroliere:
Hal David
compositore:
John Barry (English score composer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e EMI United Partnership Ltd.
parte di:
James Bond themes
parte di:
On Her Majesty's Secret Service (from the James Bond film)
Louis Armstrong3.53:15
6I Left My Heart in San Francisco
produttore:
Ernie Altschuler
voce:
Tony Bennett (US jazz/standards vocalist)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1962)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 485)
registrazione cover di:
I Left My Heart in San Francisco (il 1962-01-23)
paroliere:
Douglass Cross (US songwriter)
compositore:
George Cory
editore:
Colgems-EMI Music Inc., Dash Music Co. Ltd. e EMI April Music Inc.
Tony Bennett32:53
7Wives and Lovers
registrazione di:
Wives and Lovers
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
10 Music Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) e Virgin Music (Publishers) Ltd.
Jack Jones2:30
8Comin’ Home Baby
Mel Tormé2:44
9Mas que nada
Sérgio Mendes2:39
10If I Had a Hammer
registrazione di:
If I Had a Hammer
autore:
Lee Hays (nel 1949) e Pete Seeger (nel 1949)
Trini Lopez3:00
11The More I See You
Chris Montez2:40
12Up Up and Away
The Johnny Mann Singers2:32
13Whatever Will Be, Will Be (Que será, será)
voce:
Doris Day (il 1956-02-24)
orchestra:
Frank De Vol and His Orchestra (il 1956-02-24)
direttore d'orchestra:
Frank De Vol (il 1956-02-24)
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment Inc. (dal 1956 a oggi)
registrazione cover di:
Que será, será (Whatever Will Be, Will Be) (il 1956-02-24)
paroliere:
Ray Evans (American songwriter)
compositore:
Jay Livingston
editore:
Jay Livingston Music Inc., St. Angelo Music e Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
parte di:
The 29th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 29)
Doris Day2:07
14Sugar Town
registrazione di:
Sugar Town
paroliere e compositore:
Lee Hazlewood
editore:
Granite Music Corporation
Nancy Sinatra2:25
15I Couldn’t Live Without Your Love
registrazione di:
I Couldn’t Live Without Your Love
paroliere:
Jackie Trent (English singer‐songwriter and actress)
compositore:
Tony Hatch
editore:
Welbeck Music Ltd.
Petula Clark2:53
16Avenues & Alleyways
registrazione di:
Avenues and Alleyways (The Protectors)
paroliere e compositore:
Peter Callander e Mitch Murray
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e ATV Kirshner (publisher) (nel 1972)
Tony Christie3:20
17Where Are You Now (My Love)
registrazione di:
Where Are You Now (My Love)
compositore:
Tony Hatch e Jackie Trent (English singer‐songwriter and actress)
Jackie Trent2:47
18Raindrops Keep Falling on My Head
voce:
B.J. Thomas
direttore d'orchestra:
Burt Bacharach
diritti fonografici (℗) detenuti da:
Scepter (a/k/a Scepter Records) (nel 1970)
parte di:
Billboard Year‐End Hot 100 Singles (1970) (numero: 4) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 345)
registrazione di:
Raindrops Keep Fallin’ on My Head
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
BMG Rights Management (UK) Ltd. (Hal David) (not for release label use!), Casa David, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), New Hidden Valley Music Co., PW Arrangements, Universal Music Corp. (USA, affiliated with ASCAP), WB Music Corp. (1929–2019), フジパシフィックミュージック (Fujipacific Music, Inc.) e フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
parte di:
The 42nd Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 42)
B.J. Thomas43:04
19Candy Man
Sammy Davis Jr.1:59
20Sway
produttore:
Lee Gillette
voce:
Dean Martin (American singer/actor) (nel 1952)
orchestra:
Dick Stabile and His Orchestra (nel 1952)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1952)
registrazione cover di:
Sway (nel 1952)
paroliere:
Norman Gimbel
compositore:
Pablo Beltrán Ruiz
editore:
Latin-American Music Publishing Co. Ltd.
versione di:
¿Quién será?
