Kings of Rock ’n’ Roll

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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▼ CD 1
#TitoloArtistaValutazioneDurata
1Honey Hush
Johnny Burnette & the Rock ’n’ Roll Trio2:04
2C’mon Everybody
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 403)
registrazione di:
C’mon Everybody
autore:
Jerry Capehart e Eddie Cochran (US rock and roll musician active in 1950s)
editore:
EMI Music Publishing (do not use as a release label!), EMI Unart Catalog Inc., Metric Music Co (publisher) e Warner–Tamerlane Publishing Corp. (Warner–Tamerlane Publishing Corporation, publisher; do NOT use as release label)
Eddie Cochran31:57
3Johnny B. Goode
produttore:
Leonard & Phil Chess (Legendary US production duo)
batteria :
Jasper Thomas (il 1958-01-06)
chitarra e voce principale:
Chuck Berry (il 1958-01-06)
contrabbasso :
Willie Dixon (il 1958-01-06)
pianoforte :
Johnnie Johnson (il 1958-01-06)
registrata presso:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Stati Uniti (il 1958-01-06)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 1), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 3), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 7), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 33) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 53)
registrazione di:
Johnny B. Goode (il 1958-01-06)
paroliere e compositore:
Chuck Berry (nel 1955)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e ロックンロール ミュージック (Rock ’n’ Roll Music)
parte di:
Back to the Future: the Musical
Chuck Berry4.252:43
4Hound Dog
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-07-02)
batteria :
D.J. Fontana (il 1956-07-02)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1956-07-02) e Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
pianoforte :
Shorty Long (1950s country/rockabilly artist) (il 1956-07-02)
voce:
The Jordanaires (il 1956-07-02)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-07-02)
esecutore aggiunto:
The Jordanaires
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956, nel 1972), BMG Music (nel 1956) e Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Stati Uniti (il 1956-07-02)
registrazione cover di:
Hound Dog (il 1956-07-02)
paroliere:
Jerry Leiber (il 1952-08-12)
compositore:
Mike Stoller (il 1952-08-12)
precedentemente attribuito a:
Johnny Otis
editore:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company e Williamson Music, Inc.
Elvis Presley3.852:17
5Great Balls of Fire
produttore:
Jack Clement e Sam Phillips (founder of Sun Records) (nel 1957)
batteria :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.)
chitarra basso :
Sidney Stokes
pianoforte :
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (nel 1957-10)
voce:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (nel 1957-10)
diritti fonografici (℗) detenuti da:
Sun Record Company (nel 1957)
edit di:
Great Balls of Fire (chat & master) di Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 7), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 96) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 242)
registrazione di:
Great Balls of Fire (nel 1957-10)
autore:
Otis Blackwell (American pianist, singer and songwriter) e Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
editore:
Carlin Music Corporation e Hill & Range Songs, Inc. (publisher)
Jerry Lee Lewis4.41:52
6Peggy Sue
produttore:
Norman Petty
basso :
Joe B. Mauldin (il 1957-07-01)
batteria :
Jerry Allison (il 1957-07-01)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01) e Niki Sullivan (il 1957-07-01)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-07-01)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 194) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 370)
registrazione di:
Peggy Sue (dal 1957-06-29 al 1957-07-01)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (UK) Limited, Southern Music (publisher) e Wren Music Co.
Buddy Holly4.52:30
7La Bamba
tecnico di registrazione:
Larry Levine e Stan Ross (recording engineer, mixer & producer)
produttore:
Bob Keane
diritti fonografici (℗) detenuti da:
Del-Fi Records Inc. (nel 1958)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 142) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 346)
registrazione di:
La bamba (additional lyrics by Ritchie Valens) (il 1958-11-17)
supporto a vario titolo:
Ritchie Valens (incarico: adapted by)
paroliere aggiunto:
Ritchie Valens
autore:
[traditional] (special purpose artist)
editore:
Carlin Music Corporation e EMI Longitude Music
versione di:
La bamba
Ritchie Valens4.652:09
8At the Hop
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 28)
registrazione di:
At the Hop
autore:
John L. Medora, Artie Singer (US songwriter, producer and bandleader) e David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
editore:
Sea-Lark Enterprises, Inc., Singular Music e Tristan Music Ltd.
