The 60’s Hall of Fame

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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▼ CD 1
#TitoloArtistaValutazioneDurata
1Working for the Man
registrazione di:
Working for the Man
paroliere e compositore:
Roy Orbison (nel 1962)
Roy Orbison2:31
2Crying
registrazione di:
Crying
paroliere:
Joe Melson (nel 1961) e Roy Orbison (nel 1961)
compositore:
Joe Melson e Roy Orbison
editore:
Acuff Rose Music, Inc. (not for publishing), Barbara Orbison Music Company, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Orbi-Lee Music, R-Key Darkus Music, Rondor Music, Universal/MCA Music Publishing Pty Ltd e Acuff-Rose Publications, Inc. (BMI) (il 1961-08-16)
parte di:
50/50
Roy Orbison2:49
3In Dreams
registrazione di:
In Dreams
paroliere e compositore:
Roy Orbison
editore:
Barbara Orbison Music Company, Roy Orbison Music Company, Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) e Acuff-Rose Publications, Inc. (BMI) (il 1963-02-13)
Roy Orbison2:50
4Blue Bayou
registrazione di:
Blue Bayou
paroliere:
Joe Melson (nel 1963) e Roy Orbison (nel 1963)
compositore:
Joe Melson e Roy Orbison
editore:
Acuff-Rose Publications, Inc. (BMI) (nel 1961)
Roy Orbison2:31
5Penny Arcade
Roy Orbison3:09
6Pretty Woman
Dusty Springfield3:02
7I Only Want to Be With You
produttore:
John Franz
diritti fonografici (℗) detenuti da:
Mercury Ltd (not for release label use!) (nel 1963)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito (il 1973-10-17)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 31) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 323)
registrazione di:
I Only Want to Be With You (Dusty Springfield song) (il 1973-10-17)
autore:
Mike Hawker e Ivor Raymonde
editore:
Chappell & Co Ltd., Chappell Music Ltd., Springfield Music Ltd., Warner Chappell, Warner Chappell Music, Inc., Chappell & Co. (fino al 1987) e Warner/Chappell Music International Ltd. (dal 1987 a oggi)
Dusty Springfield4.42:37
8Stay Awhile
Dusty Springfield1:58
9Wishin’ and Hopin’
Dusty Springfield2:56
10I Just Don’t Know What to Do With Myself
produttore:
John Franz
registrazione cover di:
I Just Don’t Know What to Do With Myself
paroliere:
Hal David
compositore e arrangiatore:
Burt Bacharach
editore:
Belinda Canada Music, Quartet Music, US Songs e Warner/Chappell (Warner/Chappell Music, Inc.)
Dusty Springfield33:03
11You Don’t Have to Say You Love Me
produttore:
John Franz
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 491)
registrazione di:
You Don’t Have to Say You Love Me
paroliere:
Simon Napier-Bell, Vito Pallavicini (Lyricist) e Vicki Wickham
compositore:
Pino Donaggio (Italian singer‐songwriter and score composer)
editore:
Accordo Ediccione, B. Feldman & Co. Ltd. (publisher est. 1946), EMI Miller Catalog, Inc., EMI United Partnership Ltd. e Miller Music Corp.
