Eternal Love: Le Meilleur des slows en version originale

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

▼ CD 1
#TitoloArtistaValutazioneDurata
1I Hear It Through the Grapevine
produttore:
Norman Whitfield
batteria :
Richard "Pistol" Allen (dal 1967-02-03 al 1967-04-10) e Uriel Jones (dal 1967-02-03 al 1967-04-10)
organo :
Earl Van Dyke (dal 1967-02-03 al 1967-04-10)
strumenti:
The Funk Brothers (dal 1967-02-03 al 1967-04-10)
voce di accompagnamento:
The Andantes (dal 1967-02-03 al 1967-04-10)
voce principale:
Marvin Gaye (dal 1967-02-03 al 1967-04-10)
orchestra:
Detroit Symphony Orchestra (dal 1967-02-03 al 1967-04-10)
diritti fonografici (℗) detenuti da:
Motown Record Company (company credits only; do NOT use as release label) (nel 1968)
registrata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (dal 1967-02-03 al 1967-04-10)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 80), Billboard: Greatest of All Time Hot 100 Songs (numero: 93), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 119) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 307)
registrazione di:
I Heard It Through the Grapevine (dal 1967-02-03 al 1967-04-10)
autore:
Barrett Strong e Norman Whitfield
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music, Jobete Music (UK) Ltd., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Marvin Gaye4.33:11
2It's a Man's Man's Man's World
registrazione di:
It’s a Man’s Man’s Man’s World
autore:
James Brown (The Godfather of Soul) e Betty Jean Newsome
James Brown2:49
3Only You (And You Alone)
pianoforte :
Buck Ram (il 1955-04-26)
voce parlata [dialogue]:
Wolfman Jack (US disc jockey) (il 1955-04-26)
voce principale:
Tony Williams (1928 - 1992, USA, lead singer of the Platters, Samuel E. Williams) (il 1955-04-26)
diritti fonografici (℗) detenuti da:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) (nel 1955), PolyGram Records, Inc. (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (nel 1955) e The Island Def Jam Music Group (Island Def Jam Music Group, American holding company, not normally a release label) (nel 1957)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 10)
registrazione di:
Only You (il 1955-04-26)
paroliere, autore e compositore:
Buck Ram e Ande Rand
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music e Sherwin Music (publisher) (nel 1973)
The Platters2:36
4Unchained Melody
tecnico:
Larry Levine
produttore:
Phil Spector
voce:
Bobby Hatfield (nel 1965-03) e Bill Medley (nel 1965-03)
arrangiatore:
Jack Nitzsche (American musician and score composer)
diritti fonografici (℗) detenuti da:
Spectrum Music (Universal Music Group budget label), PolyGram Records, Inc. (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (nel 1965) e Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1966)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (nel 1965-03)
parte di:
The Co-Op: Top 10 British Funeral Songs (numero: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 269) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 366)
registrazione cover di:
Unchained Melody (nel 1965-03)
editore:
Hy Zaret
paroliere:
Hy Zaret
compositore:
Alex North (US composer)
editore:
Frank Music Corp. (conclusa), HZUM Publishing, MPL Communication Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing e Unchained Melody Publishing, LLC
sub-editore:
日音 Synch事業部 (NICHION, INC. Synch Division)
parte di:
The 28th Academy Award for Best Original Song (numero: 2)
The Righteous Brothers33:35
5Nights in White Satin
produttore:
Tony Clark (engineer, Abbey Road)
produttore esecutivo:
Hugh Mendl
diritti fonografici (℗) detenuti da:
The Decca Record Co. Ltd. (The Decca Record Company Limited, for copyrights use only!) (nel 1967)
registrazione di:
Nights in White Satin (nel 1967)
paroliere e compositore:
Justin Hayward (of the Moody Blues)
editore:
Essex Music of Australia Pty. Ltd., TRO-Essex Music, Inc. e Tyler Music Ltd.