Dean Martin42:44
21A Man Without Love
registrazione di:
A Man Without Love (Quando m'innamoro)
paroliere:
Mario Panzeri (Italian lyricist and composer)
compositore:
Roberto Livraghi e Daniele Pace (italian lyricist & songwriter)
traduttore:
Barry Mason (English songwriter)
versione tradotta di:
Quando m’innamoro
Engelbert Humperdinck43:20
22We’re Gonna Change the World
registrazione di:
We're Gonna Change the World
Matt Monro3:35
23Big Spender
produttore:
Kenneth Hume e Norman Newell
voce:
Shirley Bassey (Welsh singer)
voce principale:
Shirley Bassey (Welsh singer)
orchestra:
Alyn Ainsworth and His Orchestra
direttore d'orchestra:
Ernest Freeman
arrangiatore:
Ernest Freeman
registrazione di:
Big Spender
paroliere:
Dorothy Fields (American librettist and lyricist)
compositore:
Cy Coleman
editore:
Campbell Connelly & Co. Ltd. e WB Music Corp. (1929–2019)
parte di:
Overture (Sweet Charity)
parte di:
Sweet Charity
Shirley Bassey4.51:50
24King of the Road
registrata a:
Tennessee, Stati Uniti
produttore:
Jerry Kennedy
voce:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (nel 1964-11)
diritti fonografici (℗) detenuti da:
Smash (nel 1965)
registrazione di:
King of the Road (il 1964-11-03)
paroliere:
Roger Miller (US singer/songwriter/actor, “King of the Road”)
compositore:
Roger Miller (US singer/songwriter/actor, “King of the Road”) (nel 1964)
editore:
Burlington Music Co., Ltd.
Roger Miller4.652:30
25What the World Needs Now Is Love
registrazione di:
What the World Needs Now Is Love
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Casa David LP, New Hidden Valley Music Co., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2), BMG Rights Management (UK) Ltd. (Hal David) (not for release label use!) (nel 1965), Songs of Fujimusic (nel 1965, nel 1993) e BMG Rights Management (UK) Ltd. (not for release label use!) (nel 1993)
Jackie DeShannon3.63:06
26We’ve Only Just Begun
The Ray Conniff Singers2:54
▼ CD 2
#TitoloArtistaValutazioneDurata
1Smile
produttore:
Lee Gillette
ance :
John Hacker (il 1954-07-27), Harry Klee (il 1954-07-27) e Dominic Mumolo (il 1954-07-27)
basso :
Charlie Harris (jazz bassist) (il 1954-07-27)
batteria :
Lee Young (40s-60s US jazz drummer, then producer/A&R) (il 1954-07-27)
chitarra :
John Collins (US jazz guitarist) (il 1954-07-27)
corno francese :
Vincent DeRosa (il 1954-07-27) e William Hinshaw (American horn player) (il 1954-07-27)
percussione :
Louis Singer (percussionist) (il 1954-07-27)
pianoforte :
Bill Miller (pianist) (il 1954-07-27)
trombone :
Francis Howard (trombone) (il 1954-07-27)
trombone basso :
George Roberts (american bass trombone) (il 1954-07-27)
viola :
Stanley Harris (US big band viola player) (il 1954-07-27), Paul Robyn (il 1954-07-27), Barbara Simons (il 1954-07-27) e Dave Sterkin (il 1954-07-27)
violino :
Leonard Atkins (il 1954-07-27), Victor Bay (il 1954-07-27), Alex Beller (il 1954-07-27), Harry Bluestone (il 1954-07-27), Walter Edelstein (il 1954-07-27), Nathan Ross (il 1954-07-27), Mischa Russell (violinist) (il 1954-07-27), Eudice Shapiro (Violinist) (il 1954-07-27), Paul Shure (il 1954-07-27), Felix Slatkin (il 1954-07-27), Marshall Sosson (il 1954-07-27) e Gerald Vinci (American violinist and strings conductor) (il 1954-07-27)
violoncello :
Cy Bernard (il 1954-07-27), Armand Kaproff (il 1954-07-27), Ray Kramer (il 1954-07-27) e Eleanor Slatkin (Eleanor Aller Slatkin; American cellist (1917-1995)) (il 1954-07-27)
voce:
Nat King Cole (il 1954-07-27)
orchestra:
Nelson Riddle and His Orchestra (nel 1954)
direttore d'orchestra:
Nelson Riddle (il 1954-07-27)
arrangiatore:
Nelson Riddle
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1954-07-27)
registrazione cover di:
Smile (il 1954-07-27)
paroliere:
Geoffrey Parsons (lyricist) e John Turner (lyricist)
compositore:
Charlie Chaplin (filmmaker)
editore:
Bourne France Éditions Musicale, Bourne Music Ltd. e Bourne Co. (not for release label use, this is a music publisher) (nel 1954)
sub-editore:
Editions Vedette Sprl e 日音 Synch事業部 (NICHION, INC. Synch Division)
si basa su:
Smile (Modern Times; original instrumental version)
parte di:
Chaplin
Nat King Cole2:53
2The Look of Love
registrazione di:
The Look of Love
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Colgems Music Corp., Colgems-EMI Music Inc., Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
The 40th Academy Award for Best Original Song (numero: 2)
Dusty Springfield53:41
3Joanna
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1968)
registrazione di:
Joanna
autore:
Tony Hatch e Jackie Trent (English singer‐songwriter and actress)
editore:
ATV Music Ltd.
