Aspects of Andrew Lloyd Webber

~ Pubblicazione di Andrew Lloyd Webber (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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▼ CD 1
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1The Music of the Night (from “The Phantom of the Opera”)
tecnico e tecnico di missaggio:
Mike Ross‐Trevor (engineer)
produttore:
Ian Hughes (modern classical composer/arranger) e Bruce Talbot
orchestra:
The BBC Concert Orchestra
direttore d'orchestra:
Ian Hughes (modern classical composer/arranger)
arrangiatore:
Ian Hughes (modern classical composer/arranger)
primo violino:
Martin Loveday (cellist)
diritti fonografici (℗) detenuti da:
Castle Communications PLC (not for label use, copyright holder) (nel 1989)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito
registrazione strumentale di:
The Music of the Night (The Phantom of the Opera)
paroliere:
Charles Hart (British lyricist)
paroliere aggiunto:
Richard Stilgoe
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
The Really Useful Group Ltd (not for release label use!) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
parte di:
The Phantom of the Opera (Andrew Lloyd Webber musical)
parte di:
The Phantom of the Opera (2004 film soundtrack)
5:25
2Memory (from “Cats”)
tecnico e tecnico di missaggio:
Mike Ross‐Trevor (engineer)
produttore:
Ian Hughes (modern classical composer/arranger) e Bruce Talbot
orchestra:
The BBC Concert Orchestra
direttore d'orchestra:
Ian Hughes (modern classical composer/arranger)
arrangiatore:
Ian Hughes (modern classical composer/arranger)
primo violino:
Martin Loveday (cellist)
diritti fonografici (℗) detenuti da:
Castle Communications PLC (not for label use, copyright holder) (nel 1989)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito
registrazione strumentale di:
Memory (Cats)
paroliere:
T. S. Eliot e Trevor Nunn
autore aggiunto:
Trevor Nunn
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
Bike Music, Downtown DMP Songs, Faber Music, Faber Music Ltd., The Really Useful Music Co. Ltd. (not for release label use!) e Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
Cats (Andrew Lloyd Webber musical)
4:21
3Variations: Introduction and Theme (from “Song and Dance”)
tecnico e tecnico di missaggio:
Mike Ross‐Trevor (engineer)
produttore:
Ian Hughes (modern classical composer/arranger) e Bruce Talbot
sassofono contralto solista ospite :
Jamie Talbot (English jazz alto saxophonist)
orchestra:
The BBC Concert Orchestra
direttore d'orchestra:
Ian Hughes (modern classical composer/arranger)
arrangiatore:
Ian Hughes (modern classical composer/arranger)
primo violino:
Martin Loveday (cellist)
diritti fonografici (℗) detenuti da:
Castle Communications PLC (not for label use, copyright holder) (nel 1989)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito
registrazione di:
Introduction (from “Song and Dance”)
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
The Really Useful Group Ltd. (not for release label use!)
parte di:
Song & Dance (Andrew Lloyd Webber musical)
4:01
4Don’t Cry for Me Argentina (from “Evita”)
tecnico e tecnico di missaggio:
Mike Ross‐Trevor (engineer)
produttore:
Ian Hughes (modern classical composer/arranger) e Bruce Talbot
quena [kena] solista ospite :
Adrian Brett
orchestra:
The BBC Concert Orchestra
direttore d'orchestra:
Ian Hughes (modern classical composer/arranger)
arrangiatore:
Ian Hughes (modern classical composer/arranger)
primo violino:
Martin Loveday (cellist)
diritti fonografici (℗) detenuti da:
Castle Communications PLC (not for label use, copyright holder) (nel 1989)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito
registrazione strumentale di:
Don’t Cry for Me Argentina (Evita)
paroliere:
Tim Rice
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
Evita Music, Evita Music Ltd., Leeds Music (MCA), Universal Music Corp. (USA, affiliated with ASCAP) e Universal Music Publishing (Universal Music Publishing Limited, UK subsidiary of Universal Music Publishing Group)
parte di:
Evita (Andrew Lloyd Webber musical)
4:51
5Anything but Lonely (from “Aspects of Love”)
tecnico e tecnico di missaggio:
Mike Ross‐Trevor (engineer)
produttore:
Ian Hughes (modern classical composer/arranger) e Bruce Talbot
orchestra:
The BBC Concert Orchestra
direttore d'orchestra:
Ian Hughes (modern classical composer/arranger)
arrangiatore:
Ian Hughes (modern classical composer/arranger)
primo violino:
Martin Loveday (cellist)
diritti fonografici (℗) detenuti da:
Castle Communications PLC (not for label use, copyright holder) (nel 1989)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito
registrazione strumentale di:
Anything but Lonely
paroliere:
Don Black (English lyricist) e Charles Hart (British lyricist)
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
The Really Useful Group Ltd. (not for release label use!)
