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CD 1
#TitoloArtistaValutazioneDurata
1Who Do You Think You Are
produttore:
Absolute (UK house/garage/production/songwriting team)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1997)
edit di:
Who Do You Think You Are di Spice Girls
video musicali:
Who Do You Think You Are (video) di Spice Girls
registrazione di:
Who Do You Think You Are
autore:
Andy Watkins (Absolute, Bristol Baseline Productions, Cortex), Melanie Brown (Mel B, Scary Spice), Emma Bunton, Geri Halliwell (Ginger Spice), Melanie Chisholm, Paul Wilson (member of “Absolute”) e Victoria Beckham (née Adams, Posh Spice)
editore:
19 Music, BMG Music Publishing Ltd. e Windswept Pacific Music Ltd.
Spice Girls33:44
2Professional Widow (It's Got to Be Big) (Armand's Star Trunk Funkin' mix radio edit)
supporto a vario titolo:
Johnny “D” De Mairo (US electro/breaks DJ aka "Johnny D")
programmazione:
Alan Friedman
programmazione degli strumenti:
Alan Friedman
tecnico di mastering:
Jon Astley
produttore:
Tori Amos e Ian Stanley
produttore aggiunto:
Armand van Helden
batteria :
Manu Katché
chitarra :
Steve Caton
chitarra basso :
George Porter, Jr.
voce:
Tori Amos
remixer:
Armand van Helden
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1996)
mixata per e è stato produttore per:
X-Mix Productions
registrazione di:
Professional Widow
paroliere e compositore:
Tori Amos
editore:
Sword and Stone
Tori Amos3.23:48
3Sisters Are Doin' It for Themselves
produttore:
David A. Stewart (UK guitarist/singer for Eurythmics)
diritti fonografici (℗) detenuti da:
BMG UK & Ireland Ltd. (holding company, do not add releases here) (nel 1985)
registrazione di:
Sisters Are Doin’ It for Themselves
autore:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) e Dave Stewart (UK guitarist/singer for Eurythmics)
editore:
Blue Network Music Inc., BMG Music Publishing Ltd., BMG Songs, Inc., D’n’A Ltd., RCA Music, Universal Music Publishing MGB France e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Eurythmics & Aretha Franklin4:15
4Ready to Go
programmazione:
Ben Grosse (American producer and engineer), Jesus Beats, Mike Tuller e John Vitale (UK guitarist)
produttore:
Republica (UK alternative rock band)
produttore aggiunto:
Ben Grosse (American producer and engineer)
tecnico di missaggio:
Ben Grosse (American producer and engineer)
batteria :
Dave Barbarossa
chitarra :
Johnny Male
chitarra aggiunto:
Sal Aiello, Grant Mohrman e Marlon Young
chitarra ospite :
John Malea
pianoforte :
Dave Arch (pianist, conductor, arranger and composer)
tastiera :
Tim Dorney e Andy Todd (UK electronic producer/keyboardist, member of Republica)
voce principale:
Saffron (singer of Republica)
remixer:
Ben Grosse (American producer and engineer)
remixer aggiunto:
Ben Grosse (American producer and engineer)
diritti fonografici (℗) detenuti da:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (nel 1996), BMG Records (UK) Limited (1987-1996) (nel 1996) e Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (nel 1996)
registrata presso:
Milo Studios in Hoxton, Hackney, London (Greater London), England, Regno Unito, Republica Studios (London studio for Republica) in London (Greater London), England, Regno Unito e The Workhouse in London (Greater London), England, Regno Unito
parte di:
Anti-Hit List: September 3, 1996 (numero: 1)
registrazione di:
Ready to Go
autore:
Tim Dorney, Johnny Male, Saffron (singer of Republica) e Andy Todd (UK electronic producer/keyboardist, member of Republica)
editore:
BMG Music Publishing Ltd., Momentum Music (publisher), Momentum Music Ltd., Notting Hill Music (UK) Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Republica3.65:01
5Weak
tecnico di registrazione e produttore:
Sylvia Massy e Skunk Anansie
tecnico di missaggio:
Andy Wallace (engineer)
batteria :
Robbie France
chitarra :
Ace (Member of Skunk Anansie)
chitarra basso :
Cass Lewis
voce principale:
Skin (Skunk Anansie singer)
diritti fonografici (℗) detenuti da:
Virgin Records Ltd. (not for release label use! for company relationships only) (nel 1995)
registrata presso:
Great Linford Manor in Milton Keynes, England, Regno Unito
video musicali:
Weak di Skunk Anansie
registrazione di:
Weak
autore:
Ace (Member of Skunk Anansie), Robbie France, Cass Lewis e Skin (Skunk Anansie singer)
editore:
Chrysalis Music Ltd. (music publisher (affiliated with PRS))
Skunk Anansie43:31
6Free Your Mind (LP edit)En Vogue54:10
7Lady Marmalade (Voulez-Vous Coucher Avec Moi Ce Soir?)