versione tradotta di:
Io che non vivo (senza te)
Dusty Springfield3.72:50
12Son of a Preacher Man
tecnico:
Ed Kollis
produttore:
Tom Dowd, Arif Mardin e Jerry Wexler
batteria :
Gene Chrisman (nel 1968-09)
chitarra basso :
Tommy Cogbill (nel 1968-09)
chitarra e sitar :
Reggie Young (guitarist and songwriter) (nel 1968-09)
pianoforte elettrico e organo :
Bobby Emmons (nel 1968-09)
voce:
Dusty Springfield (nel 1968-09)
voce di accompagnamento:
The Sweet Inspirations (nel 1968-09)
direttore d'orchestra:
Gene Orloff (nel 1968-09)
arrangiatore ottoni :
Tom Dowd
arrangiatore ottoni e archi :
Arif Mardin
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1968)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 168) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 240)
registrazione di:
Son of a Preacher Man (nel 1968-09)
autore:
John Hurley e Ronnie Wilkins
editore:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Songs LLC
Dusty Springfield4.52:28
13Do You Want to Dance
registrazione cover di:
Do You Want to Dance
paroliere e compositore:
Bobby Freeman
editore:
Bobby Freeman Music, Clockus Music Co., Clockus Music, Inc., Robert Mellin Music Publishing Corp., Sherwin Music (publisher), ミュージカル・ライツ・東京 (Musical Lights Tokyo), フジパシフィック音楽出版 (Fujipacific Music inc.) (fino al 2014-12-31) e フジパシフィックミュージック (Fujipacific Music, Inc.) (dal 2015-01-01 a oggi)
Cliff Richard2:16
14The Young Ones
registrazione di:
The Young Ones
compositore:
Roy C. Bennett (US songwriter) e Sid Tepper
editore:
EMI Film & Theatre Music Ltd. e Warner Bros., Inc. (Warner Bros. Music Division)
Cliff Richard3:13
15Please Don’t Tease
registrazione di:
Please Don’t Tease
compositore:
Pete Chester e Bruce Welch (English guitarist, singer, songwriter and producer)
Cliff Richard2:57
16Constantly (L’edera)
registrazione di:
Constantly
paroliere:
Vincenzo D'Acquisto
compositore:
Saverio Seracini
traduttore:
Michael Julien (British songwriter)
versione tradotta di:
L'edera
Cliff Richard2:41
17On the Beach
registrazione di:
On the Beach
autore:
Hank Marvin (lead guitarist of The Shadows, songwriter), Cliff Richard e Bruce Welch (English guitarist, singer, songwriter and producer)
Cliff Richard2:28
18Congratulations
registrazione di:
Congratulations
paroliere e compositore:
Phil Coulter e Bill Martin (Scottish songwriter & producer)
editore:
EMI Al Gallico Music Corp. e Peter Maurice Music Co. Ltd.
Cliff Richard2:33
▼ CD 3
#TitoloArtistaValutazioneDurata
1Daydream Believer
registrazione di:
Daydream Believer
paroliere e compositore:
John Stewart (singer-songwriter (Kingston Trio))
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees3:08
2I’m a Believer
registrata a:
New York, New York, Stati Uniti (dal 1966-10-15 al 1966-10-23)
produttore:
Jeff Barry
basso :
Dick Romoff (dal 1966-10-15 al 1966-10-23)
batteria :
Buddy Salzman (dal 1966-10-15 al 1966-10-23)
chitarra :
Al Gorgoni (dal 1966-10-15 al 1966-10-23) e Sal Ditroia (dal 1966-10-15 al 1966-10-23)
chitarra acustica :
Neil Diamond (dal 1966-10-15 al 1966-10-23)
organo :
Artie Butler (dal 1966-10-15 al 1966-10-23)
pianoforte e tamburello :
Jeff Barry (dal 1966-10-15 al 1966-10-23)
voce di accompagnamento:
Davy Jones (The Monkees member) (dal 1966-10-15 al 1966-10-23) e Peter Tork (dal 1966-10-15 al 1966-10-23)
voce di accompagnamento e voce principale:
Micky Dolenz (dal 1966-10-15 al 1966-10-23)
arrangiatore:
Jeff Barry
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 1966) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1966, nel 1967)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 65) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 341)
registrazione cover di:
I’m a Believer (dal 1966-10-15 al 1966-10-23)
paroliere e compositore:
Neil Diamond (nel 1966)
editore:
Colgems-EMI Music Inc., EMI Music Publishing (do not use as a release label!), Foray Music, Rondor Music (London) Ltd., Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd. e Stonebridge Music (publisher)
The Monkees4.652:46
3A Little Bit Me, a Little Bit You
produttore:
Jeff Barry
basso :
Louis Mauro (il 1967-01-21) e James Tyrrell (il 1967-01-21)
batteria :
Herb Lovelle (il 1967-01-21)
chitarra :
Al Gorgoni (il 1967-01-21), Hugh McCracken (il 1967-01-21) e Don Thomas (US guitarist, singer songwriter) (il 1967-01-21)
organo :
Artie Butler (il 1967-01-21)
pianoforte :
Stan Free (il 1967-01-21)
tamburello :
Thomas Cerone (il 1967-01-21)
voce principale:
Davy Jones (The Monkees member) (il 1967-01-21)
arrangiatore:
Jeff Barry
registrazione di:
A Little Bit Me, a Little Bit You (il 1967-01-21)
paroliere e compositore:
Neil Diamond
The Monkees52:49
4Last Train to Clarksville
registrazione di:
Last Train to Clarksville
autore:
Tommy Boyce (US songwriter of Boyce and Hart) e Bobby Hart
editore:
Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees2:43
5Valleri
registrazione di:
Valleri
autore:
Tommy Boyce (US songwriter of Boyce and Hart) e Bobby Hart
editore:
Piccadilly Music Corporation e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees2:22
6Theme From ’The Monkees’
registrazione di:
(Theme From) The Monkees
scritta a:
Los Angeles, California, Stati Uniti
autore:
Tommy Boyce (US songwriter of Boyce and Hart) e Bobby Hart
editore:
Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Monkees2:20
7When You Walk in the Room
registrazione cover di:
When You Walk in the Room
paroliere e compositore:
Jackie DeShannon
editore:
EMI Unart Catalog Inc., EMI United Partnership Ltd., Metric Music Company (publisher), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), SBK Songs (publisher) (nel 1987) e United Partnership Ltd. (nel 1987)
The Searchers22:22
8Needles and Pins
The Searchers2:15
9Love Potion No. 9
The Searchers2:06
10Bumblebee
The Searchers2:14
11Sugar and Spice
The Searchers2:17
12Don’t Throw Your Love Away
diritti fonografici (℗) detenuti da:
Wyncote Music Co. Ltd. (nel 1964)
registrazione cover di:
Don’t Throw Your Love Away
autore:
Billy Jackson (US soul/disco producer & songwriter)
compositore:
Jimmy Wisner
The Searchers42:16
13She’s So Fine
basso elettrico :
Dick Diamonde
batteria :
Snowy Fleet
chitarra elettrica e voce di accompagnamento:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
tamburello e voce principale:
Stevie Wright
registrata presso:
Bill Armstrong Studios (later renamed AAV Studios) in Melbourne, Victoria, Australia (nel 1965-04) e EMI Studios Sydney in Sydney, New South Wales, Australia (nel 1965-04)
registrazione di:
She’s So Fine
autore:
Stevie Wright e George Young (Australian musician and producer)
The Easybeats2:07
14Women (Make You Feel Alright)
basso elettrico :
Dick Diamonde
batteria :
Snowy Fleet
chitarra elettrica e voce di accompagnamento:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
voce principale:
Stevie Wright
registrata presso:
Bill Armstrong Studios (later renamed AAV Studios) in Melbourne, Victoria, Australia (nel 1965-12)
registrazione di:
Women (Make You Feel Alright)
autore:
Stevie Wright e George Young (Australian musician and producer)
The Easybeats2:36
15Come and See Her
basso elettrico :
Dick Diamonde
batteria :
Snowy Fleet
chitarra elettrica e voce di accompagnamento:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
voce principale:
Dick Diamonde e Stevie Wright
registrata presso:
EMI Studios Sydney in Sydney, New South Wales, Australia (nel 1966-02)
registrazione di:
Come and See Her
autore:
Stevie Wright e George Young (Australian musician and producer)
The Easybeats2:42
16Too Much
produttore:
Albert Productions (Australian recording and music publishing company) (nel 1966)
basso elettrico :
