All-Time Greatest Hits & More: 1959-1965

~ Pubblicazione di The Drifters (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

Annotazione

When used as an adjective, "All Time" should be hyphenated.
Front, inside booklet and both mediums are correct - only the spine is wrong.

Annotazione modificata l'ultima volta il 2022-02-19 14:51 UTC.

Elenco tracce

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▼ CD 1
#TitoloValutazioneDurata
1There Goes My Baby
produttore:
Leiber and Stoller (songwriting team)
chitarra :
Reggie Kimber (il 1959-03-06)
voce di baritono:
Dock Green (il 1959-03-06)
voce di basso:
Elsbeary Hobbs (il 1959-03-06)
voce di tenore:
Charlie Thomas (The Drifters) (il 1959-03-06)
voce principale:
Ben E. King (il 1959-03-06)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1959-03-06)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
registrata presso:
Coastal Recording in New York, New York, Stati Uniti (il 1959-03-06)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 2) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 193)
registrazione di:
There Goes My Baby (il 1959-03-06)
autore:
Ben E. King, Jerry Leiber, Lover Patterson, Mike Stoller e George Treadwell
editore:
Jerome Leiber Music, Purple Starfish Music, Sherman Jot Enterprises Inc. e Sony/ATV Songs LLC
4.52:12
2Oh My Love
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
2:23
3Baltimore
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
2:15
4Hey Senorita
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
2:44
5Dance With Me
registrata a:
New York, New York, Stati Uniti (il 1959-07-09)
produttore:
Leiber and Stoller (songwriting team)
archi :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1959-07-09)
batteria [drums] :
Osie Johnson (il 1959-07-09)
chitarra :
Mundell Lowe (il 1959-07-09)
pianoforte :
Mike Stoller (il 1959-07-09)
vibrafono [vibes] :
Sal Gubin (il 1959-07-09)
voce:
The Drifters (US doo wop/R&B vocal group) (il 1959-07-09)
arrangiatore:
Richard Wess
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
registrazione di:
Dance With Me (il 1959-07-09)
autore:
Lewis Lebish, Jerry Leiber, Irving Nahan, Mike Stoller e George Treadwell
editore:
Sony/ATV Songs LLC
52:27
6(If You Cry) True Love, True Love
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
registrazione di:
(If You Cry) True Love, True Love
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
42:23
7This Magic Moment
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
registrazione di:
This Magic Moment
paroliere e compositore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Unichappell Music, Inc.
2:29
8Lonely Winds
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
2:50
9Nobody but Me
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
2:35
10Save the Last Dance for Me
registrata a:
New York, New York, Stati Uniti (il 1960-05-19)
produttore:
Leiber and Stoller (songwriting team)
chitarra :
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (il 1960-05-19)
voce di baritono:
Dock Green e Doc Green (il 1960-05-19)
voce di basso:
Elsbeary Hobbs (il 1960-05-19)
voce di tenore:
Charlie Thomas (The Drifters) (il 1960-05-19) e Johnny Williams (soul/blues vocalist) (il 1960-05-19)
voce principale:
Benny Nelson (il 1960-05-19)
direttore d'orchestra:
Stan Applebaum (US composer, arranger and conductor) (il 1960-05-19)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 12) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 182)
registrazione di:
Save the Last Dance for Me (il 1960-05-19)
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Hill and Range Southwind Mus S A (BMI-affiliated), Pomus Songs Inc., Progressive Music Publishing Company Inc., Rumbalero Music Inc., Trio Music Co., Inc., Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), Hill and Range Songs, Inc. (publisher) (nel 1974) e Trio Music (publisher) (nel 1974)
52:30
11I Count the Tears
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
registrazione di:
I Count the Tears
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
2:15
12Sometimes I Wonder
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
2:22
13Please Stay
registrata a:
New York, New York, Stati Uniti (il 1961-02-01)
chitarra :
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (il 1961-02-01)
voce di baritono:
Dock Green (il 1961-02-01)
voce di tenore:
Charlie Thomas (The Drifters) (il 1961-02-01)
voce principale:
Rudy Lewis (il 1961-02-01)
direttore d'orchestra:
Ray Ellis (US producer, arranger and conductor) (il 1961-02-01)
arrangiatore:
Ray Ellis (US producer, arranger and conductor)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
registrazione di:
Please Stay (Don’t Go) (il 1961-02-01)
paroliere:
Bob Hilliard
compositore:
Burt Bacharach
editore:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
32:17
14Room Full of Tears
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
2:46
15Sweets for My Sweet
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
registrazione di:
Sweets for My Sweet
autore:
Doc Pomus e Mort Shuman (US singer, pianist & songwriter)
editore:
Carlin Music Corporation, Pomus Songs Inc. e Trio Music Company
2:30
16Some Kind of Wonderful
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
registrazione di:
Some Kind of Wonderful
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Lushmole Music, Screen Gems–Columbia Music, Inc. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:39
17Loneliness or Happiness
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
2:39
18Mexican Divorce
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
registrazione di:
Mexican Divorce
paroliere:
Bob Hilliard
compositore:
Burt Bacharach
2:38
19Somebody New Dancing With You
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
2:23
20Jackpot
registrata a:
New York, New York, Stati Uniti (il 1961-10-26)
chitarra :
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (il 1961-10-26)
voce di baritono:
Doc Green (il 1961-10-26)
voce di basso:
Tommy Evans (US r&b bass vocalist for The Drifters) (il 1961-10-26)
voce di tenore:
Charlie Thomas (The Drifters) (il 1961-10-26)
voce principale:
Rudy Lewis (il 1961-10-26)
arrangiatore:
Stan Applebaum (US composer, arranger and conductor)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
2:44
▼ CD 2
#TitoloValutazioneDurata
1She Never Talked to Me That Way
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
2:37
2When My Little Girl Is Smiling
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
2:32
3Stranger on the Shore
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
2:41
4What to Do
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
2:57
5Up on the Roof
registrata a:
New York, New York, Stati Uniti (il 1962-06-28)
produttore:
Leiber and Stoller (songwriting team)
batteria [drums] :
Gary Chester (studio drummer and educator) (il 1962-06-28)
chitarra :
Don Arnone (il 1962-06-28), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (il 1962-06-28), Bob Bushnell (il 1962-06-28) e Al Casamenti (il 1962-06-28)
contrabbasso [bass] :
George Duvivier (il 1962-06-28)
percussione :
George Devens (il 1962-06-28) e Bobby Rosengarden (il 1962-06-28)
tastiera :
Ernie Hayes (American pianist, organist and arranger) e Carole King (il 1962-06-28)
tromba :
Jimmy Nottingham (il 1962-06-28) e Jimmy Sedlar (il 1962-06-28)
trombone :
Jimmy Cleveland (US jazz trombonist) (il 1962-06-28) e Frank Saracco (il 1962-06-28)
voce di baritono:
Dock Green (il 1962-06-28)
voce di basso:
Tommy Evans (US r&b bass vocalist for The Drifters) (il 1962-06-28)
voce di tenore:
Charlie Thomas (The Drifters) (il 1962-06-28)
voce principale:
Rudy Lewis (il 1962-06-28)
direttore d'orchestra:
Gary Sherman (mid-20th century composer, arranger & conductor) (il 1962-06-28)
arrangiatore:
Gary Sherman (mid-20th century composer, arranger & conductor) e Bert Keyes (piano, soul/funk producer/writer)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1962 (numero: 2), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 113) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 375)
registrazione di:
Up on the Roof (il 1962-06-28)
paroliere:
Gerry Goffin e Carole King
compositore:
Carole King
editore:
Screen Gems–Columbia Music, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
52:39
6Another Night With the Boys
registrata a:
New York, New York, Stati Uniti (il 1962-06-28)
chitarra :
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (il 1962-06-28)
voce di baritono:
Dock Green (il 1962-06-28)
voce di tenore:
Charlie Thomas (The Drifters) (il 1962-06-28)
voce principale:
Rudy Lewis (il 1962-06-28)
direttore d'orchestra:
Gary Sherman (mid-20th century composer, arranger & conductor) (il 1962-06-28)
arrangiatore:
Gary Sherman (mid-20th century composer, arranger & conductor)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
2:51
7I Feel Good All Over
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
2:11
8Let the Music Play
registrata a:
New York, New York, Stati Uniti (il 1963-01-22)
chitarra :
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (il 1963-01-22)
voce:
Doris Troy (il 1963-01-22), Dee Dee Warwick (il 1963-01-22) e Dionne Warwick (il 1963-01-22)
voce di baritono:
Eugene Pearson (vocals, Drifters) (il 1963-01-22)
voce di basso:
Tommy Evans (US r&b bass vocalist for The Drifters) (il 1963-01-22)
voce di tenore:
Charlie Thomas (The Drifters) (il 1963-01-22)
voce principale:
Rudy Lewis (il 1963-01-22)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
registrazione di:
Let the Music Play (il 1963-01-22)
paroliere:
Hal David
compositore:
Burt Bacharach
2:41
9On Broadway
registrata a:
New York, New York, Stati Uniti (il 1963-01-22)
produttore:
Leiber and Stoller (songwriting team)
basso :
Russ Saunders (jazz bass player) (il 1963-01-22)
batteria [drums] :
Gary Chester (studio drummer and educator) (il 1963-01-22)
chitarra :
Everett Barksdale (il 1963-01-22), Bill Suyker (il 1963-01-22), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (il 1963-01-22) e Billy Butler (jazz guitarist) (il 1963-01-22)
percussione :