The Moody Blues4.454:23
6It's Five O'Clock
registrazione di:
It’s Five O’Clock (nel 1969)
paroliere:
Richard Julian Francis
compositore:
Vangelis (Greek composer of electronic, new age and classical)
Aphrodite’s Child4.353:28
7When a Man Loves a Woman
registrata a:
Muscle Shoals, Alabama, Stati Uniti (il 1966-02-17)
produttore:
Marlin Greene ('60s teen artist, writer & engineer) e Quin Ivy
batteria :
Roger Hawkins (il 1966-02-17)
chitarra :
Marlin Greene ('60s teen artist, writer & engineer) (il 1966-02-17)
contrabbasso :
Albert Lowe Jr. (American guitarist, bassist, and songwriter) (il 1966-02-17)
farfisa [farfisa organ] :
Spooner Oldham (il 1966-02-17)
voce:
Percy Sledge (il 1966-02-17)
diritti fonografici (℗) detenuti da:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (, nel 1966) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1966)
registrata presso:
Norala Studio in Sheffield, Alabama, Stati Uniti (il 1966-02-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 54) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
When a Man Loves a Woman (il 1966-02-17)
autore:
Calvin Lewis e Andrew Wright (US keyboardist)
editore:
Mijac Music, Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Warner/Chappell (Warner/Chappell Music, Inc.), Pronto Music, Inc. (publisher) (dal 1966 a oggi), Quinvy Music Publishing Company, Inc. (dal 1966 a oggi), Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label) (dal 1966 a oggi), Pronto (BMI‐affiliated publishing company) (nel 1972) e Quinvy (record company and publisher) (nel 1972)
Percy Sledge4.252:52
8My Cherie Amour
produttore:
Henry Cosby
voce principale:
Stevie Wonder (dal 1967 al 1968)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1969)
registrata presso:
Hitsville (Motown Records) in Detroit, Michigan, Stati Uniti (dal 1967 al 1968)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 399)
registrazione di:
My Cherie Amour (dal 1967 al 1968)
autore:
Henry Cosby, Sylvia Moy e Stevie Wonder
editore:
Black Bull Music, Jobete Music, Jobete Music Co., Inc., Sawandi Music, Stone Agate Music e 大洋音楽 (Taiyō Music)
Stevie Wonder4.352:51
9One Day in Your Life
registrazione di:
One Day in Your Life
paroliere:
Samuel F. Brown III
compositore:
Renee Armand
editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30), Jobete Music Co., Inc. (dal 1974 a oggi) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Michael Jackson3.654:14
10Cherish
registrazione di:
Cherish
autore:
Clifford Adams, Robert “Kool” Bell, Ronald Bell, Jim Bonnefond, George Brown (US percussionist of Kool & the Gang), Curtis Williams (keyboardist/percussionist of Kool & The Gang), James Taylor (US R&B vocalist for Kool & the Gang) e Claydes Smith
editore:
Delightful Music Ltd., Planetary Nom (London) Ltd., Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label) e Windswept Pacific Music Ltd.
Kool & the Gang4:39
11There's Nothing Like This
registrazione di:
There’s Nothing Like This
paroliere e compositore:
Omar Hammer
editore:
Congo Music e PolyGram Music Publishing
Omar3:56
12Blue Eyes
tecnico di registrazione:
Bill Price (UK producer/engineer)
produttore:
Chris Thomas (UK record producer / remixer)
basso elettrico :
Dee Murray
batteria :
Jeffrey Porcaro
chitarra :
Richie Zito
pianoforte e voce principale:
Elton John (English singer, songwriter, pianist, and composer)
pianoforte elettrico e sintetizzatore :
James Newton Howard (American score composer)
arrangiatore archi e arrangiatore ottoni :
James Newton Howard (American score composer)
diritti fonografici (℗) detenuti da:
Happenstance Ltd. (record and publishing company) (nel 1982)
registrata presso:
AIR Studios Montserrat in Saint Peter, Montserrat (nel 1982-02)
video musicali:
Blue Eyes di Elton John (English singer, songwriter, pianist, and composer)
registrazione di:
Blue Eyes
paroliere:
Gary Osborne
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Big Pig Music Ltd. (publisher) e Universal–Songs of PolyGram International, Inc.