produttore:
Allen R. Toussaint
arrangiatore:
Allen R. Toussaint
diritti fonografici (℗) detenuti da:
Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (nel 1974) e Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1974)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 411) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 479)
registrazione cover di:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?) (nel 1974)
autore:
Bob Crewe e Kenny Nolan
editore:
Ardmore and Beechwood Ltd., EMI (EMI Records, EMI Records, since 1972), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation e TannyBoy Music
LaBelle3.33:54
8I'm Every Woman ('89 remix edit)
remixer:
Dancin’ Danny D (British DJ, producer, remixer and A&R)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1978)
edit di:
I’m Every Woman (remix version by Dancin’ Danny D) di Chaka Khan
registrazione di:
I’m Every Woman
autore:
Nickolas Ashford e Valerie Simpson
editore:
Nick‐O‐Val Music Co., Inc.
Chaka Khan53:27
9Give Me a Little More Time
registrazione di:
Give Me a Little More Time (nel 1996)
autore:
Andrew Dean, Ben Barson, Louise Gabrielle Bobb (British singer-songwriter) e Ben Wolff
editore:
EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated), Perfect Songs (UK publisher, affiliated with BMI), PolyGram Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Workin an a Steamin Music Ltd, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
Gabrielle2.654:00
10Dancing in the Street
produttore:
William Stevenson (Motown songwriter)
altri strumenti [tire iron] :
Ivy Jo Hunter
batteria :
Marvin Gaye
chitarra :
Joe Messina, Robert White (US funk/soul guitarist) e Eddie Willis
chitarra basso :
James Jamerson
percussione , tamburello e vibrafono [vibes] :
Jack Ashford (American Label owner, producer, singer-songwriter, multi-instrumentalist, and arranger)
sassofono baritono :
Thomas Bowles
sassofono tenore :
Henry Cosby
tromba :
Russell Conway (trumpet player) e Herbert Williams (trumpet player)
trombone :
George Bohanon e Paul Riser
voce di accompagnamento:
Rosalind Ashford, Ivy Jo Hunter, Betty Kelly e William Stevenson (Motown songwriter)
voce principale:
Martha Reeves
editore:
EMI Music Publishing (do not use as a release label!)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1964) e UMG Recordings, Inc. (Universal Music Group, Inc., operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1964)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (numero: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 40), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 130) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 403)
registrazione di:
Dancing in the Street (il 1964-06-29)
autore:
Marvin Gaye, Ivy Jo Hunter e William Stevenson (Motown songwriter)
editore:
EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), FCG Music, Jobete Music, Jobete Music (UK) Ltd., Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music, Stone Agate Music Division, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Martha and the Vandellas3.652:37
11Respect
tecnico di registrazione:
Tom Dowd
produttore:
Jerry Wexler
batteria :
Roger Hawkins (il 1967-02-14)
chitarra :
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (il 1967-02-14)
chitarra basso :
Tommy Cogbill (il 1967-02-14)
cornetta :
Melvin Lastie (il 1967-02-14)
organo :
Spooner Oldham (il 1967-02-14)
pianoforte :
Aretha Franklin (il 1967-02-14)
sassofono baritono :
Willie Bridges (il 1967-02-14)
sassofono tenore :
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (il 1967-02-14) e King Curtis (saxophonist) (il 1967-02-14)
voce:
Aretha Franklin (il 1967-02-14)
voce di accompagnamento:
Carolyn Franklin (il 1967-02-14) e Erma Franklin (il 1967-02-14)
direttore d'orchestra:
Tom Dowd (il 1967-02-14)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1967) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1967)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1967-02-14)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 5), CBC Music: 10 Songs That Have Changed the World, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 21), New York Post: 100 Greatest Covers (2007) (numero: 52) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione cover di:
Respect (il 1967-02-14)
paroliere e compositore:
Otis Redding
editore:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd. e Warner/Chappell North America
Aretha Franklin3.92:21
12Slowhand
registrazione di:
Slow Hand
paroliere:
John Bettis
compositore:
Michael Clark (songwriter, composer)
editore:
Flying Dutchman Music Co., Sweet Harmony Music, Inc. (US publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Pointer Sisters3:36
13What's Love Got to Do With It
registrazione di:
What’s Love Got to Do With It
autore:
Graham Lyle e Terence Ernest Britten
editore:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (nel 1984), Irving Music, Inc. (nel 1984), Rondor Music (London) Ltd. (nel 1984), WB Music Corp. (1929–2019) (dal 1984 al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Tina Turner3:19
14Woman
supporto a vario titolo:
Booga Bear (incarico: sequenced by), Tony Cousins (mastering engineer) (incarico: cut by), Johnny Dollar (UK producer & songwriter) (incarico: cut by; incarico: sequenced by) e Crispin Murray (incarico: additional digital noodling)
programmazione:
Johnny Dollar (UK producer & songwriter)
tecnico:
Chris Dibble (engineer) e Johnny Dollar (UK producer & songwriter)
produttore e tecnico di missaggio:
Booga Bear e Johnny Dollar (UK producer & songwriter)
produttore aggiunto:
Dave Allen (UK producer/engineer/remixer, mainly new‐wave/synth‐pop/goth) e Wil Malone
assistente tecnico di missaggio:
Tristin "Nine Iron" Norwell e Lee Phillips (Engineer)
editor:
Tony Cousins (mastering engineer) e Johnny Dollar (UK producer & songwriter)
altri strumenti [beats] :
Booga Bear, Johnny Dollar (UK producer & songwriter) e Mickey P
corno francese :
Jeff Bryant (horn player) e Mike Butler (engineer)
strumenti:
Johnny Dollar (UK producer & songwriter)
arrangiatore archi :
Johnny Dollar (UK producer & songwriter), Wil Malone, The Session Orchestra e Gavyn Wright (UK violinist)
diritti fonografici (℗) detenuti da:
Circa Records Ltd. (not an imprint; for ©/℗ rights use only) (nel 1996)
lavorazione tecnica effettuata presso:
Coin Record in Málaga, Málaga (Province of Málaga), Andalucía (Andalusia), Spagna, CTS in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito, Eastcote in London (Greater London), England, Regno Unito, El Curtiju in San Pedro, Albacete (Provincia di Albacete), Castilla-La Mancha (Castiglia-La Mancia), Spagna, Mayfair (England) in London (Greater London), England, Regno Unito, Power Play in New York, New York, Stati Uniti, Roundhouse in Camden Town, Camden (Borgo londinese di Camden), London (Greater London), England, Regno Unito, Soundtrade in Solna City, Stockholms län (Stockholm county), Svezia e Westside in London (Greater London), England, Regno Unito
editing effettuato presso:
Metropolis Mastering in London (Greater London), England, Regno Unito
registrazione di:
Woman
autore:
Neneh Cherry, Cameron McVey e Jonathan Sharp (UK producer aka Jonny Dollar)
editore:
EMI Music (Electric & Musical Industries Music, do not use as release label! this is a music publisher)
Neneh Cherry4.354:27
15Superwoman (edit)
registrazione di:
Superwoman
autore:
Antonio M. Reid, Kenneth Edmonds (R&B musician Kenny Edmonds) e Daryl Simmons
Karyn White4:04
16I Will Survive
registrazione cover di:
I Will Survive
autore:
Dino Fekaris e Freddie Perren
editore:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (Universal Music Publishing Limited, UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (AU subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Chantay Savage3:34
17If You Love Me
registrazione di:
If You Love Me
paroliere:
Gordon Chambers (American singer-songwriter, and producer) e Nichole Gilbert
compositore:
Dave "Jam" Hall (producer a.k.a. Jam)
editore:
Brown Girl Music, Orisha Music, Paisley Park, Stone Jam Publishing Inc., The Night Rainbow Music (publisher) e WC Music Corp.
