When The Saints Go Marchin’ In

~ Pubblicazione di Louis Armstrong (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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▼ CD 1
#TitoloArtistaValutazioneDurata
1C’est si bon (It’s So Good)
registrazione di:
C’est si bon (It's So Good, English version)
paroliere:
André Hornez (nel 1947)
compositore:
Henri Betti (nel 1947)
traduttore:
Jerry Seelen (nel 1949)
editore:
Éditions Beuscher Arpège
versione tradotta di:
C’est si bon (original French version)
Louis Armstrong3:03
2Jeepers Creepers
registrata a:
New York, New York, Stati Uniti (il 1939-01-18)
batteria :
Sid Catlett (il 1939-01-18)
chitarra :
Lee Blair (il 1939-01-18)
contrabbasso :
George "Pops" Foster (il 1939-01-18)
pianoforte :
Luis Russell (il 1939-01-18)
sassofono contralto :
Rupert Cole (swing era jazz clarinetist and saxophonist) (il 1939-01-18) e Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (il 1939-01-18)
sassofono tenore :
Bingie Madison (il 1939-01-18) e Albert Nicholas (il 1939-01-18)
tromba :
Henry “Red” Allen (jazz musician) (il 1939-01-18), Louis Armstrong (il 1939-01-18), Shelton "Scad" Hemphill (il 1939-01-18) e Otis Johnson (trumpet) (il 1939-01-18)
trombone :
Wilbur de Paris (il 1939-01-18), J.C. Higginbotham (il 1939-01-18) e Bull City Red (aka George Washington) (il 1939-01-18)
voce:
Louis Armstrong (il 1939-01-18)
orchestra:
Louis Armstrong & His Orchestra (il 1939-01-18)
esecutore:
Louis Armstrong & His Orchestra
pubblicazioni successive:
Jeepers Creepers di Louis Armstrong
registrazione di:
Jeepers Creepers (il 1939-01-18)
paroliere:
Johnny Mercer (nel 1938)
compositore:
Harry Warren (US composer and lyricist) (nel 1938)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946) e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
parte di:
The 11th Academy Award for Best Original Song (numero: 2)
registrazione cover di:
Jeepers Creepers
paroliere:
Johnny Mercer (nel 1938)
compositore:
Harry Warren (US composer and lyricist) (nel 1938)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946) e Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
parte di:
The 11th Academy Award for Best Original Song (numero: 2)
Louis Armstrong2:40
3La Vie en rose
registrazione cover di:
La Vie en rose (English translation)
paroliere:
Édith Piaf
compositore:
Louiguy (French composer Louis Guglielmi)
traduttore:
Mack David (American lyricist and songwriter)
editore:
Éditions Beuscher Arpège
sub-editore:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
versione tradotta di:
La Vie en rose (French original)
Louis Armstrong3:25
4St. James Infirmary
registrazione di:
St. James Infirmary (Joe Primrose’s arrangement)
paroliere e compositore:
[traditional] (special purpose artist)
arrangiatore:
Joe Primrose
editore:
EMI Harmonies Limited
arrangiamento di:
St. James Infirmary
versione di:
The Unfortunate Lass (Bad Girl's Lament)
Louis Armstrong3:19
5Georgia on My Mind
registrazione di:
Georgia on My Mind
inno di:
Georgia, Stati Uniti (dal 1979 a oggi)
paroliere:
Stuart Gorrell (nel 1930)
compositore:
Hoagy Carmichael (nel 1930)
editore:
Peer International Corporation (BMI), Peermusic III, Ltd. (BMI), Campbell Connelly & Co. Ltd. (dal 1930 a oggi) e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) (dal 1930 a oggi)
