The Best of Julie London

~ Pubblicazione di Julie London (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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▼ CD 1
#TitoloValutazioneDurata
1Cry Me a River
produttore:
Bobby Troup
chitarra :
Barney Kessel
contrabbasso [bass] :
Ray Leatherwood
voce:
Julie London
diritti fonografici (℗) detenuti da:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1957)
registrata presso e mixata presso:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito
registrazione di:
Cry Me a River
paroliere e compositore:
Arthur Hamilton
editore:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (nel 1982) e Song and Dance Music Co. (nel 1982)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
52:51
2When I Fall in Love
tecnico:
Ted Keep e Bill Putnam
produttore:
Bobby Troup
voce:
Julie London
direttore d'orchestra:
André Previn (pianist, conductor, composer, arranger)
arrangiatore:
André Previn (pianist, conductor, composer, arranger)
registrazione cover di:
When I Fall in Love
paroliere:
Edward Heyman
compositore:
Victor Young (American composer, arranger, violinist & conductor)
editore:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:21
3Fly Me to the Moon (In Other Words)
tecnico:
David Hassinger
produttore:
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
voce:
Julie London
direttore d'orchestra:
Ernie Freeman
arrangiatore:
Ernie Freeman
diritti fonografici (℗) detenuti da:
Liberty (a division of UMG Recordings, Inc.) (nel 1964)
registrazione cover di:
Fly Me to the Moon
paroliere e compositore:
Bart Howard (nel 1954)
eseguita per la prima volta da:
Kaye Ballard (nel 1954)
editore:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC e TRO Essex Music Ltd.
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
42:34
4I Got It Bad (and That Ain’t Good)
registrazione di:
I Got It Bad (and That Ain’t Good)
paroliere:
Paul Francis Webster (nel 1941)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1941)
editore:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony e Webster Music Co.
parte di:
The Real Book (compilation of jazz standards, Volume I)
3:58
5God Bless the Child
registrazione di:
God Bless the Child
paroliere:
Billie Holiday
compositore:
Arthur Herzog, Jr.
editore:
Basart Editions (conclusa) e Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
3:17
6I’m in the Mood for Love (Every Night at Eight)
tecnico:
John Kraus (1950s US engineer) (nel 1955-08)
produttore:
Bobby Troup
chitarra :
Barney Kessel (nel 1955-08)
contrabbasso [bass] :
Ray Leatherwood (nel 1955-08)
voce:
Julie London (nel 1955-08)
registrazione di:
I’m in the Mood for Love (nel 1955-08)
paroliere:
Dorothy Fields (American librettist and lyricist)
compositore:
Jimmy McHugh (songwriter)
editore:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (nel 1935, nel 1963) e EMI Music Publishing Ltd. (PRS‐affiliated) (nel 2016)
42:30
7You’d Be So Nice to Come Home To
tecnico:
John Kraus (1950s US engineer)
produttore:
Si Waronker
voce:
Julie London
orchestra:
The Jimmy Rowles Orchestra
registrata presso:
Julie London’s living room
registrazione di:
You’d Be So Nice to Come Home To
paroliere e compositore:
Cole Porter (composer) (nel 1943)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
parte di:
The 16th Academy Award for Best Original Song (numero: 2)
2:15
8Love for Sale
registrazione di:
Love for Sale
paroliere e compositore:
Cole Porter (composer) (nel 1930)
editore:
Chappell & Co., Chappell Music Ltd., Harms, Inc. e Warner Bros., Inc. (not for release label use!)
2:39
9My Heart Belongs to Daddy
produttore:
Richard Bock (record producer)
batteria :
Colin Bailey (drummer)
contrabbasso :
Monty Budwig
pianoforte :
Russ Freeman (pianist)
voce:
Julie London
arrangiatore:
Russ Freeman (pianist)
registrazione di:
My Heart Belongs to Daddy
paroliere e compositore:
Cole Porter (composer) (nel 1938)
editore:
Chappell (company that specialized in library and production music), Chappell & Co. e Chappell Music Ltd.
registrazione cover di:
My Heart Belongs to Daddy
paroliere e compositore:
Cole Porter (composer) (nel 1938)
editore:
Chappell (company that specialized in library and production music), Chappell & Co. e Chappell Music Ltd.