Martin Grupp (il 1963-01-22), Phil Kraus (il 1963-01-22) e Nick Rodriquez (percussionist) (il 1963-01-22)
tromba :
Joe Newman (US jazz trumpeter) (il 1963-01-22) e Ernie Royal (il 1963-01-22)
voce:
Doris Troy (il 1963-01-22), Dee Dee Warwick (il 1963-01-22) e Dionne Warwick (il 1963-01-22)
voce di accompagnamento:
vocal group ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1963-01-22)
voce di baritono:
Eugene Pearson (vocals, Drifters) (il 1963-01-22)
voce di basso:
Tommy Evans (US r&b bass vocalist for The Drifters) (il 1963-01-22)
voce di tenore:
Charlie Thomas (The Drifters) (il 1963-01-22)
voce principale:
Rudy Lewis (il 1963-01-22)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
registrazione di:
On Broadway (Mann/Weil/Leiber/Stoller version for The Drifters) (il 1963-01-22)
autore:
Barry Mann e Cynthia Weil
autore aggiunto:
Jerry Leiber e Mike Stoller
editore:
Colgems-EMI Music Inc., Screen Gems‐Col, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
versione di:
On Broadway (original Mann/Weil version)
53:02
10I'll Take You Home
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
2:39
11If You Don't Come Back
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
2:39
12Didn't It
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
1:54
13One Way Love
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
2:32
14He's Just a Playboy
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
2:58
15Under the Boardwalk
registrata a:
New York, New York, Stati Uniti (il 1964-05-21)
produttore:
Bert Berns e Mike Leander
archi [nine strings] :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1964-05-21)
batteria [drums] :
Gary Chester (studio drummer and educator) (il 1964-05-21)
chitarra :
Everett Barksdale (il 1964-05-21), Bill Suyker (il 1964-05-21), Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (il 1964-05-21) e Bob Bushnell (il 1964-05-21)
contrabbasso [bass] :
Milt Hinton (il 1964-05-21)
pianoforte :
Ernie Hayes (American pianist, organist and arranger) (il 1964-05-21)
vibrafono [vibes] :
George Devens (il 1964-05-21)
voce di baritono:
Gene Pearson (vocals, Drifters) (il 1964-05-21)
voce di basso:
Winifred Terry (il 1964-05-21)
voce di tenore:
Charlie Thomas (The Drifters) (il 1964-05-21)
voce principale:
Johnny Moore (soul/rnb vocalist for The Drifters) (il 1964-05-21)
direttore d'orchestra:
Gary Sherman (mid-20th century composer, arranger & conductor) (il 1964-05-21)
arrangiatore:
Gary Sherman (mid-20th century composer, arranger & conductor) e Teacho Wiltshire
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 304) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 487)
registrazione di:
Under the Boardwalk (il 1964-05-21)
autore:
Arthur Resnick (songwriter, producer) e Kenny Young
editore:
Alley Music Corp., Intersong (publisher), TM Music Ltd. e Trio Music Company
4.352:42
16I Don't Want to Go on Without You
registrata a:
New York, New York, Stati Uniti (il 1964-05-21)
tecnico:
Tom Dowd e Phil Iehle
produttore:
Bert Berns e Jerry Wexler
chitarra :
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (il 1964-05-21)
voce di baritono:
Eugene Pearson (vocals, Drifters) (il 1964-05-21)
voce di basso:
Johnny Terry (bass vocals, member of James Brown & The Famous Flames) (il 1964-05-21)
voce di tenore:
Charlie Thomas (The Drifters) (il 1964-05-21)
voce principale [lead tenor vocals]:
Johnny Moore (soul/rnb vocalist for The Drifters) (il 1964-05-21)
arrangiatore:
Teacho Wiltshire
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
2:50
17I've Got Sand in My Shoes
registrata a:
New York, New York, Stati Uniti (il 1964-08-04)
tecnico:
Tom Dowd e Phil Iehle
produttore:
Bert Berns e Jerry Wexler
chitarra :
Billy Davis (US guitarist & songwriter; member/manager of The Drifters) (il 1964-08-04)
voce di baritono:
Eugene Pearson (vocals, Drifters) (il 1964-08-04)
voce di basso:
Winifred Terry e Johnny Terry (bass vocals, member of James Brown & The Famous Flames) (il 1964-08-04)
voce di tenore:
Charlie Thomas (The Drifters) (il 1964-08-04)
voce principale [lead tenor vocals]:
Johnny Moore (soul/rnb vocalist for The Drifters) (il 1964-08-04)
direttore d'orchestra:
Teacho Wiltshire (il 1964-08-04)
arrangiatore:
Teacho Wiltshire
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
registrazione di:
I’ve Got Sand in My Shoes (il 1964-08-04)
autore:
Arthur Resnick (songwriter, producer) e Kenny Young
editore:
Alley Music Corp. e Trio Music Company
2:49
18Saturday Night at the Movies
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
registrazione di:
Saturday Night at the Movies
autore:
Barry Mann e Cynthia Weil
editore:
Screen Gems–EMI Music Ltd.
2:32
19At the Club
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
registrazione di:
At the Club
autore:
Gerry Goffin e Carole King
2:57
20Come on Over to My Place
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1988) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1998)
registrazione di:
Come on Over to My Place
autore:
Barry Mann e Cynthia Weil
editore:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
2:26

Accreditamenti