Greatest Hits of the 70s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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CD 1
#TitoloArtistaValutazioneDurata
1(Shake Shake Shake) Shake Your Booty
produttore:
Harry Wayne Casey e Richard Finch
diritti fonografici (℗) detenuti da:
T.K. Records (Miami‐based disco label) (dal 1976 a oggi) e EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (nel 1976)
registrazione di:
(Shake, Shake, Shake) Shake Your Booty
autore:
Harry Wayne Casey e Richard Finch
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs, Harrick Music, Inc. (BMI) e Longitude Music Co.
KC and the Sunshine Band4.53:08
2Every 1’s a Winner
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (nel 1978) e Infinity Records Inc. (nel 1978)
registrazione di:
Every 1’s a Winner
paroliere e compositore:
Errol Brown
editore:
EMI Music Publishing (PRS‐affiliated) e RAK Music Publishing Ltd.
Hot Chocolate4.353:57
3Don’t Take Away the Music
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1976)
edit di:
Don’t Take Away the Music di Tavares (US R&B, funk and soul music)
registrazione di:
Don’t Take Away the Music
autore:
Freddie Perren, Keni St. Lewis e Christine Yarian
editore:
Songs of PolyGram International, Inc. e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Tavares3:40
4Haven’t Stopped Dancing Yet
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012)
registrazione di:
I Haven’t Stopped Dancing Yet
compositore:
Gloria Jones (US singer/songwriter, known for “Tainted Love”)
editore:
Buckwheat Music, Old Eye Music e Wizard (Bahamas) Ltd.
Gonzalez44:12
5Dancing in the City
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (nel 1978) e Harvest (UK based sub‐label of EMI, re‐activated in 2013 under Capitol Music Group in Hollywood, CA) (nel 1978)
registrazione di:
Dancing in the City (nel 1978)
autore:
Kit Hain e Julian Marshall
editore:
EMI Music Publishing (do not use as a release label!), Gallo Music Publishers, Hornall Brothers Music Ltd. (limited company) e Rondor Music (London) Ltd.
Marshall Hain3:48
6Love Hit Me
registrazione di:
Love Hit Me
paroliere e compositore:
J. Vincent Edwards
editore:
Sony/ATV Music Publishing (UK) Ltd.
Maxine Nightingale32:48
7I Can’t Leave You AloneGeorge McCrae3:09
8Why Can’t We Live Together
registrazione di:
Why Can’t We Live Together
paroliere e compositore:
Timmy Thomas
editore:
EMI Longitude Music, Sherlyn Music, Southern Music Publishing Company Limited e ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Timmy Thomas4:24
9Do What You Wanna Do
T-Connection33:33
10When You’re in Love With a Beautiful Woman
produttore:
Ron Haffkine
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1978)
registrazione di:
When You’re in Love With a Beautiful Woman
paroliere e compositore:
Even Stevens (singer / songwriter)
editore:
ATV Music, Debdave Music, Edition Intro Gebr Meisel GmbH, EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Screen Gems–EMI Music Ltd. e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Dr. Hook42:58
11Don’t Give Up on Us
voce:
David Soul
diritti fonografici (℗) detenuti da:
David Soul (nel 1976)
diritti fonografici (℗) detenuti da:
Private Stock Records, Ltd. (not for release label use, for company relationships only) (nel 1976) e Private Stock (nel 1977)
registrazione di:
Don’t Give Up on Us (nel 1976)
paroliere e compositore:
Tony Macaulay
editore:
Macaulay Music Ltd., PolyGram Music Publishing Ltd. e Universal Music Publishing International Ltd.
David Soul33:38
12Rhinestone Cowboy
diritti fonografici (℗) detenuti da:
Nashville Records (country label, used to be under Starday Records in Nashville, TN, today under Capitol Records, Inc.) (nel 1975) e Capitol Records Nashville (nel 2003)
registrazione di:
Rhinestone Cowboy (il 1975-02-24)
paroliere e compositore:
Larry Weiss (American singer-songwriter)
editore:
House of Weiss Music Co, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America
Glen Campbell43:17
13Blanket on the Ground
registrazione di:
Blanket on the Ground
paroliere e compositore:
Roger Bowling
editore:
ATV Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Sony/ATV Music Publishing (UK) Ltd.