Danny & the Juniors3.52:32
9Long Tall Sally
registrazione di:
Long Tall Sally
autore:
Enotris Johnson (il 1955-11-29), Richard Wayne Penniman (il 1955-11-29) e Robert Alexander Blackwell (il 1955-11-29)
editore:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music e Venice Music
Little Richard2:10
10Splish Splash
produttore:
Herb Abramson e Ahmet Ertegun (US American Songwriter, producer)
registrazione di:
Splish Splash
autore:
Bobby Darin e Jean Murray
editore:
Alley Music Corp., EMI Unart Catalog Inc., Good Music Ltd. e Oirt Music Inc.
Bobby Darin32:14
11Bird Dog
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1958)
registrazione di:
Bird Dog (nel 1958)
paroliere e compositore:
Boudleaux Bryant
editore:
Acuff-Rose Publications, Inc. (BMI) (il 1958-08-15) e House of Bryant Publications (publisher; do NOT use as release label) (nel 1978)
The Everly Brothers12:17
12Betty Lou Got a New Pair of Shoes
produttore:
Morty Palitz
registrazione di:
Betty Lou’s Got a New Pair of Shoes
paroliere e compositore:
Bobby Freeman
editore:
Benell Music Co., Bobby Freeman Music e Clockus Music
Bobby Freeman42:28
13Well… All Right
produttore:
Norman Petty
basso :
Joe B. Mauldin (il 1958-02-12)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1958-02-12)
piatti :
Jerry Allison (il 1958-02-12)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1958-02-12)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1958) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1958)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1958-02-12)
registrazione di:
Well… All Right (il 1958-02-12)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) e MPL Music Publishing Inc.
Buddy Holly42:16
14Blue Jean Bop
registrazione di:
Blue Jean Bop
autore:
Hal Levy e Gene Vincent
Gene Vincent42:24
15The Twist
registrata a:
Cincinnati, Ohio, Stati Uniti (il 1958-11-11)
basso :
Edwyn Conley (il 1958-11-11)
basso elettrico :
Navarre Hastings (il 1958-11-11)
batteria :
George DeHart (il 1958-11-11)
chitarra :
Cal Green (il 1958-11-11)
membranofono :
George DeHart
pianoforte :
Sonny Thompson (US R&B bandleader and pianist) (il 1958-11-11)
sassofono tenore :
Ray Felder (il 1958-11-11) e James E. Henry Moore (il 1958-11-11)
voce:
The Midnighters (aka The Midnighters until 1958) (il 1958-11-11)
voce di accompagnamento:
The Midnighters (aka The Midnighters until 1958)
voce principale:
Hank Ballard (il 1958-11-11)
registrazione di:
The Twist (il 1958-11-11)
paroliere e compositore:
Hank Ballard
editore:
Carlin Music Corp. e Embassy Music Corporation (dal 2016-06 a oggi)
Hank Ballard and the Midnighters42:36
16I Got Stung
registrazione cover di:
I Got Stung
autore:
David Hill (US songwriter) e Aaron Schroeder (1950s~1960s US songwriter)
editore:
Carlin Music Corporation, Gladys Music, Gladys Music Inc., Minder Music Ltd. e Rachel’s Own Music
Elvis Presley1:52
17I’m Walkin’
diritti fonografici (℗) detenuti da:
F. D. & Hunter (publisher) (nel 1957)
edit di:
I’m Walking di Fats Domino
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 17)
registrazione di:
I’m Walkin’ (il 1957-01-03)
paroliere e compositore:
Antoine Dominique Domino (Fats Domino) e Dave Bartholomew
editore:
Cordial MV, EMI Catalogue Partnership, EMI Unart Catalog Inc. e Rolf Budde Musikverlag (aka Budde Music)
Fats Domino52:00
18Down the Line
Ricky Nelson2:33
19Chantilly Lace
registrazione di:
Chantilly Lace
paroliere e compositore:
J.P. Richardson
editore:
Glad Music Co.
The Big Bopper52:23
20Rebel Rouser
registrazione di:
Rebel‐’Rouser
compositore:
Duane Eddy e Lee Hazlewood
Duane Eddy3.52:24
21Well I’m Your Man
Johnny Tillotson2:17
22Itchy Twitchy Feeling
Bobby Hendricks2:29
23I Like Love
voce:
Roy Orbison
registrazione di:
I Like Love
paroliere e compositore:
Jack Clement
editore:
Universal–Songs of PolyGram International, Inc.