parte di:
Aspects of Love (full musical)
3:01
6Tell Me on a Sunday (from “Song and Dance”)
tecnico e tecnico di missaggio:
Mike Ross‐Trevor (engineer)
produttore:
Ian Hughes (modern classical composer/arranger) e Bruce Talbot
orchestra:
The BBC Concert Orchestra
direttore d'orchestra:
Ian Hughes (modern classical composer/arranger)
arrangiatore:
Ian Hughes (modern classical composer/arranger)
primo violino:
Martin Loveday (cellist)
diritti fonografici (℗) detenuti da:
Castle Communications PLC (not for label use, copyright holder) (nel 1989)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito
registrazione di:
Tell Me on a Sunday
paroliere:
Don Black (English lyricist)
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) e The Really Useful Company Ltd. (The Really Useful Company Limited)
parte di:
Song & Dance (Andrew Lloyd Webber musical)
parte di:
Tell Me on a Sunday (full musical)
3:54
7The Jellicle Ball (from “Cats”)
tecnico e tecnico di missaggio:
Mike Ross‐Trevor (engineer)
produttore:
Ian Hughes (modern classical composer/arranger) e Bruce Talbot
orchestra:
The BBC Concert Orchestra
direttore d'orchestra:
Ian Hughes (modern classical composer/arranger)
arrangiatore:
Ian Hughes (modern classical composer/arranger)
primo violino:
Martin Loveday (cellist)
diritti fonografici (℗) detenuti da:
Castle Communications PLC (not for label use, copyright holder) (nel 1989)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito
registrazione strumentale di:
The Jellicle Ball
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
Faber Music, Faber Music Ltd. e The Really Useful Music Co. Ltd. (not for release label use!)
parte di:
Cats (Andrew Lloyd Webber musical)
3:37
8Love Changes Everything (from “Aspects of Love”)
tecnico e tecnico di missaggio:
Mike Ross‐Trevor (engineer)
produttore:
Ian Hughes (modern classical composer/arranger) e Bruce Talbot
orchestra:
The BBC Concert Orchestra
direttore d'orchestra:
Ian Hughes (modern classical composer/arranger)
arrangiatore:
Ian Hughes (modern classical composer/arranger)
primo violino:
Martin Loveday (cellist)
diritti fonografici (℗) detenuti da:
Castle Communications PLC (not for label use, copyright holder) (nel 1989)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito
registrazione strumentale di:
Love Changes Everything
paroliere:
Don Black (English lyricist) e Charles Hart (British lyricist)
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
The Really Useful Music Co. Ltd. (not for release label use!)
parte di:
Aspects of Love (full musical)
3:35
9Gethsemane (I Only Want to Say) (from “Jesus Christ Superstar”)
tecnico e tecnico di missaggio:
Mike Ross‐Trevor (engineer)
produttore:
Ian Hughes (modern classical composer/arranger) e Bruce Talbot
sassofono contralto solista ospite :
John Franchi (saxophonist & flautist)
orchestra:
The BBC Concert Orchestra
direttore d'orchestra:
Ian Hughes (modern classical composer/arranger)
arrangiatore:
Ian Hughes (modern classical composer/arranger)
primo violino:
Martin Loveday (cellist)
diritti fonografici (℗) detenuti da:
Castle Communications PLC (not for label use, copyright holder) (nel 1989)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito
registrazione strumentale di:
Gethsemane (I Only Want to Say) (Jesus Christ Superstar)
paroliere:
Tim Rice
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
Leeds Music Ltd., MCA Music Ltd., Universal/MCA Music (music publisher; do not use as release label!) e Universal/MCA Music Ltd. (not for release label use!)
parte di:
Jesus Christ Superstar (Andrew Lloyd Webber musical)
4:57
10Pie Jesu (from “Requiem”)
tecnico e tecnico di missaggio:
Mike Ross‐Trevor (engineer)
produttore:
Ian Hughes (modern classical composer/arranger) e Bruce Talbot
orchestra:
The BBC Concert Orchestra
direttore d'orchestra:
Ian Hughes (modern classical composer/arranger)
arrangiatore:
Ian Hughes (modern classical composer/arranger)
primo violino:
Martin Loveday (cellist)
diritti fonografici (℗) detenuti da:
Castle Communications PLC (not for label use, copyright holder) (nel 1989)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito
registrazione strumentale di:
Requiem: Pie Jesu
paroliere e compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
MCA Music Ltd., The Really Useful Company Limited e The Really Useful Music Co. Ltd. (not for release label use!)
parte di:
Requiem
3:44
11Close Every Door (from “Joseph and the Amazing Technicolor Dreamcoat”)
tecnico e tecnico di missaggio:
Mike Ross‐Trevor (engineer)
produttore:
Ian Hughes (modern classical composer/arranger) e Bruce Talbot
orchestra:
The BBC Concert Orchestra
direttore d'orchestra:
Ian Hughes (modern classical composer/arranger)
arrangiatore:
Ian Hughes (modern classical composer/arranger)
primo violino:
Martin Loveday (cellist)
diritti fonografici (℗) detenuti da:
Castle Communications PLC (not for label use, copyright holder) (nel 1989)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito
registrazione strumentale di:
Close Every Door (Joseph and the Amazing Technicolor Dreamcoat)
paroliere:
Tim Rice
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
The Really Useful Music Co. Ltd. (not for release label use!)