Billie Jo Spears3:35
14Lucille
produttore:
Larry Butler (US country music producer, songwriter & pianist)
voce principale:
Kenny Rogers (US country singer, songwriter, actor, record producer & entrepreneur)
diritti fonografici (℗) detenuti da:
Capitol Records Nashville (nel 1976), United Artists Music and Records Group, Inc. (UAMARG, Inc.) (nel 1976) e Liberty Records, Inc. (nel 1977)
registrazione di:
Lucille
autore:
Roger Bowling e Hal Bynum
editore:
ATV Music Corp., Sony/ATV Music Publishing Australia Pty Ltd., Andite Invasion (publisher) (nel 1976) e Brougham Hall Music Co., Inc. (publisher) (nel 1976)
Kenny Rogers43:40
15Mississippi
diritti fonografici (℗) detenuti da:
EMI Music Netherlands BV (EMI Group subsidiary 2000–2012, today under UMG, don't use as label) (nel 1975)
registrazione di:
Mississippi
paroliere e compositore:
Werner Theunissen
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Music Publishing Australia Pty Ltd (not for release label use!)
Pussycat4:37
16I Can’t Tell the Bottom From the Top
registrazione cover di:
I Can't Tell the Bottom From the Top
compositore:
Guy Fletcher (keyboards +) e Doug Flett
The Hollies3:52
17Years May Come, Years May GoHerman’s Hermits33:38
18Hello Summertime
registrazione di:
Hello Summertime (1970s song)
autore:
Bill Backer, Roger Cook (US‐based British singer, songwriter and producer), Roquel Davis e Roger Greenaway
Bobby Goldsboro2:25
19Vincent
tecnico:
Tom Flye
produttore:
Ed Freeman (producer, arranger, musician, and photographer)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1971-05 al 1971-06)
registrazione di:
Vincent (Starry Starry Night)
paroliere e compositore:
Don McLean
editore:
Benny Bird Co. Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Songs of Universal, Inc. (BMI) e Universal/MCA Music Ltd. (not for release label use!)
versione tradotta di:
Wim
Don McLean4.254:01
20Loving You
voce:
Minnie Riperton
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1993)
registrazione di:
Lovin’ You
autore:
Minnie Riperton e Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
editore:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-editore:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton3.653:20
CD 2
#TitoloArtistaValutazioneDurata
1Love Is the Drug
produttore:
Chris Thomas (UK record producer / remixer)
diritti fonografici (℗) detenuti da:
E.G. Records Ltd. (company credits only; do NOT use as release label) (nel 1975), Virgin EG Records Ltd. (nel 1975) e Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1975, nel 1999)
registrazione di:
Love Is the Drug
paroliere:
Bryan Ferry
compositore:
Andy Mackay (of Roxy Music)
editore:
BMG Music Publishing Ltd., BMG Songs, BMG Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), E.G. Music Inc., Universal Music Careers, Universal Music Publishing Group (Universal Music Publishing Group Corporation), Universal Music Publishing MGB Australia, Universal Music–MGB Songs e E.G. Music Ltd. (publisher) (nel 1975)
Roxy Music4.24:10
2Make Me Smile (Come Up and See Me)
produttore:
Steve Harley e Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (nel 1975)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 18)
registrazione di:
Make Me Smile (Come Up and See Me)
paroliere e compositore:
Steve Harley
editore:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. e Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:54
3The Cat Crept In
produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
registrazione di:
The Cat Crept In
paroliere e compositore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music Publishing Ltd. e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Mud4:03
4Angel Fingers (A Teen Ballad)
registrazione di:
Angel Fingers
paroliere e compositore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
Wizzard54:32
5Can the Can
produttore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (nel 1973) e RAK Records (copyrights holder) (nel 1975)
registrata presso:
Audio International Studios in London (Greater London), England, Regno Unito
registrazione di:
Can the Can
paroliere:
Nicky Chinn
compositore:
Mike Chapman (Australian producer and songwriter)
editore:
BMG Music, Chinnichap (production company and publisher) e Universal Music Publishing MGB Australia
Suzi Quatro4.23:35
6A Touch Too Much
produttore:
Mickie Most (English record producer)
registrazione di:
A Touch Too Much
compositore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
The Arrows3:02
7Some Girls
registrazione di:
Some Girls
autore:
Mike Chapman (Australian producer and songwriter) e Nicky Chinn
editore:
BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Downtown DLJ Songs, Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Racey3.53:25
8Magic
produttore:
Alan Parsons (of The Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (nel 1974, nel 1975, nel 2003)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 41)
registrazione di:
Magic
autore:
Billy Lyall e David Paton (of Pilot)
editore:
Beechwood Music Corp., EMI (EMI Records, EMI Records, since 1972), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Robbins Music Corp. Ltd.