sub-editore:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
arrangiamento di:
Georgia on My Mind (Solo piano arrangement)
Louis Armstrong3:24
6I Can’t Give You Anything but Love
registrazione cover di:
I Can’t Give You Anything but Love, Baby
paroliere:
Dorothy Fields (American librettist and lyricist)
compositore:
Jimmy McHugh (songwriter)
editore:
Aldi Music Company, Cotton Club Publishing e EMI Mills Music Inc. (ASCAP-affiliated)
sub-editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
Louis Armstrong3:32
7Tea for Two
registrazione di:
Tea for Two (No, No, Nanette)
paroliere:
Irving Caesar
compositore:
Vincent Youmans
editore:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Harms, Inc. (il 1924-06-10)
sub-editore:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
parte di:
No, No, Nanette
Louis Armstrong4:43
8Cuban Pete
registrata a:
New York, New York, Stati Uniti (il 1937-07-07)
ance :
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (il 1937-07-07), Bingie Madison (il 1937-07-07) e Albert Nicholas (il 1937-07-07)
batteria :
Paul Barbarin (jazz drummer from New Orleans) (il 1937-07-07)
chitarra :
Lee Blair (il 1937-07-07)
contrabbasso :
George "Pops" Foster (il 1937-07-07)
pianoforte :
Luis Russell (il 1937-07-07)
sassofono contralto :
Pete Clark (Jazz altoist born around 1910) (il 1937-07-07)
tromba :
Henry “Red” Allen (jazz musician) (il 1937-07-07), Louis Armstrong (il 1937-07-07), Louis Bacon (il 1937-07-07) e Shelton "Scad" Hemphill (il 1937-07-07)
trombone :
J.C. Higginbotham (il 1937-07-07), George Matthews (trombone) (il 1937-07-07) e George Washington (jazz trombonist) (il 1937-07-07)
voce:
Louis Armstrong (il 1937-07-07)
orchestra:
Louis Armstrong & His Orchestra (il 1937-07-07)
registrazione di:
Cuban Pete (il 1937-07-07)
compositore:
Jose Norman (composer / band leader)
Louis Armstrong3:07
9The Peanuts Vendor
registrazione di:
The Peanut Vendor
paroliere:
L. Wolfe Gilbert e Marion Sunshine
compositore:
Moisés Simons
versione tradotta di:
El manisero
Louis Armstrong3:26
10Ain’t Misbehavin’
registrazione di:
Ain’t Misbehavin’
paroliere:
Andy Razaf (nel 1929)
compositore:
Harry Brooks (jazz pianist & songwriter) (nel 1929) e Fats Waller (nel 1929)
editore:
BMG Rights Management (UK) Ltd. (not for release label use!), EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), Redwood Music e Redwood Music Ltd. (Carlin)
Louis Armstrong3:19
11Melancholy Blues
registrazione di:
Melancholy Blues
autore:
Marty Bloom e Walter Melrose
Louis Armstrong3:05
12Body and Soul
registrazione di:
Body and Soul
paroliere:
Frank Eyton (nel 1930), Edward Heyman (nel 1930) e Robert Sour (nel 1930)
compositore:
Edward Heyman, Robert Sour e John Green (composer and conductor, often credited as John Green) (nel 1930)
editore:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Louis Armstrong3:21
13The Frim Fram Sauce
registrazione di:
The Frim‐Fram Sauce
paroliere:
Redd Evans (nel 1945)
compositore:
Joe Ricardel (nel 1945)
editore:
Music Sales Corporation (American copyright holder in both popular and classical music)
Louis Armstrong3:14
14A Kiss to Build a Dream On
registrazione di:
A Kiss to Build a Dream On
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein) (nel 1935) e Bert Kalmar (nel 1935)
compositore:
Harry Ruby (nel 1935)
editore:
EMI Miller Catalog, Inc.
