| holds phonographic copyright (℗) for |
|---|
| 2001 | Another Cloudy Day | | | All Wound Up | 2:19 |
| 2001 | Any Other Way | | | All Wound Up | 2:23 |
| 2001 | Bittersweet | | | All Wound Up | 2:58 |
| 2001 | Hero | | | All Wound Up | 3:02 |
| 2001 | Now or Never | | | All Wound Up | 2:24 |
| 2001 | On My Own | | | All Wound Up | 3:28 |
| 2001 | One Hundred Percent of Nothing | | | All Wound Up | 3:11 |
| 2001 | Reason | | | All Wound Up | 2:35 |
| 2001 | Seventhirty | | | All Wound Up | 2:17 |
| 2001 | Show Me | | | All Wound Up | 2:47 |
| 2001 | Sing the Gap | | | All Wound Up | 3:15 |
| 2001 | Unconsciously Believing | | | All Wound Up | 2:09 |
| 2002 | Bullet to Binary | | | mewithoutYou | 2:45 |
| 2002 | Gentlemen | | | mewithoutYou | 2:48 |
| 2002 | I Used to Hate Cell Phones but Now I Hate Car Accidents | | | Norma Jean | 4:45 |
| 2002 | The Shotgun Message | | | Norma Jean | 1:47 |
| 2004 | A Boy Brushed Red Living in Black and White | | | Underoath | 4:28 |
| 2004 | As Your Voice Fades | Tooth & Nail Records Co., Inc. | | Emery | 4:03 |
| 2004 | Bloodless | Tooth & Nail Records Co., Inc. | | Emery | 4:23 |
| 2004 | By All Accounts (Today Was a Disaster) | Tooth & Nail Records Co., Inc. | | Emery | 4:07 |
| 2004 | Disguising Mistakes With Goodbyes | Tooth & Nail Records Co., Inc. | | Emery | 3:20 |
| 2004 | Down, Set, Go | | | Underoath | 3:44 |
| 2004 | Fractions | Tooth & Nail Records Co., Inc. | | Emery | 5:14 |
| 2004 | I Don’t Feel Very Receptive Today | | | Underoath | 3:42 |
| 2004 | I’m Content With Losing | | | Underoath | 3:55 |
| 2004 | It’s Dangerous Business Walking Out Your Front Door | | | Underoath | 3:59 |
| 2004 | Reinventing Your Exit | | | Underoath | 4:23 |
| 2004 | Reinventing Your Exit | | | Underoath | 3:56 |
| 2004 | Some Will Seek Forgiveness, Others Escape | | | Underoath | 4:21 |
| 2004 | The Blue Note | | | Underoath | 0:51 |
| 2004 | The Impact of Reason | | | Underoath | 3:24 |
| 2004 | The Note From Which a Chord Is Built | Tooth & Nail Records Co., Inc. | | Emery | 2:28 |
| 2004 | The Ponytail Parades | Tooth & Nail Records Co., Inc. | | Emery | 4:06 |
| 2004 | The Secret | Tooth & Nail Records Co., Inc. | | Emery | 5:56 |
| 2004 | Under Serious Attack | Tooth & Nail Records Co., Inc. | | Emery | 3:47 |
| 2004 | Walls | Tooth & Nail Records Co., Inc. | | Emery | 3:24 |
| 2004 | Young and Aspiring | | | Underoath | 3:05 |
| 2006 | A Moment Suspended in Time | | | Underoath | 4:00 |
| 2006 | Casting Such a Thin Shadow | | | Underoath | 6:14 |
| 2006 | Everyone Looks So Good From Here | | | Underoath | 2:56 |
| 2006 | In Regards to Myself | | | Underoath | 3:24 |
| 2006 | Moving for the Sake of Motion | | | Underoath | 3:15 |
| 2006 | Returning Empty Handed | | | Underoath | 4:27 |
| 2006 | Sālmarnir | | | Underoath | 2:57 |
| 2006 | There Could Be Nothing After This | | | Underoath | 3:26 |
| 2006 | To Whom It May Concern | | | Underoath | 7:03 |
| 2006 | Writing on the Walls | | | Underoath | 4:02 |