parte di:
Joseph and the Amazing Technicolor Dreamcoat (Andrew Lloyd Webber musical)
3:05
12Buenos Aires (from “Evita”)
tecnico e tecnico di missaggio:
Mike Ross‐Trevor (engineer)
produttore:
Ian Hughes (modern classical composer/arranger) e Bruce Talbot
sassofono contralto solista ospite :
Jamie Talbot (English jazz alto saxophonist)
orchestra:
The BBC Concert Orchestra
direttore d'orchestra:
Ian Hughes (modern classical composer/arranger)
arrangiatore:
Ian Hughes (modern classical composer/arranger)
primo violino:
Martin Loveday (cellist)
diritti fonografici (℗) detenuti da:
Castle Communications PLC (not for label use, copyright holder) (nel 1989)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito
registrazione strumentale di:
Buenos Aires (Evita)
paroliere:
Tim Rice
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
Evita Music Ltd. e Universal-On Backstreet Music, Inc.
parte di:
Evita (Andrew Lloyd Webber musical)
3:41
13I Don’t Know How to Love Him (from “Jesus Christ Superstar”)
tecnico e tecnico di missaggio:
Mike Ross‐Trevor (engineer)
produttore:
Ian Hughes (modern classical composer/arranger) e Bruce Talbot
chitarra acustica solista ospite :
David Miller (UK period lutist / guitarist) e Nigel Patterson (guitarist)
orchestra:
The BBC Concert Orchestra
direttore d'orchestra:
Ian Hughes (modern classical composer/arranger)
arrangiatore:
Ian Hughes (modern classical composer/arranger)
primo violino:
Martin Loveday (cellist)
diritti fonografici (℗) detenuti da:
Castle Communications PLC (not for label use, copyright holder) (nel 1989)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito
registrazione strumentale di:
I Don’t Know How to Love Him
paroliere:
Tim Rice
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Leeds Music (MCA), Leeds Music Ltd., MCA Music Ltd., Universal/MCA Music (music publisher; do not use as release label!) e Universal/MCA Music Ltd. (not for release label use!)
parte di:
Jesus Christ Superstar (Andrew Lloyd Webber musical)
3:37
14Aspects of Andrew: Jesus Christ Superstar / The Phantom of the Opera / All I Ask of You / King Herod’s Song
tecnico e tecnico di missaggio:
Mike Ross‐Trevor (engineer)
produttore:
Ian Hughes (modern classical composer/arranger) e Bruce Talbot
orchestra:
The BBC Concert Orchestra
direttore d'orchestra:
Ian Hughes (modern classical composer/arranger)
arrangiatore:
Ian Hughes (modern classical composer/arranger)
primo violino:
Martin Loveday (cellist)
diritti fonografici (℗) detenuti da:
Castle Communications PLC (not for label use, copyright holder) (nel 1989)
registrata presso:
CBS Studios (London, 1972–1989) in London (Greater London), England, Regno Unito
registrazione strumentale di:
All I Ask of You (The Phantom of the Opera)
paroliere:
Charles Hart (British lyricist)
paroliere aggiunto:
Richard Stilgoe
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) e The Really Useful Group PLC (not for release label use!) (nel 1986)
sub-editore:
Colgems-EMI Music Inc. (conclusa)
parte di:
The Phantom of the Opera (Andrew Lloyd Webber musical)
parte di:
The Phantom of the Opera (2004 film soundtrack)
registrazione strumentale di:
King Herod’s Song
paroliere:
Tim Rice
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
Norrie Paramor Music Ltd., The Really Useful Group Ltd. (not for release label use!) e Universal/MCA Music Ltd. (not for release label use!)
parte di:
Jesus Christ Superstar (Andrew Lloyd Webber musical)
medley che comprende una registrazione parziale di:
Superstar
paroliere:
Tim Rice
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
Leeds Music Ltd., MCA Music Ltd., Universal/MCA Music (music publisher; do not use as release label!) e Universal/MCA Music Ltd. (not for release label use!)
parte di:
Jesus Christ Superstar (Andrew Lloyd Webber musical)
medley che comprende una registrazione strumentale di:
The Phantom of the Opera (Christine, The Phantom)
paroliere:
Charles Hart (British lyricist) e Richard Stilgoe
paroliere aggiunto:
Mike Batt
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
The Really Useful Group Ltd (not for release label use!)
parte di:
The Phantom of the Opera (2004 film soundtrack)
parte di:
The Phantom of the Opera (Andrew Lloyd Webber musical)
revisione di:
The Phantom of the Opera (lyrics without Charles Hart’s words)
4:14

Accreditamenti

Pubblicazione

ASIN:US: B000000C84 [info]