2:42
10Two Sleepy People
tecnico:
Ted Keep e Bill Putnam
produttore:
Bobby Troup
voce:
Julie London
direttore d'orchestra:
André Previn (pianist, conductor, composer, arranger)
arrangiatore:
André Previn (pianist, conductor, composer, arranger)
registrazione di:
Two Sleepy People (from the 1938 film "Thanks for the Memory")
paroliere:
Frank Loesser
compositore:
Hoagy Carmichael
editore:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony, Sony/ATV Harmony UK e Sony/ATV Music Publishing LLC (1995–2020)
3:16
11Black Coffee
tecnico:
John Kraus (1950s US engineer)
produttore:
Si Waronker
voce:
Julie London
direttore d'orchestra:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
arrangiatore:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (nel 1960-08)
registrazione cover di:
Black Coffee (1948 song)
paroliere:
Paul Francis Webster (nel 1948)
compositore:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (nel 1948)
editore:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. e Webster Music Co.
2:59
12Basin Street Blues
tecnico:
Ted Keep e Val Valentin
produttore:
Bobby Troup
voce:
Julie London
orchestra:
Russ Garcia & His Orchestra
direttore d'orchestra:
Russell Garcia
arrangiatore:
Russell Garcia
registrazione di:
Basin Street Blues
paroliere e compositore:
Spencer Williams (US jazz composer, pianist & singer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
53:05
13You Go to My Head
tecnico:
Chuck Britz e Joe Sidore
produttore:
Calvin Carter
voce:
Julie London
arrangiatore:
Don Bagley
registrazione di:
You Go to My Head
paroliere:
Haven Gillespie (nel 1938)
compositore:
J. Fred Coots (nel 1938)
editore:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label) e Warner Bros. Music Corp.
3:07
14September in the Rain
produttore:
Bobby Troup
direttore d'orchestra:
Pete King (composer/arranger)
arrangiatore:
Pete King (composer/arranger)
registrazione di:
September in the Rain (nel 1956)
paroliere:
Al Dubin (nel 1937)
compositore:
Harry Warren (US composer and lyricist) (nel 1937)
editore:
Henrees Music co. (nel 1937) e Peermusic (UK) Limited (nel 1937)
41:41
15’Round Midnight
tecnico:
John Kraus (1950s US engineer)
produttore:
Si Waronker
voce:
Julie London
direttore d'orchestra:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
arrangiatore:
Dick Reynolds (musician, songwriter, and trombonist best known as arranger for the Four Freshmen)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (nel 1960-08)
registrazione cover di:
’Round Midnight
paroliere:
Bernie Hanighen
compositore:
Thelonious Monk e Cootie Williams
editore:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
si basa su:
I Need You So
2:54
16You Stepped Out of a Dream
tecnico:
John Kraus (1950s US engineer)
produttore:
Si Waronker
voce:
Julie London
registrata presso:
Julie London’s living room
registrazione di:
You Stepped Out of a Dream (Ziegfeld Girl, 1941 film)
paroliere:
Gus Kahn
compositore:
Nacio Herb Brown (US songwriter)
editore:
EMI Feist Catalog Inc.
parte di:
Ziegfeld Girl (1941)
2:13
17Ev’ry Time We Say Goodbye
registrazione di:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue)
paroliere e compositore:
Cole Porter (composer) (nel 1944)
editore:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:25
18There Will Never Be Another You
tecnico:
Chuck Britz e Joe Sidore
produttore:
Calvin Carter
voce:
Julie London
arrangiatore:
Don Bagley
registrazione di:
There Will Never Be Another You
paroliere:
Mack Gordon
compositore:
Harry Warren (US composer and lyricist)
editore:
Morley Music Corp.
parte di:
The Real Book (compilation of jazz standards, Volume I)
3:14

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