De Pre Historie 1973

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

▼ CD 1
#TitoloArtistaValutazioneDurata
1Daniel
tecnico:
Ken Scott (UK record producer & engineer)
produttore:
Gus Dudgeon
batteria e maracas :
Nigel Olsson
chitarra acustica :
Davey Johnstone
chitarra basso :
Dee Murray
pianoforte elettrico e mellotron e voce principale:
Elton John (English singer, songwriter, pianist, and composer)
sintetizzatore :
Ken Scott (UK record producer & engineer)
diritti fonografici (℗) detenuti da:
This Record Co. Ltd. (copyright holder) (nel 1973)
registrata presso:
Château d'Hérouville in Hérouville, Val-d'Oise, Île-de-France, Francia
registrazione di:
Daniel
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Songs of PolyGram International e Universal–Songs of PolyGram International, Inc.
registrazione dal vivo di:
Daniel
paroliere:
Bernie Taupin
compositore:
Elton John (English singer, songwriter, pianist, and composer)
editore:
Songs of PolyGram International e Universal–Songs of PolyGram International, Inc.
Elton John3.93:55
2You’re So Vain
tecnico di registrazione:
Robin Geoffrey Cable (dal 1972-09 al 1972-10)
tecnico:
Robin Geoffrey Cable
produttore:
Richard Perry (producer)
basso :
Klaus Voorman (dal 1972-09 al 1972-10)
batteria :
Jim Gordon (US drummer with Derek and the Dominos) (dal 1972-09 al 1972-10)
chitarra :
Jimmy Ryan (American guitarist and singer/songwriter) (dal 1972-09 al 1972-10)
percussione :
Richard Perry (producer) (dal 1972-09 al 1972-10)
pianoforte e voce principale:
Carly Simon (dal 1972-09 al 1972-10)
voce di accompagnamento:
Mick Jagger (dal 1972-09 al 1972-10)
voce di accompagnamento aggiuntiva:
Carly Simon (dal 1972-09 al 1972-10) e Doris Troy (dal 1972-09 al 1972-10)
arrangiatore archi :
Carly Simon
orchestratore:
Paul Buckmaster
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint "Elektra" instead) (nel 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (nel 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984) e Rhino Entertainment Company (not for release label use!) (nel 2015)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (dal 1972-09 al 1972-10)
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 140) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 495)
registrazione di:
You’re So Vain (dal 1972-09 al 1972-10)
paroliere e compositore:
Carly Simon
editore:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) e Universal Music Publishing Group (Universal Music Publishing Group Corporation)
Carly Simon4.64:18
3The Joker
produttore:
Steve Miller (leader of Steve Miller Band)
basso :
Gerald Johnson
batteria :
John King (drums)
chitarra acustica , chitarra slide e voce principale [vocals]:
Steve Miller (leader of Steve Miller Band)
diritti fonografici (℗) detenuti da:
Capitol Records (imprint of Capitol Records, Inc.) (nel 1973), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1973) e Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 2003)
registrazione di:
The Joker
autore:
Eddie Curtis (songwriter), Ahmet Ertegun (US American Songwriter, producer) e Steve Miller (leader of Steve Miller Band)
editore:
Cotillion Music Inc. (BMI), Jim Rooster Music, Sailor Music, Unichappell Music, Inc., Universal Music Publishing Pty Ltd. (AU subsidiary of Universal Music Publishing Group) e Warner Chappell Music, Inc. (Warner/Chappell Music, Inc.)
Steve Miller Band4.44:24
4Amoureuse
registrazione di:
Amoureuse (English version)
autore:
Véronique Sanson
traduttore:
Gary Osborne
versione tradotta di:
Amoureuse
Kiki Dee4:08
5Do You Love Me
registrazione di:
Do You Love Me?
paroliere e compositore:
Sharif Dean (French/Algerian/Belgian 1970s singer)
Sharif Dean3:58
6We Were All Wounded at Wounded Knee
registrazione di:
We Were All Wounded at Wounded Knee
autore:
Sandy Baron (American comedian and actor) e Pat Vegas
editore:
EMI Blackwood Music Inc., EMI Songs Ltd., Lolly Vegas Publishing e Novalene Music
Redbone43:31
7Could It Be I’m Falling in Love
registrazione di:
Could It Be I’m Falling in Love
autore:
Melvin Steals e Mervin Steals
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America e Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
The Spinners4:10
8Samba pa ti
tecnico:
David Brown (US producer, engineer - Record Plant Studios, Wally Heider Studios) e John Fiore (engineer)
produttore:
Fred Catero, Bob Irwin, Santana (US Latin, blues, & rock band) e Carlos Santana
batteria :
Michael Shrieve (il 1970-07-19)
chitarra :
Carlos Santana (il 1970-07-19)
chitarra basso :
David Brown (US bassist for Santana/Allman Brothers/31st of February) (il 1970-07-19)
congas e percussione :
Michael Carabello (il 1970-07-19)
congas, percussione e timbales :
José “Chepito” Áreas (il 1970-07-19)
percussione :
Rico Reyes (il 1970-07-19)
tabla :
Steven Saphore (il 1970-07-19)
tastiera :
Gregg Rolie (il 1970-07-19)
arrangiatore:
Gregg Rolie e Carlos Santana
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1970), Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (nel 1970) e Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1970)
registrata presso:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, Stati Uniti (il 1970-07-19)
registrazione di:
Samba pa ti (il 1970-07-19)
compositore:
Carlos Santana
editore:
BMG Music Publishing Ltd., Careers–BMG Music Publishing, Inc., Carlin Music Corporation, Petra Music, Universal Music (plain logo: “Universal Music”) e Universal Music Careers
Santana44:33
9Me and Mrs. Jones
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
voce:
Billy Paul (American soul singer)
esecutore:
MFSB (nel 1972)
arrangiatore archi e arrangiatore ottoni [horns] :
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (Sony Music Entertainment, Inc., NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1972) e Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1972)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
Me and Mrs. Jones (nel 1972)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Billy Paul4.54:48
10Bad, Bad Leroy Brown
voce:
Jim Croce (il 1972-06-02)
registrata presso:
The Hit Factory in Manhattan, New York, New York, Stati Uniti (il 1972-06-02)
registrazione di:
Bad, Bad Leroy Brown (il 1972-06-02)
paroliere e compositore:
Jim Croce
editore:
American Broadcasting Music, Inc., Blendingwell Music, Inc., Denjac Music Co., DenJac Music Company, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) e MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
Jim Croce53:00
11Stuck in the Middle With You
tecnico di registrazione:
Geoff Emerick (British recording engineer) e John Mills (recording/mix engineer)
produttore:
Jerry Leiber e Mike Stoller
basso elettrico :
Tony Williams (bass)
batteria :
Rod Coombes
chitarra :
Paul Pilnick e Gerry Rafferty
tastiera :
Joe Egan (Scottish singer-songwriter)
voce:
Joe Egan (Scottish singer-songwriter) e Gerry Rafferty
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1972) e A&M Records, Ltd. (nel 1972)
video musicali:
Stuck in the Middle With You di Stealers Wheel
registrazione di:
Stuck in the Middle With You (nel 1972)
paroliere e compositore:
Gerald Rafferty e Joe Egan (Scottish singer-songwriter)
editore:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. e Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel4.13:25
12Dueling Banjos
arrangiatore:
Eric Weissberg
registrazione di:
Dueling Banjos (Deliverance arrangement)
compositore:
Arthur Smith (“Guitar Boogie” Smith US country artist)
arrangiatore:
Steve Mandell (US bluegrass guitarist "Duelling Banjos") e Eric Weissberg
precedentemente attribuito a:
Eric Weissberg
arrangiamento di:
Feuding Banjos
Eric Weissberg & Steve Mandell4.53:17
13Gaye
registrazione di:
Gaye
paroliere e compositore:
Clifford T. Ward
Clifford T. Ward3:35
14Tie a Yellow Ribbon Round the Ole Oak Tree
parte di:
Billboard: Greatest of All Time Hot 100 Songs (numero: 52)
registrazione di:
Tie a Yellow Ribbon Round the Ole Oak Tree
autore:
Lawrence Russell Brown (lyricist) e Irwin Levine
editore:
Irwin Levine Music (BMI-affiliated) e Larball Publishing Co., Inc.
Tony Orlando & Dawn53:22
15Yesterday Once More
produttore:
Karen Carpenter e Richard Carpenter (The Carpenters)
registrazione di:
Yesterday Once More (il 1973-03-14)
paroliere:
John Bettis
compositore:
Richard Carpenter (The Carpenters)
editore:
Rondor Music (London) Ltd., Almo Music (USA, affiliated with ASCAP) (nel 1973), Hammer & Nails Music (nel 1973) e Sweet Harmony Music (US publisher) (nel 1973)
Carpenters4.753:59
16Always on My Mind
registrazione cover di:
Always on My Mind
autore:
Johnny Christopher (Guitarist, lyricist, composer, singer, session musician), Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”) e Wayne Carson Thompson
editore:
Bike Music, Budde Songs Inc., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Lovolar Music, Peermusic (S.E. Asia) Ltd., Rose Bridge Music, Screen Gems, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Sebanine Music
sub-editore:
Chelsea Music Publishing Co., Ltd., EMI Music Publishing (Hong Kong) Ltd. (EMI Music Publishing (Hong Kong) Limited) e Screen Gems–EMI Music Ltd.
Elvis Presley2:28
17Walk on the Wild Side
produttore:
David Bowie (English singer‐songwriter), Lou Reed e Mick Ronson (British guitarist)
basso elettrico e contrabbasso :
Herbie Flowers (nel 1972-08)
batteria :
John Halsey (nel 1972-08)
sassofono baritono :
Ronnie Ross (nel 1972-08)
voce di accompagnamento:
The Thunder Thighs (70s UK vocal group) (nel 1972-08)
voce principale:
Lou Reed (nel 1972-08)
arrangiatore archi e arrangiatore ottoni :
Mick Ronson (British guitarist)
arrangiatore:
David Bowie (English singer‐songwriter), Lou Reed e Mick Ronson (British guitarist)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1972), RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1972) e Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (nel 1972)
registrata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito (nel 1972-08)
mixata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 75), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 180) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 221)
registrazione di:
Walk on the Wild Side (nel 1972-08)
paroliere e compositore:
Lou Reed
editore:
EMI Music Publishing Australia Pty. Limited, Oakfield Avenue Music Ltd. e Screen Gems–EMI Music Ltd.
Lou Reed4.254:12
18If You Don’t Know Me by Now
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
voce di accompagnamento:
The Blue Notes (Harold Melvin’s group, 1954–mid‐1960s)
voce principale:
Harold Melvin
arrangiatore:
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972) e Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1972, nel 1991)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
If You Don’t Know Me by Now (nel 1972)
autore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Harold Melvin & The Blue Notes4.153:26
19I’m Gonna Love You Just a Little Bit More
produttore:
Barry White
arrangiatore:
Gene Page e Barry White
registrazione di:
I’m Gonna Love You Just a Little More Babe
paroliere e compositore:
Barry White
Barry White57:09

Accreditamenti

Pubblicazione

compilatore:Guy De Pré (Belgian radio DJ)
Discogs:https://www.discogs.com/release/695126 [info]

Gruppo di pubblicazioni

parte di:De Pre Historie (series of releases based on the Belgian radio show “De Pre Historie”) (numero: 1973.1) (ordine: 47)