Elton John2.753:23
13Up Where We Belong
produttore:
Stewart Levine (record producer and saxophonist)
batteria :
Leon Ndugu Chancler
chitarra :
Louie Shelton
percussione :
Paulinho da Costa (Brazilian percussionist)
tastiera :
Robbie Buchanan (Canadian producer) e Bobby Lyle
voce principale:
Joe Cocker e Jennifer Warnes
registrazione di:
Up Where We Belong (An Officer and a Gentleman)
paroliere:
Will Jennings
compositore:
Jack Nitzsche (American musician and score composer) e Buffy Sainte‐Marie
parte di:
The 55th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 55)
Joe Cocker & Jennifer Warnes3.23:51
14Precious Thing
produttore:
Dee Dee Bridgewater
produttore esecutivo:
Jean-Pierre Grosz
tecnico di missaggio:
Steve Forward
voce e esecutore:
Dee Dee Bridgewater
diritti fonografici (℗) detenuti da:
Infernal Entertainment Productions (nel 1989)
registrazione di:
Precious Thing (Till the Next… Somewhere)
paroliere:
Ronnie Bird
compositore:
Pierre Papadiamandis (French songwriter)
editore:
Infernal Entertainment
Ray Charles & Dee Dee Bridgewater5:01
15Woman in Chains
produttore:
David Bascombe e Tears for Fears
membranofono :
Phil Collins (of Genesis)
voce principale ospite:
Oleta Adams
esecutore:
Oleta Adams
registrazione di:
Woman in Chains
paroliere e compositore:
Roland Orzabal (UK musician, songwriter and producer)
Tears for Fears46:27
16Words
registrazione di:
Words
paroliere e arrangiatore:
Henry Priestman
compositore:
Seán Ó Riada (birth name John Reidy)
editore:
10 Music Ltd.
si basa su:
Mná na hÉireann (Women of Ireland)
The Christians7:12
17Wind of Change
assistente tecnico:
Shay Baby, Attie Bauw, Albert Boekholt e Tom Fletcher (Engineer)
tecnico:
Erwin Musper e Keith Olsen (US producer and engineer)
produttore:
Keith Olsen (US producer and engineer) e Scorpions (German rock band)
tecnico di missaggio:
Shay Baby, Erwin Musper e Keith Olsen (US producer and engineer)
batteria e percussione :
Herman Rarebell (drummer, Germany) (nel 1990)
chitarra acustica :
Rudolf Schenker (nel 1990)
chitarra basso :
Francis Buchholz (nel 1990)
chitarra elettrica [lead guitar] e chitarra elettrica [rhythm guitar] :
Matthias Jabs (nel 1990) e Rudolf Schenker (nel 1990)
chitarra slide :
Matthias Jabs (nel 1990)
tastiera ospite :
Koen van Baal (nel 1990)
voce di accompagnamento:
Francis Buchholz (nel 1990), Matthias Jabs (nel 1990), Klaus Meine (nel 1990), Herman Rarebell (drummer, Germany) (nel 1990) e Rudolf Schenker (nel 1990)
voce principale:
Klaus Meine (nel 1990)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (nel 1990, nel 1991) e The Island Def Jam Music Group (Island Def Jam Music Group, American holding company, not normally a release label) (nel 1990)
registrata presso:
Goodnight LA Studios in Van Nuys, California, Stati Uniti (nel 1990) e Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands (nel 1990)
mixata presso:
Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
registrazione di:
Wind of Change (nel 1990)
paroliere e compositore:
Klaus Meine
editore:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Polygram Music e PRI Music, Inc.
Scorpions3.855:11
18Never Tear Us Apart
tecnico:
David Nicholas (Australian recording engineer and producer)
produttore:
Chris Thomas (UK record producer / remixer)
tecnico di missaggio:
Bob Clearmountain
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1987)
video musicali:
Never Tear Us Apart (music video) di INXS
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 282)
registrazione di:
Never Tear Us Apart
paroliere e compositore:
Andrew Farriss e Michael Hutchence
editore:
Stuffed Monkey e Warner/Chappell (Warner/Chappell Music, Inc.)
INXS4.053:02

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