parte di:
The 24th Academy Award for Best Original Song (numero: 2)
parte di:
The Strip (1951 film)
Louis Armstrong3:04
15They Can’t Take That Away From Me
registrazione cover di:
They Can’t Take That Away From Me (from “Shall We Dance”)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (fino al 2019-05-28) e Gershwin Publishing Corp (nel 1937)
parte di:
The 10th Academy Award for Best Original Song (numero: 2)
parte di:
An American in Paris (2015 Broadway musical)
parte di:
Crazy for You (1992 musical)
parte di:
Shall We Dance (1937 film soundtrack)
Ella Fitzgerald & Louis Armstrong4:39
16A Foggy Day
batteria :
Buddy Rich (il 1956-08-16)
chitarra :
Herb Ellis (jazz guitarist) (il 1956-08-16)
contrabbasso :
Ray Brown (jazz bassist) (il 1956-08-16)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1956-08-16)
tromba :
Louis Armstrong (il 1956-08-16)
voce:
Louis Armstrong (il 1956-08-16) e Ella Fitzgerald (American jazz singer) (il 1956-08-16)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-08-16)
registrazione di:
A Foggy Day (in London Town) (il 1956-08-16)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. e WB Music Corp. (1929–2019) (fino al 2019-05-28)
parte di:
A Damsel in Distress (1937 film score)
registrazione cover di:
A Foggy Day (in London Town)
paroliere:
Ira Gershwin (nel 1937)
compositore:
George Gershwin (composer) (nel 1937)
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. e WB Music Corp. (1929–2019) (fino al 2019-05-28)
parte di:
A Damsel in Distress (1937 film score)
Ella Fitzgerald & Louis Armstrong44:31
▼ CD 2
#TitoloArtistaValutazioneDurata
1Blueberry Hill
registrazione cover di:
Blueberry Hill
paroliere:
Al Lewis (Tin Pan Alley era lyricist) e Larry Stock
compositore:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
editore:
Chappell & Co., Inc. (USA), Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company e Victoria Music Publishing Co. Ltd.
parte di:
12 Monkeys Soundtrack
Louis Armstrong2:54
2Red Sails in the Sunset
registrata a:
New York, New York, Stati Uniti (il 1935-12-13)
ance :
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (il 1935-12-13), Henry “Moon” Jones (swing era reeds) (il 1935-12-13) e Bingie Madison (il 1935-12-13)
batteria :
Paul Barbarin (jazz drummer from New Orleans) (il 1935-12-13)
chitarra :
Lee Blair (il 1935-12-13)
contrabbasso :
George "Pops" Foster (il 1935-12-13)
pianoforte :
Luis Russell (il 1935-12-13)
sassofono tenore :
Greely Walton (il 1935-12-13)
tromba :
Gus Aiken (il 1935-12-13), Louis Armstrong (il 1935-12-13), Louis Bacon (il 1935-12-13) e Leonard "Ham" Davis (American jazz trumpeter) (il 1935-12-13)
trombone :
Jimmy Archey (il 1935-12-13) e Harry White (jazz trombonist) (il 1935-12-13)
voce:
Louis Armstrong (il 1935-12-13)
orchestra:
Louis Armstrong & His Orchestra (il 1935-12-13)
registrazione di:
Red Sails in the Sunset (il 1935-12-13)
paroliere:
James B. Kennedy (Irish songwriter)
compositore:
Hugh Williams (aka Hugh Williams)
editore:
Peter Maurice Music Co. Ltd., Redwood Music Ltd. (Carlin) e Shapiro, Bernstein & Co., Inc.
Louis Armstrong3:03
3When the Saints Go Marchin’ In
registrazione di:
When the Saints Go Marching In
paroliere e compositore:
[traditional] (special purpose artist)
parte di:
Roud Folk Song Index (numero: 13983)
versione di:
When the Saints Go Marching In
Louis Armstrong2:43
412th Street Rag
registrazione di:
12th Street Rag
editore:
Euday L. Bowman (il 1914-01-30)
paroliere:
James S. Sumner
compositore:
Euday L. Bowman
arrangiamento di:
Twelfth Street Rag
Louis Armstrong3:09
5Stars Fell on Alabama
registrazione di:
Stars Fell on Alabama
paroliere:
Mitchell Parish
compositore:
Frank Perkins
editore:
EMI Mills Music Inc. (ASCAP-affiliated) e Mills Music
Louis Armstrong5:19
6Mahogany Hall Stomp
registrazione di:
Mahogany Hall Stomp
compositore:
Spencer Williams (US jazz composer, pianist & singer)
Louis Armstrong2:55
7I Believe
registrazione di:
I Believe (Frank Sinatra song)
paroliere:
Sammy Cahn
compositore:
Jule Styne
Louis Armstrong3:00
8That Lucky Old Sun
registrazione di:
That Lucky Old Sun
paroliere:
Haven Gillespie (nel 1949)
compositore:
Beasley Smith (nel 1949)
editore:
Beasley Smith Music, Haven Gillespie Music Publishing Co. e Robbins Music Corp.