Scott Walker33:51
4Ev’ry Time We Say Goodbye
tecnico:
Val Valentin
produttore:
Norman Granz
arpa :
Corky Hale (il 1956-02-07)
batteria :
Alvin Stoller (il 1956-02-07)
celesta e pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1956-02-07)
chitarra :
Barney Kessel (il 1956-02-07)
contrabbasso :
Joe Mondragon (il 1956-02-07)
flauto :
Ted Nash (40s-80s US swing reedman, uncle of the other) (il 1956-02-07)
oboe :
Bob Cooper (US jazz saxophonist) (il 1956-02-07)
violoncello :
Robert La Marchina (US cellist and conductor) (il 1956-02-07) e Edgar Lustgarten (il 1956-02-07)
voce principale:
Ella Fitzgerald (American jazz singer) (il 1956-02-07)
orchestra:
Buddy Bregman Orchestra (il 1956-02-07)
direttore d'orchestra:
Buddy Bregman (il 1956-02-07)
arrangiatore:
Buddy Bregman
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (nel 1956)
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-02-07)
registrazione cover di:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (il 1956-02-07)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ella Fitzgerald3.53:31
5Anyone Who Had a Heart
registrazione di:
Anyone Who Had a Heart
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Carlin Music Corp., WB Music Corp. (1929–2019), Blue Seas Music, Inc. (nel 1963), JAC Music Co., Inc. (nel 1963) e U.S. Songs, Inc. (nel 1963)
versione tradotta di:
Quelli che hanno un cuore
Dionne Warwick2:53
6Wondrous Place
Billy Fury2:25
7Galveston
diritti fonografici (℗) detenuti da:
Capitol Records Nashville (nel 2001)
registrazione cover di:
Galveston (nel 1969)
paroliere e compositore:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
Glen Campbell2:42
8(It Looks Like) I’ll Never Fall in Love Again
registrazione cover di:
I’ll Never Fall in Love Again
paroliere:
Jimmie Currie (songwriter) e Lonnie Donegan
si basa su:
Wanderin' (American folk song)
registrazione di:
I’ll Never Fall in Love Again
paroliere:
Jimmie Currie (songwriter) e Lonnie Donegan
si basa su:
Wanderin' (American folk song)
Tom Jones34:15
9Midnight Cowboy
registrazione di:
Midnight Cowboy
compositore:
John Barry (English score composer)
editore:
EMI United Partnership Ltd.