Dick Diamonde (nel 1966)
batteria :
Snowy Fleet (nel 1966)
chitarra elettrica e voce di accompagnamento:
Harry Vanda (Australian musician) (nel 1966) e George Young (Australian musician and producer) (nel 1966)
voce principale:
Stevie Wright (nel 1966)
registrata presso:
Bill Armstrong Studios (later renamed AAV Studios) in Melbourne, Victoria, Australia (nel 1966-08)
registrazione di:
Too Much
autore:
Stevie Wright e George Young (Australian musician and producer)
The Easybeats1:48
17Sorry
produttore:
Ted Albert (producer) (nel 1966) e Tony Geary (Australia producer and A&R producer for Albert Productions.) (nel 1966)
basso elettrico :
Dick Diamonde (nel 1966)
batteria :
Snowy Fleet (nel 1966)
chitarra elettrica e voce di accompagnamento:
Harry Vanda (Australian musician) (nel 1966) e George Young (Australian musician and producer) (nel 1966)
voce principale:
Stevie Wright (nel 1966)
registrata presso:
EMI Studios Sydney in Sydney, New South Wales, Australia (nel 1966)
registrazione di:
Sorry
autore:
Stevie Wright e George Young (Australian musician and producer)
The Easybeats42:36
18Friday on My Mind
produttore:
Shel Talmy
diritti fonografici (℗) detenuti da:
Albert Productions (nel 1966, nel 1967)
è stato produttore per:
Albert Productions
registrazione di:
Friday on My Mind
autore:
Vanda & Young (songwriting & producing duo), Harry Vanda (Australian musician) e George Young (Australian musician and producer)
editore:
J. Albert & Son Pty. Ltd. e Unart Music Corporation (nel 1973)
The Easybeats3.52:44
19Twenty Four Hours From Tulsa
Gene Pitney3:01
20The Man Who Shot Liberty Valance
Gene Pitney3:00
21Mecca
Gene Pitney2:20
22It Hurts to Be in Love
Gene Pitney2:34
23If I Didn’t Have a Dime (To Play the Jukebox)
Gene Pitney2:30
24I’m Gonna Be Strong
Gene Pitney2:17
▼ CD 4
#TitoloArtistaValutazioneDurata
1Carrie Anne
produttore:
Ron Richards
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (nel 1967) e The Hollies Ltd. (nel 1967)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1967-05-01)
registrazione di:
Carrie Anne (il 1967-05-01)
paroliere e compositore:
Allan Clarke (of The Hollies), Tony Hicks e Graham Nash
editore:
Universal Music Publishing (use ONLY if no country‐specific information is available)
The Hollies4.52:57
2Bus Stop
The Hollies2:56
3I’m Alive
The Hollies2:27
4Stop Stop Stop
The Hollies2:51
5On a Carousel
The Hollies3:15
6He Ain’t Heavy, He’s My Brother
produttore:
Ron Richards
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (nel 1969) e The Hollies Ltd. (dal 1969 al 1970)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1969-06-25)
registrazione cover di:
He Ain’t Heavy, He’s My Brother (il 1969-06-25)
autore:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) e Bobby Scott (vocals, piano, US musician & producer)
editore:
Amber Leigh Music Inc., Campbell Connelly & Co. Ltd., Cyril Shane Music, Harrison Music Corp., Heath Levy Music, Jenny Music Inc., Music Sales Corporation (American copyright holder in both popular and classical music) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
The Hollies4.24:20
7Downtown
voce:
Petula Clark (English singer & actor) (nel 1964)
arrangiatore:
Tony Hatch
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1964)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 227)
registrazione di:
Downtown (nel 1964)
paroliere e compositore:
Tony Hatch
editore:
ATV Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) e Welbeck Music Ltd.
sub-editore:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Petula Clark4.353:07
8Don’t Sleep in the Subway
registrazione di:
Don’t Sleep in the Subway
paroliere:
Jackie Trent (English singer‐songwriter and actress)
compositore:
Tony Hatch
editore:
ATV Music, Duchess Music Corporation (BMI-affiliated) e Welbeck Music Ltd.