Brownstone3:41
18Back and Forth
tecnico di registrazione e tecnico:
Peter Mokran
produttore:
R. Kelly
tecnico di missaggio:
R. Kelly e Peter Mokran
altra voce [rap [ad-libs]]:
R. Kelly
voce:
Aaliyah (American R&B singer)
diritti fonografici (℗) detenuti da:
Blackground Enterprises (label for early Aaliyah releases until 1998, later renamed Blackground Entertainment) (nel 1994), Zomba Recording LLC (nel 1994) e Blackground Records (fka Blackground Entertainment, renamed since 2000) (nel 1996)
registrata presso e lavorazione tecnica effettuata presso:
Chicago Recording Company in Chicago, Illinois, Stati Uniti
mixata presso:
Battery Recording Studios (NYC; not to be confused with the mastering studio located at 321 W 44th Street) in New York, New York, Stati Uniti
video musicali:
Back & Forth di Aaliyah (American R&B singer)
parte di:
The Downloader’s Music Source Book (numero: 25)
registrazione di:
Back & Forth
paroliere e compositore:
R. Kelly
editore:
R. Kelly Publishing Inc., Rubber Band Music, Universal Music–Z Songs e Zomba Songs Inc.
Aaliyah4.353:49
19Mary Jane (All Night long)
registrazione di:
Mary Jane (All Night Long)
autore:
Mary J. Blige e Rick James (US vocalist, multi‐instrumentalist, composer & producer)
Mary J. Blige3:35
20Freak Like Me (radio version)
registrazione di:
Freak Like Me
paroliere:
Eugene Hanes, Loren Hill e Marc Valentine
compositore:
George Clinton (US funk musician), Bootsy Collins (US funk musician & songwriter) e Gary “Mudbone” Cooper
editore:
Notting Dale Songs, Inc., Rubber Band Music e Universal Music Corp. (USA, affiliated with ASCAP)
si basa su:
I'd Rather Be With You
Adina Howard4:03
21Let's Talk About Sex
produttore:
Hurby Luv Bug e The Invincibles (Production Team)
voce di accompagnamento:
Alpha, Omega (US rapper) e Hurby Luv Bug
diritti fonografici (℗) detenuti da:
The Island Def Jam Music Group (Island Def Jam Music Group, American holding company, not normally a release label) (nel 1990)
registrazione di:
Let’s Talk About Sex
paroliere e compositore:
Fingerprints
editore:
Next Plateau Music Inc. e Sons of K-oss Music
Salt‐N‐Pepa33:31
CD 2
#TitoloArtistaValutazioneDurata
1Wannabe
assistente tecnico di registrazione:
Patrick McGovern
tecnico di registrazione:
Adrian Bushby
programmazione e produttore:
Richard Stannard e Matt Rowe
tecnico di missaggio:
Mark “Spike” Stent (producer, engineer)
tastiera :
Richard Stannard e Matt Rowe
editore:
SSO
video musicali:
Wannabe (video) di Spice Girls
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 36)
registrazione di:
Wannabe
autore:
Melanie Brown (Mel B, Scary Spice), Emma Bunton, Geri Halliwell (Ginger Spice), Melanie Chisholm, Richard Stannard, Matt Rowe e Victoria Beckham (née Adams, Posh Spice)
editore:
PolyGram Music Publishing Ltd. e Windswept Pacific Music Ltd.