Roy Orbison2:32
24Willie and the Hand Jive
registrazione di:
Willie and the Hand Jive
paroliere e compositore:
Johnny Otis
editore:
Eldorado Music Company
Johnny Otis2:36
25High Class Baby
registrazione di:
High Class Baby
compositore:
Ian Samwell
editore:
Carlin Music Corp.
Cliff Richard2:11
▼ CD 2
#TitoloArtistaValutazioneDurata
1Rock Around the Clock
batteria :
Billy Gussak (il 1954-04-12)
chitarra :
Bill Haley (il 1954-04-12)
chitarra elettrica :
Danny Cedrone (il 1954-04-12)
chitarra steel :
William F. 'Billy' Williamson (il 1954-04-12)
contrabbasso :
Marshall Lytle (il 1954-04-12)
pianoforte :
Johnny Grande (il 1954-04-12)
sassofono tenore :
Joey D'Ambrosio (il 1954-04-12)
voce:
Bill Haley (il 1954-04-12)
registrazione di:
Rock Around the Clock (Bill Haley’s version) (il 1954-04-12)
paroliere e compositore:
Jimmy De Knight (nel 1952) e Max C. Freedman (American songwriter and lyricist) (nel 1952)
arrangiatore:
Harry Filler
editore:
Edward Kassner Music Co. Ltd. e Myers Music, Inc.
versione di:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
registrazione cover di:
Rock Around the Clock (Bill Haley’s version)
paroliere e compositore:
Jimmy De Knight (nel 1952) e Max C. Freedman (American songwriter and lyricist) (nel 1952)
arrangiatore:
Harry Filler
editore:
Edward Kassner Music Co. Ltd. e Myers Music, Inc.
versione di:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley and His Comets42:13
2Jeannie, Jeannie, Jeannie
Eddie Cochran2:22
3Come On Let’s Go
tecnico di registrazione:
Larry Levine e Stan Ross (recording engineer, mixer & producer)
produttore:
Bob Keane
registrazione di:
Come On, Let’s Go
paroliere e compositore:
Ritchie Valens
editore:
Tro-Essex Music Ltd.
Ritchie Valens4.252:03
4Roll Over Beethoven
produttore:
Leonard & Phil Chess (Legendary US production duo)
batteria :
Melvin Billups (il 1956-04-19)
chitarra e voce principale:
Chuck Berry (il 1956-04-19)
contrabbasso :
Willie Dixon (il 1956-04-19)
pianoforte :
Johnnie Johnson (il 1956-04-19)
sassofono tenore :
Leroy C. Davis (il 1956-04-19)
tromba :
Vincent Pitts (il 1956-04-19)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1956)
registrata presso:
Universal Studios (Chicago, IL, USA) in Chicago, Illinois, Stati Uniti (il 1956-04-19)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 2) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 97)
registrazione di:
Roll Over Beethoven (il 1956-04-19)
paroliere e compositore:
Chuck Berry (nel 1956-01)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-editore:
Fujipacific Music, Inc. e Rock ’n’ Roll Music
Chuck Berry4.152:24
5Heartbreak Hotel
tecnico:
Bob Ferris (engineer)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1956-01-10)
batteria :
D.J. Fontana (il 1956-01-10)
chitarra :
Chet Atkins (il 1956-01-10), Scotty Moore (American guitarist and recording engineer) (il 1956-01-10) e Elvis Presley (“The King of Rock and Roll”) (il 1956-01-10)
pianoforte :
Floyd Cramer (il 1956-01-10)
voce:
Elvis Presley (“The King of Rock and Roll”), Ben Speer (il 1956-01-10), Lena Brock "Mom" Speer (il 1956-01-10) e Gordon Stoker (US pianist, tenor vocalist and music publisher) (il 1956-01-10)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1956-01-10)
editore:
Sony/ATV Songs LLC
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1956), BMG Music (nel 1956) e Sony BMG Music Entertainment (Sony BMG Music Entertainment, Inc., Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
RCA Studios (Nashville) in Nashville, Tennessee, Stati Uniti (il 1956-01-10)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 1), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 45) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 347)
registrazione di:
Heartbreak Hotel (il 1956-01-10)
autore:
Mae Boren Axton, Tommy Durden e Elvis Presley (“The King of Rock and Roll”)
editore:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing e Unichappell Music
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
Elvis Presley3.652:10
6Blueberry Hill
diritti fonografici (℗) detenuti da:
Everest Records (classical) e Liberty (a division of UMG Recordings, Inc.) (nel 1957)
edit di:
Blueberry Hill (Imperial) di Fats Domino
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 17), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 81) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 147)
registrazione cover di:
Blueberry Hill (il 1956-06-27)
paroliere:
Al Lewis (Tin Pan Alley era lyricist) e Larry Stock
compositore:
Vincent Rose (early-20th century violinist, pianist, composer & bandleader)
editore:
Chappell & Co., Inc. (USA), Larry Stock Music Co., Redwood Music Ltd. (Carlin), Sovereign Music Company e Victoria Music Publishing Co. Ltd.