Petula Clark2:58
9I Know a Place
Petula Clark2:44
10You’re the One
voce:
Petula Clark (English singer & actor) (nel 1965)
registrazione di:
You’re the one (nel 1965)
paroliere:
Tony Hatch
compositore:
Petula Clark (English singer & actor)
Petula Clark2:25
11Colour My World
Petula Clark2:50
12This Is My Song
registrazione di:
This Is My Song
paroliere e compositore:
Charlie Chaplin (filmmaker) (nel 1966)
editore:
MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
parte di:
A Countess From Hong Kong
Petula Clark53:17
13Monday Monday
registrazione di:
Monday, Monday
paroliere e compositore:
John Phillips (The Mamas & The Papas)
editore:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Trousdale Music e Universal/MCA Music Ltd. (not for release label use!)
The Mamas & the Papas3:23
14I Saw Her Again Last Night
registrazione di:
I Saw Her Again Last Night
autore:
Denny Doherty e John Phillips (The Mamas & The Papas)
The Mamas & the Papas3:15
15Creque Alley
produttore:
Lou Adler
è stato produttore per:
Dunhill Records USA
registrazione di:
Creeque Alley
autore:
John Phillips (The Mamas & The Papas) e Michelle Phillips
editore:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) e Trousdale Music Pub., Inc.
The Mamas & the Papas3.753:49
16Twelve Thirty (Young Girls Are Coming to the Canyon)
The Mamas & the Papas3:25
17Glad to Be Unhappy
registrazione cover di:
Glad to Be Unhappy
paroliere:
Lorenz Hart
compositore:
Richard Rodgers (composer)
editore:
Chappell & Co., Inc. (USA) e Williamson Music Company
parte di:
On Your Toes
registrazione di:
Glad to Be Unhappy
paroliere:
Lorenz Hart
compositore:
Richard Rodgers (composer)
editore:
Chappell & Co., Inc. (USA) e Williamson Music Company
parte di:
On Your Toes
The Mamas & the Papas31:44
18Dedicated to the One I Love
produttore:
Lou Adler
diritti fonografici (℗) detenuti da:
Dunhill Records Inc. (nel 1967)
è stato produttore per:
Dunhill Records USA
registrazione cover di:
Dedicated to the One I Love
autore:
Ralph Bass e Lowman Pauling
editore:
Carlin Music Corporation, Trousdale Music Pub., Inc., Universal Duchess Music Corp., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
registrazione di:
Dedicated to the One I Love
autore:
Ralph Bass e Lowman Pauling
editore:
Carlin Music Corporation, Trousdale Music Pub., Inc., Universal Duchess Music Corp., Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Mamas & the Papas4.22:58
▼ CD 5
#TitoloArtistaValutazioneDurata
1Surfin’ USA
tecnico:
Chuck Britz
produttore:
Nick Venet
voce principale:
Mike Love (Beach Boys) (il 1963-01-31)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1963-01-31)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 9) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Surfin’ U.S.A. (il 1963-01-31)
paroliere:
Brian Wilson (Beach Boys co‐founder)
compositore:
Chuck Berry
editore:
Arc Music Corp. (U.S. rock & blues publisher), Isalee Music Publishing Company e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
si basa su:
Sweet Little Sixteen
The Beach Boys4.552:31
2Barbara Ann
registrazione cover di:
Barbara‐Ann
paroliere e compositore:
Fred Fassert
editore:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Cousins Music, EMI Longitude Music, EMI Music Publishing Australia Pty Ltd (not for release label use!), Longitude Music Co., Planetary Nom (London) Ltd., Shoe-String Music Corp. e Windswept Pacific Music Ltd.
