Island Life

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

▼ CD 1
Nr.TitelKünstlerBewertungLänge
1My Boy Lollipop
cover recording of:
My Boy Lollipop
Verfasser(in):
Morris Levy, Johnny Roberts (US songwriter, "My Boy Lollipop") und Robert Spencer (English lutenist, guitarist & musicologist)
Millie Small2:02
2While You See a Chance
assistierende(r) Techniker(in):
John Clarke (engineer, associated with Steve Winwood)
Techniker(in), Produzent(in) und Mix:
Steve Winwood
phonographisches Urheberrecht (℗) von:
Island Records, Inc. (US) (in 1980)
engineered at:
Netherturkdonic Studios in Gloucester, Gloucestershire, England, Vereinigtes Königreich
recording of:
While You See a Chance
Texter und Komponist(in):
Will Jennings und Steve Winwood
publisher:
Blue Sky Rider Songs, F.S. Music Ltd., Fantasy Songs Ltd., Irving Music, Inc., Rondor Music Ltd. (publisher) und Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
Steve Winwood5:13
3All Right Now
recording of:
All Right Now
Verfasser(in):
Andy Fraser (English bassist, member of Free) und Paul Rodgers
publisher:
Blue Mountain Music, Blue Mountain Music Ltd., Blue Mountain Music Scandinavia, Catherine’s Peak Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Music, Inc., Kobalt Music Publishing Ltd. (UK), Polygram Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Free4:12
4Get Up, Stand Up
recording engineer:
Sylvan Morris
Produzent(in):
Chris Blackwell (Island Records) und The Wailers (’60s – ’70s Jamaican reggae band of Wailer, Marley & Tosh)
Mix:
Phill Brown (UK engineer) und Tony Platt (UK engineer and producer)
Bass:
Aston “Family Man” Barrett (in 1973-04)
Gitarre und Sologesang:
Bob Marley (Jamaican reggae artist) (in 1973-04) und Peter Tosh (in 1973-04)
Keyboard:
Earl “Wya” Lindo (in 1973-04)
Perkussion:
Alvin “Seeco” Patterson (in 1973-04) und Bunny Wailer (in 1973-04)
Schlagzeug:
Carlton “Carly” Barrett (in 1973-04)
Tenor-Gesang [harmony vocals]:
Peter Tosh (in 1973-04) und Bunny Wailer (in 1973-04)
phonographisches Urheberrecht (℗) von:
Island Records Ltd. (Island Records Limited, not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1973, von 1973 bis 1983)
aufgenommen bei:
Harry J's Recording Studio in Kingston (Kingston Parish), Jamaika (in 1973-04)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 260) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 296)
recording of:
Get Up, Stand Up (in 1973-04)
Verfasser(in):
Bob Marley (Jamaican reggae artist) und Peter Tosh
publisher:
Because Éditions, Campbell Connelly France, Cayman Music, Odnil Music, Blue Mountain Music (in 1974), Fifty Six Hope Road Music Limited (in 1974), Odnil Music Ltd. (in 1974) und Stuck On Music (in 1974)
Bob Marley & The Wailers4.153:18
5Pride (In the Name of Love)
U24:42
6Montego Bay
cover recording of:
Montego Bay
Verfasser(in):
Jeff Barry und Bobby Bloom (US singer-songwriter)
publisher:
Cheezburger Music Co. und EMI Unart Catalog Inc.