Spice Girls3.852:52
2(Hey Now) Girls Just Want to Have Fun
voce principale:
Cyndi Lauper
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1994)
registrazione di:
Hey Now (Girls Just Want to Have Fun)
paroliere e compositore:
Robert Hazard
paroliere aggiunto:
Lolly Vegas
editore:
Sony Tunes, Inc. (conclusa), EMI Blackwood Music Inc. e Novalene Music
versione di:
Girls Just Want to Have Fun
Cyndi Lauper33:52
3Shy Guy
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) e Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1994)
registrazione di:
Shy Guy
autore:
Kingsley Gardner, Diana King (Jamaican-American singer-songwriter) e Andy Marvel
editore:
Diana King Music, Kinsley Gardner Nation of Soul Music, W'nR Music e World of Andy Music
Diana King23:39
4Buffalo Stance
registrazione di:
Buffalo Stance
autore:
Neneh Cherry, Cameron McVey, Jamie J. Morgan (Director, Photographer, Musician) e Phil Ramacon (soul/R&B/reggae songwriter)
si basa su:
Looking Good Diving With The Wild Bunch
Neneh Cherry4:00
5Ain't Nothin' Goin' On But the Rent
registrazione di:
Ain’t Nothin’ Goin’ On but the Rent
paroliere e compositore:
Gwen Guthrie (US singer, songwriter & pianist)
Gwen Guthrie3:33
6None of Your Business
produttore:
Hurby “Luvbug” Azor
diritti fonografici (℗) detenuti da:
London Records USA (not for release label use - for copyrights only) (nel 1993)
registrazione di:
None of Your Business
paroliere e compositore:
Herby "Luvbug" Azor
Salt‐N‐Pepa3:18
7Creep
assistente tecnico di registrazione:
Brian Smith (Recorder at Theo's Lab, NYC) e Carl Glover (Recording engineer - Glover Pro Sound)
tecnico di registrazione:
Leslie Brathwaite e Alvin Speights
produttore:
Dallas Austin
tecnico di missaggio:
Alvin Speights
piatto (giradischi) [scratching] :
Sol Messiah
strumenti:
Dallas Austin
voce:
Chilli (Rozonda Thomas, member of TLC), Lisa "Left Eye" Lopes e T‐Boz
voce di accompagnamento:
Debra Killings
registrata presso e mixata presso:
D.A.R.P Studios in Atlanta, Georgia, Stati Uniti
campionamenti:
Hey Young World di Slick Rick
registrazione di:
Creep
compositore:
Cookin’ Soul (Spanish hip hop producer, formerly trio/duo)
registrazione di:
Creep
paroliere e compositore:
Dallas Austin
editore:
Darp Music e EMI April Music Inc.
TLC4.554:26
8Right Here (Human Nature radio mix)
registrazione di:
Right Here (Human Nature Remix)
autore:
John Bettis, Brian Alexander Morgan e Steve Porcaro
editore:
Bam Jams Music, Interscope Pearl Music, Inc. e Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
si basa su:
Human Nature
revisione di:
Right Here
SWV3:29
9We Are Family (Sure Is Pure remix edit)
remixer:
Sure Is Pure
registrazione di:
We Are Family
autore:
Bernard Edwards e Nile Rodgers
editore:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC e Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
Sister Sledge23:57
10Heart of Glass
assistente tecnico:
Grey Russell
tecnico:
Peter Coleman (British engineer & producer)
assistente produttore:
Peter Coleman (British engineer & producer)
produttore:
Mike Chapman (Australian producer and songwriter)
batteria :
Clem Burke
chitarra :
Frank Infante e Chris Stein
chitarra basso :
Nigel Harrison
tastiera :
Jimmy Destri
voce:
Deborah Harry
diritti fonografici (℗) detenuti da:
Chrysalis (nel 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (nel 1978) e Chrysalis Records, Inc. (not for release label use!) (nel 1979)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1978-06 al 1978-07)
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 2), Indie 88: Top 500 Indie Rock Songs (numero: 138), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 138) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 255)
registrazione di:
Heart of Glass
autore:
Deborah Harry e Chris Stein
editore:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher (affiliated with PRS)), EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation e Rare Blue Music Inc (nel 1978)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
versione di:
Once I Had a Love
Blondie4.53:53
11Heaven Is a Place on Earth
tecnico di registrazione:
Steve McMillan
programmazione degli strumenti:
Charles Judge (American guitarist, pianist, arranger and songwriter) e Rick Nowels
assistente tecnico:
Matthew Freeman (engineer), Clark Germaine, Brian Scheuble e Joe Schiff
tecnico aggiunto:
Stacy Baird e Robert Feist
produttore:
Rick Nowels
produttore aggiunto:
Robert Feist (altra voce [vocal]) e Ellen Shipley (altra voce [vocal])