parte di:
12 Monkeys Soundtrack
Fats Domino4.652:22
7Cannonball
Duane Eddy1:56
8Blue Suede Shoes
batteria :
W.S. Holland (nel 1955-12)
chitarra :
Carl Perkins (American pioneer of rockabilly music) (nel 1955-12) e Jay Perkins (nel 1955-12)
contrabbasso :
Clayton Perkins (nel 1955-12)
voce:
Carl Perkins (American pioneer of rockabilly music) (nel 1955-12)
diritti fonografici (℗) detenuti da:
Sun (US label founded in 1952) (nel 1955, dal 1956 a oggi)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 5) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 95)
registrazione di:
Blue Suede Shoes (nel 1955-12)
paroliere e compositore:
Carl Perkins (American pioneer of rockabilly music) (nel 1955)
editore:
Aberbach (London) (Publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. e Wren Music Co.
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Carl Perkins42:16
9Tear It Up
batteria :
Eddie Gray (rockabilly drummer) (il 1956-05-07)
chitarra :
Paul Burlison (il 1956-05-07) e Johnny Burnette (il 1956-05-07)
contrabbasso :
Dorsey Burnette (il 1956-05-07)
voce:
Johnny Burnette (il 1956-05-07)
registrata presso:
Pythian Temple in Lincoln Square, New York, New York, Stati Uniti (il 1956-05-07)
registrazione di:
Tear It Up (il 1956-05-07)
autore:
Paul Burlison, Dorsey Burnette e Johnny Burnette
Johnny Burnette & the Rock ’n’ Roll Trio1:55
10Jailhouse Rock
registrazione di:
Jailhouse Rock
paroliere:
Jerry Leiber
compositore:
Mike Stoller
editore:
ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music, Mike Stoller Music (ASCAP), Silver Seahorse Music LLC e Sony/ATV Songs LLC
sub-editore:
Fujipacific Music, Inc., ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
Elvis Presley2:34
11Whole Lotta Shakin’ Goin’ On
registrazione cover di:
Whole Lotta Shakin’ Goin’ On
autore:
Roy Hall (US rockabilly pianist & songwriter) e Dave “Curly” Williams
editore:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc., Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) e Whole Lotta Shakin' Music
Jerry Lee Lewis2:54
12Ooby Dooby
registrazione di:
Ooby Dooby
paroliere e compositore:
Wade Moore e Dick Penner
editore:
Hi Lo Music, Peer International Corporation (BMI) e Southern Music Publishing Company Limited
Roy Orbison2:12
13Shake, Rattle and Roll
registrata a:
New York, New York, Stati Uniti (il 1954-02-15)
produttore:
Ahmet Ertegun (US American Songwriter, producer) e Jerry Wexler
batteria [drums] :
Connie Kay (il 1954-02-15)
chitarra :
Mickey Baker (il 1954-02-15)
contrabbasso [bass] :
Lloyd Trotman (US jazz bassist) (il 1954-02-15)
pianoforte :
Jesse Stone (il 1954-02-15)
sassofono baritono :
Haywood Henry (US jazz saxophonist) (il 1954-02-15)
sassofono tenore :
Sam Taylor (US jazz/blues saxophonist 1916-1990) (il 1954-02-15)
trombone :
Wilbur DeParis (il 1954-02-15)
voce:
Big Joe Turner (il 1954-02-15)
arrangiatore:
Jesse Stone
registrazione cover di:
Shake, Rattle and Roll (il 1954-02-15)
paroliere aggiunto:
Daryl Bosteels
autore:
Charles Calhoun e Jesse Stone
editore:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music e Unichappell Music, Inc.