Pilot4.753:05
9California Man
produttore:
Jeff Lynne e Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
basso :
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (il 1971-12-19)
batteria e percussione :
Bev Bevan (English rock drummer) (il 1971-12-19)
chitarra e voce principale:
Jeff Lynne (il 1971-12-19) e Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard) (il 1971-12-19)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (nel 1972, nel 2005)
registrazione di:
California Man (il 1971-12-19)
paroliere e compositore:
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
editore:
Anne-Rachel Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI U Catalog Inc. (publisher; do NOT use as release label), Intersong Music, Jet Music Ltd. (British branch), United Artists Music Co., Inc. e United Artists Music Ltd.
The Move53:38
10Showdown
tecnico:
Denny Bridges e John Middleton (engineer)
produttore:
Jeff Lynne
basso e voce di accompagnamento:
Michael d’Albuquerque (nel 1973-04)
batteria e percussione :
Bev Bevan (English rock drummer) (nel 1973-04)
chitarra e voce principale:
Jeff Lynne (nel 1973-04)
moog e pianoforte :
Richard Tandy (keyboardist for Electric Light Orchestra) (nel 1973-04)
violino :
Wilfred Gibson (UK violinist) (nel 1973-04)
violoncello :
Mike Edwards (English Cellist that was a member of ELO) (nel 1973-04) e Colin Walker (English Cellist that was a member of ELO) (nel 1973-04)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (nel 1973, nel 2005, nel 2011), Jet Records (nel 1973), Sony Music Entertainment (Sony Music Entertainment, Inc., NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1973) e Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1973)
registrata presso:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (nel 1973-04)
registrazione di:
Showdown (nel 1973-04)
paroliere e compositore:
Jeff Lynne
editore:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., EMI U Catalog Inc. (publisher; do NOT use as release label), Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Electric Light Orchestra4.54:11
11Good Girls Don’t
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979, nel 2013)
registrazione di:
Good Girls Don’t
paroliere e compositore:
Doug Fieger (in The Knack)
The Knack43:10
12Whole Lotta Love
produttore:
Mickie Most (English record producer)
arrangiatore:
John Cameron (British composer, arranger and conductor)
registrazione cover di:
Whole Lotta Love
paroliere aggiunto:
Willie Dixon
autore:
John Bonham, John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures), Jimmy Page e Robert Plant (of Led Zeppelin)
editore:
Flames of Albion Music, Inc., Succubus Music Ltd., Superhype Music, Inc., Superhype Publishing, Inc. e WB Music Corp. (1929–2019)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
si basa su:
You Need Love
registrazione di:
Whole Lotta Love
paroliere aggiunto:
Willie Dixon
autore:
John Bonham, John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures), Jimmy Page e Robert Plant (of Led Zeppelin)
editore:
Flames of Albion Music, Inc., Succubus Music Ltd., Superhype Music, Inc., Superhype Publishing, Inc. e WB Music Corp. (1929–2019)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
si basa su:
You Need Love
registrazione strumentale cover di:
Whole Lotta Love
paroliere aggiunto:
Willie Dixon
autore:
John Bonham, John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures), Jimmy Page e Robert Plant (of Led Zeppelin)
editore:
Flames of Albion Music, Inc., Succubus Music Ltd., Superhype Music, Inc., Superhype Publishing, Inc. e WB Music Corp. (1929–2019)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
si basa su:
You Need Love
CCS53:33
13Black Night
basso elettrico :
Roger Glover (nel 1970-05)
batteria :
Ian Paice (nel 1970-05)
chitarra elettrica :
