That Loving Feeling, Volume III

~ Release by Various Artists (see all versions of this release, 3 available)

Tracklist

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▼ Cassette 1
#TitleArtistRatingLength
A1Let’s Get It On
producer:
Marvin Gaye and Ed Townsend
percussion:
Emil Richards
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label), Motown Record Corp. (company credits only; do NOT use as release label) (in 1973) and UMG Recordings, Inc. (Universal Music Group, Inc., operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1973)
remix of:
Let’s Get It On (album version) by Marvin Gaye
part of:
Billboard: Greatest of All Time Hot 100 Songs (number: 46)
recording of:
Let’s Get It On
writer:
Marvin Gaye and Ed Townsend
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobete Music Ltd and Stone Diamond Music Corporation
Marvin Gaye44:04
A2Move Closer (New mix edit)
recording of:
Move Closer
lyricist and composer:
Phyllis Nelson (American singer)
publisher:
IQ Music Ltd.
Phyllis Nelson4:17
A3Ain’t No Sunshine
recording engineer:
Bill Halverson (in 1971) and Bill Lazarus (in 1971)
producer:
Booker T. Jones
mixer:
John Golden (mastering engineer)
acoustic guitar:
Stephen Stills (in 1971)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1971)
electric bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1971)
lead vocals:
Bill Withers (in 1971)
strings arranger:
Booker T. Jones
phonographic copyright (℗) by:
Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 280) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 309)
recording of:
Ain’t No Sunshine (in 1971)
lyricist and composer:
Bill Withers
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
Bill Withers4.52:04
A4Just the Way You Are
producer:
Barry White
arranger:
Gene Page and Barry White
phonographic copyright (℗) by:
20th Century-Fox Record Corporation (in 1978) and The Island Def Jam Music Group (Island Def Jam Music Group, American holding company, not normally a release label) (in 1978)
cover recording of:
Just the Way You Are (Billy Joel song)
lyricist and composer:
Billy Joel (American singer-songwriter and pianist)
publisher:
April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd., Joelsongs (from 1977 to present), CBS Songs Ltd. (in 1977) and Impulsive Music (in 1977)
sub-publisher:
Universal Music Publishing, Synch Division and Yamaha Music EH(CM)
Barry White44:49
A5I’m Still in Love With You
engineer:
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
producer:
Al Green (US soul singer, songwriter, pastor and record producer) and Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
baritone saxophone:
James Mitchell (US saxophonist/arranger)
drums (drum set):
Howard Grimes and Al Jackson, Jr. (Booker T & The MGs drummer)
electric bass guitar:
Leroy Hodges
guitar:
Mabon Hodges (“Teenie”, soul guitarist)
organ and piano:
Charles Hodges (soul organist)
tenor saxophone:
Ed Logan and Andrew Love
trombone:
Jack Hale (trombone)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
background vocals:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes and Sandra Rhodes
strings arranger:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) and James Mitchell (US saxophonist/arranger)
recorded at:
Royal Studios in Memphis, Tennessee, United States
recording of:
I’m Still in Love With You
lyricist and composer:
Al Green (US soul singer, songwriter, pastor and record producer), Al Jackson, Jr. (Booker T & The MGs drummer) and Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music and Irving Music, Inc.
Al Green4.753:14
A6Reach Out I’ll Be There
producer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
instruments:
The Funk Brothers (in 1966)
background vocals:
The Andantes (in 1966), Marlene Barrow (in 1966), Renaldo Benson (in 1966), Louvain Demps (in 1966), Abdul “Duke” Fakir (in 1966), Jackie Hicks (in 1966) and Lawrence Payton (in 1966)
lead vocals:
Levi Stubbs (in 1966)
phonographic copyright (℗) by:
Motown Record Company (company credits only; do NOT use as release label) (in 1966)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (in 1966)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 78) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 206)
recording of:
Reach Out, I’ll Be There (in 1966)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Four Tops42:59
A7The Tracks of My Tears
part of:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (number: 7), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 134)
recording of:
The Tracks of My Tears
writer:
Warren “Pete” Moore, Smokey Robinson and Marvin Tarplin
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Jobete Music Co., Inc.
sub-publisher:
Jobete Music (UK) Ltd.
Smokey Robinson & The Miracles2:52
A8Free
producer:
Charles Stepney and Maurice White (Earth, Wind & Fire)
edit of:
Free by Deniece Williams (US soul/funk vocalist/songwriter)
recording of:
Free
writer:
Susaye Greene, Hank Redd, Nathan Watts and Deniece Williams (US soul/funk vocalist/songwriter)
publisher:
Black Eye Music, Island Music Ltd., Kee‐Drick Music and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Deniece Williams2:52
B1One Day in Your Life
recording of:
One Day in Your Life
lyricist:
Samuel F. Brown III
composer:
Renee Armand
publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), Jobete Music Co., Inc. (from 1974 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Michael Jackson4:14
B2Have You Seen Her
recording of:
Have You Seen Her
writer:
Barbara Acklin and Eugene Record
publisher:
Intersong Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Chi‐Lites5:10
B3Easy
producer:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
arranger:
James Anthony Carmichael and Commodores (US funk/soul band with Lionel Richie)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1977), Motown Record Corporation (company credits only; do NOT use as release label) (in 1977) and Universal International Music B.V. (company, do not use as label) (in 2009)
recording of:
Easy
lyricist and composer:
Lionel Richie
publisher:
Brenda Richie Publishing, Jobete Music (UK) Ltd., Jobete Music Co., Inc. and Libren Music
Commodores3.754:10
B4Harvest for the World
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (in 1976)
recording of:
Harvest for the World
writer:
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley and Chris Jasper
publisher:
Bovina Music Inc., EMI April Music Inc. and EMI Songs Ltd.
The Isley Brothers3:54
B5Feel the Need in Me
recording of:
Feel the Need in Me
lyricist and composer:
Abrim Tilmon
publisher:
Bridgeport Music, Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Detroit Emeralds3:43
B6Best Thing That Ever Happened to Me
cover recording of:
Best Thing That Ever Happened to Me
lyricist and composer:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips43:48
B7(If Loving You Is Wrong) I Don’t Want to Be Right
Millie Jackson4:01
▼ Cassette 2
#TitleArtistRatingLength
C1Careless Whisper
recording of:
Careless Whisper
writer:
George Michael and Andrew Ridgeley
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Morrison Leahy Music Ltd., Warner Chappell Music Limited (2019–present), Wham! Music Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
George Michael4:54
C2Anything for You
recording of:
Anything for You
lyricist and composer:
Gloria M. Estefan
Gloria Estefan3:38
C3Sorry Seems to Be the Hardest Word
engineer:
Gus Dudgeon and Mark Howlett
producer:
Gus Dudgeon and John Stewart (UK music producer/recording engineer)
accordion:
Carl Fortina
electric bass guitar:
Kenny Passarelli (Bass, piano)
electric piano:
James Newton Howard (American score composer)
piano and lead vocals:
Elton John (English singer, songwriter, pianist, and composer)
vibraphone:
Ray Cooper (percussionist)
conductor:
James Newton Howard (American score composer)
accordion and strings arranger:
James Newton Howard (American score composer)
phonographic copyright (℗) by:
Happenstance Limited (record and publishing company) (in 1976)
recorded at:
Eastern Sound in Toronto, Ontario, Canada and Sunset Sound in Hollywood, Los Angeles, California, United States (in 1976-03)
recording of:
Sorry Seems to Be the Hardest Word
lyricist:
Bernie Taupin
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd (publisher), Chappell & Co Inc. (USA), Happenstance Limited (record and publishing company), Intersong U.S.A. Inc. (publisher), Muziekuitgeverij Artemis B.V., Rouge Booze, Inc., Universal–Songs of PolyGram International, Inc., Warner Chappell Music (publisher as Warner/Chappell Music), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Elton John3.453:44
C4Stay With Me Till Dawn
recording of:
Stay With Me Till Dawn
writer:
Mike Paxman (multi-instrumentalist & record producer) and Judie Tzuke
publisher:
Rocket Music Ltd.
Judie Tzuke3:52
C5You Wear It Well
recording of:
You Wear It Well
writer:
Martin Quittenton (guitarist for Steamhammer) and Rod Stewart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), G.H. Music Ltd and Three Bridges Music Corp.
Rod Stewart4:22
C6How Long
producer:
John Anthony (British producer and record executive)
phonographic copyright (℗) by:
Anchor Records (UK 70s indie label), Cavalcade Records Ltd, Minder Records (in 1974) and Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2015)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 7), Paste: The 50 Greatest One-Hit Wonders of All Time (number: 31) and The Downloader’s Music Source Book (number: 121)
recording of:
How Long?
lyricist and composer:
Paul Carrack