Big Joe Turner53:01
14Claudette
registrazione di:
Claudette
paroliere e compositore:
Roy Orbison
editore:
Acuff-Rose (BMI)
The Everly Brothers2:13
15Black Slacks
Joe Bennett & the Sparkletones2:09
16Shirley Lee
registrazione cover di:
Shirley Lee
paroliere e compositore:
Bobby Lee Trammell
Ricky Nelson2:00
17Not Fade Away
registrazione di:
Not Fade Away
autore:
Charles Hardin Holley (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (UK) Limited e Wren Music
Buddy Holly2:18
18Keep A Knockin’
batteria :
Charles Connor (il 1957-01-16)
chitarra :
Nathaniel Douglas (il 1957-01-16)
chitarra basso :
Olsie Robinson (il 1957-01-16)
pianoforte e voce principale:
Little Richard (il 1957-01-16)
sassofono baritono :
Samuel Parker Jr. (US saxophonist) (il 1957-01-16)
sassofono tenore :
Clifford Burks (il 1957-01-16), Grady Gaines (R & B sax player / bandleader) (il 1957-01-16) e Wilbert Smith (il 1957-01-16)
edit di:
Keep a Knockin' (slate & take 2) di Little Richard
registrazione di:
Keep A Knockin’ (Little Richard’s version) (il 1957-01-16)
paroliere e compositore:
Richard Wayne Penniman (nel 1957-01)
editore:
MCA Music Ltd.
versione di:
Keep A-Knockin' an You Can't Get In
Little Richard2:18
19The Purple People Eater
diritti fonografici (℗) detenuti da:
Bear Family Records (dal 1997 a oggi)
registrazione di:
The Purple People Eater (nel 1958)
paroliere e compositore:
Sheb Wooley
editore:
Channel Music Co. e Peter Maurice Music Co. Ltd.
Sheb Wooley3.52:15
20Tequila
registrazione di:
Tequila
paroliere e compositore:
Daniel Flores (Daniel Flores)
The Champs4.32:12
21Modern Romance
Sanford Clark2:03
22Be‐Bop‐A‐Lula
batteria [drums] :
Dickie Harrell (il 1956-05-04)
chitarra [lead guitar] :
Cliff Gallup (lead guitarist for The Blue Caps) (il 1956-05-04)
chitarra [rhythm guitar] :
Willie Williams (50s rock guitarist) (il 1956-05-04)
contrabbasso [upright bass] :
Jack Neal (il 1956-05-04)
voce:
Gene Vincent (il 1956-05-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (dal 1956 a oggi)
registrata presso:
Owen Bradley Studio (aka the "Quonset Hut") in Nashville, Tennessee, Stati Uniti (il 1956-05-04)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 9) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 102)
registrazione di:
Be‐Bop‐A‐Lula (il 1956-05-04)
autore:
Bill “Tex” Davis e Gene Vincent
Gene Vincent4.352:36
23Move It
registrazione di:
Move It
compositore:
Ian Samwell
editore:
Multimood Music Ltd.
Cliff Richard2:23
24Breathless
produttore:
Jack Clement e Sam Phillips (founder of Sun Records)
batteria :
Jimmy Van Eaton (il 1958-01-21)
chitarra :
Roland Janes (il 1958-01-21) e Billy Lee Riley (il 1958-01-21)
chitarra basso :
Jay W. Brown (1960s US R&B, single “That’s How Much / Don’t Push Me Around”) (il 1958-01-21)
pianoforte :
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (il 1958-01-21)
voce:
Jerry Lee Lewis (Rock & Roll pianist, nicknamed “The Killer”) (il 1958-01-21)
diritti fonografici (℗) detenuti da:
Sun Record Company (nel 1958)
registrazione di:
Breathless (il 1958-01-21)
paroliere e compositore:
Otis Blackwell (American pianist, singer and songwriter)
editore:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher), Home Folks Music (USA) Inc. e Obie Music Inc.
Jerry Lee Lewis42:43
25Wake Up Little Susie
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1957)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 21) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 311)
registrazione di:
Wake Up Little Susie (nel 1957)
autore:
Boudleaux Bryant e Felice Bryant
editore:
Acuff-Rose Publications, Inc. (BMI), House of Bryant Publications (publisher; do NOT use as release label) e Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC)
The Everly Brothers4.651:59

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compresa in:Forever Rock ’n’ Roll