| 2006 | You’re Ever So Inviting | | | Underoath | 4:14 |
| 2007 | Amazing Because It Is | | | The Almost | 4:24 |
| 2007 | Call Back When I’m Honest | | | The Almost | 3:24 |
| 2007 | Clouds | | | As Cities Burn | 5:21 |
| 2007 | Contact | | | As Cities Burn | 6:51 |
| 2007 | Dirty and Left Out | | | The Almost | 3:42 |
| 2007 | Drive There Now | | | The Almost | 3:11 |
| 2007 | Empire | | | As Cities Burn | 3:27 |
| 2007 | Everyone Here Smells Like a Rat | | | The Almost | 3:18 |
| 2007 | Everything That Makes Me Sick | | | The Almost | 3:31 |
| 2007 | I Mostly Copy Other People | | | The Almost | 3:22 |
| 2007 | Never Say “I Told You So” | | | The Almost | 2:59 |
| 2007 | New Sun | | | As Cities Burn | 4:34 |
| 2007 | Our World Is Grey | | | As Cities Burn | 5:57 |
| 2007 | Say This Sooner | | | The Almost | 3:14 |
| 2007 | Southern Weather | | | The Almost | 3:25 |
| 2007 | Stop It | | | The Almost | 3:35 |
| 2007 | The Hoard | | | As Cities Burn | 3:54 |
| 2007 | This Is It, This Is It | | | As Cities Burn | 3:40 |
| 2007 | Tides | | | As Cities Burn | 3:05 |
| 2007 | Timothy | | | As Cities Burn | 12:48 |
| 2007 | Wrong Body | | | As Cities Burn | 5:48 |
| 2008 | A Boy Brushed Red, Living in Black and White | | | Underoath | 4:56 |
| 2008 | A Fault Line, a Fault of Mine | | | Underoath | 3:22 |
| 2008 | A Moment Suspended in Time | | | Underoath | 3:54 |
| 2008 | Anyone Can Dig a Hole but It Takes a Real Man to Call It Home | | | Underoath | 3:16 |
| 2008 | Breathing in a New Mentality | | | Underoath | 2:37 |
| 2008 | Casting Such a Thin Shadow | | | Underoath | 6:14 |
| 2008 | Coming Down Is Calming Down | | | Underoath | 3:15 |
| 2008 | Desolate Earth :: The End Is Here | | | Underoath | 4:07 |
| 2008 | Desperate Times Desperate Measures | | | Underoath | 3:28 |
| 2008 | Emergency Broadcast :: The End Is Near | | | Underoath | 5:44 |
| 2008 | Everyone Looks So Good From Here | | | Underoath | 5:02 |
| 2008 | In Regards to Myself | | | Underoath | 3:01 |
| 2008 | It’s Dangerous Business Walking Out Your Front Door | | | Underoath | 3:50 |
| 2008 | Moving for the Sake of Motion | | | Underoath | 3:20 |
| 2008 | Returning Empty Handed | | | Underoath | 6:49 |
| 2008 | The Created Void | | | Underoath | 4:02 |
| 2008 | The Only Survivor Was Miraculously Unharmed | | | Underoath | 3:09 |
| 2008 | To Whom It May Concern | | | Underoath | 5:39 |
| 2008 | Too Bright to See, Too Loud to Hear | | | Underoath | 4:31 |
| 2008 | We Are the Involuntary | | | Underoath | 4:10 |
| 2008 | Writing on the Walls | | | Underoath | 4:07 |
| 2008 | You’re Ever So Inviting | | | Underoath | 4:09 |
| 2008 | Young and Aspiring | | | Underoath | 2:50 |
| 2014 | Annica | | | Artifex Pereo | 3:55 |
| 2014 | Apeiron | | | Artifex Pereo | 4:23 |
| 2014 | Cut Sign | | | Artifex Pereo | 3:49 |
| 2014 | Hands of Penance | | | Artifex Pereo | 3:00 |
| 2014 | Laugh & the World Laughs With You | | | Artifex Pereo | 3:37 |