The Beach Boys2:08
3Wouldn’t It Be Nice
tecnico:
Larry Levine (il 1966-01-22) e Ralph Valentin (dal 1966-03 al 1966-04)
produttore:
Brian Wilson (Beach Boys co‐founder)
basso elettrico :
Carol Kaye (il 1966-01-22) e Ray Pohlman (il 1966-01-22)
batteria :
Hal Blaine (U.S. Studio drummer and percussionist) (il 1966-01-22)
chitarra :
Bill Pitman (il 1966-01-22)
chitarra a 12 corde :
Jerry Cole (il 1966-01-22)
chitarra basso :
Lyle Ritz (il 1966-01-22)
chitarra mandolino :
Barney Kessel (il 1966-01-22)
fisarmonica :
Carl Fortina (il 1966-01-22) e Frank Marocco (il 1966-01-22)
percussione :
Frank Capp (il 1966-01-22)
pianoforte :
Al De Lory (il 1966-01-22)
pianoforte [track piano] :
Larry Knechtel (il 1966-01-22)
sassofono baritono :
Jay Migliori (il 1966-01-22)
sassofono tenore :
Steve Douglas (American saxophonist, flautist and clarinetist) (il 1966-01-22) e Plas Johnson (il 1966-01-22)
tromba :
Roy Caton (trumpet player) (il 1966-01-22)
voce di accompagnamento:
Al Jardine (il 1966-01-22), Bruce Johnston (US singer‐songwriter, member of The Beach Boys) (il 1966-01-22), Carl Wilson (Beach Boys) (il 1966-01-22) e Dennis Wilson (Beach Boys) (il 1966-01-22)
voce principale:
Mike Love (Beach Boys) (il 1966-01-22) e Brian Wilson (Beach Boys co‐founder) (il 1966-01-22)
arrangiatore:
Brian Wilson (Beach Boys co‐founder)
registrata presso:
Columbia Studios (Hollywood, 1961-1972) in Hollywood, Los Angeles, California, Stati Uniti (il 1966-01-22) e Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti (il 1966-01-22)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 297)
registrazione di:
Wouldn’t It Be Nice (il 1966-01-22)
paroliere:
Tony Asher (US lyricist, worked on Pet Sounds), Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Beach Boys4.42:25
4Help Me Rhonda
tecnico:
Chuck Britz
produttore:
Brian Wilson (Beach Boys co‐founder)
batteria :
Hal Blaine (U.S. Studio drummer and percussionist) (il 1965-02-24)
chitarra :
Carl Wilson (Beach Boys) (il 1965-02-24)
chitarra basso :
Carol Kaye (il 1965-02-24)
organo Hammond [Hammond B3 organ] e pianoforte [acoustic piano] :
Brian Wilson (Beach Boys co‐founder) (il 1965-02-24)
voce di accompagnamento:
Mike Love (Beach Boys) (il 1965-02-24), Brian Wilson (Beach Boys co‐founder) (il 1965-02-24), Carl Wilson (Beach Boys) (il 1965-02-24) e Dennis Wilson (Beach Boys) (il 1965-02-24)
voce principale:
Al Jardine (il 1965-02-24)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (il 1965-02-24) e Universal Recording Studios (unidentified, possibly a mix of different studios) (il 1965-02-24)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (numero: 16)
registrazione di:
Help Me, Rhonda (il 1965-02-24)
paroliere e compositore:
Brian Wilson (Beach Boys co‐founder)
paroliere aggiunto:
Mike Love (Beach Boys)
editore:
Irving Music, Inc. e Rondor Music (London) Ltd.
