Hot Shot

~ Release by Shaggy (see all versions of this release, 13 available)

Tracklist

▼ CD 1
#TitleRatingLength
1Hot Shot
recording engineer:
Christopher Birch and Claude "Weak Hand" Reynolds
co-producer:
Shaun Pizzonia
producer:
Christopher Birch
mixer:
Shaun Pizzonia
keyboard [keys] and percussion:
Christopher Birch
solo organ:
Shaun Pizzonia
background vocals:
Kimberly Miller (vocals)
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000, in 2001)
produced for:
Big Yard Music Group and Langmann Productions
recorded at:
One Room Studio in Jamaica and Ranch Recording Studio in New York, United States
mixed at:
Ranch Recording Studio in New York, United States
recording of:
Hot Shot
writer:
Christopher Birch, Orville Burrell (Orville Richard Burrell, dancehall and reggae singer), Shaun Pizzonia and Dorrette Wisdom
publisher:
Livingsting Music
23:47
2Lonely Lover
recording engineer:
Shane Brown (engineer at Penthouse Records & owner of Juke Boxx Productions)
engineer and mixer:
Steve Hodge (engineer and producer)
producer:
Jimmy Jam (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
instruments:
Jimmy Jam (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
background vocals:
prof t.
guest vocals:
T-Lo of Next (hip-hop artist Terrance Brown)
vocals:
Orville Burrell (Orville Richard Burrell, dancehall and reggae singer)
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) and MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000, in 2001)
produced for:
Flyte Tyme Productions, Inc.
recorded at:
Tuff Gong Recording Studio in Kingston (Kingston Parish), Jamaica
mixed at and engineered at:
Flyte Tyme Studios in Edina, Minnesota, United States
samples:
Just Don’t Want to Be Lonely by The Main Ingredient
recording of:
Lonely Lover
writer:
Vinnie Barrett, Bobby Eli, John Freeman (co writer of Just Don't Want To Be Lonely), James Harris III (James Harris of Jam & Lewis), Terry Lewis (US hip-hop/soul songwriter, producer & label owner) and Orville Burrell (Orville Richard Burrell, dancehall and reggae singer)
publisher:
Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
33:47
3Dance & Shout
engineer and mixer:
Steve Hodge (engineer and producer)
producer:
Jimmy Jam (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
instruments:
Jimmy Jam (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
background vocals:
Eddie Smith III a.k.a. "Mello", Jamaica Bennett, Joseph Gaspard a.k.a. "Solo", Marquis Scott-Muhammad a.k.a. "Riff Raff" and Rasan Scott-Muhammad a.k.a. "Pee Wee"
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000, in 2001)
produced for:
Flyte Tyme Productions Inc.
mixed at and engineered at:
Flyte Tyme Studios in Edina, Minnesota, United States
samples:
Shake Your Body (Down to the Ground) by The Jacksons (formerly “The Jackson 5”)
music videos:
Dance & Shout by Shaggy (Orville Richard Burrell, dancehall and reggae singer)
recording of:
Dance & Shout
writer:
Michael Jackson (“King of Pop”), Randy Jackson (brother of Michael and Janet), James Harris III (James Harris of Jam & Lewis), Terry Lewis (US hip-hop/soul songwriter, producer & label owner) and Orville Burrell (Orville Richard Burrell, dancehall and reggae singer)
publisher:
EMI April Music Inc., Flyte Tyme Tunes, Livingsting Music and Peacock Music Publishing Co.
33:48
4Leave It to Me
recording engineer and mixer:
Gordon Dukes and Robert Livingston (Jamaican reggae and dancehall producer)
producer:
Robert Livingston (Jamaican reggae and dancehall producer)
instruments:
Christopher Birch, Gordon Dukes, Robert Livingston (Jamaican reggae and dancehall producer) and Robert Zapata
background vocals:
Bryan & Tony Gold and Gordon Dukes
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000, in 2001)
produced for:
Big Yard Music Group
recorded at:
Big Yard Studios in Kingston (Kingston Parish), Jamaica and The Boxx in Jamaica
mixed at:
Big Yard Studios in Kingston (Kingston Parish), Jamaica
recording of:
Leave It to Me
writer:
Brian Thompson, Gordon Dukes, Robert Livingston (Jamaican reggae and dancehall producer) and Orville Burrell (Orville Richard Burrell, dancehall and reggae singer)
publisher:
Livingsting Music
