Disco Inferno

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▶ CD 1
▼ CD 2
#TitleArtistRatingLength
1Heaven Must Be Missing an Angel
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1976)
edit of:
Heaven Must Be Missing an Angel by Tavares (US R&B, funk and soul music)
recording of:
Heaven Must Be Missing an Angel
writer:
Freddie Perren and Keni St. Lewis
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing International Ltd. and Universal Music Publishing Ltd. (Universal Music Publishing Limited, UK subsidiary of Universal Music Publishing Group)
Tavares43:33
2Everybody Dance
recording of:
Everybody Dance
writer:
Bernard Edwards and Nile Rodgers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Chic3:34
3All American Girls
producer:
Narada Michael Walden
recording of:
All American Girls
lyricist:
Joni Sledge, Anukampa Lisa Walden and Allee Willis
composer:
Narada Michael Walden
Sister Sledge3:55
4I Shoulda Loved Ya
recording of:
I Shoulda Loved Ya
writer:
T.M. Stevens (US bass player Thomas Michael Stevens), Narada Michael Walden and Allee Willis
Narada Michael Walden4:00
5You’re the First, the Last, My Everything
engineer:
Frank Kejmar (engineer)
producer:
Barry White
arranger:
Gene Page and Barry White
phonographic copyright (℗) by:
PolyGram Records, Inc. (PolyGram Records, Incorporated, not for release label use! US division of PolyGram) (in 1974)
recording of:
You’re the First, the Last, My Everything
writer:
Peter Sterling Radcliffe, Tony Sepe and Barry White
publisher:
Chappell & Co., Inc. (USA), January Music Corp., Little A Music, My Baby's Music Company, Sa‐Vette Music, Sa‐Vette Music Inc., Unichappell Music, Inc. and World Song Publishing Inc.
Barry White3.753:24
6Yes Sir, I Can Boogie
producer:
Rolf Soja
phonographic copyright (℗) by:
Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1977)
recording of:
Yes Sir, I Can Boogie (original English version)
lyricist:
Frank Dostal
composer:
Rolf Soja
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Louvigny-Marquee Music Ltd., Peer Music and Peermusic (UK) Ltd.
Baccara4.754:34
7The Devil Is Loose
recording of:
The Devil Is Loose
writer:
Asha Puthli and Dieter Zimmermann (German composer, arranger and producer)
Asha Puthli3:32
8It Makes You Feel Like Dancin’
edit of:
It Makes You Feel Like Dancin’ by Rose Royce
recording of:
It Makes You Feel Like Dancin'
lyricist, writer and composer:
Norman Whitfield
Rose Royce4:23
9Shame
recording of:
Shame
writer:
Reuben Cross and John H. Fitch, Jr.
publisher:
Dunbar Music, Inc. and Mills & Mills Music
Evelyn “Champagne” King3:48
10Love Me Baby
phonographic copyright (℗) by:
Carrère (just “Carrère" or “Disques Carrère”, not “CARRÈRE MUSIC”) and Carrere International (Copyrights holder for Carrere) (in 1977)
recording of:
Don’t Love Me Baby
publisher:
Roba Music (publisher) (in 1977)
recording of:
Love Me Baby
lyricist:
Copperman and Pamela Forrest
composer:
Paul Racer and Mike Wickfield
publisher:
Roba Music (publisher) (in 1977)
Sheila & B. Devotion3:38
11I’m Every Woman
remixer:
Dancin’ Danny D (British DJ, producer, remixer and A&R)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
edit of:
I’m Every Woman (remix version by Dancin’ Danny D) by Chaka Khan
recording of:
I’m Every Woman
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Nick‐O‐Val Music Co., Inc.
Chaka Khan53:34
12I’ll Be Around
recording engineer:
Joe Tarsia (engineer)
producer:
Thom Bell (keyboards, songwriter, producer)
bass:
Ron Baker (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (keyboards, songwriter, producer) (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (in 1973)
bass vocals:
Pervis Jackson (in 1973)
tenor vocals:
Billy Henderson (founding member of The Spinners) (in 1973), Bobbie Smith (US R&B singer) (in 1973) and Philippé Wynne (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
I’ll Be Around (in 1973)
composer:
Thom Bell (keyboards, songwriter, producer) and Phil Hurtt
publisher:
Mighty Three Music Ld. and Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
The Spinners53:13
13He’s the Greatest Dancer
recording of:
He’s the Greatest Dancer
writer:
Bernard Edwards and Nile Rodgers
publisher:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC, Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Sister Sledge4.153:35
14Funky Nassau, Part 1
recording of:
Funky Nassau
lyricist and composer:
Tyrone Patrick Fitzgerald and Ray Munnings
publisher:
EMI Longitude Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
The Beginning of the End3:06
15Forget Me Nots
recording of:
Forget Me Nots
writer:
Terri McFaddin, Patrice Rushen and Freddie Washington (US session bassist)
publisher:
Baby Fingers Music, Freddie Dee Music, Global Musikverlag (Global Musik GmbH & Co. KG) and Yamina Music
Patrice Rushen54:05
16The Glow of Love
producer:
Jacques Fred Petrus
lead vocals:
Luther Vandross
conductor:
David Romani and Paolo Gianolio
arranger:
David Romani and Paolo Gianolio
recording of:
Glow of Love
writer:
Wayne Garfield, Mauro Malavasi and Davide Romani
publisher:
Little Macho Music and Spirit Two Music Inc.
Change6:12
17Keep the Fire Burning
recording of:
Keep the Fire Burning
lyricist and composer:
Willie Hutch
Gwen McCrae43:31
18Born to Be Alive
recording of:
Born to Be Alive
lyricist and composer:
Patrick Hernandez
Patrick Hernandez3:10
19Nights on Broadway
cover recording of:
Nights on Broadway
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
Abigail Music, BMG Music, BMG Publishing Ltd., Careers Music, Inc., Careers–BMG Music Publishing, Inc., Casserole Music Corp., Crompton Songs, Gibb Brothers Music, Slamm Music, Inc (BMI-affiliated), Unichappell Music, Inc., Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Abigail Music Ltd. (publisher) (in 1975) and Flam Music Ltd. (in 1975)
Candi Staton3:28
20Theme From Shaft
producer:
Isaac Hayes
bass guitar:
James Alexander (US soul bassist, singer and songwriter)
bongos and congas:
Gary Jones (percussionist)
electric piano:
Lester Snell
electric piano, organ, piano and vibraphone and lead vocals:
Isaac Hayes
guitar:
Charles Pitts and Michael Toles
membranophone and tambourine:
Willie "Too Big" Hall
phonographic copyright (℗) by:
Stax Records (not for release) (in 1971)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 303)
recording of:
Theme From Shaft (Shaft, 1971)
lyricist and composer:
Isaac Hayes
publisher:
Irving Music, Inc.
part of:
The 44th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 44)
part of:
Shaft (1971 film soundtrack)
Isaac Hayes44:34