The Beach Boys42:49
5Hawaii
registrazione di:
Hawaii (Beach Boys song)
autore:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
The Beach Boys2:02
6Good Vibrations
tecnico di registrazione:
Bruce Botnick, Chuck Britz e Larry Levine
tecnico:
Chuck Britz e Jim Lockert (Enginear)
produttore:
The Beach Boys (American rock band) e Brian Wilson (Beach Boys co‐founder)
tecnico di missaggio:
Derry FitzGerald
voce:
Mike Love (Beach Boys) (dal 1966-02 al 1966-06)
voce principale:
Mike Love (Beach Boys) e Carl Wilson (Beach Boys) (dal 1966-02 al 1966-06)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1966)
registrata presso:
Gold Star Studios in Hollywood, Los Angeles, California, Stati Uniti, Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti e Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1966-02 al 1966-06)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 53)
registrazione di:
Good Vibrations (Love/Wilson lyrics, common version) (dal 1966-02 al 1966-06)
paroliere:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
compositore:
Brian Wilson (Beach Boys co‐founder)
editore:
Irving Music, Inc., J. Albert & Son P/L, Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) e Universal Music Publishing (use ONLY if no country‐specific information is available)
versione di:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.23:40
7Everybody’s Somebody’s Fool
Connie Francis2:41
8Together
registrazione cover di:
Together
paroliere:
Lew Brown (nel 1928) e Buddy DeSylva (nel 1928)
compositore:
Ray Henderson (nel 1928)
editore:
Chappell & Co., Inc. (USA), DeSylva, Brown and Henderson, Inc., Stephen Ballentine Music Publishing Co. e The Songwriters Guild
Connie Francis12:57
9Mama
Connie Francis4:00
10My Heart Has a Mind of It’s Own
voce:
Connie Francis (American former actress and chart-topping singer)
registrazione di:
My Heart Has a Mind of Its Own (1960 song)
autore:
Howard Greenfield e Jack Keller
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Robert Mellin Ltd. e Screen Gems–Columbia Music, Inc.
Connie Francis2:33
11Where the Boys Are
Connie Francis2:41
12Among My Souvenirs
voce:
Connie Francis (American former actress and chart-topping singer)
registrazione cover di:
Among My Souvenirs
paroliere:
Edgar Leslie
compositore:
Horatio Nicholls
editore:
Crawford Music Inc., DeSylva, Brown and Henderson, Inc. (il 1927-10-05), Lawrence Wright Music Co., Ltd. (il 1927-10-05) e Chappell & Co., Inc. (USA) (il 1968-09-23)
Connie Francis2:32
13I’ll Never Find Another You
produttore:
Tom Springfield
esecutore:
The Seekers (Australian pop quartet)
registrazione di:
I'll Never Find Another You (nel 1964)
paroliere e compositore:
Tom Springfield
The Seekers52:42
14A World of Our Own
produttore:
Tom Springfield
esecutore:
The Seekers (Australian pop quartet)
registrazione di:
A World of Our Own (nel 1965)
paroliere e compositore:
Tom Springfield
The Seekers2:44
15Morningtown Ride
produttore:
Tom Springfield
esecutore:
The Seekers (Australian pop quartet)
registrazione cover di:
Morningtown Ride (nel 1966)
paroliere e compositore:
Malvina Reynolds
editore:
Leosong (publisher)
The Seekers2:40
16Someday One Day
produttore:
Tom Springfield
esecutore:
The Seekers (Australian pop quartet)
registrazione di:
Someday One Day (nel 1966)
paroliere e compositore:
Paul Simon (of Simon & Garfunkel)
editore:
Paul Simon Music
The Seekers2:35
17Georgy Girl
produttore:
Tom Springfield
esecutore:
The Seekers (Australian pop quartet)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Georgy Girl (nel 1966)
paroliere:
Jim Dale
compositore:
Tom Springfield
editore:
Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
The 39th Academy Award for Best Original Song (numero: 2)
registrazione cover di:
Georgy Girl
paroliere:
Jim Dale
compositore:
Tom Springfield
editore:
Warner/Chappell (Warner/Chappell Music, Inc.)
parte di:
The 39th Academy Award for Best Original Song (numero: 2)
The Seekers42:21
18The Carnival Is Over
produttore:
Tom Springfield
esecutore:
The Seekers (Australian pop quartet)
registrazione di:
The Carnival Is Over (nel 1965)
autore:
[traditional] (special purpose artist), Catherine Courage, Frank Farian e Tom Springfield
si basa su:
Из-за острова на стрежень (Stenka Razin)
The Seekers3:10