33:38
5Angel
recording engineer, producer and mixer:
Shaun Pizzonia
drums (drum set) [drums]:
Shaun Pizzonia
guitar:
P. Henry and R. Zapata
keyboard [keyboards]:
C. Sanchez
background vocals:
Gordon Dukes
performer:
Rayvon
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000, in 2001)
produced for:
Big Yard Music Group
recorded at:
Big Yard Studios in Kingston (Kingston Parish), Jamaica, HC&F Studio (defunct) in Freeport, Hempstead, New York, United States and Ranch Recording Studios in New York, United States
mixed at:
Ranch Recording Studio in New York, United States
samples:
Angel of the Morning by Chip Taylor (US singer/songwriter) and The Joker by Steve Miller Band (American rock band)
music videos:
Angel by Shaggy (Orville Richard Burrell, dancehall and reggae singer) feat. Rayvon
recording of:
Angel
writer:
Eddie Curtis (songwriter), Ahmet Ertegun (US American Songwriter, producer), Steve Miller (leader of Steve Miller Band) and Chip Taylor (US singer/songwriter)
publisher:
Cotillion Music Inc. (BMI) and EMI Blackwood Music Inc.
4.253:55
6Hope
recording engineer and mixer:
Gordon Dukes and Robert Livingston (Jamaican reggae and dancehall producer)
producer:
Robert Livingston (Jamaican reggae and dancehall producer)
instruments:
Gordon Dukes, Chris Jisi, Dave Lavender, Robert Livingston (Jamaican reggae and dancehall producer) and R. Zapata
background vocals:
Brian & Tony Gold and Mister Mydas (Anthony Hawthorne) (featured artist on "Hope" by Shaggy)
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000, in 2001)
produced for:
Big Yard Music Group
recorded at and mixed at:
Big Yard Studios in Kingston (Kingston Parish), Jamaica
recording of:
Hope
writer:
Brian Thompson, Robert Livingston (Jamaican reggae and dancehall producer), Orville Burrell (Orville Richard Burrell, dancehall and reggae singer) and Ricardo Ducent
publisher:
Livingsting Music
43:48
7Keep’n It Real
recording engineer:
Gordon Dukes
additional producer:
Shaun Pizzonia
producer:
Gordon Dukes and Orville Burrell (Orville Richard Burrell, dancehall and reggae singer)
mixer:
Shaun Pizzonia
instruments:
Gordon Dukes and Shaun Pizzonia
background vocals:
Gordon Dukes
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000, in 2001)
produced for:
Big Yard Music Group
recorded at:
Big Yard Studios in Kingston (Kingston Parish), Jamaica
mixed at:
Ranch Recording Studio in New York, United States
recording of:
Keep’n It Real
writer:
Gordon Dukes, Orville Burrell (Orville Richard Burrell, dancehall and reggae singer), Shaun Pizzonia and Ricardo Ducent
publisher:
Livingsting Music
33:54
8Luv Me, Luv Me
producer:
Jimmy Jam (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000, in 2001)
produced for:
Flyte Tyme Production Inc.
samples:
Impeach the President by The Honey Drippers (70s US funk band, backing band for Roy C. Hammond)
recording of:
Luv Me, Luv Me
writer:
Roy C. Hammond (US southern soul singer & songwriter), James Harris III (James Harris of Jam & Lewis), Terry Lewis (US hip-hop/soul songwriter, producer & label owner), Orville Burrell (Orville Richard Burrell, dancehall and reggae singer), Alex Richbourg and Norman Whitfield
publisher:
EMI April Music, Livingsting Music and TCF Music Publishing (Twentieth Century Fox Music Publishing, Inc.; ASCAP)
is based on:
Ooh Boy
3.53:36
9Freaky Girl
recording engineer, producer and mixer:
Shaun Pizzonia
instruments:
Shaun Pizzonia and Robert Zapata
background vocals:
The Kraft (featured artist on "Freaky Girl" by Shaggy)
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000, in 2001)
produced for:
Big Yard Music Group
recorded at and mixed at:
Ranch Recording Studio in New York, United States
samples:
Get Down Do the Latin Hustle by Eddie Drennon & B.B.S. Unlimited
recording of:
Freaky Girl
writer:
Eddie Drennon, Orville Burrell (Orville Richard Burrell, dancehall and reggae singer), Patrick Morrison, Shaun Pizzonia, Ricardo Ducent and Nigel Staff
publisher:
Damit Music and Livingsting Music
33:45
10It Wasn’t Me
recording engineer, producer and mixer:
Shaun Pizzonia
brass:
Kevin Bachelor and Jerry Johnson (saxophonist with roots reggae band Steel Pulse)
guitar:
R. Zapata
keyboard:
Nigel Staff
percussion [drums]:
Shaun Pizzonia
violin:
Gwen Laster
background vocals:
Brian & Tony Gold and Shaun Pizzonia
lead vocals:
Ricardo Ducent and Shaggy (Orville Richard Burrell, dancehall and reggae singer)
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000, in 2001)
produced for:
Big Yard Music Group
recorded at and mixed at:
Ranch Recording Studio in New York, United States
music videos:
It Wasn't Me by Shaggy (Orville Richard Burrell, dancehall and reggae singer) featuring Ricardo “RikRok” Ducent
part of:
My VH1 Music Awards – Your Song Kicked Ass but Was Played Too Damn Much Nominees (2001) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 273)
recording of:
It Wasn’t Me
writer:
Brian Thompson, Orville Burrell (Orville Richard Burrell, dancehall and reggae singer), Shaun Pizzonia and Ricardo Ducent
publisher:
Livingsting Music
4.153:48
11Not Fair
assistant recording engineer:
Baddable
recording engineer and producer:
Dave Kelly (reggae producer)
mixer:
Shaun "Sting" Pizzonia
bass:
Michael Fletcher
drums (drum set) [drums] and keyboard [keys]:
Dave Kelly (reggae producer)
background vocals:
Toni Seawright (a.k.a. "RUDE"; featured artist on "Not Fair" by Shaggy)
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000, in 2001)
recorded at:
The Boxx in Jamaica
mixed at:
Ranch Recording Studios in New York, United States
recording of:
Not Fair
writer:
Brian Thompson, Dave Kelly (reggae producer), Orville Burrell (Orville Richard Burrell, dancehall and reggae singer), Ricardo Ducent and Nigel Staff
publisher:
EMI Music Publishing (do not use as a release label!) and Livingsting Music
33:48
12Hey Love
recording engineer and producer:
Shaun "Sting" Pizzonia
mixer:
Shaun "String" Pizzonia
bass:
Michael Fletcher and Shaun "Sting" Pizzonia
instruments:
Shaun "Sting" Pizzonia
background vocals:
Brian & Tony Gold and Ricardo Ducent
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000, in 2001)
produced for:
Big Yard Music Group
additionally recorded at:
The Boxx in Jamaica
recorded at and mixed at:
HC&F Studio (defunct) in Freeport, Hempstead, New York, United States
recording of:
Hey Love
writer:
Brian Thompson, Dave Kelly (reggae producer), Orville Burrell (Orville Richard Burrell, dancehall and reggae singer), Shaun Pizzonia and Ricardo Ducent
publisher:
Livingsting Music
34:02
13Why Me Lord?
recording engineer:
Claude "Weak Hand" Reynolds and Tony Kelly (reggae producer)
producer:
Tony "CD" Kelly (reggae producer)
assistant mixer:
Gordon Dukes and Shaggy (Orville Richard Burrell, dancehall and reggae singer)
mixer:
Robert Livingston (Jamaican reggae and dancehall producer)
instruments:
Tony Kelly (reggae producer)
background vocals:
ARP (dancehall/reggae group) and Brian & Tony Gold
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000, in 2001)
mixed at:
Big Yard Studios in Kingston (Kingston Parish), Jamaica
recording of:
Why Me Lord?
writer:
Tony Kelly (reggae producer), Orville Burrell (Orville Richard Burrell, dancehall and reggae singer) and Ricardo Ducent
publisher:
Livingsting Music, Tony Kelly Music and Universal Songs of Polygram
33:36
14Chica bonita
recording engineer:
Shaun "String" Pizzonia
producer and mixer:
Shaun "Sting" Pizzonia
brass:
K. Bachelor
guitar:
P. Henry (reggae) and R. Zapata
keyboard [keys]:
P. Henry (reggae)
percussion [drums]:
Shaun "Sting" Pizzonia
background vocals:
Sting Pizzonia
phonographic copyright (℗) by:
MCA Records (1967–2003; name as in imprint during 1972–1990) (in 2000, in 2001)
produced for:
Big Yard Music Group
recorded at and mixed at:
Ranch Recording Studio in New York, United States
recording of:
Chica bonita
writer:
Orville Burrell (Orville Richard Burrell, dancehall and reggae singer), Shaun Pizzonia, Ricardo Ducent and Nigel Staff
publisher:
Livingsting Music
34:02

Credits

Release group

associated singles/EPs:Angel by Shaggy (Orville Richard Burrell, dancehall and reggae singer) feat. Rayvon
Dance & Shout
Dance & Shout / Hope
It Wasn’t Me
Discogs:https://www.discogs.com/master/83498 [info]
other databases:https://rateyourmusic.com/release/album/shaggy/hot_shot/ [info]
Wikidata:Q1402479 [info]