| 2014 | Liable for Tragedy | | | Artifex Pereo | 4:09 |
| 2014 | No Stranger to Worry | | | Artifex Pereo | 4:50 |
| 2014 | Overview | | | Artifex Pereo | 3:36 |
| See all 105 relationships |
| distributed |
|---|
| No Sir, Nihilism Is Not Practical | | | Showbread | |
| holds copyright (©) for |
|---|
| 1996 | Move to Bremerton | | | MxPx | |
| 1997 | Small Town Minds | | | MxPx | |
| 1998 – | Let It Happen | | | MxPx | |
| 1999 – | File Under Ramones | | | Huntingtons | |
| 2001 | Hero | | | All Wound Up | |
| 2002 | Norma Jean / mewithoutYou | | | Norma Jean and mewithoutYou | |
| 2004 | No Sir, Nihilism Is Not Practical | | | Showbread | |
| 2004 | Reinventing Your Exit | | | Underoath | |
| 2006 | Age of Reptiles | | | Showbread | |
| 2006 | Age of Reptiles | | | Showbread | |
| 2006 | Define the Great Line | | | Underoath | |
| 2006 | Define the Great Line | | | Underoath | |
| 2006 – | Smile, It's the End of the World | | | Hawk Nelson | |
| 2007 | Come Now Sleep | | | As Cities Burn | |
| 2007 | Secret Weapon (special edition) | | | MxPx | |
| 2007 | Southern Weather | | | The Almost | |
| 2008 | Nervosa | | | Showbread | |
| 2008 | Survive, Kaleidoscope | | | Underoath | |
| 2009 | The Fear of God | | | Showbread | |
| 2014 | Time in Place | | | Artifex Pereo | |
| 17 | | | MxPx | |
| On the Cover | | | MxPx | |
| holds phonographic copyright (℗) for |
|---|
| 1996 | Move to Bremerton | | | MxPx | |
| 1997 | Small Town Minds | | | MxPx | |
| 1998 – | Let It Happen | | | MxPx | |
| 1999 | File Under Ramones | | | Huntingtons | |
| 2004 | No Sir, Nihilism Is Not Practical | | | Showbread | |
| 2004 | The Weak’s End | Tooth & Nail Records Co., Inc. | | Emery | |
| 2006 | Age of Reptiles | | | Showbread | |
| 2006 | Age of Reptiles | | | Showbread | |
| 2006 – | Smile, It's the End of the World | | | Hawk Nelson | |
| 2007 | Secret Weapon (special edition) | | | MxPx | |
| 2008 | Nervosa | | | Showbread | |
| 2009 | The Fear of God | | | Showbread | |
| 17 | | | MxPx | |
| Monoculture | | | Sainthood Reps | |
| On the Cover | | | MxPx | |
| licensed |
|---|
| The Weak’s End | | | Emery | |
| manufactured |
|---|
| Age of Reptiles | | | Showbread | |
| Age of Reptiles | | | Showbread | |
| Come Now Sleep | | | As Cities Burn | |
| Define the Great Line | | | Underoath | |
| Define the Great Line | | | Underoath | |
| Everything Is Alive, Everything Is Breathing, Nothing Is Dead and Nothing Is Bleeding | | | The Chariot | |
| Lost in the Sound of Separation | | | Underoath | |
| Monoculture | | | Sainthood Reps | |
| Nervosa | | | Showbread | |
| O’ God, the Aftermath | | | Norma Jean | |
| O’ God, the Aftermath | | | Norma Jean | |
| Secret Weapon (special edition) | | | MxPx | |
| Smile, It's the End of the World | | | Hawk Nelson | |
| Survive, Kaleidoscope | | | Underoath | |
| The Blueprint Dives | | | Extol | |
| The Fear of God | | | Showbread | |
| Time in Place | | | Artifex Pereo | |
| published |
|---|
| Huh, Volume 14 | | | Various Artists | |