Louis Armstrong3:06
9Do You Know What It Means to Miss New Orleans
registrazione di:
Do You Know What It Means to Miss New Orleans
paroliere:
Eddie DeLange e Cathrine Legardh
autore:
Louis Alter e Eddie DeLange
compositore:
Louis Alter
Louis Armstrong3:01
10Tiger Rag
registrazione di:
Tiger Rag (original 1917 instrumental version)
compositore:
Eddie Edwards (Jazz trombonist), Nick LaRocca, Henry Ragas, Tony Sbarbaro e Larry Shields
Louis Armstrong3:15
11Baby, Won’t You Please Come Home?
batteria :
Sid Catlett (il 1947-11-30)
contrabbasso :
Arvell Shaw (il 1947-11-30)
pianoforte :
Dick Cary (piano, trumpet, alto horn) (il 1947-11-30)
tromba :
Louis Armstrong (il 1947-11-30)
trombone :
Jack Teagarden (il 1947-11-30)
registrata presso:
Symphony Hall (Boston) in Boston, Massachusetts, Stati Uniti (il 1947-11-30)
registrazione cover di:
Baby Won’t You Please Come Home
autore:
Charles Warfield e Clarence Williams (US jazz pianist, composer, singer and bandleader)
editore:
Redwood Music Ltd. (Carlin), Universal‐MCA Music Publishing (US) e Universal/MCA Music Ltd. (not for release label use!)
Louis Armstrong2:49
12My Sweet Hunk o’ Trash
registrazione di:
My Sweet Hunk o’ Trash
paroliere:
Flournoy E. Miller
compositore:
James P. Johnson
Louis Armstrong3:03
13After You’ve Gone
registrazione di:
After You’ve Gone
paroliere:
Henry Creamer (nel 1918)
compositore:
Turner Layton (nel 1918)
editore:
Francis, Day & Hunter Ltd. e Morley Music Corp.
parte di:
For Me and My Gal (1942 movie)
Louis Armstrong3:23
14I’ve Got the World on a String
registrazione di:
I’ve Got the World on a String
paroliere:
Ted Koehler (nel 1932)
compositore:
Harold Arlen (nel 1932)
editore:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. e S.A. Music Co.
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
Louis Armstrong3:15
15Cheek to Cheek
registrazione cover di:
Cheek to Cheek (from “Top Hat”)
paroliere e compositore:
Irving Berlin (nel 1935)
editore:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 8th Academy Award for Best Original Song (numero: 2)
parte di:
Top Hat (1935 film)
Ella Fitzgerald & Louis Armstrong5:53
16Can’t We Be Friends?
batteria :
Buddy Rich (il 1956-08-16)
chitarra :
Herb Ellis (jazz guitarist) (il 1956-08-16)
contrabbasso :
Ray Brown (jazz bassist) (il 1956-08-16)
pianoforte :
Oscar Peterson (Canadian jazz pianist and composer) (il 1956-08-16)
tromba :
Louis Armstrong (il 1956-08-16)
voce:
Ella Fitzgerald (American jazz singer) (il 1956-08-16) e Louis Armstrong (dal 1956-08-16 al 1967-08-16)
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1956-08-16)
registrazione cover di:
Can’t We Be Friends? (il 1956-08-16)
paroliere:
Paul James (Lyricist, aka James Warburg)
compositore:
Kay Swift
editore:
Warner Bros. Music Corp.
Ella Fitzgerald & Louis Armstrong43:46

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