tecnico di missaggio:
Shelly Yakus
altri strumenti [fairlight] :
Rhett Lawrence
basso :
John Pierce (US session bassist)
batteria [drums] :
Kenny Aronoff e Curly Smith (Jo Jo Gunne musician)
chitarra [air guitar] e voce principale:
Belinda Carlisle
chitarra [guitars] aggiunto:
Michael Landau
chitarra acustica [acoustic guitars] :
Rick Nowels
chitarra aggiunto:
Tim Pierce (US session guitarist)
chitarra elettrica [electric guitars] :
Dan Huff, John McCurry e Rick Nowels
percussione aggiunto:
Jimmy Bralower e Paulinho da Costa (Brazilian percussionist)
pianoforte [acoustic piano] :
Charles Judge (American guitarist, pianist, arranger and songwriter)
tastiera [keyboards] :
Charles Judge (American guitarist, pianist, arranger and songwriter) e Rick Nowels
tastiera [keyboards] aggiunto:
Thomas Dolby
voce:
Beth Anderson (US pop vocalist), Charlotte Caffey, Donna Davidson, Donna Delory, Edie Lehmann, Rick Nowels, Michelle Phillips e Ellen Shipley
arrangiatore:
Rick Nowels
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1987) e Virgin Records Ltd (not for release label use! for company relationships only) (nel 1987)
registrata in aggiunta presso:
Cherokee Studios in Hollywood, Los Angeles, California, Stati Uniti, Hollywood Sound in Los Angeles, California, Stati Uniti e Music Grinder Studios in Hollywood, Los Angeles, California, Stati Uniti
registrata presso:
American Recording e Ocean Way Studio
mixata presso:
A&M Studios in Hollywood, Los Angeles, California, Stati Uniti
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 400)
registrazione di:
Heaven Is a Place on Earth
autore:
Rick Nowels e Ellen Shipley
editore:
BMG Bumblebee (A BMI-affiliated publishing entity of BMG Rights Management), EMI Music Publishing (do not use as a release label!), EMI Virgin Music Publishing Australia P/L, Future Furniture Music (nel 1987) e Shipwreck Music (publisher) (nel 1987)
sub-editore:
Fujipacific Music, Inc.
Belinda Carlisle4.053:57
12Manic Monday
produttore:
David Kahne
tecnico di missaggio:
David Leonard (US producer and engineer)
batteria :
Debbi Peterson (drummer for The Bangles)
chitarra :
Susanna Hoffs e Vicki Peterson
chitarra basso :
Michelle Steele
voce principale:
Susanna Hoffs
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 208)
registrazione di:
Manic Monday
paroliere e compositore:
Prince (“The Artist Formerly Known as…”)
Bangles43:04
13Alisha Rules the World
registrazione di:
Alisha Rules the World
paroliere e compositore:
Terence James Martin, Karen Poole e Shelly Poole (British singer/songwriter)
Alisha’s Attic4:07
14You're HistoryShakespears Sister24:25
15You Lied to MeCathy Dennis3:37
16Supermodel
registrazione di:
Supermodel (You Better Work)
autore:
Jimmy Harry (pop music composer, producer, engineer), RuPaul e Larry Tee
RuPaul4:00
17Short Short Man
registrazione di:
Short Dick Man
compositore:
Charlie Babie e Manny Mohr
editore:
Tango Rose Music
20 Fingers feat. Gillette3:19
18It's Raining Men
tecnico di missaggio:
Randy Tominaga
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (not for release label use! company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP) (nel 1982)
parte di:
VH1's 100 Greatest One-Hit Wonders of the '80s (numero: 36)
registrazione di:
It’s Raining Men
autore:
Paul Jabara e Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick)
editore:
EMI Songs Ltd., Olga Music, Postvalda Music, Songs of Manhattan Island Music Co., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019/05/16)
The Weather Girls3.653:28
19Naked Eye
produttore:
Jill Cunniff, Daniel Lanois (Canadian record producer, guitarist, vocalist, and songwriter) e Tony Mangurian
tecnico di missaggio:
Jamie Candiloro, Jill Cunniff e Tony Mangurian
mixata presso:
Baby Monster Studios in New York, New York, Stati Uniti
edit di:
Naked Eye di Luscious Jackson
registrazione di:
Naked Eye
autore:
Jill Cunniff, Kate Schellenbach e Vivian Trimble
editore:
EMI April Music Inc., Grand Royal Music e Luscious Jackson Music
Luscious Jackson4:08
20Extremis (Qattara remix edit)
produttore aggiunto:
Qattara
remixer:
Qattara
edit di:
Extremis (Qattara remix) di Hal (Techno artists, released Extremis) featuring Gillian Anderson (US actress)
registrazione di:
Extremis
Hal feat. Gillian Anderson4:04

Accreditamenti

Pubblicazione

ASIN:UK: B000026M3B [info]

Gruppo di pubblicazioni

parte di:The Best Album in the World... Ever! (ordine: 1)
Discogs:https://www.discogs.com/master/78764 [info]