Amazulu3:04
7Two Tribes
recording of:
Two Tribes
geschrieben in:
Liverpool, Merseyside, England, Vereinigtes Königreich (von 1982 bis 1983)
Texter und Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Mark William O'Toole (former bassist of Frankie Goes to Hollywood) und William Johnson
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Frankie Goes to Hollywood4:11
8Pull Up to the Bumper
recording of:
Pull Up to the Bumper
Verfasser(in):
Lowell “Sly” Dunbar, Grace Jones, Dana Manno und Robert “Robbie” Shakespeare
Grace Jones3:39
9Up Where We Belong
Produzent(in):
Stewart Levine (record producer and saxophonist)
Gitarre:
Louie Shelton
Keyboard:
Robbie Buchanan (Canadian producer) und Bobby Lyle
Perkussion:
Paulinho da Costa (Brazilian percussionist)
Schlagzeug:
Leon Ndugu Chancler
Sologesang:
Joe Cocker und Jennifer Warnes
recording of:
Up Where We Belong (An Officer and a Gentleman)
Texter:
Will Jennings
Komponist(in):
Jack Nitzsche (American musician and score composer) und Buffy Sainte‐Marie
Teil von:
The 55th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 55)
Joe Cocker & Jennifer Warnes3.23:53
10Addicted to Love
Produzent(in):
Bernard Edwards
Mix:
Eric Thorngren
recording of:
Addicted to Love
Texter und Komponist(in):
Robert Palmer (English singer‐songwriter)
publisher:
Bungalow Music, Bungalow Music N.V., Heavy Nova Music, Island Music Ltd., Neue Welt Musikverlag GmbH & Co. KG (– 2017), Warner Chappell North America Ltd., Warner/Chappell Music Canada Ltd., Warner/Chappell Music Ltd. (1996–2019) und WB Music Corp. (1929–2019)
Robert Palmer54:06
11Now That We’ve Found Love
cover recording of:
Now That We Found Love
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Blue Mountain Music Ltd, Mighty Three Music 301 /373, ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Third World5:40
12Broken English
Marianne Faithfull4:36
13Dear Mr. Fantasy
Produzent(in):
Jimmy Miller (producer for Rolling Stones/Nirvana etc)
recording of:
Dear Mr. Fantasy (in 1967)
Texter:
Jim Capaldi
Komponist(in):
Steve Winwood und Chris Wood (of Traffic)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) und Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
Traffic55:40
14Relax
Produzent(in):
Trevor Horn
zusätzliche(r) Produzent(in):
Stephen Lipson
Bassgitarre:
Mark O’Toole (former bassist of Frankie Goes to Hollywood)
Gast-Keyboard:
Andrew Richards (Strawbs keyboard player/record producer) und Anne Dudley (English score composer)
Gast-Perkussion:
Luis Jardim
Gitarre:
Brian Nash (British guitarist (Frankie Goes to Hollywood) and songwriter)
Schlagzeug:
Peter Gill (UK drummer for Frankie Goes to Hollywood)
Sologesang:
Holly Johnson, Mark O’Toole (former bassist of Frankie Goes to Hollywood) und Paul Rutherford (member of Frankie Goes to Hollywood)
conductor:
Stuart Bruce
phonographisches Urheberrecht (℗) von:
Zang Tuum Tumb (for copyrights use only; aka Zang Tuum Tumb or Zang Tumb Tuum prior to incorporation ca. 1988) (in 1984)
aufgenommen bei:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
Karaokeversion von:
Epic Relax (Sandro Silva & Quintino vs. Frankie Goes to Hollywood) (extended version) von DJ Schmolli
Teil von:
VH1's 100 Greatest One-Hit Wonders of the '80s (Nummer: 10) und Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 44)
recording of:
Relax
Texter:
William Johnson
Komponist(in):
Peter Gill (UK drummer for Frankie Goes to Hollywood), Mark O’Toole (former bassist of Frankie Goes to Hollywood) und William Johnson
publisher:
Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Frankie Goes to Hollywood4.13:55
15May You Never
recording of:
May You Never
Texter und Komponist(in):
Iain David McGeachy (British singer‐songwriter and guitarist)
publisher:
Intersong Music Ltd. und Intersong U.S.A. (publisher)
John Martyn3:42
16Solidarity
Black Uhuru4:28
17Keep On Running
The Spencer Davis Group2:43
18I Still Haven’t Found What I’m Looking For
U24:37