Ritchie Blackmore (nel 1970-05)
organo Hammond :
Jon Lord (nel 1970-05)
voce principale:
Ian Gillan (nel 1970-05)
registrata presso:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1970-05)
registrazione di:
Black Night (nel 1970-05)
autore:
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord e Ian Paice
editore:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing France, HEC Music, Henrees Music co., EMI Music Publishing Japan C.F. division (fino al 2021-06-30), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
Deep Purple4.353:28
14Doctor Doctor
registrazione di:
Doctor Doctor
autore:
Phil Mogg e Michael Schenker
UFO42:46
15Silver Machine
produttore:
Doctor Technichal (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) e Hawkwind
batteria :
Simon King (drummer) (il 1972-02-13)
chitarra :
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (il 1972-02-13)
chitarra aggiunto e chitarra basso aggiunto:
Guy Pratt (il 1972-02-13)
chitarra basso e voce principale:
Lemmy Kilmister (“Lemmy” from Motörhead) (il 1972-02-13)
flauto e sassofono :
Nik Turner (il 1972-02-13)
sintetizzatore :
Dik Mik Davies (il 1972-02-13) e Del Dettmar (il 1972-02-13)
voce:
Dave Brock (UK guitarist/synthesizer singer/songwriter, member of Hawkwind) (il 1972-02-13), Robert Calvert (il 1972-02-13) e Nik Turner (il 1972-02-13)
remixer:
The Scourge of the Earth
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (nel 1972)
registrata presso:
Roundhouse in Camden Town, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito (il 1972-02-13)
mixata presso:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito
edit di:
Silver Machine (12″ mix) di Hawkwind infected by The Scourge of the Earth
registrazione dal vivo di:
Silver Machine (il 1972-02-13)
paroliere:
Robert Calvert
compositore:
Sylvia MacManus (UK guitarist/synthesizer singer/songwriter, member of Hawkwind)
editore:
EMI United Partnership Ltd. e United Partnership Ltd.
Hawkwind3.654:40
16Spirit in the Sky
produttore:
Erik Jacobsen
diritti fonografici (℗) detenuti da:
Reprise Records (nel 1969), Seven Arts Records, Inc. (not a label) (nel 1969) e Transtone Productions (nel 1970)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 5), Billboard Year‐End Hot 100 Singles (1970) (numero: 22) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 333)
registrazione di:
Spirit in the Sky (nel 1969)
paroliere e compositore:
Norman Greenbaum
editore:
Great Honesty Music Inc., Warner Chappell Music Publishing (Warner/Chappell Music, Inc.), Warner Chappell Music, Inc., Warner/Chappell Music Ltd. (1996–2019) e Westminster Music Ltd.
Norman Greenbaum4.24:00
17I’ve Been Drinking
esecutore ospite:
Rod Stewart
registrazione di:
I’ve Been Drinking
autore:
Johnny Mercer e Doris Tauber
arrangiatore:
Jeff Beck (English rock guitarist) e Rod Stewart
arrangiamento di:
Drinking Again
Jeff Beck Group3:19
18All Around My Hat
produttore:
Mike Batt
basso :
Rick Kemp
batteria :
Nigel Pegrum
chitarra :
Tim Hart (UK folk singer and multi-instrumentalist) e Bob Johnson (British guitarist and Steeleye Span member)
mandolino e violino folk :
Peter Knight (Steeleye Span fiddler)
voce:
Maddy Prior
voce di accompagnamento:
Tim Hart (UK folk singer and multi-instrumentalist), Bob Johnson (British guitarist and Steeleye Span member) e Peter Knight (Steeleye Span fiddler)
diritti fonografici (℗) detenuti da:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1975)
registrazione di:
All Around My Hat (nel 1975)
autore:
Tim Hart (UK folk singer and multi-instrumentalist), Bob Johnson (British guitarist and Steeleye Span member), Rick Kemp, Peter Knight (Steeleye Span fiddler) e Maddy Prior
editore:
Chrysalis Music Ltd. (music publisher (affiliated with PRS)), Peermusic (UK) Limited e Steeleye Span Music Ltd.