publisher:
Anchor Music Ltd. and Minder Music Ltd.
Ace43:21
C7Up Where We Belong
producer:
Stewart Levine (record producer and saxophonist)
drums (drum set):
Leon Ndugu Chancler
guitar:
Louie Shelton
keyboard:
Robbie Buchanan (Canadian producer) and Bobby Lyle
percussion:
Paulinho da Costa (Brazilian percussionist)
lead vocals:
Joe Cocker and Jennifer Warnes
recording of:
Up Where We Belong (An Officer and a Gentleman)
lyricist:
Will Jennings
composer:
Jack Nitzsche (American musician and score composer) and Buffy Sainte‐Marie
part of:
The 55th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 55)
Joe Cocker & Jennifer Warnes3.23:55
D1Your Love Is King
producer:
Robin Millar
vocals:
Sade Adu
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1984)
recording of:
Your Love Is King
lyricist:
Sade Adu
composer:
Sade Adu and Stuart Matthewman
publisher:
Angel Music Ltd., SM Publishing (UK) Limited (Sony Music, 2009–2020), Sony/ATV Songs LLC and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Sade3:58
D2Dance Away
engineer:
Phill Brown (UK engineer), Rhett Davies, Jimmy Douglass (engineer) and Randy Mason
producer:
Roxy Music
mixer:
Bob Clearmountain
performer:
Paul Carrack, Bryan Ferry, Andy Mackay (of Roxy Music), Phil Manzanera, Alan Spenner, Paul Thompson (Roxy Music drummer) and Gary Tibbs
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1979), Virgin EG Records Ltd. (in 1979) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1999)
recorded at:
Basing Street Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and Ridge Farm Studios in Dorking, Surrey, England, United Kingdom
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Dance Away (in 1979)
lyricist and composer:
Bryan Ferry
publisher:
BMG Music Publishing Ltd., BMG Songs Ltd., E.G. Music Inc. and E.G. Music Ltd. (publisher) (in 1979)
Roxy Music43:45
D3Silly Games
recording of:
Silly Games
lyricist and composer:
Dennis Bovell (reggae guitarist, bass player and record producer)
Janet Kay3:57
D4Everybody’s Got to Learn Sometime
recording of:
Everybody’s Got to Learn Sometime
lyricist and composer:
James Warren (English singer and guitarist)
publisher:
Warner Chappell Music Ltd. (1996–2019), Heath Music Ltd. (publisher) (in 1980) and Warner Bros. Ltd. (publisher) (in 1980)
The Korgis4.054:12
D5When a Man Loves a Woman
recorded in:
Muscle Shoals, Alabama, United States (on 1966-02-17)
producer:
Marlin Greene ('60s teen artist, writer & engineer) and Quin Ivy
double bass:
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (on 1966-02-17)
drums (drum set):
Roger Hawkins (on 1966-02-17)
farfisa [farfisa organ]:
Spooner Oldham (on 1966-02-17)
guitar:
Marlin Greene ('60s teen artist, writer & engineer) (on 1966-02-17)
vocals:
Percy Sledge (on 1966-02-17)
phonographic copyright (℗) by:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, in 1966) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1966)
recorded at:
Norala Studio in Sheffield, Alabama, United States (on 1966-02-17)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 54) and Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
When a Man Loves a Woman (on 1966-02-17)
writer:
Calvin Lewis and Andrew Wright (US keyboardist)
publisher:
Mijac Music, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (from 1966 to present), Quinvy Music Publishing Company, Inc. (from 1966 to present), Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label) (from 1966 to present), Pronto (BMI‐affiliated publishing company) (in 1972) and Quinvy (record company and publisher) (in 1972)
Percy Sledge4.252:55
D6Tell It Like It Is
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 381)
recording of:
Tell It Like It Is
writer:
George Davis (US musician & songwriter George Richard Davis Jr., guitar, bass, saxophone, oboe) and Lee Diamond
publisher:
Conrad Music (publisher; do NOT use as release label) and Olrap Publishing Co., Inc.
Aaron Neville3:08
D7Drift Away
phonographic copyright (℗) by:
UMG Recordings, Inc. (Universal Music Group, Inc., operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1972)
cover recording of:
Drift Away
lyricist and composer:
Mentor Williams (songwriter & producer)
publisher:
Rondor Music (London) Ltd.
Dobie Gray3:33
D8My Baby Just Cares for Me
recorded in:
New York, New York, United States (in 1957-12)
double bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano:
Nina Simone (in 1957-12)
vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
My Baby Just Cares for Me (in 1957-12)
lyricist and composer:
Walter Donaldson and Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild and Tobago Music Co.
Nina Simone43:36

Credits

Release group

part of:That Loving Feeling (number: 3) (order: 3)
Discogs:https://www.discogs.com/master/326140 [info]