John Barry42:45
10Moon River
voce:
Danny Williams
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (nel 1961)
registrazione cover di:
Moon River
paroliere:
Johnny Mercer
compositore:
Henry Mancini (US composer, conductor & arranger)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Chappell, Famous Music Group, Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1961) e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (nel 1989)
sub-editore:
BMG Ariola Belgium (do not use this as an imprint!), BMG Unisongs Music Publishers BV, Famous Music Publishing Germany GmbH & Co. KG e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
parte di:
The 34th Academy Award for Best Original Song (numero: 1), Grammy Award: Song of the Year nominees (numero: 1962 winner) e Academy Award for Best Original Song (numero: 34)
Danny Williams3.52:37
11Misty
produttore:
Al Ham e Mitch Miller
voce:
Johnny Mathis (US pop/soul singer) (nel 1959)
direttore d'orchestra:
Glenn Osser (nel 1959)
arrangiatore:
Glenn Osser
registrazione di:
Misty
paroliere:
Johnny Burke (American lyricist, 1908-1964)
compositore:
Erroll Garner
editore:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Vernon Music Inc., Warner/Chappell Music Ltd. (1996–2019) e WB Music Corp. (1929–2019)
si basa su:
Misty (original instrumental work)
Johnny Mathis3:35
12For All We Know
produttore:
Johnny Harris (Scottish composer, conductor)
voce:
Shirley Bassey (Welsh singer)
direttore d'orchestra:
Johnny Harris (Scottish composer, conductor)
arrangiatore:
Johnny Harris (Scottish composer, conductor)
registrazione cover di:
For All We Know (Lovers and Other Strangers, 1970)
paroliere:
Arthur James (soft rock singer/songwriter/guitarist) e Robb Wilson
compositore:
Fred Karlin
editore:
MCA Music Ltd. (conclusa), Pamco Music Inc. (conclusa), EMI Al Gallico Music Corp., Songs of Universal, Inc. (BMI) e Universal Music Corp. (USA, affiliated with ASCAP)
parte di:
The 43rd Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 43)
Shirley Bassey2:45
13Downtown
voce:
Petula Clark (English singer & actor) (nel 1964)
arrangiatore:
Tony Hatch
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1964)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 227)
registrazione di:
Downtown (nel 1964)
paroliere e compositore:
Tony Hatch
editore:
ATV Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Welbeck Music Ltd.
sub-editore:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Petula Clark4.353:11
14That’s Amore
registrazione di:
That’s Amore
paroliere:
Jack Brooks (English–American lyricist)
compositore:
Harry Warren (US composer and lyricist)
editore:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) e Universal Songs (publisher)
sub-editore:
BMG Ariola Belgium (do not use this as an imprint!) e BMG Unisongs Music Publishers BV
parte di:
The 26th Academy Award for Best Original Song (numero: 2)
parte di:
The Real Book (compilation of jazz standards, Volume I)
Dean Martin3:21
15Somethin’ Stupid
registrata a:
Hollywood, Los Angeles, California, Stati Uniti (il 1967-02-01)
tecnico:
Eddie Brackett e Phil Ramone
produttore:
Jimmy Bowen (producer, rockabilly musician and songwriter) e Lee Hazlewood
voce:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (il 1967-02-01) e Nancy Sinatra (il 1967-02-01)
direttore d'orchestra:
Billy Strange (il 1967-02-01)
arrangiatore:
Billy Strange (il 1967-02-01)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1967)
registrazione cover di:
Somethin’ Stupid (il 1967-02-01)
paroliere e compositore:
Carson Parks
editore:
Greenwood Music, Montclare Music e Montclare Music Co Ltd.
versione tradotta di:
Forelsket
registrazione di:
Somethin’ Stupid
paroliere e compositore:
Carson Parks
editore:
Greenwood Music, Montclare Music e Montclare Music Co Ltd.
versione tradotta di:
Forelsket
Frank & Nancy Sinatra42:35
16Fever
batteria :
Shelly Manne (US jazz drummer) (il 1958-05-19)
contrabbasso [bass] :
Joe Mondragon (il 1958-05-19)
schiocchi di dita :
Peggy Lee (jazz vocalist) (il 1958-05-19) e Howard Roberts (jazz guitarist, educator, session musician and producer) (il 1958-05-19)
voce:
Peggy Lee (jazz vocalist) (il 1958-05-19)
direttore d'orchestra:
Jack Marshall (US jazz guitarist, composer, arranger & record producer) (il 1958-05-19)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1958)
registrazione cover di:
Fever (il 1958-05-19)
autore:
Eddie Cooley e John Davenport (songwriter Otis Blackwell)
editore:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. e Trio Music Company
parte di:
The Adjustment Bureau
Peggy Lee4.253:19
17It Had to Be You
registrazione di:
It Had to Be You
paroliere:
Gus Kahn (nel 1924)
compositore:
Isham Jones (nel 1924)
editore:
Bantam Music Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, The Songwriters Guild, Warner Bros., Inc. (not for release label use!) e Jerome H. Remick & Co. (il 1924-05-09)
Vic Damone23:32
18And I Love You So
tecnico:
Tom Pick
produttore:
Chet Atkins
voce:
Perry Como (US pop singer & TV personality, 1912–2001) (il 1973-01-19)
direttore d'orchestra:
Cam Mullins (il 1973-01-19)
arrangiatore:
Cam Mullins
registrazione cover di:
And I Love You So (il 1973-01-19)
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc., Songs of Universal, Inc. (BMI), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Perry Como3:17
19Chanson d’amour
produttore:
Richard Perry (producer)
basso :
Andy Muson (nel 1975)
batteria :
Jim Gordon (US drummer with Derek and the Dominos) (nel 1975)
chitarra :
Ben Benay (nel 1975) e Ira Newborn (nel 1975)
fisarmonica :
Steve Paietta
pianoforte :
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay) (nel 1975)
sassofono tenore solista :
Jay Migliori (nel 1975)
remixer:
Howard Steele (US producer, sound engineer)
arrangiatore:
Ira Newborn
arrangiatore voci:
Tim Hauser (nel 1975) e Janis Siegel (nel 1975)
registrazione cover di:
Chanson d’amour (1958 song) (nel 1975)
paroliere e compositore:
Wayne Shanklin
autore:
Shanklin
editore:
Carlin Music e Intersong (publisher) (nel 1982)
The Manhattan Transfer2:53
20Dream a Little Dream of Me
produttore:
Lou Adler
registrazione cover di:
Dream a Little Dream of Me
paroliere:
Gus Kahn (nel 1931)
compositore:
Fabian André (nel 1931) e Wilbur Schwandt (nel 1931)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) e ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
parte di:
The Real Book (compilation of jazz standards, Volume I)
Cass Elliot3.53:14
21(Where Do I Begin) Love Story
produttore:
Dick Glasser
registrazione di:
(Where Do I Begin?) Love Story (Love Story) (il 1970-12-17)
paroliere:
Carl Sigman
compositore:
Francis Lai (French composer)
editore:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Limited, Music Sales Corporation (American copyright holder in both popular and classical music), Sony/ATV Harmony, Sony/ATV Music Publishing LLC (1995–2020), Windswept Music (London) Limited, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
versione di:
Theme From Love Story (Instrumental)
registrazione cover di:
(Where Do I Begin?) Love Story (Love Story)
paroliere:
Carl Sigman
compositore:
Francis Lai (French composer)
editore:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Famous Music Publishing Limited, Music Sales Corporation (American copyright holder in both popular and classical music), Sony/ATV Harmony, Sony/ATV Music Publishing LLC (1995–2020), Windswept Music (London) Limited, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
versione di:
Theme From Love Story (Instrumental)
Andy Williams3:11
22Honey Come Back
tecnico di registrazione:
Peter Abbott (US recording engineer) e Joe Polito (Engineer)
produttore:
Al de Lorry e Carl Jackson (US country/bluegrass musician/singer/songwriter)
voce principale:
Glen Campbell (US country singer, guitarist & actor)
direttore d'orchestra:
Al de Lory
arrangiatore:
Al de Lory
registrazione di:
Honey Come Back
paroliere e compositore:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
registrazione cover di:
Honey Come Back
paroliere e compositore:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
Glen Campbell3:02
23Yesterday
registrazione cover di:
Yesterday
autore:
John Lennon (The Beatles) e Paul McCartney (The Beatles)
editore:
EMI Blackwood Music Inc., Northern Songs, Sony/ATV, Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) e Maclen Music Ltd. (U.S. based publisher for Lennon–McCartney) (dal 1965 a oggi)
Matt Monro2:48
24Unforgettable
registrata a:
Los Angeles, California, Stati Uniti (il 1951-08-17)
chitarra :
Irving Ashby (il 1951-08-17)
contrabbasso :
Joe Comfort (il 1951-08-17)
pianoforte :
Nat King Cole (il 1951-08-17)
voce:
Nat King Cole (il 1951-08-17)
orchestra e esecutore:
Nelson Riddle and His Orchestra (il 1951-08-17)
registrazione di:
Unforgettable (il 1951-08-17)
paroliere e compositore:
Irving Gordon (US songwriter)
editore:
Bourne Co. (not for release label use, this is a music publisher) e Bourne Music Ltd.
Nat King Cole43:12
25Cry Me a River
produttore:
Bobby Troup
chitarra :
Barney Kessel
contrabbasso [bass] :
Ray Leatherwood
voce:
Julie London
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1957)
registrata presso e mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Cry Me a River
paroliere e compositore:
Arthur Hamilton
editore:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (nel 1982) e Song and Dance Music Co. (nel 1982)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London52:58

Accreditamenti