si basa su:
Farewell He (Farewell She / Fare Thee Well, Cold Winter / All Smiles Tonight)
si basa su:
The Nobleman’s Wedding
Steeleye Span54:08
19Combine Harvester (Brand New Key)
registrazione di:
The Combine Harvester
paroliere:
Brendan O’Shaughnessy
compositore:
Melanie Safka (US singer‐songwriter Melanie Safka)
versione parodia di:
Brand New Key
The Wurzels53:04
20Telephone Man
registrazione di:
Telephone Man
autore:
Meri Wilson
Meri Wilson42:01
CD 3
#TitoloArtistaValutazioneDurata
1Denis
tecnico:
Rob Freeman (engineer)
produttore:
Richard Gottehrer (American songwriter and music executive)
archi , farfisa , pianoforte a coda , sintetizzatore [Polymoog] e sintetizzatore [Roland] :
Jimmy Destri (dal 1977-06 al 1977-07)
batteria :
Clem Burke (dal 1977-06 al 1977-07)
chitarra basso :
Frank Infante (dal 1977-06 al 1977-07) e Chris Stein (dal 1977-06 al 1977-07)
chitarra elettrica [lead guitar] e vibrafono :
Chris Stein (dal 1977-06 al 1977-07)
chitarra elettrica [rhythm guitar] :
Frank Infante (dal 1977-06 al 1977-07)
voce di accompagnamento:
Clem Burke (dal 1977-06 al 1977-07) e Jimmy Destri (dal 1977-06 al 1977-07)
voce principale:
Deborah Harry (dal 1977-06 al 1977-07)
diritti fonografici (℗) detenuti da:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (nel 1977), Chrysalis Records, Inc. (not for release label use!) (nel 1977, nel 2001) e Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1978)
registrata presso:
Plaza Sound Studios in New York, New York, Stati Uniti (dal 1977-06 al 1977-07)
registrazione cover di:
Denise (dal 1977-06 al 1977-07)
paroliere e compositore:
Neil Levenson
editore:
Bright Tunes Music Corp., EMI Music Publishing Ltd. (PRS‐affiliated), Minder Music Ltd. e Taking Care of Business Music Inc.
Blondie3.52:19
2What Do I Get?
tecnico:
Doug Bennett (producer, engineer)
produttore:
Martin Rushent
registrata presso e mixata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
video musicali:
What Do I Get di Buzzcocks (English punk band)
registrazione di:
What Do I Get?
paroliere e compositore:
Pete Shelley (Buzzcocks lead singer)
Buzzcocks3.82:56
3(Get a) Grip (on Yourself)
tecnico:
Alan Winstanley (English record producer)
produttore:
Martin Rushent
assistente tecnico di missaggio:
Benny King (engineer)
tecnico di missaggio:
Doug Bennett (producer, engineer)
batteria :
Jet Black (UK drummer Brian Duffy, member of The Stranglers) (dal 1976-12-20 al 1977-01-28)
chitarra e voce principale:
Hugh Cornwell (English rock musician) (dal 1976-12-20 al 1977-01-28)
chitarra basso :
Jean‐Jacques Burnel (dal 1976-12-20 al 1977-01-28)
sassofono tenore :
Eric Clark (dal 1976-12-20 al 1977-01-28)
tastiera :
Dave Greenfield (dal 1976-12-20 al 1977-01-28)
editore:
EMI April Music Inc.
diritti fonografici (℗) detenuti da:
A&M Records, Inc. e United Artists Records Ltd.
registrata presso:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Regno Unito (dal 1976-12-20 al 1977-01-28)
mixata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
prodotta presso:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Regno Unito (dal 1977-01 al 1977-02)
registrazione di:
(Get a) Grip (on Yourself) (dal 1976-12-20 al 1977-01-28)
autore:
Brian Duffy (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) e Dave Greenfield
editore:
Albion Music Ltd., April Music Ltd., Complete Music Ltd., Irving Music, Inc., Musik-Edition Discoton e Universal Music Publishing MGB Ltd.
The Stranglers54:02
4Straw Dogs
registrazione di:
Straw Dogs
paroliere:
Gordon Ogilvie (Irish journalist)
compositore:
Stiff Little Fingers
Stiff Little Fingers3:30
5She’s a Wind Up
produttore:
Nick Lowe (UK singer/songwriter/instrumentalist/producer)
diritti fonografici (℗) detenuti da:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 1977)
Dr. Feelgood2:03
6Into the Valley
registrazione di:
Into the Valley
paroliere:
Richard Jobson
compositore:
Stuart Adamson
The Skids3:12
7Sound of the SuburbsThe Members3:55
8Valley of the Dolls
registrazione di:
Valley of the Dolls
autore:
Billy Idol (English rock singer‐songwriter) e Tony James (UK bassist/guitarist)
Generation X3:35
9MoneyThe Flying Lizards4.22:32
10Public Image
produttore:
Pil
registrazione di:
Public Image
autore:
John Wardle, Keith Levene, John Lydon (Johnny Rotten of the Sex Pistols) e Jim Walker (PIL member)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI/Virgin Music Publishing Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Public Image Ltd.4.652:58
11Babylon’s Burning
registrazione di:
Babylon’s Burning
autore:
Paul Fox (of The Ruts), John Jennings (The Ruts), Malcolm Owen e Dave Ruffy
editore:
Virgin Music (Publishers) Ltd.
The Ruts2:37
122‐4‐6‐8 Motorway
produttore:
Vic Maile
basso :
Tom Robinson (British singer-songwriter, bassist and radio presenter) (il 1977-09-14)
batteria :
Dolphin Taylor (il 1977-09-14)
chitarra :
Danny Kustow (il 1977-09-14)
organo e pianoforte :
Mark Ambler (il 1977-09-14)
voce:
Tom Robinson (British singer-songwriter, bassist and radio presenter) (il 1977-09-14)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (EMI Records Limited, not for release label use! UK parent of EMI-owned labels until Sept 2012) (nel 1977)
registrata presso:
Berwick Street Studios in Westminster, London (Greater London), England, Regno Unito (il 1977-09-14)
registrazione di:
2‐4‐6‐8 Motorway (il 1977-09-14)
paroliere e compositore:
Tom Robinson (British singer-songwriter, bassist and radio presenter)
editore:
Konkwest Music Limited
Tom Robinson Band43:18
13Making Plans for Nigel
tecnico:
Hugh Padgham
produttore:
Steve Lillywhite
batteria :
Terry Chambers
chitarra basso e voce principale:
Colin Moulding
chitarra elettrica :
Dave Gregory (XTC) e Andy Partridge
voce di accompagnamento:
Andy Partridge
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 477)
registrazione di:
Making Plans for Nigel
paroliere e compositore:
Colin Moulding
editore:
EMI Music Publishing (do not use as a release label!), EMI Virgin Music Ltd. (do not use this as a release label!) e Virgin Music (Publishers) Ltd.
XTC4.54:16
14Nite Klub
registrazione di:
Nite Klub
autore:
John Bradbury (UK drummer for The Specials/General Public), Roderick James Byers, Jerry Dammers, Lynval Golding, Terry Hall, Horace Panter e Neville Staple
The Specials3:10
15Rankin’ Full Stop
The Beat2:50
16The Prince
registrazione di:
The Prince
paroliere e compositore:
Lee “Kix” Thompson (Madness)
dedicata a:
Prince Buster
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness2:32
17On My Radio
registrazione di:
On My Radio
paroliere e compositore:
Neol Davies (British musician and founder of The Selecter)
editore:
Fairwood Music Ltd.
The Selecter4.53:06
18Outdoor Miner
produttore:
Mike Thorne (UK producer & keyboardist)
registrazione di:
Outdoor Miner
autore:
Graham Lewis (bassist in Wire) e Colin Newman (UK vocalist / songwriter)
Wire52:53
19At Home He’s a Tourist
registrazione di:
At Home He’s a Tourist
autore:
Dave Allen (UK bassist for Gang of Four/Shriekback/Low Pop Suicide), Hugo Burnham (drummer), Andy Gill (guitarist and record producer) e Jon King (vocalist in Gang of Four)
editore:
Bug Music (music publishing), EMI Music Publishing Ltd. (PRS‐affiliated) e EMI Publishing Ltd.
Gang of Four3:32
20Airport
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1978)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 19)
registrazione di:
Airport
autore:
Andy McMaster
editore:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) e Island Music Ltd. (dal 1978 a oggi)
The Motors3.354:30

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parte di:Greatest Hits of the (From label: EMI Gold) (numero: 70) (ordine: 2)